Showing 1178 items
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Vision Australia
Container - Object, SEDA collection box
A plastic moulded yellow Labrador puppy in white harness with raised nose sits on a blue hollow drum, waiting for coins to be inserted into its head. On the drum, a paper label reads "please help me become a .... seeing eye dog 1800 037 773". A golden Labrador puppy and the Seeing Eye Dogs Australia logo of a paw print with an eye in the middle completes the wraparound label. This type of fundraising tin is designed to stand on counters and be secured to a desk via the metal chain at the back of the collection box. 1 plastic money collection box with metal chain attachedseeing eye dogs australia, fundraising -
Flagstaff Hill Maritime Museum and Village
Weapon - Cannon Ball, Victorian era
This small cannon ball was found by the donor around 1975 to 1977 when he was digging a trench to install underground cables at the Warrnambool Surfside Caravan Park' Its location is just below both Cannon Hill and the 19th century Fortifications at Flagstaff Hill Maritime Museum and Village. The ball is made of iron. Cannon balls were used as ammunition for a cannon gun and fired at a target. This cannon ball is only 8 cm round, or 4.15 inches, and is likely to have been called a 4-pounder (4-pdr). The ball was made from molten iron was poured into the small opening of a two-piece mould. The seam between the moulds sometimes left a raised ring mark on the ball, as can be seen on this ball. The ridge would have been filed to make the join smooth, sometimes leaving a slightly flat area. Six 4-powder cannons were recovered from Endeavour Reef, Queensland, in 1969. They were from Captain Cook's HMS Endeavour, thrown overboard when the ship struck a reef there in 1770. They are likely to have been mounted on deck cannon carriages on the ship. Similar 4-pounder cannons were mounted on gun carriages and used as field guns. Cannons with cannon balls as ammunition were installed at Warrnambool for protection from possible invasion in the mid-to-late 19th century and early 20th century.Cannon ball, iron, black with a pitted shiny surface. It has three flat areas and evidence of a seam around the circumference. There are remnants of a possible inscription stamped into the iron. The cannon ball is a four-pounder ball. Imperial weight is 71 oz (201.3 gms or 4.44 pounds).Remnants of an indecipherable stamp and / or red text.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cannon ball, ammunition, cannon, fortifications, military equipment, firearm, weapon, two-piece mould, seam line, four-pounder, 4-pounder, field gun, field ammunition, gun carriage, cast cannon ball -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, Mid-to-late 1800s
This olive green bottle was handmade by a glassblower and is the typical shape of a ‘gallon’ type liquor bottle, which has the capacity of one-sixth of an imperial gallon, about 750ml. It was made around the mid-to-late 1800s. The bottle was recovered from an unnamed shipwreck in the coastal water of Victoria. It is part of the John Chance Collection. This bottle has a pontil mark in the centre of the base and four pontil marks around the heel. It also has tape around its mouth and lip, adding a little more interest to its history. Glassblowers made bottles like this one by blowing into a long metal pipe or reed with a blob of molten glass at the end of it. The shape of the glass would be blown out to fit into the shape of the mould. Once it set, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck and another tool to finish the base. The tool that the glassblower or his assistant used to steady the bottle left four marks in the heel of the bottle. The bottle would be cracked off the end of the glassblower’s pipe and a blob of molten glass would be added to the top to form the mouth and lip of the bottle. The seal was usually a cork, often held in place with tape. