David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.'Untitled' by David Armfield an oil on canvas painting depicts sand, sea, distant mountains and various figures scattered about in a typical Armfield landscape. The figures tend to be annonymous, sometimes included more to establish the scale than for a narrative purpose. The figures are well clothed and it could be assumed that it is not a hot summer's day. Depth is established by changing of colours and diminishing the size of the figures.david armfield, beach, eltham, nillumbik shire council

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires. Painting: oil on canvas. Depicting the desolate aftermath of a bushfire in Eltham. Trees are bare and burnt, foreground is sparse, whilst background is fiery red.david armfield, eltham, bushfire

Peter PILVEN (1956- ) Born Ballarat Peter Pilven is acknowledged by his peers for his high level of tacit skills, including throwing, and for his sound technical knowledge of materials.Training with John Gilbert's Edinburgh Pottery from 1972-1975, Pilven trained with Joan Campbell in Fremantle in 1976. In 1977 Peter Pilven obtained a Diploma of Fine Art (Ceramics) from Ballarat College of Advanced Education (now Federation University). The following year he worked with Ian Dowling at Geraldton, WA, and with the Western Australian Aboriginal Education Unit in 1979. He next trained with Alan Cagier-Smith in England between 1980 and 1981. Peter Pilven established his own studio in 1982. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown high-fired oxidised porcelain, multi layered painting with stains and oxides.art, artwork, pilven, peter pilven, ceramics, high fire

Peter PILVEN (1956- ) Born Ballarat Peter Pilven is acknowledged by his peers for his high level of tacit skills, including throwing, and for his sound technical knowledge of materials.Training with John Gilbert's Edinborough Pottery from 1972-1975, Pilven trained with Joan Campbell in Fremantle in 1976. In 1977 Peter Pilven obtained a Diploma of Fine Art (Ceramics) from Ballarat College of Advanced Education (now Federation University). The following year he worked with Ian Dowling at Geraldton, WA, and with the Western Australian Aboriginal Education Unit in 1979. He next trained with Alan Cagier-Smith in England between 1980 and 1981. Peter Pilven established his own studion in 1982. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, peter pilven, ceramics

Examples of Melbourne Legacy Club newsletters, covering the activities of Melbourne Legacy Widows' Club. Information includes a notice from the Chairman of the Widows' Committee, dates of meetings, possible day trips and theatre outings, and cruises. The ladies were welcome to attend monthly meetings, card afternoons, indoor bowls competitions, outings and tours, plus the annual fete and Christmas concert. The first edition of the newsletter was in 1960, previously there had been a quarterly magazine but the distribution was limited, they changed to a 4 page newsletter format to reach more of the widows. By 1987 and 1988 it was a 8 page publication, by the end of 1989 it was 12 pages long. Editions were edited by Joan Miller, the Widows Club Co-ordinator. Various pages of interest have been added to show different news items. Other editions haven't been scanned.Brings to life the activities provided for the widows and the work of Melbourne Legacy in the early years.Black typed newsletter x 24 editions from 1987 to 1990, No 161 to 184, each edition 8 or 12 pages. No 161, January 1987 No 162, March 1987 No 163, May 1987 No 164, July 1987 No 165, September 1987 No 166, November 1987 No 167, January 1988 No 168, March 1988 No 169, May 1988 No 170, July 1988 No 171, September 1988 No 172, November 1988 No 173, January 1989 No 174, March 1989 No 175, May 1989 No 176, July 1989 No 177, September 1989 No 178, November 1989 No 179, January 1990 No 180, March 1990 No 181, May 1990 No 182, July 1990 No 183, September 1990 No 184, November 1990newsletter, activities

A regular event for the widows was a concert by the Police Band in the Fitzroy Gardens. It was held in March for many years. The concert in 1994 was a success with beautiful weather. Over 740 widows attended. The Victoria Police Concert Band was led by Musical Director, Inspector Michael Pyne. There was a performance by the Police Pipe Band. Singer Brian Carbery performed. The photos show the widows sitting in the sunshine and the band including the police drum horse Gendarme. The article about the horse says it was the first appearance by 'Gendarme 5' who took over from another horse that passed away last year. Photos also included Legatee Eddie Jowett with a widow, and Legatee Charles Munnerley and Joan Miller, who both work on the Legacy newsletter. Photos were in an envelope marked with 'Victoria Police Concert and Pipe Bands, 7/3/94'A record of regular events for widows to attend and enjoy together.Colour photo x 8 of a Police Band concert in Fitzroy Gardens in 1994 and an article in the Answer.widows, answer, concert, police band

