Small head and shoulder portrait of a lady mounted on black card with rounded corners with the bottom portion cut off. The lady is wearing a high neck dress with a frilled stand up collar and a brooch at the neckline. The dress has buttons down the front and embroidery on each side of the buttons. She is also wearing a knotted cord around her neck. Photographer's name cut off.photograph, portrait, female, portrait of a lady

This stencil was used on bags and possibly other packaging containing grain processed and packed at Anderson's Mill. The stencil would have indicated the destination of, or origin of the grain.(approx) Rectangular metal stencil for oat or flour bag; rectangular section has been cut away from top LH corner, triangular section has been cut away from top RH corner; significant surface rusting; one letter of the stencil marking (letter R) has been covered over with a rectangular metal piece soldered onto stencil surface."SGC (R) / PORT SWETTENHAM"

Uniform tie - brown cloth with a gloss finish, non-cotton material, cut and sewn to give a tie for staff. MMTB brown uniform c1975? Made by Austico in Australia with the label on rear. The first portion of the tie has a cut cardboard sheet to keep the tie's shape prior to use. Image i2 shows the material image better than i1 due to scanning issues.trams, tramways, mmtb, clothing, tie, uniforms

Framed original concept cartoon of Stewart Merritt for the Transporting Art Project - light aluminium brass colour frame, by Magic Picture Framing of Prahran. The tram has been cut out with the windows removed and placed on manila coloured card with the drawings done in ink, the stars cut out of silver paper and adhered to the surface. The tram has blue/black background. Frame with a glazedtrams, tramways, transporting art, ministry for arts, w2 class, tram 439

An exercise book, containing student writing, essays and poetry, with examples of writing cut from newspapers and pasted into book.An example of early 20th century school workStudent's exercise book, 120 p. (approx.). Handwritten exercises inside. Some newspaper clipping pasted in book.Front cover torn.Inside front cover student's name, address and schoolschool books, exercise books, writing

Razor strops are used to sharpen single-sided (cut-throat) razors. Still used by some men's hairdressers.Double leather strap, brown polished leather handle and joiner/hook holder, nickel plated suspension ringBenwill stamped on joinerrazor strops

These articles were compiled by Mary Gilbert.They have been cut from The Argus, The Age and the Snowy River Mail.These articles are contemporary reports on the transport system in Orbost and as such are useful research tools.A manila folder containing black / white newspaper clippings from various newspapers. The articles are related to transport in Orbost - rail and shipping. (details in Catalogue 735 - 900)

Metal stencil, rectangular with rounded corners. Cut out of a sheep's head, map of Australia, and 83 PI 57187.83 PI 57187shearing wool bales, shearing, wool bales

Photographed by Ted Goode to record the topography of site. Proposed Eastern Freeway Extension will cut through the treed area.Three copies of the view of original site of Schwerkolt home - now horse paddock adjoining Cottage Reserve.schwerkolt family, schwerkolt, original cottage site., goode, ted, horse paddock