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. This bottle is a little more significant than other similar bottles in our collection because it has multiple pontil marks, four around the heel of the base as well as one in the centre of the base. These marks were left by the tool or tools used to hold or steady the bottle as the maker completed the process. The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal water in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, dark olive green glass, tall thin Gallon type. Applied mouth with remnants of tape around lip. Lip is straight and narrow. Low shoulder seam; glass above seam has more shine than below seam. Body tapers gently inwards to base. Rim of heel has four equidistant pontil marks. Base is concave with central pontil mark. No inscriptions. Handmade bottle. Sediment inside bottle on one side, top to bottom. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, handmade, mouth blown, pontil mark, blown bottle, liquor bottle, 19th century bottle, collectable, olive glass, green glass, mould, 1800s bottle, multiple pontil marks -
Flagstaff Hill Maritime Museum and Village
Opera Glasses & case, Early 20th Century
Opera Glasses came into existence as a result of a long line of inventions, and further improvements upon those inventions. The process started in the year 1608 when a Dutch optician by the name of Hans Lipperhey developed the first pair of binoculars with a magnification capability of X3. Less than a year later, a well-known inventor and philosopher by the name of Galileo developed what became known as the Galilean telescope. Advertisements were first found for opera glasses and theatre binoculars in London as early as 1730 in the form of a long collapsible telescope. The "Opera Glass" as it was referred to; was often covered in enamel, gems, ivory, or other art and paintings. For almost 100 years opera glasses existed merely as telescopes. In Vienna, in 1823 the first binocular opera glasses and theatre binoculars began to appear. They were two simple Galilean telescopes with a bridge in the centre, each telescope focused independently from the other by extending or shortening the telescope until the desired focus was achieved, which was useful, yet very cumbersome. Two years later in Paris, Pierre Lemiere improved on this design and created a centre focus wheel. This allowed the focusing of both telescopes together. After this development, opera glasses and theatre binoculars grew in popularity because of the superior view they facilitated in opera and theatre houses. The beautiful design of the glasses themselves also added appeal to the opera-going crowd. By the 1850's opera glasses and theatre, glasses had become a must-have fashion accessory for all opera and theatergoers.Not very significant as not associated with a historic event or person and made during the first half of the 20th Century and many are still available and easily sourced.Vintage Pair of Opera Glasses, with cow bone barrels and eyepieces, both barrel pieces have split in them, both metal end barrels each have a minor dent, optics are pretty clear no mould although have very minor dust spots inside, they look like they were gilded at some point but most of this has rubbed off glasses have a black leather case with blue lining. No markings whatsoever anywhereflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, binoculars, opera glasses, theatre glasses, optical instrument, cow bone -
Bendigo Historical Society Inc.
Photograph - EARLY PHOTOGRAPH OF A LARGE MIXED GROUP OF PEOPLE, c. 1900
Black and White photograph of large group of men, women & children, 36 in total dressed in formal attire standing, seated or reclining with bowling balls in foreground. Possibly Eaglehawk Bowling Club, Photo mounted on Card under glass & framed with brown wooden frame moulded to resemble wood logs, markings on photo read 'A. Levy & Co', 'Man in foreground in striped jacket has emblem on breast pocket EBC'A.G.Levy Photographer Eaglehawkperson, group, mixed group, eaglehawk, eaglehawk bowling club, bowling, a.g. levy, a levy -
Geoffrey Kaye Museum of Anaesthetic History
Bottle of ethyl chloride and original packaging, Woolwich-Eliott Chemical Company Pty. Ltd
The ethyl chloride was packaged in a glass bottle with increments measuring volume in milliletres printed on the galss surface in black. The bottle is sealed with a with metallic spray nozzle secured by a cork and moulded red plastic.The original cardboard packaging has red print on white background. The text reads 'Woolwich Elliott 100ml. Ethyl chloride B.P. for General anaesthesia - Woolwich-Eliott Chemical Company Pty. Ltd. Sydney Made in Australia.''BORONIA' stamped on the packaging in blue ink. It is located below the packaging text. ethyl chloride, chemical, woolwich-eliott, anaesthesia, general anaesthesia, glass -
