Showing 35508 items
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Bendigo Military Museum
Book - BOOK WW2, Nakladem Agenci Informacyjney "PBI" W. Monachiun 1946, Za drutami "Behind Barbed Wires", 1946
Black print sketches depicting life for Jewish Internees in concentration camps during World War 2. Drawn or collated by "JAN KOMSKI"Book - Cover black with cream, sketches and print, heavy paper, 20 pages, black print sketches.In Polish language - Za drutami "Behind Barbed Wires". “15 Szkicow z KZ” “rys Komski Jan”book, behind barbed wires, polish -
Melbourne Legacy
Slide, Homework at Harelands, 1960s
A colour slide of children at Harelands in the 1960s in the dining room doing their homework, helped by Legatees. It is similar to a black and white photo at 02542. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of legatees helping children at Harelands.Colour slide of children doing homework in a dining room in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '10' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands -
Melbourne Legacy
Slide, Recreation room at a residence, 1960s
A colour slide of two young men playing billiards in a recreation room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children in their education.Colour slide of two young men playing billiards in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '18' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house -
Melbourne Legacy
Slide, Laundry at a residence, 1960s
A colour slide of two young men ironing clothes in a laundry room at a Legacy residence in the 1960s. It is possibly Blamey House in Burke Road or Harelands in Willesmere Road, Kew. It appears to be the same roll of film as 03023 - which is at Harelands dated early 1960s. Legacy ran residences to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of a Legacy residence supporting children in their education.Colour slide of two young men ironing clothes in Kodachrome off-white cardboard mount with yellow and red print.Printed on front 'Made in Australia' and '21' in red ink. Faint print mark with slide date 'Se???M' Printed on reverse "Kodachrome Transparency / Processed by Kodak" in red ink.residences, harelands, blamey house -
National Wool Museum
Clothing - Suit Jacket, Suit Pants and Tie, Flair, 1980s
Navy blue pinstripe suit jacket and pants. Charcoal tie with a tan geometric print. Printed [inside jacket tag]: Flair / COOL / WOOL / WARM IRON / DRY CLEAN ONLY / PURE NEW WOOL Printed [tie label]: Country Road Australia / Made in Italy Printed [pants label] No. 9722fashion, wool, men's suit, clothing, fabric, australian made, tie, pants, jackets, design, textile -
Rutherglen Historical Society
Photograph - Image, Alf L. Bowden, The Studio
Print of 20.1Black & white photographic print of 20.1, mounted on grey card (Photograph of a band)Bottom right hand corner: "Copy / Alf L. Bowden / The Studio / Corowa / NSW" -
Bendigo Military Museum
Booklet - BOOKLETS WW1, The Bystander's Fragments from France, C.1914 - 18
See also Cat No 3477. Part of the HEWSTON collection re WW1 & WW2..1) 6 pages stapled together from 2nd edition of above book. .2) 11 pages from 1st edition of above book printed in greenish ink..1) Printed bottom in centre: “In the Support Trench” Printed bottom L: “Bruce Bairnsfather” .2) Printed bottom in centre: “Still Keeping His Hand In” Printed bottom L: “Bruce Bairnsfather”booklet, fragments, bystanders -
Whitehorse Historical Society Inc.
Photo folder
Red, yellow and black cardboard folder. Yellow circle at centre of red cover carrying words, 'Kodak Prints' in black. Two cameras depicted at lower edge. To hold developed prints and negatives awaiting collectionKodak Prints|We use Velox|This is a stamp of qualityphotography, camera accessories -
Clunes Museum
Photograph, BEAUCHAMP, PHOTO. 104 STURT STREET, BALLARAT
PHOTOGRAPH SHOWING CLUNES TOWN HALL, COURT HOUSE AND POST OFFICE.TREES WITH GUARDS .1 BLACK AND WHITE PHOTO PRINT .2 BLACK AND WHITE PHOTO PRINT .3 BLACK AND WHITE PHOTO PRINT .4 BLACK AND WHITE PHOTO PRINT .5 ORIGIN AL SEPIA PHOTOGRAPH MOUNTED ON BOARD PRINTED ON BOTTOM OF FRONT: BAILEY STREET, LOOKING EAST. IN HANDWRITING: PERIOD ABOUT 18900local history, photography, town hall -
National Wool Museum
Card - Packaging – The Look of Berber, c.1980s
Modern industrialized Berber carpets are distinguished by a loop pile construction type that gives a similar appearance to the distinct knot of traditionally woven Berber carpets. The modern carpets usually contain small flecks of dark colour on lighter shades of background colours resembling a natural undyed version of the traditional carpets. Berber is known for being one of the oldest and most durable kinds of carpet. Traditionally, Berber carpets are carpets hand-woven by the Berber people in North Africa and the Sahara. The carpets come in traditional and modern designs, which are distinguished by different knotting patterns, dyes and fabric textures. The origin of carpet weaving by the Berber populations dates back several millennia. The hand-spun cloth they created was named after the individual tribe, and they used natural fibres to create cloaks, rugs and other fabrics. Card showing printed text and graphic featuring an image of a sheep in tones of orange, brown and cream. Printed: PURE NEW WOOL / THE / LOOK OF / BERBERcollins bros mill pty ltd, manufacturing, geelong, wool, berber -
Melbourne Legacy
Flag, The Legacy Centenary Torch Relay 2023, 2023
A flag for torch bearers of the Legacy Centenary Torch Relay. Legacy was founded in Melbourne in 1923, so Melbourne hosted the final leg of the Torch Relay that began in Pozieres, France in April 2023.A record of the importance of Legacy's centenary.White flag with coloured print made for the Legacy Centenary Torch Relay on a black plastic pole.Printed on the flag 'Thank you for carrying the torch'.centenary, relay -
St Kilda Historical Society
Photograph - Lithograph, The Argus, The St Kilda Baths, 28/01/1882
Printed on p. 29; foreground shows two women in period dress with a young girl black and white lithograph, unmounted, copy, fair condition[printed on front] Coming from the St. Kilda Baths. 1882 -
Nillumbik Shire Council
Print (lithograph) Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Interior Pugh's House, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph -
Bendigo Historical Society Inc.