A coping saw is a type of hand saw used to cut intricate external shapes and interior cutouts in woodworking or carpentry. It is widely used to cut mouldings to create coped rather than miter joints. It is occasionally used to create fretwork though it is not able to match a fretsaw in intricacy of cut, particularly in thin materials. Coping saw blades are always thicker and much coarser cutting than typical fretsaw blades. A coping saw consists of a thin, hardened steel blade, stretched between the ends of a square, c-shaped, springy-iron frame to which a handle is attached. The blade is easily removed from the frame so that the blade can be passed through a drilled hole in the middle of a piece of wood. The frame is then re-attached to the blade and the cut starts from the middle of the piece. Long cuts perpendicular to the edge of the material are possible but the shallow depth of the frame rather limits how far from the edge one may cut. The much deeper frame of the fretsaw is more useful for cutting well away from the edge but conversely cannot manage the thicker materials commonly cut by the coping saws. The coping saw blade is installed with the teeth pointing towards the handle. Unlike a hacksaw, which has the teeth pointed away from the handle, the coping saw cuts on the pull stroke. The coping saw blade is removable by partially unscrewing the handle. The blade is prevented from rotating by means of the short, steady bar provided where the blade is attached. Loosening the handle also allows the blade to be rotated relative to the frame as desired. Carefully aligning the finger steady bars at the top and bottom of the blade ensures that the thin blade is straight and not twisted along its length. Re-tightening the handle tensions the blade and locks it at the desired angle relative to the frame. The short steady bar nearest the handle is held securely between finger and thumb while the handle is tightened to ensure the blade remains at the desired angle. Unlike the fretsaw the coping saw blade has holding pins which lock securely into the angled slots of the rotatable blade holders. Gentle curves are achieved by slowly turning the whole frame by means of the handle while continuing to cut steadily. A coping saw with wooden handle but no bladetools, saws, steel , clamps, metalwork, woodwork, carpentry, early settlers, pioneers, market gardeners, moorabbin, bentleigh, cheltenham, fretsaw, coping saw, bowsaw, blacksmiths,

From the THE LAND ACT 1884.-REGULATIONS: "Any person duly licensed under section 93 of The Land Act 1884 to cut and take away any live or dead timber on Crown lands, and any person specially licensed in that behalf by the Governor in Council, may at all times enter upon the said land and therefrom cut and take away live or dead timber. "The Richardson family was one of the very early settler families to establish themselves in the Orbost district. Samuel Richardson was builder of the Paddle Steamer Curlip.A white paper licence certificate No. 182 made out to Samuel Richardson & Son for the purpose of a Saw Mill. It was to cost ten pounds per annum. Print is black and details are hand-written.richardson-samuel certificate-lands-sawmill

The save TAFE campaign originated in 2012 when Victorian Premier Ted Baillieu announced funding cuts, institutional closures and course cuts in the TAFE sector. The campaign against these changes was particularly passionate in Ballarat with several large rallies. The Ballarat community had its own campaign committee. The Australian Education Union and the National Tertiary Education Union co-partnered in the campaign.Unions' history and activism. Politics - Victorian Government. Education - TAFE sector.Round metal badge; pin on back. Yellow and red background; TAFE4ALL logo; black and white lettering - "SAVE OUR TAFE".btlc, ballarat trades hall, ballarat trades and labour council, baillieu, ted, premier - victoria, liberal party of australia, politics and government, education - tafe, activism - ballarat community, artifacts, federation university - tafe

Black and White Photograph cut from a book of the Abraham Rydberg, ex Hawaiian Isles and Star of Greenland, 117mm x 77mm. SH 006 Ships A-B.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, abraham rydberg, star of greenland,

Genuine War Letters written by an Australian to his people from the Battlefields of France. Letters dated from 15.2.1916 to 11.11.1918.Genuine War Letters - Biographical Studies. Soft lightweight cardboard cover, black print on light grey background. 288 cut, plain, beige pages. No illustrations.book, letters, genuine

Contains biographies of the last surviving ANZACS. In addition, included is a brief overview of the Gallipoli campaign.Book, soft cover with black & white illustration. Title in white letters. Illustrated end papers. 44 cut edge pages with colour & black & white illustrations.book, gallipoli, the pain of, biographies

Black cardboard soft cover with white silhouette of barbed wire and red teardrop shape on front. 204 pages, plain paper, cut edges. Includes illustrations.books, military history

Dust jacket has a plastic cover. Book documents the photographs of Frank Hurley taken during WWI and WWII.Hard black cover with title in white. Illustrated dust jacket front and back. Title on spine, 160p. Page edges cut. Colour & Black & white Illustrations.books, military history

Belonged to Victor Henry Evans No 418655 RAAF. Refer Cat No 1760.4.Paper and cardboard notebook hand written in ink containing signal procedures, alphabet code, Q code and latitude and longitudes. Originally a larger book that was cut in half.documents-notebooks, education, military history-army, raaf