Geoffrey Kaye Museum of Anaesthetic History
Oxford vaporiser
This vaporiser is enclosed in a portable black cylindrical bakelite carry case with moulded handle, woven fabric strap and single steel latch. The item comprises a three-chambered vaporiser, an assortment of attachments including black ribbed rubber tubing, light brown rubber rebreather bag, facemask, black rubber mask harness, Connell pharyngeal airway with connector, an attachment for an endotracheal or nasal tube, as well as spare thermometer and other parts.Stencilled in white paint on the outside top lid is 'THIS SIDE UP / WITH CARE / SEE INSTRUCTIONS / INSIDE LID'. Serial number is inscribed on metal plate inside the lid and printed in white on the inside lid is 'IMPORTANT / The Oxford Vaporiser is a scientific apparatus'vaporiser, oxford, anaesthetic, portable, bakelite, connell pharyngeal airway, heated vapor, endotracheal, nasal, rebreather bag, thermometer, facemask -
Geoffrey Kaye Museum of Anaesthetic History
Nitrous oxide gasometer, 1876
The main component of the nitrous oxide gasometer is a metal urn-shaped chamber form which an outlet valve and circular moulded tap allows for the flow of gas. A frame sits atop the chamber and comprises ornately-decorated metal flourishes and three anchoring pipes, two attached to each side of the chamber and one attached to the centre of the lid. The gasometer sits atop an ornately decorated cast iron stand with a circular base.gasometer, nitrous oxide, storage, anaesthesia, dentistry, chloroform, ether -
Kew Historical Society Inc
Photograph - Victorian Canoe Club, Planking, 1920-30
Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The album has historic and social significance as a record of recreational activities (as well as canoe making) in the early years of the twentieth century. It has local significance as the site of the headquarters of the Club was in Studley park. A number of photographs in the album provide vistas of Kew on the Yarra that are otherwise unavailable.One of 24 labelled photos in part album, originating from the Victorian Canoe Club, which had its headquarters in Studley Park, Kew. The album includes a photographic record of canoe construction and also locations in Studley Park and Kew where the canoes were used. The subject of this photograph is identified as 'Planking' where the wooden planks forming the hull have been softened by steaming and bent to conform to the shape of the mould."Planking"victorian canoe club, canoe making, canoe construction -
Kew Historical Society Inc
Photograph - Victorian Canoe Club, Planking, 1920-30
Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The album has historic and social significance as a record of recreational activities (as well as canoe making) in the early years of the twentieth century. It has local significance as the site of the headquarters of the Club was in Studley park. A number of photographs in the album provide vistas of Kew on the Yarra that are otherwise unavailable.One of 24 labelled photos in part album, originating from the Victorian Canoe Club, which had its headquarters in Studley Park, Kew. The album includes a photographic record of canoe construction and also locations in Studley Park and Kew where the canoes were used. The subject of this photograph is identified as 'Planking' where the wooden planks forming the hull have been softened by steaming and bent to conform to the shape of the mould."Planking"victorian canoe club, canoe making, canoe construction -
Kew Historical Society Inc
Photograph - Victorian Canoe Club, Planking, 1920-30
Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The album has historic and social significance as a record of recreational activities (as well as canoe making) in the early years of the twentieth century. It has local significance as the site of the headquarters of the Club was in Studley park. A number of photographs in the album provide vistas of Kew on the Yarra that are otherwise unavailable.One of 24 labelled photos in part album, originating from the Victorian Canoe Club, which had its headquarters in Studley Park, Kew. The album includes a photographic record of canoe construction and also locations in Studley Park and Kew where the canoes were used. The subject of this photograph is identified as 'Planking' where the wooden planks forming the hull have been softened by steaming and bent to conform to the shape of the mould."Planking"victorian canoe club, canoe making, canoe construction -
