Showing 1337 items matching "application"
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Bendigo Military Museum
Photograph - Retouching Reproduction Material at the Army Survey Regiment, Fortuna, Bendigo, c1975
This is a set of seven photographs of technicians retouching orthophoto reproduction material at the Army Survey Regiment, Bendigo, c1975. Retouching mainly entailed the application of liquid opaque (Plumtree), commonly known as “duff” to cover blemishes such as scratches and spots on film negatives before photographic exposure. Retouching technicians also used specialised techniques such as “needling” to repair faults on the emulsion of map reproduction material. The technicians in this set of photos were probably working on the retouching and registration of orthophotomap colour film separations in preparation for publication by Print Troop. Peter Dew featuring in photos .1P to .5P was a serving member of RA Svy, who died in a tragic accident at home. He was fondly remembered as one of Lithographic Squadron’s colourful personalities. The "Super Animal of the Year" Peter Dew Memorial Award was an award presented to a member of the squadron for a crude act. To view a photo of this award, refer to item 6230 of the Victorian Collections.This is a set of seven photographs of technicians retouching and assembling orthophoto reproduction material at the Army Survey Regiment, Fortuna, Bendigo. c1975. The photographs are on 35mm colour slides and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .3) - Photo, colour, c1975. Retouching reproduction material. L to R: SPR Ralph Chant, PTE Laurie Tedford, SGT Peter Dew. .4) to .5) - Photo, colour, c1975. Retouching reproduction material. SGT Peter Dew. .6) - Photo, colour, c1975. Assembly of orthophoto colour film separations. .7) - Photo, colour, c1975. Assembly of orthophoto colour film separations, CPL Garran Hill..1P to .7P - There are no annotations stored with the 35mm slides.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
Bendigo Military Museum
Photograph - Retouching Reproduction Material at the Army Survey Regiment, c1960s, c1970s
The first four photographs were most likely taken in the 1960 and the fifth in the 1970s at the Army Survey Regiment, Fortuna, Bendigo. As there are no annotations with the photos, the exact dates, locations and names of personnel are unknown. SGT Bob Scaddan appears in the fifth photo taken in the 1970s Photos .1P and .2P. could have been taken in Lithographic Squadron’s retouching room and Photos .3P, .4P and .5P. were probably taken in Cartographic Squadron’s Correcting Section, located in the Attic. Retouching mainly entailed the application of liquid opaque (Plumtree), commonly known as “duff” to cover blemishes such as scratches and spots on film negatives before photographic exposure. Retouching technicians also used specialised techniques such as “needling” to repair faults on the emulsion of map reproduction material. The technician in photo .4P is needling a hydrographic feature on a drainage negative, with a zoom transfer scope projecting a scaled projected aerial photograph as a positional reference. This is a set of five photographs of technicians retouching reproduction material at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1960s. unidentified personnel in Lithographic Squadron. .2) - Photo, black & white, c1960s. unidentified personnel in Lithographic Squadron. .3) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic. .4) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic. .5) - Photo, black & white, c1970s. SGT Bob Scaddan in Cartographic Squadron..1P to .3P, .5P - annotated “Retouching”royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, carto -
Mission to Seafarers Victoria
Document - Media release, Podcast reveals unique Melbourne experiences, April 2022
In April 2022, the City of Melbourne partnering Storytown, with launched the "Melbourne Podcast Tour". Storytown, an application created by Jarrod Pickford offering audio guides. This self-guided tour takes you along the Yarra River, from Southbank to Docklands, taking around 1.5 hours to complete by bike or 2 hours by foot. From their website: "Told by locals Discover Australia through the voices of its locals! Storytowns collaborates with communities to craft immersive audio guides, offering authentic travel tales from the heart of each neighborhood. Simply grab your headphones, download our app and explore Melbourne’s suburbs with with our fresh-out-the-oven “Railway Stories” audio guides! And if you’re feeling adventurous this weekend, take a road trip through regional Australia and let us jazz up your adventure, where the local folks are the true stars of the story. Sue Dight was interviewed to add to tThe interview was a to way to put the Mission to Seafarers on the map and increase its visitation. Unfortunately the tour is not avalaible anymore (as from 2023).Digital copy of a media releasecom, city of melbourne, app, storytown, sue dight, on the map, marketing, audioguide, jarrod pickford, audio guides, self-guides tour, podcast, radio interview -
Kiewa Valley Historical Society
Document Instruction and Parts Sheet, Instructions for Operating the Coleman Self Heating Iron Model No. 4 Instant Lighting, circa 1950