Black, buckram hard cover, gold title on spine. Black dust cover with white lettering, contents description on back. 192 pages cut edges - illustrated.Donated by Bendigo Y Mens Club on front end page.books, history, espionage

Book documents the role of 2RAR in Vietnam 1970 - 71. The author J. M. Church was C.O. of 2RAR.Illustrated soft card cover. Sepia photograph of an infantry soldier on front. Title in red on a green background. 230 pages with black and white illustrations and cut edges.Inside on first page: "P. Chapman".books-military-history, vietnam

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland. Pair to 3851Cut glass lamp bowls, decorated in criss-cross pattern around bowl, creating numerous facets. Circular brass base and brass top with metal tags.Front: Rd. No 5373 (stamped in base) Rd. No 218630 (stamped in top)

Port of Portland Authority archivesFront: (no inscriptions) Back: Company Nursery, Dartmoor (upper left, pencil). 11 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt. Gambier (lower right, purple stamp).port of portland

3281.1 is a photograph of Terry Martin. "Terry Martin travelled to Melbourne to Melbourne to display his extensive collection of axes and to demonstrate the art of broadaxe cutting. The axe Terry is holding is over 200 years old and is believed to have been used by ship builders in their trade. Terry makes his own axe handles from district timber." (Snowy River Mail 23 September 1987) 3281.2 is of Erasmo Giove. who came to Australia with his wife, Mina. They eventually settled in Orbost where Erasmo worked as a sleeper cutter withn his wife working alongside him. The Gioves lived with their four children, Tina, Rocco, Benodino and Graziela, in Forest Road, Orbost,These photographs are associated with the timber and sleeper-cutting industry in the Orbost Region. Timber sleepers were superceded by concrete sleepers in c. 1970s. Orbost has historically been based on the timber industry, but that industry has declined considerably over the last 20 years..The number of locals involved in the timber industry has declined and many of the mills have closed. This item reflects a time when that industry was a significant contributor to the economy of the district.3281.1 is of a man standing holding a long handled axe. 3281.2 is of a man holding a cross cut saw and holding in the other hand a framed photograph of a swing saw.woodcutting-tools axe saw-cross-cut saw-swing timber-orbost sleeper-cutting giove-erasmo martin-terry

Carnival glass is moulded or pressed glass, always with a pattern and always with a shiny, metallic, 'iridescent' surface shimmer. Carnival glass gets its iridescent sheen from the application of metallic salts while the glass is still hot from the pressing. A final firing of the glass brings out the iridescent properties of the salts, giving carnival glass the distinct shine it is known for. (ref. Wikipedia) This bowl belonged to Mrs Edith May Hanrahan (nee Whitford), a WW1 war bride, who came to Orbost around 1920 on the Orcades. Oliver ( a farm hand) and Edith Hanrahan lived at 37 Gladstone Street, Orbost.This item is an excellent example of amber / orange carnival glass.A bronze / apricot glass sweets bowl. It is orange carnival glass with flowers cut into the base and scalloped edges. It has a small handle on each side. the base is flat. carnival-glass bowl hanrahan-edith

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This butter cutter is part of the collection of items given into the care of the Cheese World Museum. It was in the early 1900s for hand-use in home dairies or small factories. An example of an early butter packaging machine.Wooden Eureka brand butter printer and weigher with dovetailed corners on the bulk butter box, wooden rollers for moving butter along once cut and wire cutter.Eureka/J Bartram & Son/sole makers Uebergang No. U027butter cutters, uebergang, allansford, dairy manufacture

Chair wooden armchair with heavily carved wood and red leather upholstery fastened with decorative studs. 1 of a pair. Cut away design on upper part of chairflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair

Chair wooden armchair with heavily carved wood and red leather upholstery fastened with decorative studs. 1 of a pair. Cut away design on upper part of chairflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village