Kew Historical Society Inc
Photograph - Victorian Canoe Club, Planking racer, 1920-30
Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The album has historic and social significance as a record of recreational activities (as well as canoe making) in the early years of the twentieth century. It has local significance as the site of the headquarters of the Club was in Studley park. A number of photographs in the album provide vistas of Kew on the Yarra that are otherwise unavailable.One of 24 labelled photos in part album, originating from the Victorian Canoe Club, which had its headquarters in Studley Park, Kew. The album includes a photographic record of canoe construction and also locations in Studley Park and Kew where the canoes were used. The subject of this photograph is identified as 'Planking racer' where the wooden planks forming the hull have been softened by steaming and bent to conform to the shape of the mould."Planking racer"victorian canoe club, canoe making, canoe construction -
Maldon Vintage Machinery Museum Inc
"Romulus" Costume
Leather helmet, cream shirt, charcoal grey trousers with button fly. Leather belt and pair of leather boots. Helmet lining is 100% black ribbed cotton. .1) & .2) shirt & trousers; .3) helmet; .4) belt; .5) & .6) boots. Right boot has hole drilled through sole to accommodate spike at base of display mannequin's leg. Belt is marked on inside near the buckle "Hero / 38"".Left boot has a white sticker "hora" painted in black. Right boot has black "X" on outside top. Both boots have "ooDED (?) / HURRAY 42" moulded into leather on outer surface of inside edge of tops. Trousers have stick on label "ROM 4" inside back of waistband.costume, male -
Flagstaff Hill Maritime Museum and Village
Domestic object - Coopered Bucket, 1960 to 1980
This bucket was made from vertical planks of wood with bands of metal around it for strength. Buckets such as this were made by coopers, who had expertise in making wooden barrels. Wood or animal skin was used to make buckets in colonial times when other materials were unavailable. Buckets had many uses in domestic and agricultural life including carrying, measuring and storing. Cooper tradesmen used carpentry and blacksmithing skills to make a wide range of wooden containers and other objects. They sometimes used water or steam to bend and mould the timber.The bucket is an example of a product made from wood and iron by an experienced Cooper. In early colonial timeswhen ready-made products were scarce so the trades of coopers, blacksmiths, metal smiths, carpenters, builders and others were necessary for domestic, commercial and industrial establishment.Wooden coopered bucket; three metal bands around vertical wooden planks that form the body of the bucket. Two lugs extend higher than the planks and have a rope joined between them.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, bucket, wooden bucket, container, domestic bucket, cooper, cooper trade, coopered bucket -
Coal Creek Community Park & Museum
Pill roller, 1800's
Ref: ebay sale same item description : 'Pill Maker dating from the late 1800s, used by chemists to mould ingredients into pills. It consists of two main parts, the board and the roller. The roller is made of wood with two handles. It fits over the sides of the board and has wheels to enable it to roll backwards and forwards. The underneath of the roller is fitted with a brass plate with grooves in it that match the board, enabling the mixture to be pressed into the grooves and formed into a tubular shape, ready to be weighed and cut into pills. The board is made of mahogany with brass sides and matching brass grooves'. Apothecary Pill Maker of brass and mahogany, in two parts, the board and the roller. The roller of thick wood with two handles, which fits over the sides of the board and has brass rollers to enable it to roll backwards and forwards. The underneath of the roller is fitted with a brass plate with grooves in it that match the board, enabling the mixture to be pressed into the grooves and formed into a tubular shape, to be weighed and cut into pills. The board is made of mahogany with brass sides and matching brass grooves. Numerals.pill roller, chemist -
Whitehorse Historical Society Inc.