This operating and parts information sheet was supplied to consumers to help users of this kerosene iron, not only understand the operation of this self lighting iron, but also to be able to order any replacement parts that may be required for this high level usage appliance. At this period in time(1950's), this item was at the leading edge of ironing technology. During the earlier 1900's and before "the throw away" culture evolved(circa 1950's), reliability and long term application of domestic appliances was a necessity above all costs, especially in isolated rural areas. The construction of these appliances was geared to a longer service life and not to a cheaper two to three year life warranty. With levels of world wide technology at an ever increasing pace, long term reliability of any appliance was no longer sought after. Appliance upgrades and new improved model accessibility especially in rural areas has changed rural consumer's buying patterns. Although the concept of instructional and parts/warranty information booklets has not become obsolete, the ability to access information via electronic means has vastly improved the ability to obtain qualified technical help through local avenues. This access was not available in the time period(circa 1950), when the appliance covered by this document was issued. The rate of development within the home appliance field has mushroomed during the time period post 1950. The costs and the increased levels of product choices and consumer awareness has provided rural areas (once isolated e.g. Kiewa Valley) with a greater ability to satisfy their needs because of a greater diverse range of domestic appliances offered.This discoloured, sepia paper has black print and is folded into three equal pages. The information contained covers operational and part numbers for the kerosene fired hand held iron. there are kerosene stains on the last page and these have soaked through onto the second page. The form no.-3-3C- McACO.-4363Printed in U.S.A.instructions, household appliances, ironing, domestic ironing -
Victoria Police Museum
Identification Card, Catherine Margaret McVeigh, 20 February 1974
Margaret 'Catherine' McVeigh joined the Women's Royal Australian Air Force in 1951, aged 19, discharging at her own request on 10 July 1956. Margaret then joined the Victoria Police Force on 20 June 1956 and served in the Women Police Division. Following the application of the Equal Opportunity Act, Margaret moved to general police duties on 4 January 1979. She was then in charge of No. 3 Division "O" District (Mounted Branch, Police Dog Squad and the Police Horse Stud Farm). In 1973 Margaret won the Churchill Fellowship award and travelled overseas to study the integration of women into world police forces. She then joined the International Police Association and was issued this identification card. Margaret was the first female member of the Victoria Police to attain the rank of Chief Inspector and subsequently Superintendent and Chief Superintendent. In August 1988, at the time of her retirement, she was Chief Superintendent in Charge of the Traffic Operations Group.International Police Association identification card belonging to Police Woman Inspector Catherine Margaret McVeigh. Card has blue cover and is unsigned.mcveigh, catherine margaret, 12428, police women, international police association, police woman, policewomen, policewoman -
Federation University Historical Collection
Equipment - Casette Tape Recorder, Sanyo, Sanyo Casette Tape Recorder
Early recorders were intended for dictation and journalists, and were typically hand-held battery-powered devices with built-in microphones and automatic gain control on recording. Tape recorder audio-quality had improved by the mid-1970s, and a cassette deck with manual level controls and VU meters became a standard component of home high-fidelity systems.[1] Eventually the reel-to-reel recorder was completely displaced, in part because of the usage constraints presented by their large size, expense, and the inconvenience of threading and rewinding the tape reels - cassettes are more portable and can be stopped and immediately removed in the middle of playback without rewinding. Cassettes became extremely popular for automotive and other portable music applications. Although pre-recorded cassettes were widely available, many users would combine (dub) songs from their vinyl records or cassettes to make a new custom mixtape cassette. (http://en.wikipedia.org/wiki/Cassette_deck) Black and silver electric or battery powered plastic tape recorder wit 5 black and 1 red push button to operate and record on the equipment. The recorder also has a counter and a rec.batter light. electronics, cassetter recorder, recording, tape recorder -
Federation University Historical Collection
Photograph (black & White), Field Artillery - South Africa
The Second Boer War saw attempted application of bombardment as an alternative to the use of ground forces. In most battles fought during the conflict this was proved not to be possible. There was competition from the other side's ability to take evasive measures. The opponent was able to use cover to protect himself and hide his position. This was the tactic used against the British at the Battle of Magersfontein and the Battle of Colenso. The British had success when they ceased using artillery by itself and used it in conjunction with infantry. British General Buller linked the use of artillery and the movement of infantry in continuous interlocking assaults upon each hill south of Ladysmith. As soon as shelling had finished in a location the infantry moved. The front collapsed on the 27 February 1900 when use was made of a creeping curtain of shell fire sent over the heads of advancing infantry destroying everything 100 yards ahead of them. It was this tactic of the creeping barrage that has been described as "revolutionary'. Individual image from photographed poster of tobacco and cigarette cards.second boer war, ground forces, battle of magersfontein, battle of colenso, general buller, infantry, ladysmith, interlocking assaults -
Melbourne Legacy
Letter - Document, letter
Job application dated 6 February 1943 by Mr R Roper of Albert Park for the position of Manager of the Legacy Club Hostel. It lists his experience in WWI and running a farm in Gippsland. Holmbush was the first children's home established by Melbourne Legacy. It was later renamed Blamey House when the first Blamey House was sold. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.A record of written correspondence regarding job applications in 1943.Letter from 1943 applying for a position at Holmbush on white notepaper, black ink handwriting, two hole punched.residences, holmbush, holmbush administration -
