Photo of Tilly Aston as a young girl of 16 sitting in a chair with a handbag in her lap. She wears a high necked dress and her hair is pulled back behind her in a ponytail. Image has been produced in a sepia and black and white. Black and white copy has 'about 1920' on back, however this date is incorrect as Tilly would have been almost 50 that year.1 photograph in various tones of Tilly Aston aged 16tilly aston, royal victorian institute for the blind

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This particular skirt, by one-time Kew resident Prie Acton, was sourced by Margaret Robinson. A-line suede leather midi-length skirt featuring "bull's eye" and zig-zag appliques at hemline. Skirt is black coloured.Label inside back waistband: Prue Acton / AUSTRALIA women's clothing, australian fashion, prue acton, skirts, costumes, 1970s fashion, melbourne fashion designers, margaret robinson

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This lingerie dress is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from the first years of the 20th century.Long white cotton muslin lingerie dress with inserted panels of white lace and additional white and black embroidery applied to the shoulders, waist and hem. australian fashion - 1900s, women's clothing, white muslin dresses, embroidery, tea dresses, lingerie dresses, rosemary vaughan-smith

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 1930s dress and jacket is one of a number of items donated to the Fashion Collection by Teresa Mayer.Long burgundy machine-made lace evening dress with a separate red underslip. The dress is currently paired with a red velvet jacket and belt which it is believed was part of the original donation by Teresa Mayer.evening dresses, australian fashion - 1930s, women's clothing, evening wear, evening ensembles

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This (part) wedding dress is one of a number of items donated to the Fashion Collection by Netta Fuller.Very full cream silk skirt with Brussels lace used on the front and hem of the garment. At the front there is a separate panel of the same fabric. The skirt is believed to date from the 1890s.The skirt suffers from shattered silk.wedding dresses - 1890s, netta fuller, women's clothing

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This sequinned evening jacket is one of a number of items donated to the collection by Rosemary Vaughan-Smith.Evening jacket heavily embroidered with gold sequins.australian fashion -- 1970s, evening wear, evening jackets, rosemary vaughan-smith

Valentine's postcard titled "Swanston Street Melbourne", Number V49, looking south along Swanston St from Bourke St, Has about 9 W2 class trams in the view. Taken prior to the construction of the Manchester Unity building on the corner of Collins and Swanston Streets. The Capitol building, Cafe Frances, Cann's Ladies Wear, Gasava Health Cooker, Cafe National and Kodak are in the view.Yields information about Elizabeth St, during the early 1930s.Postcard - printed, unused, Valentine Series - with a perforated edge on the left hand side.trams, tramways, swanston st, w2 class

The photograph shows MMTB trams X1 466 and 467 standing at the terminus in Leeds St with the intersection of Irving St. Tram 466 has the destination of Williamstown Road. On the left hand side of the photo can be seen at least 5 uniformed employees chatting by the tram stop sign. In the background is Paul's Millinery, and Appleton & Wright Mens Wear. Photo late 1950s or early 1960s.Yields information about the Footscray tram terminus and the way trams operated from Leeds St.Negative - 127 film black and white.tramways, footscray, leeds st, irving st, x1 class, tram 466, tram 467

The Bowler hat, characterised by its dome-like crown, was invented in 1849 by a pair of hat-makers: brothers Thomas and William Bowler. They were commissioned by the famous London hat retailer “Lock & Co” to invent a close-fitting, low-crowned hat for their customer Mr. Edward Coke. It would be sturdy and not easily knocked or blown off the wearer’s head. The difference between a Bowler hat and a Derby hat is simply that Bowler hats are British, Derby hats are American. The Bowler / Derby hat was devised in London during a time when the top hat was the upper-class men’s hat of choice and the lower social class wore soft, cloth caps. However, the top hat was impractical and inconvenient for those on horseback as it easily toppled over and was easily damaged. Bowler hats were termed “stiff” hats– they were given a coat of shellac in the construction process and therefore never conformed to the shape of the wearers head. While very stiff, the hat is lined in a beautiful, soft silk to ensure comfort. The Bowler hat marked the first middle ground between formality and casual wear. c1900 The Derby hats were very popular for all classes in USA including criminals like Butch Cassidy & Sundance Kid and c1920 many fashionable women also wore them. In England and Commonwealth the Bowler hat remained popular throughout the 1800s and through the first half of the 1900s, being worn by everyone from politicians, actors, accountants, bankers, and the 'everyman' on the street.The family of Nance Blackman were early settlers in Moorabbin ShireA black felt Bowler hat with cream silk lining and black ribbon bandInside Crown & Band ; The Cobweb Felt / easiest/ fitting / extra light / Inside Band Best Quality / 6111hats, hatters, blackman nance, clothing, suits, fashion wear, bankers, actors, politicians, bowler hats, derby hats, top hats, social classes, moorabbin, cheltenham, bentleigh, brighton, market gardeners, pioneers, early settlers, bowler thomas, bowler william, lock & co. ltd. london, england, america, canada