Domestic object - Tea Pot
Majolica - English Popular colourful relief-moulded ware, often in naturalistic shapes covered in various types of opaque white ground to secure glowing effects with brush-painted colour glazes, clear or opaque. Products ranged from umbrella stands to dishes of fruit or nuts. Evolved at the Minton factory in 1851 under Art Director Leon Arnoux, who might use parian ware for majolica figures etc. Widely produced, with little similarity to the Italian Renaissance ornament although some designed for Mintons by the artist Alfred Stevens was inspired by such motifs.Unusual multi-coloured patterned tea pot and lid. Basic colours - green, pink and blue'Estrucan/Majolic/E24domestic items, crockery -
Kew Historical Society Inc
Photograph, Outer Circle Railway Bridge over River Yarra, c.1900
This photograph forms part of the Eric Sibly collection of images and information relating to the Outer Circle Railway which he donated to the Kew Historical Society in 1974. Heritage Victoria Citation (Abridged) "The Chandler Highway Bridge, a 137 metre wrought iron lattice-truss girder bridge with four spans supported on red brick piers with moulded bluestone cappings. The bridge has a cantilevered walkway along the west side. ...The Chandler Highway Bridge crosses the Yarra River and connects Alphington and Kew. It was completed in November 1890 as part of the Outer Circle Railway Line.Black & white photograph of the railway viaduct over Yarra River looking south towards Kew.Reverse: "Pre 1930. Outer Circle Railway Bridge over River Yarra (now Chandler Highway) - note bridge over line on Kew side for Asylum Farm". KH - 56. Kew Historical Society.chandler highway, railway bridges - kew (vic), sir john monash, outer circle railway, river yarra - kew (vic) -
Vision Australia
Leisure object - Object, Braille Scrabble game, 1954-1979
Braille Scrabble was first produced in 1954, not long after the game was 'discovered' and popularised by Macys department store in the U.S. Braille letters and numbers are located on the left-hand side of the tile, with the large print letter in the middle. Scoring was kept through the use of metal pins which could be placed into slots located behind racks that hold each player's tiles. According to the printed booklet that forms part of the set, the Scrabble board had moulded ridges to hold the tiles and had a turning device that allowed the board to rotate easily between players. Cylindrical container containing 101 braille letters with 4 black plastic trays, box containing 16 metal pins and 11 page booklet. recreation equipment, games -
Warrnambool and District Historical Society Inc.
Bottle, Imitation Cordial Pineaple Reeves W'bool, 1970s
This bottle came from the Warrnambool aerated waters factory of Reg Reeves. This factory in Koroit Street, Warrnambool was established in the 1860s as the Union Cordial Factory by John Davis and then bought by John Fletcher in 1885. Fletcher’s business continued until 1930 when it was bought by Ralph Reeves. Coming to Warrnambool about 1900, Ralph Reeves managed a Banyan Street cordial factory which had been established by John Rowley. Ralph Reeves bought a cordial business at Hamilton in 1916 and sold it in 1929 to concentrate on his Warrnambool cordial factory. Reeves was joined by his son Reg in Warrnambool and Reg operated the business from 1946 to 1972. The trade name of Reeves was still used after Reg Reeves died and continued on for some years. This bottle is of interest as an example of the soft drinks made at the Warrnambool aerated waters factory of Reg Reeves. Reg and his father Ralph operated a cordial business in Warrnambool for 40 years. Cordial manufacturing was an important industry in Warrnambool for over 100 years.This is a glass bottle with a long rounded body, a round base and a short rounded neck. The top of the bottle has a moulded glass open top and there is a cork stopper with a brown top to enable the bottle to be opened by turning. The stopper has the name of the manufacturer of the soft drink on it and there is a multi-coloured label pasted on to the side of the bottle. The name of the soft drinks manufacturer is also impressed into the glass on the side of the bottle. There are two small chips near the base of the bottle. Stopper: R.V.Reeves R.V.R. Bottle: Reeves Imitation Cordial Pineapple Artificially coloured &flavoured This food contains not more than 2 grains of sulphur dioxide to the pint R.J. Reeves Warrnambool ralph reeves, warrnambool, reg reeves, warrnambool, cordial manufacturers in warrnambool, history of warrnambool -
Bendigo Historical Society Inc.