Parks Victoria - Cape Nelson Lightstation
Instrument - Morse Code Key Set
The battery powered set, which dates from the second half of the twentieth century, comprises two main components, the electronic keyer with a single lever for tapping, and a transmitter (?), both connected by a keying cable. Morse code was invented in the 1830s by American, Samuel Finely Breese by using electrical signals to quickly transmit information over a long range. In the early 1890s Italian inventor, Guglielmo Marconi improved the technology to the point where it became an essential device used for commercial and government purposes. The first practical applications were demonstrated with maritime messaging, where this simple mode of communication was seen as a timely replacement for the historic practice of signaling by flags, lights and foghorns. Cape Schanck has an earlier Morse code key, which is original to the lightstation (CSLS 0035), and Cape Otway has another early example although its provenance to the lightstation has not been formally verified (COLS 0074). The Morse code set has first level contributory significance for its historical value as an earlier communications device that has since been made redundant by more sophisticated technologies.Morse code key set. Comprised of the tapping component and a metal box part with a white electrical cord.Yes -
Orbost & District Historical Society
rabbit traps, First half 20th century
During the Great Depression from 1929 to 1932, rabbit trapping was a means of survival for many people. Rabbits provided meat and pelts which were sold for making felt hats such as the Akubra. Rabbit populations are controlled in the 21st century by poisoning, destroying or 'ripping' burrows (warrens), biological control with rabbit haemorrhagic disease and myxomatosis, and by shooting. Rabbit-proof fences also prevent the spread of rabbits into some areas. (ref. Powerhouse Museum) Steel-jawed rabbit traps were widely used in urban and rural Australia from 1880 to 1980. This trap is symbolic of the battle that Australians have waged against burgeoning rabbit populations for over a century. Rabbits cause enormous damage to Australian soils and biodiversity. The introduction of rabbits to this country was an environmental disaster.Two iron rabbit traps. Each consists of a pair of jaws held closed by spring tension and a triggering mechanism. When the trap is triggered the jaws close over the top of the bridge, plate and tongue mechanism that is designed to trigger the trap. A chain is attached by a hook on the bent end of the trap's spring with a long steel spike looped over the last link of the other end of the chain. The trap is designed so that the metal jaws snap shut against each other when the trap is activated by the application of weight to the pressure plate. In use, traps are set with open jaws, buried lightly just below the surface of the earth. When an animal steps on the pressure plate, the jagged teeth of the jaws snap around the animal's leg, usually breaking bone and sinew. Thus the animal is immobilised.rabbits rural trapping -
Orbost & District Historical Society
rabbit trap, first half 20th century
During the Great Depression from 1929 to 1932, rabbit trapping was a means of survival for many people. Rabbits provided meat and pelts which were sold for making felt hats such as the Akubra. Rabbit populations are controlled in the 21st century by poisoning, destroying or 'ripping' burrows (warrens), biological control with rabbit haemorrhagic disease and myxomatosis, and by shooting. Rabbit-proof fences also prevent the spread of rabbits into some areas. (ref. Powerhouse Museum) This trap was used in the Orbost district. Steel-jawed rabbit traps were widely used in urban and rural Australia from 1880 to 1980. This trap is symbolic of the battle that Australians have waged against burgeoning rabbit populations for over a century. Rabbits cause enormous damage to Australian soils and biodiversity. The introduction of rabbits to this country was an environmental disaster.A rusted iron rabbit trap which consists of a pair of jaws held closed by spring tension and a triggering mechanism. When the trap is triggered the jaws close over the top of the bridge, plate and tongue mechanism that is designed to trigger the trap. A chain is attached by a hook on the bent end of the trap's spring with a long steel spike looped over the last link of the other end of the chain. The trap is designed so that the metal jaws snap shut against each other when the trap is activated by the application of weight to the pressure plate. In use, traps are set with open jaws, buried lightly just below the surface of the earth. When an animal steps on the pressure plate, the jagged teeth of the jaws snap around the animal's leg, usually breaking bone and sinew. Thus the animal is immobilised. rabbit-trap rural -
Bendigo Historical Society Inc.
Book - RIGHT TO OCCUPY RESIDENCE AREA COLLECTION: REGISTER 1936
COLLECTION OF RIGHT TO OCCUPY A RESIDENCE AREA -LAND (RESIDENCE AREAS ) Act 1935 / thick cardboard book -cloth and string binding / written on front in texter '1936' / numbers 5001 to 5100 / inside - stubs of documents showing Granted to , of, period, Date of Right , Description of Land , Allotment, Section, City, Town , Borough , Township of , Parish of , Authorised Person . Rubber stamps show The interest of this Right has been transferred to /one stub shows Department of Lands and Survey note on Bendigo Historical Society Catalogue Sheet dated 12.6.2008 All buts completed and original application forms removed. Note -forms were originally in triplicate on one page with serrations for removal of two parts; butts remain .Residence areas in Central Goldfields.Bendigo City Council - Acquisition 1990organization, government, official -
Bendigo Historical Society Inc.