Back Row (L-R): Mr Thomas, Mr Trethewy, Mr Edwards, Mrs Hermans, Mr Sinclair, Mr Rintoul, Mr Smythe Middle Row (L-R):, Mr Philips, Mr Johnson, Mr Tong, Miss Charles, Miss Hiatt, Mrs Berriman, Mrs Cox, Mr Collinson, Mr Robertson, Mr Eddy Front Row (L-R): Mrs Menkins, Mr Ronan, Miss Williams, Mr Shine, Mr Myer (Headmaster), Miss Service, Mr O’Connor, Mrs Burt, Mr Berge, Miss Maxwell Local Eltham resident Joan Castledine attended Macleod High School in 1957. Miss Maxwell (end of front row) lived at 82 Bible Street, Eltham at the top of the hill in 1980. This was the former Taylor family residence , Sunnybrook, built c.1895."Macleod High School Staff 1957" in ink at top edge of photo. Names of staff written in ink on reverse of photo1957, groups, joan castledine collection, macleod high school, miss charles, miss hiatt, miss maxwell, miss service, miss williams, mr berge, mr collinson, mr eddy, mr edwards, mr johnson, mr myer, mr o’connor, mr philips, mr rintoul, mr robertson, mr ronan, mr shine, mr sinclair, mr smythe, mr thomas, mr tong, mr trethewy, mrs berriman, mrs burt, mrs cox, mrs hermans, mrs menkins, staff

The photograph is dated 1938 in the early LDHS "Index of Photographs". However a companion photograph showing the boys' group (Registration no. 2018-40 - shows same location) is dated 1937. Names in early "Index of Photographs" at LDHS: Back row (L-R): Violet Shepherd, Bertha Cluff, Eileen Barr, Mildred Shepherd, Esther Cluff, Ida Nelson, Joy Gillett, Eva Foster. Second row: Brenda Megee, Bertha Stratton, Doris Watson, Joyce(?) Uren, Doreen Keating, Gwen Smith, Mavis Gillett, Wilma Shields, Joy McCorkell. Third row: Dawn Witton, Joan Kerr, Joy Stratton, Ailsa McDonald, Betty Lancaster, June Emerson. Front row: Yvonne Cluff, Gracie Hearn, Myrna Howard, Nannette Hunt, Enid Shields, Beryl Shields, Dawn Lancaster, Lorraine Nelson, Margaret Gangell.Black and white copy of original photograph, mounted on white card, which shows a group of girls posed for a photograph under a tree. The school building and a picket fence can be glimpsed in the background.linton state school no. 880, violet shepherd, bertha cluff, eileen barr, mildred shepherd, esther cluff, ida nelson, joy gillett, eva foster, brenda megee, bertha stratton, doris watson, joyce(?) uren, doreen keating, gwen smith, mavis gillett, wilma shields, joy mccorkell, dawn witton, joan kerr, joy stratton, ailsa mcdonald, betty lancaster, june emerson, yvonne cluff, gracie hearn, myrna howard, nannette hunt, enid shields, beryl shields, dawn lancaster, lorraine nelson, margaret gangell

Black and white copy of the Long Gully Methodist Concert Party (Approx 1960). Photo shows ladies dressed in evening attire. Printed under the photo:- Long Gully Methodist Concert Party (Aprox 1960). Back Row L to R. - Ida Trewerne, Maude Moore, Ethel Genadini, Carole Crossley, Gwenda Meredith, Vivian Mercer, Joyce Trewartha, Beverly Leggo, Jan Collins, Annette Trewartha. Centre Row L to R. - Mavis Grenfell, Lynette Straub, Joan Rosewarne, Joyce Staley, Marg Read, Ethel Leggo, Mavis Rayner, Fernie Thomas, Margaret Trahair, Nell Straub Front Row L to R - Ruth Crossley, Gladys Crossley, Beryl Wearne, Stella Meredith, Dot Williams, Glenda Moore Photo by Leo Hughes.bendigo, history, long gully history group, the long gully history group - long gully methodist concert party, ida trewerne, maude moore, ethel genadini, carole crossley, gwenda meredith, vivian mercer, joyce trewartha, beverly leggo, jan collins, annette trewartha, mavis grenfell, lynette straub, joan rosewarne, joyce staley, marg read, ethel leggo, mavis rayner, fernie thomas, margaret trahair, nell straub, ruth crossley, gladys crossley, beryl wearne, stella meredith, dot williams, glenda moore, leo hughes