Document - MALONE COLLECTION: GREETING CARDS
White card with pale blue scalloped edge. It is picture of a Scottish Highlander wearing a blue, yellow & black kilt and a red jacket with gold buttons & braid. He is wearing white spats & belt. He is holding a brown rifle with a white sling. He has red/black tartan socks, black shoes & a black & white sporran. Coloured rural scene behind him. The card was designed to stand up and the man's head is missing. A Happy Yuletide is printed in dark blue. Seaforth Highlander is printed at the bottom in grey.Printed in Germanyperson, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Military Museum
Print - PRINT, FRAMED
Green, wooden frame, glass front. Enclosed is a coloured print of a painting of Lt Col Australian Army Ordnance Corp 1903.Underneath print: “Monty Wedd” On base of print: “Lieutenant Colonel Australian Army Ordnance Corps 1903”illustrations-prints, frame accessories, glass technology, military history - army, ordnance -
Eltham District Historical Society Inc
Photograph, Pencil drawing from a sketch book by Walter Withers; Study of cows, 1971
Source: 1 Black & White print. National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of 10 x 13 cm printcow, sepp, shire of eltham pioneers photograph collection, walter withers -
Eltham District Historical Society Inc
Photograph, Pencil drawing from a sketch book by Walter Withers; Study of man with horse and plough, 1971
Source: 1 Black & White print. National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of 8 x 13 cm printhorse, plough, sepp, shire of eltham pioneers photograph collection, walter withers -
Eltham District Historical Society Inc
Photograph, Pencil drawing from a sketch book by Walter Withers; Harvesting study, 1971
Source: 1 Black & White print. National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image of 8 x 13 cm printharvesting, sepp, shire of eltham pioneers photograph collection, walter withers -
Flagstaff Hill Maritime Museum and Village
Postcard - Historical, Warrnambool, Ozone hotel, Warrnambool, 1902-1929
The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Ozone Hotel, Warrnambool – Construction of Warrnambool’s Ozone Hotel and Coffee Palace on the corner of Koroit and Kepler streets began in 1890. The luxury venue included ballrooms, dining rooms, a theatre and a tower. In 1929 it burnt to the ground in a spectacular fire. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This postcard of the Ozone Hotel and Coffee Palace is significant for its connection to the Victorian-era hotel. The hotel was a luxury facility that attracted visitors to the town by sea, rail and road. The postcard also represents the short period in which the hotel operated and the notable, unforgettable event of its burning to the ground. Out of the set of nine postcards in this donation, this card is the only one that includes the location of Warrnambool on the back. It is also the only one with text within the outline for the postage stamp and with headings in this font. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image is of a grand three-storey building on a street corner with a tall turret, shorter turrets, and arches on the verandas. The back has inscriptions and outlines for a postage stamp. There is no correspondence written on the card. Jordan Series, printed in Great Britain.Front, in red: “Ozone hotel, Warrnambool” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, ozone hotel and coffee palace, ozone hotel, warrnambool hotel, destroyed by fire, coffee palace -
National Wool Museum
Booklet - Drenches and Their Use in the Control of the Stomach and Intestinal Worms of Sheep, William Cooper & Nephews (Australia) Pty. Ltd, March 1957
Eight page booklet with black and white printed text. front: [printed] DRENCHES / AND THEIR USE / IN THE CONTROL OF THE / STOMACH AND INTESTINAL / WORMS OF SHEEPproducts, agriculture, animal breeding, animal husbandry, vaccination, health -
Flagstaff Hill Maritime Museum and Village
Brooch
Brooch porcelain with hand painted decoration of flowers on a green background. Brass frame with pin attached to rear surface. Has the word "Mother" printed on it.The word 'Mother" is printed on the broochflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brooch, porcelain brooch -
Tarnagulla History Archive
Photograph - Photograph: Reservoir jetty, Tarnagulla, c. 1925
Williams Family Collection. Photograph made by Charles Bock about 1925. Monochrome (sepia) photograph depicting degraded wooden jetty at the Reservoir in Tarnagulla Recreation Reserve. Unidentified person standing on jetty. Original photographic print. Stamp on reverse: 'Bock Print'.tarnagulla -
Stawell Historical Society Inc
Book, Koorie Tourism Unit, A Submission to Victorian Place Names Committee 24 May 1990, 1990