Document - JOHN EVANS COLLECTION: EPHEMERA
Various documents located within the 'J Evans Collection' (Original Box 6). . A. Shire of Marong - Valuation Notice to Mr John Evans, Sydney Flat August 1913; b Examination questions for Subject X - Inorganic Chemistry May 1888 (Examinaers names and Professor's names given - where??; c. Letter from Office and Lands and Survey to Mr John Dolman Junior, Kamarooka re failure of application for a lease in the area; d. Letter to Mr Evans from Annie Murray, Chum Street re request for meeting re house and meeting with bank manager (on bereavment card?!!); e. part of page (handwritten) re Crown Grant in the name of Isabel Evans (title details).; f. Certificate of Marriage between William Johns and Charlotte Stewart , 6th March 1893, Eaglehawk.ephemera, mementoes, general interest -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: SUBMISSION BY THE BENDIGO FIELD NATURALIST CLUB FOR THE PRESERVATION OF THE WHIPSTICK 1971, 1971
PETER ELLIS COLLECTION: Submission by The Bendigo Field Naturalist Club for the Preservation of the Whipstick Bendigo 1971 The submission was sent to the Minister for Forests. 'On behalf of the Bendigo Field Naturalist's Club, we, the President and Honorary Secretary, make application to the Forests Commission to have two areas, as approximately shown in green on the maps submitted (under separate cover), and being in the parishes of Huntly Nerring and Whirakee, Edgerton declared as Forest Parks under the Appropriate Act.' The Submission has the following contents: Bendigo's Claim for a Forest Park or National Park The Proposed Foiorest Parks Near Bendigo The Flora of The Proposed Whipstick Forest Park Species of Native Plants Bendigo Whipstick Area 1971 Species of Birds Bendigo Whipstick Area 1971 Mammals of the Whipstick Historical Bendigo Whipstick Statisticsperson, individual, peter ellis oam -
Bendigo Historical Society Inc.
Document - CONNELLY, TATCHELL, DUNLOP COLLECTION: LEGAL PAPERS, 1886
Document. Connelly, Tatchell & Dunlop - Legal Papers. 1 - 1886 - Letter from Gibbins Alice, Inglewood re Morrow. 2 - 1886 - Post Office Telegraph from Jones L J, Kerang re Hughes. 3 - 1886 - Post Office Telegraph from Irving Jas, Kerang. 4 - 1886 - Letter to Wood W Esqre, Town Clerk, Eaglehawk and return from Wood Wm. 5 - 1886 - Letter from Bennett & Co re Hawthorne & Brady. 6 - 1886 - Letter from Bennett & Co re Gibbins v Morrow. 7 - 1886 - Letter from Bennett & Co re Webb & Holmes & White. 8 - 1886 - Letter from Secretary for Mines and Water Supply re O'Neills application and water reserve at Axedale.cottage, miners, connelly, tatchell & dunlop, gibbins alice, jones l j, hughes, irving jas, wood w esqre, bennett & co, hawthorne, brady, gibbins, morrow, webb, holmes, white, mines and water supply, o'neill -
Bendigo Historical Society Inc.
Document - CONNELLY, TATCHELL, DUNLOP COLLECTION: LEGAL PAPERS, 1917 - 1920
Document. Various legal papers. 1 - 1919 - East Loddon Shire (Serpentine) costs re Illicit slaughtering by law, re Clift & Vogele, Clift re Lakey. 2 - 1919 - Potter John (Fernihurst) and Potter W A (Langville) (W A Potter is son of John Potter) re costs. 3 - 1920 - Potter John (Fernihurst) re costs Land. 4 - 1920 - Pryor Joseph (Ultima) re costs Cowling & Broomhead. Application for Agricultural Lease. 5 - 1919 - Murphy Mrs A T(Bendigo) re costs Bickle. 6 - 1919 - McLoughlin J R (Campbell's Forest) re costs Thompson. 7 - 1917 - 1919 McNamara John (Farmer Toolleen) re costs. Re Osterfield, O'Donnell, Loan, Heard, Middlecoat & Others.cottage, miners, connelly, tatchell & dunlop, east loddon shire, clift & vogele, clift, lakey, potter john, potter w a, pryor john, cowling & broomhead, murphy mrs a t, bickle, mcloughlin j r, thompson, mcnamara john, osterfield, o'donnell, loan, heard, middlecoat -
National Wool Museum
Tool - Stencil, 1983
The story of 90 years of wool classing between father & son begins in 1936, when a young boy by the name of Stanley James Hucker walked through the doors of the Gordon Technical School in Geelong. Born in 1921, Stanley was 15 years of age when he began his 3-year course in Wool Classing. 30 years later, Stanley’s second son Denis completed the same 3-year wool classing course. Beginning in 1966, Denis attended the same Gordon Technical School and walked the same halls as his father before him. Stanley finished his course in 1938. He went back to the family farm in Lake Bolac for a brief period before enrolling in the Second World War. At the completion of the war, Stanley returned home and married before gaining a soldier settler allotment, north of Willaura. This enabled Stan to use his wool classing knowledge. He ran between 1,500 and 2,000 sheep for many years, while his wool classer stencil also allowed him to go out and class at various sheds around the area. He held his stencil from 1938 until he retired at the age of 60 in 1981. On retirement, his second son Denis was working in the district, managing a local property while also leasing land himself. Upon his father’s retirement, Denis had the opportunity to lease his father’s farm, an opportunity he could not refuse. Denis had finished his wool classing course at the Gordon Technical School in 1968, graduating dux of his class. He began working with a local contractor and started classing wool in his team. Denis gained a great deal of experience working as part of this team in big sheds of up to 8 stands servicing between 10 & 20,000 sheep. It was not all smooth sailing for Denis however, and he soon learnt an important lesson. Class wool the way you’re taught, don’t listen to the owner standing over your shoulder. At a clip of Corriedales near Casterton, Denis was pushing too many fleeces into the line of fine wool. This resulted in a notice from the Australian Wool Exchange (AWEX) “mixing counts too much, submit three clips for inspection”. Denis was able to submit 3 clips with no further complaints, however, this proved a valuable lesson he would never forget over his long career classing wool. In the early 1980s, when Denis was leasing two properties including his father’s, things were going well until drought struck. February 1983 was the date of the Ash Wednesday bushfires, and saw Melbourne have three days over 40 °C for only the second time on record. This period saw Denis give away farming, turning towards contracting work instead. After the difficult times of the early 1980s, the next two decades were a good time for the sheep industry. 