Religious text used in Victoria's mental institutionsA good example of the texts relating to Protestant Missions in the late 1800s18.5 cm x 25 cm. 160 pages. Hardcover [publisher’s original navy blue pebbled-finished cloth]. Gilt-stamped device with title and black tooled borders on front board. Blind border tooling to rear board. Fair condition with some significant signs of external wear. Faded and torn cloth at spine. Binding relatively firm and solid. Sharp cornered interior clean and with some aging. Tricoloured Bookplate carrying “Sin, Subsitution, Salvation” and similiarly themed quotes. bible, biblical commentary, protestantism, religious literature

Black and white photograph, on cream board. Outside view of a weatherboard building with high windows. Group of eleven people in front of four in a horse-drawn float advertising 'MUIOOF over £4,000 (pounds) per day paid in sick pay'. People within float dressed in white with white caps. In front, seven men in three piece suits. Six of these wear decorated shawls. Two horses' hindquarters visible on L.WH Robinson, Bendigoperson, group, easter fair

Blank School Holiday Program Sept/Oct 98 Permission Form. Activities for the 29 & 39 September and 1 October with times are detailed. Children must wear shoes and suitable clothing and bring lunch and a drink each day. Permission has space for child/rens name, address, phone no. and contact person & phone no. Mentioned is that children will obey all instructions. Also, details are given if the child needs medical attention.bendigo, history, long gully history group, long gully community house inc

Black and white photograph. Male in evening wear standing next to grand piano. Pictures on wall. Mats on wooden floor. Inscriptions: on back - handwritten in pencil 'Anthony Strange at Lansdowne May 31, 1949'. Blue circular stamp : 'Royal Historical Society of Victoria, Bendigo Branch'. History of Object: Edith Lunn 5.11.1999 'Anthony Strange at Lansdowne House, home of Albert Bush, Williamson Street'. Previous Acc. No. P669.person, group, portrait

This item of military uniform was worn by Squadron Leader (SQNLDR) Bernard Farley during his period of Full Time service in the Royal Australian Air Force (RAAF) between 27 January 1976 and 02 March 1997. Bernard joined the RAAF as an Airmen was trained and employed as a Clerk Supply (CLKSPL) between 1996 - 1977. He undertook officer cadet training at the Army Officer Cadet School in 1978 and was commissioned into the Ground Defence Category on the 09 December 1978, where he served for 18 years and rose to the rank of SQNLDR. Royal Australian Air Force (RAAF) 1A Service Dress Uniform 1A - Tie (Blue blue). This uniform tie was worn in the period 1966 - 2001 as the primary uniform. Service Dress was approved for wear as either ceremonial dress or working dress when employed in office or business type environments. The tie was dark blue of medium width and has a tetron lining inside the wide end and no lining at the narrow end. Maker: Austal

Bendigo Advertiser ''The way we were'' from 2001. Serving it up: some of the staff at the Deli Café situated under Moran and Cato's in Hargreaves Street (now Wooz surf and street wear in Pall Mall) in the early 1940s. From left Vi Lambert, Ethel Murdoch, Silvia Doyle, Valda Hilson, Elsie Hogg, Molly White, Mrs Dudley (Dud) and Ruby Lenten (Stevens). The clip is in a folder.newspaper, bendigo advertiser, the way we were

A hand muff belonging to the family of George Ward Cole in the late 1800s. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn dark blue silk velvet muff, circa late 1800s. This cylindrical muff features a central lightly padded area for the hands with the sides extending un-padded a further five centimeters. A six centimeter black grosgrain and satin ribbon decorates the front. Attached from the wearers right at the edge of the padded area and falling diagonally to the left edge of the padded area, where it finishes in a decorative bow.st ninians, george ward cole, muff, late 1800s, brighton, margaret morrison ward cole