Typed piece of paper titled Long Gully Methodist Concert Party (Approx 1960). Typed names are - Back Row L to R - Ida Trewarne, Maude Moore, Ethel Genadini, Carole Crossley, Gwenda Meredith, Vivian Mercer, Joyce Trewartha, Beverly Leggo, Jan Collins, Annette Trewartha. Centre Row L to R - Mavis Grenfell, Lynette Straub, Joan Rosewarne, Joyce Staley, Marg Read, Ethel Leggo, Mavis Rayner, Fernie Thomas, Margaret Trahair, Nell Straub. Front Row L to R - Ruth Crossley, Gladys Crossley, Beryl Wearne, Stella Meredith, Dot Williams, Essie Harvey, Gwen Rowe, Pat Thomas. Glenda Moore (absent) Photo by Leo Hughes. (no photo)bendigo, history, long gully history group, the long gully history group - long gully methodist concert party, ida trewarne, maude moore, ethel genadini, carole crossley, gwenda meredith, vivian mercer, joyce trewartha, beverly leggo, jan collins, annette trewartha, mavis grenfell, lynette straub, joan rosewarne, joyce staley, marg read, ethel leggo, mavis rayner, fernie thomas, margaret trahair, nell straub, ruth crossley, gladys grossley, beryl wearne, stella meredith, dot williams, glenda moore, leo hughes

Postcard: on front, hand coloured drawing of the interior of W.A. London's Pharmacy, Pall Mall, Bendigo. Glass cabinets and shelving holding bottles, on both sides of the store. At rear, a counter and two bentwood chairs. On back of card, written in pencil 'I love somebody I know, And I love somebody I know'. In address space : Mrs B Wallace, Euton Court, Seacombe Gr., Brighton. Letter accompanying the donation states that the child who wrote on the back of the post card was my half-sister Elizabeth Joan Haine Wallace (born 1923, died 1997) ... our grandparents, George and Emily Wallace, lived at Kamarooka Estate near Hunter, north ofBendigo. Catherine Wallace. 'Made in Germany' on back of card.bendigo, business, w.a. london pharmacy, pall mall

The Australian Historical Records Society existed in Ballarat between 1896 and 1906. They were one of Australia's first historical societies, and were in the position to still be able to talk to early pioneers. They invited such pioneers to either submit letters or memoirs, or to address the Society's meetings, where their reminiscences were taken down in shorthand and later typed up. The Society also attempted to preserve memorabilia from Ballarat's early days, but on the disbanding of the group in 1906, materials were stored at the Ballarat Town Hall and were later lost. It is not known how the papers made their way to the then Ballarat Municipal Library, but they have been part of the Library's collection for many years.Mr. James McCain Meek boasted of building the first house in Ballarat, on the corner of Dana and Lydiard Streets, which was also a lemonade store and some say a sly grog shop. Meek arrived in Australia in 1847. He was in Ballarat 1851-1853, and in later life he returned to Ballarat to live at the Benevolent Asylum. When he became very ill in 1898 his daughter Marianne Dallimore took him to live with her, and he died at her property near Warrnambool in 1899. He wrote these reminiscences for the AHRS, of which he was a member. He was an excellent penman and illustrator and he produced several extraordinary complicated works. Meek was the subject of a PhD project undertaken at Federation University Australia by Joan Luxembourg, resulting in the 2015 publication The Inimitable Mr Meek. ballarat, illustration, goldrush, lithography