15 micron wool was selling for prices between 4 to 5,000 cents per kilo, double what you’d expect for the same wool in 2022. In 1995 a single bale of wool sold for a million dollars. This was a good time for Denis too. His contracting work saw him employing local shearers and shed staff. His team was involved with the shearing and classing of more than 130,000 sheep. After 20 years of contracting, it was time for Denis to transition into the next phase of his life. He gave up independent contracting, preferring instead to return to being a member of someone else’s team. In 2018, having completed 50 years of wool classing, it was time to call it a day and retire completely. At the annual Gordon Wool School Old Students Association dinner held in 2018, Denis was presented with his 50 years as a registered wool classer stencil awarded by the Australian Wool Exchange (AWEX). This is a rare honour achieved by few. As of February 2020, a total of 430 wool classers had achieved this 50-year milestone. For Denis however, his proudest achievement is achieving 90 years of wool classing with his father. The National Wool Museum is proud to share the collection of objects gained from 90 years in the wool classing industry by Stanley and Denis. This ranges from Stanley’s first stencil and Wool Sample book, started when he first attended the Gordon in 1936. The collection concludes 90 years later with Denis’ 50 years of wool classing Stencil. The collection contains many more objects, all telling the story of these 90 years, and the hard work invested by this dedicated father and son duo. Thin sheet of metal with letters and numbers cut to produce a consistent pattern for the surface below through the application of ink. In small text on the top edge of the stencil two separate phrases are engraved.” A.W.C. PROPERTY NOT TRANSFERABLE” and “PROFESSIONAL“. This wool classing stencil belonged to Stanley Hucker. It was his last Wool Classing Stencil. Dated to 1983, it is 45 years older than his first stencil. The role of a Wool Classer is to sort, classify, and grade wool into various ‘lines’ so that it can be sold for best market price. Wool Classers are typically also tasked with the managing and supervising of wool-handling teams. The stencil is used in the final step of preparing a bale of wool for sale. It is branded across the front of a wool bale to indicate the quality of the wool, with the classers number used as a seal of guarantee.Engraved letters. “A.W.C. PROPERTY / NOT TRANSFERABLE” Engraved letters. “PROFESSIONAL“. Cut imagery. Sheep’s head Cut letters, numbers, and imagery. “83 (Image Australia) P I / 50922”wool classing, stencil, 90 years wool classing between father & son -
National Wool Museum
Tool - Stencil, 1938
The story of 90 years of wool classing between father & son begins in 1936, when a young boy by the name of Stanley James Hucker walked through the doors of the Gordon Technical School in Geelong. Born in 1921, Stanley was 15 years of age when he began his 3-year course in Wool Classing. 30 years later, Stanley’s second son Denis completed the same 3-year wool classing course. Beginning in 1966, Denis attended the same Gordon Technical School and walked the same halls as his father before him. Stanley finished his course in 1938. He went back to the family farm in Lake Bolac for a brief period before enrolling in the Second World War. At the completion of the war, Stanley returned home and married before gaining a soldier settler allotment, north of Willaura. This enabled Stan to use his wool classing knowledge. He ran between 1,500 and 2,000 sheep for many years, while his wool classer stencil also allowed him to go out and class at various sheds around the area. He held his stencil from 1938 until he retired at the age of 60 in 1981. On retirement, his second son Denis was working in the district, managing a local property while also leasing land himself. Upon his father’s retirement, Denis had the opportunity to lease his father’s farm, an opportunity he could not refuse. Denis had finished his wool classing course at the Gordon Technical School in 1968, graduating dux of his class. He began working with a local contractor and started classing wool in his team. Denis gained a great deal of experience working as part of this team in big sheds of up to 8 stands servicing between 10 & 20,000 sheep. It was not all smooth sailing for Denis however, and he soon learnt an important lesson. Class wool the way you’re taught, don’t listen to the owner standing over your shoulder. At a clip of Corriedales near Casterton, Denis was pushing too many fleeces into the line of fine wool. This resulted in a notice from the Australian Wool Exchange (AWEX) “mixing counts too much, submit three clips for inspection”. Denis was able to submit 3 clips with no further complaints, however, this proved a valuable lesson he would never forget over his long career classing wool. In the early 1980s, when Denis was leasing two properties including his father’s, things were going well until drought struck. February 1983 was the date of the Ash Wednesday bushfires, and saw Melbourne have three days over 40 °C for only the second time on record. This period saw Denis give away farming, turning towards contracting work instead. After the difficult times of the early 1980s, the next two decades were a good time for the sheep industry. 