Hilda was born in Wandin Yallock in 1899 and was the eldest daughter of William and Frances sebire.. She died on 14th August 2906. aged seven years in Wandin Yallock. She is buried at the Lilydale Cemetery.A framed photograph of Hilda Rihoy Sebire 1899 - 1906, taken standing next to a decorative stand with a pot plant fern on top of it. Hilda is wearing a frilly long sleeved white dress with a large collar and tie at the neck. She wears a very large frilled hat with ribbon ties. The decorative gold painted wooden frame has a cream cloth mount with a gold edge around the black and white photograph. Attached to the bottom of the frame is' Hilda Rihoy Sebire 1899 - 1906'. The framer has a sticker on the back, 'TW REF. 3006' portrait photographs, pictures, frames, photograph frames, photograph accessories, family life

Green clothbound hardcover, watermark patterned cloth, faded with some wear to extremities. Title on spine, gilt lettering. Plates XVIII - LXXI plus seven supplementary plates, descriptor pages opposite. Cover detached at front and rear hinges, all pages detached apart from the rear seven. Foxing throughout, some plates water stained. Some previous minor insect damage. Illustrated. Poor condition. non-fictionFrederick von Mueller's book of lithographs; plants indigenous to Victoria. botany, victoria

This item was likely owned by Elaine Morris (then Nobelius) as a teenager, some time in the late 1940s. This is corroborated by the existence of advertising for this specific product from 1949, and its likely contemporaneity with VEMU2293 which has adverting from a similar time period. It was found in a Monkey Pyjama Case (VEMU2288) that belonged to Elaine, alongside several other items of clothing (VEMU2293-5). It was manufactured by the Sutex company, which had multiple manufacturing locations in Victoria - including Inglewood and Bendigo.This item belonged to a member of the Nobelius family and is a identifiable example of 1940s clothing.This item is a set of Sutex "Satinswade Pantees". The original advertisement describes them as follows: "Well cut, elastic at waist, cuff leg, in shades Peach and White. For excellent wearing." Seventy years later, this pair - the white version, though it now looks closer to cream - has suffered significant damage, with three large cuts from the waistline, significant staining, and holes from wear between the legs. It was size OS (Outsized).Tag: "Sutex / LUXURY LINGERIE / Satinswade / O.S"clothing, elaine nobelius, nobelius family, 1940s

Part of the Leo Reoch Cohn Collection. See Catalogue No. 5527.2 for his service record. The badge represents the 1st Australian Armoured Car Section.A triangular metal and enamel unit badge depicting the colour patch of the Armoured Car Section suspended below a gold coloured disc. The disc and badge are connected with a gold coloured chain with a safety pin attached. The back of the disc has a pin and hook attached to allow the wearer to fasten it to a garment. The disc features Arabic writing. The triangular badge has a central enamel purple triangle which is bordered with white enamel.Stamped on the back of the triangular badge: 'E. B. EDWARDS, (hallmarks below)'.souvenir, armoured car section, leo reoch cohn, unit badge

Northern District School of Nursing nurse's base uniform 1950s - 70sTwo white caps without frill denotes first year nurse. Three white caps with frill denotes 2nd year nurse. Two white caps with blue stripe above frill denotes 3rd year nurse. One white cap with brown stripe above frill denotes third year after uniform changed in July 1974.Brown stripe cap has 'Leung BBH' on central mitre in black marking pen. One blue stripe cap has 'Kelly" ? and 'NTI along central mitre. A second blue stripe cap has 'Freeman' in black marking pen on LHS mitre. One white frill cap has 'M.S.Anderson", a second white frill cap had 'N.T.' in marking pen and a button affixed to the central mitre. A third white frill cap has an embroidered name strip with 'K. Woodman in blue and 'B.B.H.' in black marking pen on the central mitre. One plain white cap has jumbled marking pen lettering 'NT 2NT3 NT3 on bottom RHS and a buttonhole to top of each mitre. A second plain wite cap has a buttonhole to top of each mitre.nurses uniform, northern district school of nursing, cap