Bendigo Operatic Society ''The Chocolate Soldier'' Capital Theatre View St. Bendigo for Four Nights Commencing March 18th 1964. Producer: Beatrice Oakley - Musical Director: Max O'Loghlen - Asst. Producer: Miss M. Welch - Society Pianist: Mrs. Gwen Grose. Cast in Order of Appearance: Margaret Rule as Nadina (Daughter of Colonel Popoff) - Patricia McCracken as Aurelia (Her Mother) - Mary Speedy as Mascha (Her Cousin) - Harry Brewer as Lieutenant Bumerli (The Chocolate Soldier) - Fred Trewarne as Colonel Kasimir Popoff (Of the Bulgarian Army) - Brian thomas as Captain Massakroff (Of the Bulgarian Army) - Joan Crane as Katinka (Popoff's Maid) - Peter Houston as Stephan (Popoffs Manservant) - Leonard Carr as Majoe alexius Spiradoff (Of the Bulgarian Army).program, theatre, bendigo operatic society

a. Photograph. A black and white photograph of bridal couple Joan Maree Roberts and Jeffrey Raymond Filbey. Printed by the Bendigo Advertiser Newspaper. Wedding and photograph date 29/07/1972. An original photograph. Mother of the bride made the wedding dress. b. Photocopy of newspaper article from Bendigo Advertiser. c. Wedding Photograph. Adeline Isabell Vogele. Adeline was born in 1928 and lived in Eaglehawk. She married Hugh Simpson Vogel in 1953. Hugh was a farmer from Sebastian. Hugh died in 1981 and is buried at Eaglehawk Cemetery. Adeline died in 2006. Colour tinted photo by Richard Kelly, mounted on board. d. and e. Wedding egg. Small plastic egg with engraving of Cupid. Inside is a black glass bottle of perfume with stick on labels 'Mischief' and 'Saville'photograph, portrait, wedding

BHS CollectionBendigo Advertiser ''The way we were'' from Tuesday, January 13, 2004. Class of '46: Violet Street State School grade IV. Back row: Stan Thomas, Keith Gibbs, Don Hicks, Ken Stringer, Bill Allen, Dave Campbell, Bryan Roberts. Fourth row: Brian Grise, Leigh Derricott, ??, Mark Eddybone, Max Heritage, George Riley. Third row: Barry Rogers, Geoff Edlin, Toby Martin, Colin James, Robert Hartley, Kelvin Braumen. Second row: Marge Martin, Dawn Sims, Joan Jobe, Denise Plim, Audrey Fletcher, Joyce ?, Jennifer Comte. Front row: Shirley Trimble, Shirley Thomas, Joy Adamson, Rita Featherstone. Teacher: Mr Crabb. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser ''The way we were'' from Monday, March 3, 2003. Elegant: an Anglican ball debutante set, September 14, 1948. Back row: Brian Ackland, Peter Houston, Bob Burnett, Keith Rollinson, John Moran, Max Jackman, Max McCaig, David Beattie, Bob Kerr, Leith Mitchell, Reginald Runnells, Ronald Watt. Centre row: Jim Murphy, Ian Hamilton, Wilma Kilcullen, Natalia Huggins, Joan Bennett, Valarie Potter, Fay Norris, ''self'', Jean Dewar, Pat Bruechart, Peter Ladd, Arthur Wright. Front row: Pam Wright, Una Manning, Gaymor Beard, Margaret Tuff, Chaperon Mrs O.G. Lowe, Joy Thomas, Norma Ball, Betty Marshall, Norma Bennett. The clip is in a folder.newspaper, bendigo advertiser, the way we were

One sheet program for Jacqueline Dark"... with a little help from my firends!" A Sensational celebration of song Jacqui Dark, Teresa la Rocca, Tanya Christensen, Michael Black, Andrew Wilson, Kanen Breen, Catherine Carby, Tom Moran, Juan Jackson From classical to cabaret, Sondheim to swing Anything Goes as this exceptional cast perform their favourites! Sunday, October 24th, 4pm Joan Sutherland Studio The Opera Centre, 480 Elizabeth St, Surry Hillsjacqueline dark, opera, jacqui dark, teresa la rocca, tanya christensen, michael black, andrew wilson, kanen breen, catherine carby, tom moran, juan jackson

Land sale advertisement for 2nd release of residential sites with area map, layout of the estate, terms of sale, and summary of local facilities and services.Subdivision includes Daisy Street, Vale Street, Joan Court, Christine Court, and Westmore Drive. (Agent) Heathmont Estate Agency, 103 Canterbury Road, Heathmont. (Phone) WU7808-9. Brochure also includes map with streets marked as "Sold" - Reilly Street, Adrian Court, Daisy Street, Jarma Road, Joel Court, and Ross Court, with comment that "all home sites in the first release have already been sold, and most built on."