Document - H.A. & S.R. WILKINSON COLLECTION: CONDITION OF SALE
Contract of sale of land dated 16th November, 1954 between Mr. W.A. Haywood (seller) and Mrs A.E. Pendlebury for land situate corner Brown and Green Streets, Long Gully being allotment 500A section K described in residence licence 0943 129, together with 2-roomed cement brick dwelling and all sundry, also electric copper and cement troughs, concrete mixer and concrete moulds. Price 450 pounds.organization, business, h.a. & s.r wilkinson real estate -
Kew Historical Society Inc
Photograph - Victorian Canoe Club, Planking Nagha, 1920-30
Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The album has historic and social significance as a record of recreational activities (as well as canoe making) in the early years of the twentieth century. It has local significance as the site of the headquarters of the Club was in Studley park. A number of photographs in the album provide vistas of Kew on the Yarra that are otherwise unavailable.One of 24 labelled photos in part album, originating from the Victorian Canoe Club, which had its headquarters in Studley Park, Kew. The album includes a photographic record of canoe construction and also locations in Studley Park and Kew where the canoes were used. The subject of this photograph is identified as 'Planking Nagha' where the wooden planks forming the hull of Nagha have been softened by steaming and bent to conform to the shape of the mould."Planking Nagha"victorian canoe club, canoe making, canoe construction -
Kew Historical Society Inc
Photograph - Victorian Canoe Club, Planking completed, 1920-30
Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The album has historic and social significance as a record of recreational activities (as well as canoe making) in the early years of the twentieth century. It has local significance as the site of the headquarters of the Club was in Studley park. A number of photographs in the album provide vistas of Kew on the Yarra that are otherwise unavailable.One of 24 labelled photos in part album, originating from the Victorian Canoe Club, which had its headquarters in Studley Park, Kew. The album includes a photographic record of canoe construction and also locations in Studley Park and Kew where the canoes were used. The subject of this photograph is identified as 'Planking completed' where the wooden planks forming the hull of Nagha have been softened by steaming and bent to conform to the shape of the mould."Planking completed"victorian canoe club, canoe making, canoe construction -
Glenelg Shire Council Cultural Collection
Painting, A Bush Track, n.d
CEMA Art Collection Previously located in History HouseThe painting illustrates a bush scene with a large gum tree in the foreground. To the left of the tree is a sunny track with long shadows formed by surrounding trees. On the track heading towards the viewer is a covered wagon drawn by a white horse. Behind the wagon is dense bush with tall trees and thick shrubs. Extending from the trees is a band of white clouds followed by light blue sky. The work is framed in a heavy, moulded, ornate, gilded frame with exposed canvas.Front: A.S.Murray (painted signature lower right) A Bush Track (plaque - lower centre on frame) Back: W.Hamer sticker Electoral Post Office sticker Hamilton Victoria stickerbush, landscape, australian -
Bendigo Military Museum
Honour Board - ST JUDES CHURCH HONOUR BOARD WW1, St Jude's Anglican Church, 16 Sept 2023
This item is a reproduction of the Honor Roll for WW1 servicemen associated with St Jude's Anglican Church, California Gully.Memorabilia - on paper, in colour, reproduction of an Honor Roll for WW1. Honor Roll - Servicemen associated with a Church. "LEST WE FORGET", printed above a Rising Sun with decorative banner. Three columns of names in gothic script, top half red, lower section black ink. Copy print very pale and hard to read. Mount - white cardboard. Frame - moulded MDF board with gold and black speckle effect paint, with perspex front. cardboard backing.Title to Poster "HONOR ROLL/ St Jude's Sunday School" Years printed 1914, 1915, 1916, 1917, 1918. Handwritten signature - black ink below names "J.H.B. Grilles."framed accessories, honour roll, anglican church, california gully -
Bendigo Historical Society Inc.