15 micron wool was selling for prices between 4 to 5,000 cents per kilo, double what you’d expect for the same wool in 2022. In 1995 a single bale of wool sold for a million dollars. This was a good time for Denis too. His contracting work saw him employing local shearers and shed staff. His team was involved with the shearing and classing of more than 130,000 sheep. After 20 years of contracting, it was time for Denis to transition into the next phase of his life. He gave up independent contracting, preferring instead to return to being a member of someone else’s team. In 2018, having completed 50 years of wool classing, it was time to call it a day and retire completely. At the annual Gordon Wool School Old Students Association dinner held in 2018, Denis was presented with his 50 years as a registered wool classer stencil awarded by the Australian Wool Exchange (AWEX). This is a rare honour achieved by few. As of February 2020, a total of 430 wool classers had achieved this 50-year milestone. For Denis however, his proudest achievement is achieving 90 years of wool classing with his father. The National Wool Museum is proud to share the collection of objects gained from 90 years in the wool classing industry by Stanley and Denis. This ranges from Stanley’s first stencil and Wool Sample book, started when he first attended the Gordon in 1936. The collection concludes 90 years later with Denis’ 50 years of wool classing Stencil. The collection contains many more objects, all telling the story of these 90 years, and the hard work invested by this dedicated father and son duo. Thin sheet of metal with letters cut to produce a consistent pattern for the surface below through the application of ink. This wool classing stencil belonged to Stanley Hucker. It was his first Wool Classing Stencil. It was used on Stanley’s property named “Yohhatnbu” in Willaura. Stanley gained the property as part of the Returned Soldiers Settlement Scheme for his service in World War 2. The role of a Wool Classer is to sort, classify, and grade wool into various ‘lines’ so that it can be sold for best market price. Wool Classers are typically also tasked with the managing and supervising of wool-handling teams. The stencil is used in the final step of preparing a bale of wool for sale. It is branded across the front of a wool bale to indicate the quality of the wool, with the classers number used as a seal of guarantee.Cut letters. “SJH / BOLAC ”wool classing, stencil, 90 years wool classing between father & son -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: VARIOUS ARTS BENDIGO OUTWARDS CORRESPONDENCE
Various Arts Bendigo Outwards Correspondence - To: Mailout to District Football and other clubs for show ''No Time On''; Steve Gibbons MP re nomination of Merle Hall for a Certificate of Recognition (for outstanding contribution to AB and the community (July 2001); Cr Weston Mayor COGB, re AB support for Council's application for funding for Bendigo Arts Precinct- Art Gallery Project 1997; 1998/199 Report summary of AB activities calendar for 1999; Roman Rudnytsky re confirmation of concert date Aug 1997; David Scheel re performance 1997; Dr I McBean, University College of Northern Victoria, re re Bluthner piano 'Loan arrangement'' and restoration planned (1991); ''Alexandra''?? March 1991 re performance Agreement and directions; -
Kew Historical Society Inc
Archive (series) - Subject File, BALE, Alice [Marion Emily], 1958
Various PartiesReference, Research, InformationKHS OrderSubject file relating to the Australian artist A M E Bale who lived at 83 Walpole Street, Kew (Vic). The file contains a great deal of photocopied biographical information, as well as some newspaper articles/clippings. In 1981, the Kew Historical Society applied for the house to be registered by the Historic Buildings Preservation Council of Victoria. Accompanying the application was a citation by Timothy Hubbard (1981). A reply by the Boyce Pizzey, from the Council (1 May 1981) indicated that the building was of “insufficient architectural or historic importance” to warrant registration. The letter also indicated that the current owners had been requested to provide “a professional photographic record of the house and contents and submit these, along with all specifications and drawings, to the Latrobe Library, Melbourne”. The file includes an anonymous handwritten record of the contents of the house, which were sold at auction in 1981.artists - kew (vic.), a m e bale, walpole street - kew (vic.)artists - kew (vic.), a m e bale, walpole street - kew (vic.) -
University of Melbourne, Burnley Campus Archives
Document, Student Exchange, 1986-1996
student exchange, australian students, japanese students, aichi college of agriculture, olds college, california polytechnic state university -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Note, written on blue paper and dated Oct? /66 mentioning that Br. W. H. Nicholas has applied & permission granted for the services of your Ct. Surgeon. Also on the same sheet is a letter written on paper with printed letterhead and crest, dated Oct 17th, 1866, mentioning that Br Hampton had applied to Court King of the Forest for services of the Surgeon and you will oblige information whether permission has been granted him by your Court, as no information has been received. Another letter written on the back between Court King of the Forest ad Court Happy Valley mentioning that the application for Meeting removal had been laid before the Court and the instruction was to inform the writer that the Court will not oblige if the meeting was called for the especial purpose.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, court royal oak, br w h nicholas, commercial hotel, court tarrangower, br hampton -