This book was compiled by Esther Temple and David Lloyd with illustrations by Betty Barberis and additional material provided by Clare Roper, Joan Macdonald, Wilma Davies and Nell Bateman. The book was first penned in 1971. It briefly covers the period from the indigenous tribes(broken down into family groupings) known as the "first Australians" who lived in the valley well before English settlers arrived. first white settlement (graziers, miners, stockmen) to smaller settlements.The development or transformation from a pristine(hunter/gatherer) valley environment to one that has been gradually changing to a more commercial rural/industrial landscaped valley. This transformation was made within a time span of two hundred years. The book details the first pioneers and their descendants, along with the changes to their environments both domestic and commercial. The book highlights dates and events that shaped the "feel" of the valley. The extreme hardships faced by pioneer families during the extremely isolated times away from "civilisation".This publication provides an insight to the struggles and victories against the harsh Australian bushland by people who had not been raised in such a sometimes inhospitable environment. It was this transformation which instilled into the Australian psyche of self sufficiency and the ability to grasp onto ideas or "bush" remedies to overcome enormous difficulties. It is is ability that has produced the many inventions useful in the 20th and 21st centuries.This book has a 250 g/m cream coloured cover with print and drawings of rural aspects of historical significance ( Aboriginal and early white settlers). The book contains 124 pages of black and white photographs(139), black and white sketches(75), two pages of sketches and freehand drawings, two freehand maps one county lease /subdivision plan and black and white printing. See KVHS 0237 (B) for the official invitation to the launch of the book.The front top cover heading(in shaded print and enclosed in a banner form) "A HISTORY OF THE KIEWA VALLEY" The bottom printing "BY ESTHER TEMPLE & DAVID LLOYD ILLUSTRATIONS BY BETTY BARBERIS" and at the very bottom "KIEWA VALLEY HISTORICAL SOCIETY" oN THE BOOK SPINE "A HISTORY OF THE KIEWA VALLEY.....BY ESTHER TEMPLE & DAVID LLOYD"early settlers, dederang, tawonga, mount beauty, sec vic hydro electricity, falls creek early settlers, bonegilla

These photographs were probably taken in the late 1940s - mid 1950s. 3275.1 was taken at the roundabout in Nicholson Street / Salisbury Street intersection looking south. On the right is the The Commonwealth Hotel and the Gippsland Northern Store can be seen on the right. The war memorial can be seen in the centre of the intersection. 3275.2 has been taken from a height (possibly from behind the hardware store) overlooking Orbost House in McLeod Street. The butter factory can be seen in the background. Back yard toilets and paling fences can be seen with a narrow lane for the sanitary truck. Mrs Ruth Hannah Macalister, 1861-1932, established “Orbost House” as a boarding house in about 1900. Following her demise “Orbost House” was taken over by her son, “Reg” and his wife and they continued the Macalister family‟s association until the accommodation house was purchased by “Slim” and Eileen Somerville and Lindsay and Joan Jensen, in partnership, in 1963. (info. from Marilyn Morgan)These photographs are detailed pictorial records of Orbost in the mid 20th century. They show the objects in their spatial context with detail.Two coloured photographs. 3275.1 is a streetscape with a large hotel on the right, a main shopping area in the background and a wooden fence on the left. 3275,2 is overlooking backyards and fences. In the middle is an extensive red roof with "ORBOST HOUSE" in white print.on back - 1948-1954orbost-1950s orbost-house commonwealth-hotel