Ephemera - GREETING CARD, 1904
Greeting Card: Good Luck Birthday Greeting Card with Plastic like material moulded in two sections, left has ladies hand and the word Good, right side males hand with the work Luck'. Sides are arttached to the card with cream ribbon. Inside a pricture of a village with a silver border. The card opens 'Just a Word of Kindly Recollection' To: My dear sister Nellie From: Mary with fond love April 15/1904. and poem. Box 625ephemera, mementoes, celebrations, greeting card. birthday -
Nillumbik Shire Council
Ceramics (bowl): Mary-Lou Pittard, Mary-Lou Pittard, Decorative Bowl, 1983
Mary-Lou began exhibiting in the mid 1980s and over the years has been involved in producing unique pieces as well as developing a large range of domestic ware. In 1984, six months after graduating from a Bachelor of Fine Arts at Phillip Institute of Technology, Mary-Lou was invited to present a solo exhibition at Devise Gallery in South Melbourne. This objective, she says, compelled her to find a studio and was an incentive to focus on developing her ceramic practice independently.Mary-Lou Pittard holds close ties to the Shire of Nillumbik - living and working within Eltham. Her Eltham North Mudbrick Studio employed 5 assistants until recently when Mary-Lou and partner Chris Pittard have scaled down operations. They now produce everything themselves and find that this enables them to focus on producing unique, sculptural ceramic works. Mary-Lou is currently exploring the fine qualities of porcelain and combining these with her ongoing passion for decorative colour and form. 'Decorative Bowl' is a wheel-thrown/moulded bowl, oblong in shape and has been manipulated by hand. Narrow sections have been incised from the main body, perhaps a practical design feature for air circulation, and the rim has been altered to form a jagged edge. Bold colourful shapes decorate the interior of the bowl. They have been applied directly to the bisque surface and subsequently covered with a transparent glaze which protects them and enhances their permanency.mary-lou pittard, ceramic, chris pittard, eltham, nillumbik -
Kew Historical Society Inc
Photograph - Victorian Canoe Club, Steaming gear, 1920-30
Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The album has historic and social significance as a record of recreational activities (as well as canoe making) in the early years of the twentieth century. It has local significance as the site of the headquarters of the Club was in Studley park. A number of photographs in the album provide vistas of Kew on the Yarra that are otherwise unavailable.One of 24 labelled photos in part album, originating from the Victorian Canoe Club, which had its headquarters in Studley Park, Kew. The album includes a photographic record of canoe construction and also locations in Studley Park and Kew where the canoes were used. The subject of this photograph is identified as 'Steaming gear' which was the equipment used in a backyard to heat and soften the wood used to make a canoe so that it would be pliable and could respond to a mould."Steaming gear"victorian canoe club, canoe making, river yarra, burke road, mornington, studley park, kew, steaming gear, canoe construction -
Mont De Lancey
Book, The Religious Tract Society, Little Christmas and her friends, 1800's
A story of family life in the 1800's with it's trials and tribulations. Strong religious themes throughout.A small badly damaged brown hardcover book with a floral and lined pattern in black on the front cover and spine including the title Little Christmas and her friends which is difficult to see due to its poor condition. Black and white illustrations throughout with a father and daughter reading depicted on the title page. Book is badly water damaged and mould marks seen. The back cover has The Religious Tract Society symbol is embossed on the back cover. 160p.fictionA story of family life in the 1800's with it's trials and tribulations. Strong religious themes throughout.family life fiction, religous stories -
Mont De Lancey
Book, Mary Grant Bruce, The Twins of Emu Plain, 1923
Twin 16 year old sisters bravely assist their father on his farm while Emu Palins is in the grip of a disastrous and seemingly endless drought. Being young the twins treat trouble as a tremendous joke , and by their lightheartedness and practical help their harassed parents are able to carry on. Adventure and incident abound in this tale.A very marked and damaged brown fabric covered book with the faded title The Twins of Emu Plains printed on the front cover with twin girls sitting on a window seat reading a letter. The back cover has dried mould at the bottom and also inside at the back on some pages. The inside front and back of the spine is showing signs of breaking away from the covers. There are a few illustrated black and white plates. Foxing is seen on the edges of the pages. p.256.fictionTwin 16 year old sisters bravely assist their father on his farm while Emu Palins is in the grip of a disastrous and seemingly endless drought. Being young the twins treat trouble as a tremendous joke , and by their lightheartedness and practical help their harassed parents are able to carry on. Adventure and incident abound in this tale.adventure fiction, farm life fiction, drought - australia -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Thomas pessary associated with Dr Frank Forster
The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Pessary, Thomas style, made of black vulcanite. Inscribed with number "60". intrauterine device, pessary