Melbourne Tram Museum
Newspaper - Digital Image, The Examiner, “'Historic' Melbourne trams to call Launceston home”, 9/4/2019
Digital image of newspaper clipping titled: “'Historic' Melbourne trams to call Launceston home”, by Jessica Willard Newspaper article with pictures of two Melbourne trams numbers 742 and 770 being loaded and transported from Newport Railway Workshop to Launceston. Initially they will be put into storage until consultation with local council and community groups. Plans include transforming the trams into indoor seating areas in Riverbend Park. The trams will travel on the Spirit of Tasmania More than 1500 applications were received through the expression of interest process, which was mostly for W-Class trams retired from Victoria's railway and tram network over the past 30 years. VicTrack is in the process of allocating all retired trams from Newport and is expected to take two years.trams, tramways, w class, w5 class, sw5 class, newport workshops, launceston, tram 742, tram 770 -
Melbourne Tram Museum
Poster, Yarra Trams, "Melbourne Tram Network" and "Swanston St and St Kilda Road Trams", Apr. 2011
Full colour poster printed on a vinyl plasticized based sheet, titled "Melbourne Tram Network" - showing a diagrammatic layout of Melbourne tram routes, Myki ticket notes and where tickets can be obtained, information numbers (PTV, phone applications) and information on Tram Tracker, twitter and other contact systems on the left side and on the right side titled "Swanston St and St Kilda Road Trams" showing the frequency of service from Stop 1 to Stop 30 - Melbourne University to St Kilda Junction. Has a table showing the first and last trams to each of the routes for Monday to Thursday, Friday, Saturday and Sunday. On the base has notes regarding accessible services. Map shown as effective April 2011. Has the document information on the right hand side of the poster.trams, tramways, yarra trams, ptv, maps, tramtracker, myki, swanston st, st kilda rd -
Bendigo Historical Society Inc.
Document - Sir John Quick Committee Minutes, Michele Matthews Collection, February and March 1999
The Sir John Quick Committee was formed in 1991 to commemorate the achievements of Sir John Quick who played a prominent role in the federation of Australia. The Committee aimed to raise awareness of the contribution of Sir John Quick and to ensure that he was recognized for the part he played.Minutes for meeting of the Sir John Quick Committee held on 6.2.1999. Two typed pages on blue paper. Items discussed: 1. Sir John Quick Museum. Presentation by Kathryn Mackenzie and the vision for the Museum. Sub-committee formed to liaise directly with Kathryn Mackenzie. 2. Presentation by Bruce Winzar including details of research underway on subject of museums and the likelihood of an interactive approach. Committee to work with the City and its Tourism interests. 3. Education programs in schools. 4. Annual old time music hall. Minutes for meeting of the Sir John Quick Committee held on 22.3.1999. Two typed pages on white paper. Items discussed: 1. Sir John Quick Museum. Concerns re understanding of the application of the funding. 2. Upcoming events.sir john quick committee, sir john quick museum -
The Beechworth Burke Museum
Geological specimen - Tourmaline in Quartz, Unknown
Tourmaline specimens are members of a crystalline silicate mineral group based on boron but influenced by elements including aluminium, iron, magnesium, sodium, lithium, or potassium. Specimens present a wide variety of colours and forms according to the specific mix of these elements. Tourmalines are semi-precious gemstones with many applications, including commercial jewellery production. The word 'tourmaline' derives from the Sinhalese term for the carnelian or red-shaded specimens, "tōramalli". This specimen has been classified by geologists as 'Black Schoalou/Tourmaline in quartz'. Schoalou may equate to a common black-hued type of Tourmaline associated since around 1400 with mines in Saxony, Germany near a village called Schorl (today's Zchorlau). If this specimen is part of the 'Schorl' species of tourmaline it is a member of the most common group of Tourmalines, a divalent sodium ion influenced group accounting for 95% of specimens. On assessment, it was noted that the crossed lines (XIs) of this tourmaline have been fractured and rehealed by the quartz matrix in which the tourmaline rests. This item is significant as an example of its type of gemstone and the geological processes leading to its formation. A solid medium-sized piece of Black Schoalou/Tourmaline in a cream and peach coloured quartz matrix. Existing label: Black Schoalou / Tourmaline in / quartz. / Tourmalines XIs have / been fractured and / rehealed with / quartz / C. Willman / 15/4/21 /geological specimen, geology, geology collection, burke museum, beechworth, indigo shire, north-east victoria, tourmaline, quartz, boron, crystals, minerals, gemstones, semi-precious, black schoalou, zchorlau, schorl -
Halls Gap & Grampians Historical Society
Magazine - Photocopy
Kingston Roadliners (F. Kingston, Proprietor) STAWELL - GRAMPIANS DAILY Coach for the Grampians meets mid day train at Stawell Return Daily Make the Grampians your next vacation Daily Conducted Tours, from Hotels and Guesthouses in Stawell and Hall's Gap to WONDERLAND - MCKENZIE FALLS - LAKE WARTOOK - MT. VICTORY - MT ROSEA - WANNON VALLEY conducted Hiking Trips Arranged Stawell booking office: 75 Main Street - Phone: Stawell 214, Hall's Gap booking office: Main Road - Phone: Hall's Gap 35, Bookings also from Vitorian Government Tourist Bureau, Cars for hire GRAMPIANS HOUSE The Most Conveniently Situated Tourist House in the Grampians. Ballroom, electric light, large garage, hot water service, hot water in all rooms, internal sewerage. Tennis, fishing, shooting, Alongside is the Bowling Green, where visitors are welcome to play. Phone: Hall's Gap 28. Tariff on application. Manageress: Mrs, E. MatthewsAdvertisement for Kingston Roadliners, Grampians House and Map of the GrampiansAdvertisement in Broadbents, Guide of western Victoria, and South-East of S.A.media, advertisements, grampian house -