Photos from a reunion of Junior Legatees at Watsonia Barracks in 1991. Photos include Legatee Grattan and Miss Enez Domec-Carre together and with groups of former junior legatees. Also in attendance was Sir Weary Dunlop and Legacy President John Swan (white hair and blue jumper) and his wife. Another photo shows Joan Miller with another lady. Other names unknown. From an article in the Widows' Newsletter in July 1991 it is a Grand Reunion at Watsonia Army Barracks in May for former Junior Legatees. Over 350 people attended. There were games for children, spit roasts and the renewing of friendships between former Junior Legatees and the Legatees. An article in the Herald Sun on Friday 17 May 1991 promoted the event using a photo of Ron Barassi and L/ Chas Munnerley mentioned the reunion was Sunday 19 May (item 01529). Two more photos are at 01015. It was with a scrapbook of photos from 1983 to 1991. A record of a reunion of Junior Legatees in 1991.Colour photo x 15 of a reunion of former Junior Legatees in 1991 and an article in the Answer.junior legatee, answer, reunion

The Lay Reader David Conolly was associated with the Mission for many years in particular working with trainee cadets and RAN Officers. Painted wood crucifix on a very thin backing support of hardboard. Style of the painting is that of icon artist of Russian/Greek/Byzantine style. An inscription on the reverse. Small steel hanging hook at top edge on reverse. The edges of the icon are painted red and the whole depiction is decorated with much gilding. The whole support is in the form of a t-shaped cross. The top section depicts a risen Christ at the centre surrounded by ten disciples or saints and the hand of God appears to be at the upper central edge. The Christ figure is flanked on the main cross piece by five archangels and Saint Peter. Flanking the torso of the crucified figure appear to be Maria and St Joan and on the right side Mary Magdalen, Mark (Saint?) and a centurion figure. Three small figures also featured in this section. At the lower right corner are two haloed male figures (unidentified).Front; above haloed head of the crucified figure U.C.; IHSNAZARE in gold on a red ground/ REXIVDEORV. Beneath the central panel again gold on red SEASIOANNES AND MARIA. On the other side of the central figure; MARIAMARK CENTURIU/ MAGDALEN...IACO/ BI. Hand-written inscription on reverse; "For/ all who enter/ this sacred space./ The gift of/ David Conolly/ sometime stipendiary Lay Reader/ in the Mission/ 1956-1958.david conolly, crucifix, icons, othodox, artwork

The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interestHelen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS The Brewer family were early settlers in Moorabbin Shire.3 x A4 paper printed on 1 side Issue 21 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in April 2011. Notice that the next meeting will be May 29th because April 24th is Easter Sunday and reminders about subscriptions, the Volunteer Hours Record Book, and the South Metro History Group April meeting . Joan Moore, attended a Training Day on March 28th, organised by Peta Knott, Museums Australia Victoria, for small museums to record their artefacts, photos, documents, clothing etc. on the MAV Website. The first item entered on ‘Box Cottage Museum’ site is The Keys Trophy Cup 1881. Cat No. MAV 00001. Helen has compiled a brief history of John and Ann Brewer market gardeners c1841, with photograph CITY of MOORABBIN HISTORICAL SOCIETY / APRIL 2011 NEWSLETTERcity of moorabbin historical society, stanley helen, melbourne, moorabbin, brighton, cheltenham, ormond, bentleigh, mckinnon, market gardeners, pioneers, early settlers, moorabbin shire, box cottage museum, city of moorabbin, box william, glen eira historical society, museums australia victoria, knott peta, south metro history group, brewer john, brewer ann, jasper road, point nepean road, brewer’s road

Bendigo Advertiser "The way we were" from Tuesday, August 17, 2004. School's in: Sydney Flat State School, Woodvale circa 1930. Back row: Stan Bayliss, Albert Allen, Keith Daly, Alan Meighan, Neil Daly, Alf Farnell, Bob Green, Bill Bayliss, Herb Turner. Third row: Eric Leskie, Ray O'Brien, Enid Meighan, Grace Leskie, Rita Bayliss, Joyce Leskie, Stella Tonkin, Joan Quin, Margaret Meighan, Ken Bayliss. Second row: Eric Daly, Doriss Bayliss, Phyliss Allen, Sheila Quinn, Lorna Tonkin, Mr. Mason, Edna Bayliss, Ruth Kirby,, Jack McNamara. Front row: Leslie Jube, Edmund Quinn, Clem Kirby, Joyce Meighan, Anne Meighan, Ray Turner, Edwin Quinn, Alan Kirby.newspaper, bendigo advertiser, the way we were