White card with black print and yellow, black and red circle with yellow and white printThe restoration of Jardwadjali and Djab warruning names for Rock Arts Sites and Landscape Features in and around Grampians National Park Underlined: A Submission to the Victorian Palce Names Committee 24 May 1990 Yellow Print: Koorie Tourism Black Print: Victorian Tourism Commissionstawell -
National Wool Museum
Booklet - Albany Fashion Suitings, Albany Woollen Mills
Folded card brochure with printed blue text on the back and front. Fabric samples attached with hand written text on the inside.front: [printed] ALBANY / FASHION SUITINGSsamples, fabric, brochure, albany woollen mills, school uniforms -
National Wool Museum
Booklet - Albany Fashion Suitings, Albany Woollen Mills
Folded card brochure with printed blue text on the back and front. Fabric samples attached with hand written text on the inside.front: [printed] ALBANY / FASHION SUITINGSsamples, fabric, brochure, albany woollen mills, school uniforms -
National Wool Museum
Booklet - Albany Fashion Suitings, Albany Woollen Mills
Folded card brochure with printed blue text on the back and front. Fabric samples attached with hand written text on the inside.front: [printed] ALBANY / FASHION SUITINGSsamples, fabric, brochure, albany woollen mills, school uniforms -
Wooragee Landcare Group
Photograph, 27th February, 2004
This photograph was taken at Wooragee Hall on the Friday 27th February, 2004 as part of an event called Foxy Night Out. This event was about sharing awareness about the impacts of foxes in rural areas and discussing methods to control their populations. There were two mains speakers at this event, the first; Camille Veselsky, a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control, and the second; Leanne Wheaton, a nature conservationist. Pictured in this photograph, background (left -right): Graeme Missen, Bob Stelling, Quentin Mansfield, unknown, unknown; Colin Payne. Foreground (left -right): Tony Prowse; Mary Prowse, Digby Race. Also pictured are two taxidermy goannas on top of the tables which were brought in as an example of reptile species that are vulnerable to fox attacks. Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals. (One paragraph about the significance ie: The photograph is an example of the type of events hosted by Wooragee Landcare to inform the general public about potential risks to private and public property. .....)Landscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 ANN+ 1 6329 / [PRINTED] (No.5a7) / 496wooragee, wooragee landcare, fox, foxy -
Wooragee Landcare Group
Photograph, 27th February, 2004
This photograph was taken at Wooragee Hall on the Friday 27th February, 2004 as part of an event called Foxy Night Out. This event was about sharing awareness about the impacts of foxes in rural areas and discussing methods to control their populations. There were two mains speakers at this event, the first; Camille Veselsky, a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control, and the second; Leanne Wheaton, a nature conservationist. Pictured in this photograph (left -right): Mary Prowse, Leanne Wheaton, Tony Prowse, Ray Henderson. Leanne Wheaton holds a portable electric fence, that is useful in preventing fox attacks on wildlife, including Bush Stone-Curlew nests Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals.This photo is a record of the events that Wooragee Landcare organises in order to raise awareness and educate about environmental conservation issues in the area. It shows practical solutions that have been considered in fox controlLandscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 NNN+ 1 6329 / [PRINTED] (No.6A) / 497 wooragee, wooragee hall, wooragee landcare, wooragee landcare group, fox, foxy, foxy night out, leanne wheaton, mary prowse, tony prowse, ray henderson, wheaton, prowse, henderson, electric fence, portable electric fence, landcare workshop, fox control project -
Wooragee Landcare Group
Photograph, April 3, 2004
This photograph was taken at an event called Spotlight on Fox on 3rd April 2004. This event was a practical demonstration of methods landowners could use to help control the fox population. Camille Veselsky, a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control, was the presenter and demonstrator. He is pictured here kneeling Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals.This photo is a record of the events that Wooragee Landcare organises in order to educate and provide practical demonstrations to mitigate environmental conservation issues in the area. It shows practical solutions that have been considered in fox controlLandscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 NNN+ 1 8743 / [PRINTED] (No.7) / 253spotlight on fox, camille veselsky, wooragee, wooragee landcare, wooragee landcare group, fox