Flagstaff Hill Maritime Museum and Village
Tool - Wooden Screw Clamp, First quarter of the 20th century
A clamp is a fastening device used to hold or secure objects tightly together to prevent movement or separation through the application of inward pressure. In the United Kingdom the term cramp is often used instead when the tool is for temporary use for positioning components during construction and woodworking; thus a G cramp or a sash clamp but a wheel, screw or surgical clamp. There are many types of clamps available for many different purposes. Some are temporary, as used to position components while fixing them together, others are intended to be permanent. In the field of animal husbandry, using a clamp to attach an animal to a stationary object is known as "rounded clamping." A physical clamp of this type is also used to refer to an obscure investment banking term, "fund clamps." Anything that acts to hold two surfaces together may be called a clamp, so this gives rise to a wide variety of terms across many fields. The subject item is a wooden-handled screw clamp used in cabinet or woodworking projects to hold two surfaces together while glueing or fixing. An item that has not changed in shape or use since its inception hundreds of years ago. These types of clamps are still produced today in many sizes by many woodworking tool companies.Wooden hand Screw Clamp two lengths of wood each beveled at one end and standing parallel. Two long wooden screws with handles and predominant thread that fits through wood lengths.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden screw clamp, carpenters tools, cabinet makers tools, clamp -
Flagstaff Hill Maritime Museum and Village
Instrument - Concertina, Lachenal and Co, 1879-1933
Louis Lachenal manufactured concertinas for C Wheatstone & Co. from around 1848-1858 in a combined home and manufactory in Cheswick, England. He then establish up his own business 'Lachenal's' at 8 Little James Street in London. In 1863 the firm began advertising both 'Anglo and English concertinas, which were more expensive. Lachenal passed away in 1861, so his wife Elizabeth took over the business. The firm was sold to a group of five businessmen in about 1873 and in 1874 the firm became ‘Lachenal & Co.’ A Trade Mark application was made by Richard Ballinger on behalf of Lachenal & Co. on 31st August 1878 and the Number 19,555 was published in the Trade Mark Journal January 8, 1879. The symbol was an English-style reed-shoe with the words 'Trade Mark' and 'English Make'. It was stamped on the right-hand rail (handle) of the Lachenal Anglos, to distinguish them from the German-made ones. It seems that the company ceased business in 1933.This concertina, made in the late 19th to early 20th century, represents the portable musical entertainment of the early settlers in the colony of Australia. Concertina, six sided, 21 buttons, with fitted case. Wooden ends have carved cut-outs and leather straps attached to brass buttons. Five-fold bellows have light coloured sides with reinforced edges and corners. Constructed with steel reeds and bone key-buttons. Wooden, black fabric-covered hexagonal case with triangular metal catch, two brass hinges, leather handle and faded red lining. Inscriptions on label inside lid and on wooden ends of bellows. Lachenal, Anglo design, made by Lachenal & Co. of London. Label within oval cut-out "LACHENAL & Co / PATENT CONCERTINA / MANUFACTURERS / LONDON", Label inside lid " - CHENAL -", Impressed into wood STEEL REEDS", "ENGLAND", "TRADE MARK ENGLISH MAKE [reed-shoe symbol]" , (originally marked with Number "98030" )flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, concertina, squeeze box, musical instrument, london, english make, trade mark 15222, english-style reed, richard ballinger, louis lachenal, concertina manufacturer, reed-shoe, lachenal anglo, lachenal & co, lachenal -
Flagstaff Hill Maritime Museum and Village
Tool - Wooden Screw Clamp, Late 19th to early 20th century
A clamp is a fastening device used to hold or secure objects tightly together to prevent movement or separation through the application of inward pressure. In the United Kingdom the term cramp is often used instead when the tool is for temporary use for positioning components during construction and woodworking; thus a G cramp or a sash clamp but a wheel, screw or surgical clamp. There are many types of clamps available for many different purposes. Some are temporary, as used to position components while fixing them together, others are intended to be permanent. In the field of animal husbandry, using a clamp to attach an animal to a stationary object is known as "rounded clamping." A physical clamp of this type is also used to refer to an obscure investment banking term, "fund clamps." Anything that acts to hold two surfaces together may be called a clamp, so this gives rise to a wide variety of terms across many fields. The subject item is a wooden-handled screw clamp used in cabinet or woodworking projects to hold two surfaces together while glueing or fixing. An item that has not changed in shape or use since its inception hundreds of years ago. These types of clamps are still produced today in many sizes by many woodworking tool companies.Wooden hand Screw Clamp two lengths of wood each beveled at one end and standing parallel. Two long wooden screws with handles and predominant thread that fits through wood lengths.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wooden screw clamp, carpenters tools, cabinet makers tools, clamp