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre. It belonged to her mother Lilian Cohen.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Two-piece pink silk outfit comprised of a round necked, knee length dress and plain matching silk coat. The dress is scalloped at the waist and bordered with pink glass beads. The dress has the label “Ecstasy Creation : a fine fabric”.“Ecstasy Creation : a fine fabric”.women's clothing, mcintyre collection, australian fashion - 1960s, cocktail dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was made and worn by Dorothea Fush, the mother of Thea Sartori. It is one of a number of items in the Sartori Collection.Mother and daughter, Dorothea Fush (nee Winstanley) and Thea Sartori (nee Fush) were both skilled dressmakers. One of the items donated was entered in the Royal Melbourne Show in the 1960s and won an award for home dressmaking. The donation overall dates from the 1950s and 1960s and includes dresses and hats.Gold figured satin dress and organza coat, the latter held by a large button at the neck. women's clothing, evening wear, evening dresses, cocktail dresses, evening ensembles, dorothea fush (nee winstanley), sartori collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This gown is believed to have been owned and worn by a member of the Smart family of 'Turinville', in Barnard Grove, Kew.Two-piece dress comprised of a bodice and floor length skirt made of a soft, lightweight cerise coloured silk fabric. The bodice features a v-shaped rear neck. A wide velvet cummerbund is part of the outfit. Dated to c. 1901. (Measurements: Length 132 x Waist 62-73, Chest 76 cm)australian fashion - 1900s, ball gowns - 1900s, evening dresses, evening wear, women's clothing

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit is one of a number of items donated to the Fashion Collection by Annie McIntyre, who purchased the outfit in the later 1980s.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black wool striped jacket with square neck and buttons in the same fabric at front. Other items in the outfit include a grey skirt and a white blouse. Gary Theodore and Fiona Scanlan started their fashion house in 1987.Label: Theodore and Scanlanfiona scanlan, women's clothing, australian fashion - 1980s, day wear, mcintyre collection, gary theodore

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening dress, by a Melbourne designer, is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.Short sleeved and high waisted dusty pink silk dress with silk organza lining. The bodice is encrusted with pearls and beads.Label: Park Avenue Gowns, Melbournepark avenue gowns, costumes, women's clothing, evening dresses, rosemary vaughan-smith

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This black velvet jacket with diamanté clasp was collected by Teresa Mayer, KHS member, and donated to our collection in 1988.Black silk velvet evening jacket with ornamental diamanté clip at front.women's clothing, fashion -- melbourne -- 1930s, capes

Assault troopers performed specialist dismounted to Armoured units. On 1 April 1991, ‘A’ Squadron 8/13 Victorian Mounted Rifles linked with 4/19 Prince of Wales’s Light Horse Regiment to form a new regiment of two squadrons: VMR Squadron and PWLH Squadron. The 4/19 Prince of Wales’s Light Horse title was retained, but the VMR Squadron continued to wear the VMR hat badge.Black and white photograph of 16 soldiers of VMR Squadron 4/19 Prince of Wales's Light Horse Assault Troop at camp, Puckapunyal, September 1992.military, vmr, pwlh, puckapunyal, reserve, army, assault

At 5pm on 2 May 1975 at Christ Church, Hawthorn, the wedding took place between Kathryn Gwynn Marx of Mason Street, Hawthorn, and William Peter Reeve of Mountain Grove, Kew. The bride's dress was purchased from the 'House of Franke, Stuart', 612 Glenferrie Road, Hawthorn, a very popular place in the 1970s for brides. Kathryn was educated at Ruyton Girls' School with Margaret Franke so it was a nice connection. Margaret's family business had been in operation since 1926. I loved my wedding dress. It was soft and comfortable to wear and kept me warm on the May evening. It was elegant and I knew I would never get the chance to wear something with a long train again. Walking down the staircase at the Windsor Hotel in Melbourne felt very grand; a memory I still hold today. (Kate Reeve, 2022) [Note: Two photos and a newspaper article which are viewable in the image carousel are held in the donation file]Strong local provenance to Hawthorn, Kew and Boroondara due to owner and retailer. It is a representative example of wedding dresses sold in the 1970s. The wedding dress is made of fine soft white jersey with guipure lace around the neckline, wrists and bodice. The long train has three small discreet loops along the hemline which can be slipped onto a finger for a draped effect giving ease of movement for dancing etc. A satin trimmed veil covered the length of the train and was secured on the head with a satin coronet. White leather shoes were worn. The bouquet Phalaenopsis orchids. (Note: the veil and shoes were not part of the donation)Label: Franke Stuart / Hawthornfashion & design - 1970s, wedding dresses, kate reeve, peter reeve, franke stuart, retailers - glenferrie road - hawthorn (vic.)