The Closing Ceremony Program from the 1992 Barcelona Olympic Games collected by Doug Pleasance from working at the Olympics.The Closing Ceremony Program is an oversized booklet. The cover depicts a hall with fireworks above, the colours a predominantly reds. The top of the page has the Olympic rings made up of small dots, the fireworks shoot over the rings breaking their lines. The back cover depicts the same. Within the rings on the front cover appear the titles and inscriptions of the book.Programa de la Cerimonia de Clausura Programme de la Ceremonie de Cloture Programa de la Ceremonia de Clausure Closing Ceremony Programme1992 barcelona olympics, sport, athletes, programme, booklet, ceremony

Sepia tone photo of 'Brush Summer Car' No 8(?) Electric Supply Company livery. On back handwritten, 'Bendigo Electric Tramway 1935 ''Brush''' Summer Car - Electric Supply Company Colours', stamped in purple ink on back, 'Printed by Olivers Bendigo' Handwriten on back in black ink ' P.8 T.R 3/Colbasil miller, bendigo trams

Poster - A3 - two colours printed on white paper titled "Stay on Track" with pictograms for behaviour on trams - eg no food, keeping feet off seats, validating tickets, keeping door closed. Has the good behaviour in green and the poor or not allowed behaviour in light blue - not easy to read. Published by Yarra Trams - actual use?trams, tramways, posters, yarra trams, behaviour, by laws

Sign - Free Tram Zone logo and background colours printed on a sheet of 5mm clear Perspex. Adam Chandler advised 15/11/2019 - These were prototypes in the office - from memory this was to evaluate the effectiveness of the treatment to tram stop shelter glass (at a much reduced scale)." Unknown sign manufacture - produced for the PTV late 2014.trams, tramways, free tram, signs, shelters, public transport

Sign regarding the operation of a Melbourne suburban train door that has been fitted with power closing doors, three colours, adhesive back with the name of the manufacturer "JBC" on the rear. Has two sheets of paper split in the middle that protected the sign until use. Possibly dates from the time of the introduction of power doors on Harris Trains.trams, tramways, victorian railways, melbourne

Print was part of "A Community View, 150 years in Portland Screenprint Exhibition." Part of CEMA Art Collection. Part of Angela Gee residency workshops, 1983 and 1984.Image of approximately 125 people's faces and two dogs, surrounded by a border of line-drawn flowers, leaves and stems. At top centre are the words "1834 Portland 1984" with a decorative underline in bold alluding to the shape of the Portland Bay and Cape Nelson. Background colours are in vertical swathes: aqua, pale green, apricot, blue, mauve, pink, turquiose.Front: (no inscriptions) Back: Portland C.S.P. (Community Screen Print) Design Studio 1983-1985. Initiated by C.E.M.A., Portland Access Printshop and Anne O'Kane, C.A.O. Purpose - an employment project to train 5 people in print-making, costume and design. A grant of $200,000 was obtained from the Commonwealth Employment Program; the products - costumes, flags, posters, banners - were used for Portlands 150th Anniversary Celebrations.angela gee, portland centenary, 1984, screenprint, cema, female artist, female artists

This is a photo of one of a series of wildflower paintings by Henrietta D'Alton. This is one of twelve separate original wildflower paintings mounted within one large frame (this one us on the upper right). Beneath the frame is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".This is a photo of a painting of a spray of flowers and leaves. There are blue flowers in the upper centre, yellow/red flowers to the right and left and white flowers near the bottom. A few pink flowers are on the lower right."2" appears on the right side of the photo. It is on the original painting.painting, floral

A display in the Historic Section of the 1995 Wildflower Show held in the Halls Gap Hall in 1995. The framed wildflower paintings are by Henrietta D'Alton. Beneath the frame in its current (2010) location in the Halls Gap Hall is a plaque which reads "Henrietta D'Alton (1836-1922). This collection of wildflower water-colours won an award at the Colonial & Indian Exhibition of 1886 in London".The photo shows a display of an historical theme set up in front of a dark fabric draped from a frame and over tables. A framed painting (consisting of twelve individual paintings) can be seen in the centre together with a certificate to its right.events, wildflower show

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of hand dyed wool produced by by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of home dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

This sample is one of five donated by Mrs Walker who dyes her own yarns to knit into hats which she felts herself (in a washing machine) and sells to craft shops. She runs workshops and also teaches home dyeing. She uses a Landscape and Earth Pallette and also uses food colourings and jelly and cake decorating colours.Sample of home dyed wool produced by Mrs Robin Walker, 1999.handicrafts, walker, mrs robin

Model of a Melbourne W2 class tram, No. 522 partly assembled with some parts in a plastic bag. Fitted with one bogie or truck, but not the wheels. Does not have a route number box Painted in Melbourne colours of green and cream showing the destination of Depot. Model built by Weico. Has drop centre seats, the two saloons are left empty for motors to be fitted.Demonstrates a model that represented a successful Melbourne bogie tram.Model Melbourne W2 class No. 522 - partly assembled with some parts in packing.models, tramcars, weico models, melbourne, w2 class, tram 522

Photograph of Bendigo Tram 1in Pall Mall, Easter 1941 by an unknown photographer. See item 5741 for a similar photograph by Wal Jack, taken a little earlier. Side-on view with the driver and conductor standing at the front of the tram. An original ESCo tram has been repainted in the SEC colours. Has the Beehive building, A E Sayer Chemist, and a Cafe.Yields information about Bendigo tram 1 Easter 1941.Photograph, black and white, with stamp on rear.Ken Magor stamp.tramways, trams, bendigo, esco, secv, pall mall, tram 1

Relates to "Edmond (Tim) Grey Bates" RAAF 20841. Enlisted 30/5/41. Discharges 30/6/45. Cpl. 1 Wireless & Gunnery School. Pacific Star awarded for Service in WW2. War medal was for all who served in the armed services or Merchant Navy in WW2. Australian Service medal was specific to Australian Citizens.Four WW2 Service Medals. 1. 1939-45 Star. 6 pointed Star of yellow copper and zinc alloy with a dark blue, red and light blue ribbon. Attached to a ring at the top. 2. Pacific Star - 6 pointed star of copper and zinc alloy with a small ring at top and colours on ribbon of red, dark blue, green, yellow, cream, dark blue and red. 3. War Medal 1939-45. Round silver medal in copper nickel with fixed straight bar on top. Attached ribbon is a combination of red, dark blue and white. 4. Australian Service Medal - round silver color medal of nickel alloy with fixed star and bar on top and ribbon colours of light blue, red, white and dark blue. 1.& 2. A crown and "GRJ VI" on front. 3. King George VI one side and roaring lion on other. 4. King George VI on one side and Commonwealth Emblem on other.medals, raaf, edmond grey bates

Small book for Ceremonial Presentation of Colors of 38th Battalion Australian Imperial Force by His Excellency the Right Hon. Sir Ronald Munro Ferguson, P > C. G. C M. G. On behalf of The Citizens of Bendigo on Sunday, 11th June, 1916 at 3 p. M. Printed by Bolton Bros, Bendigo. The program outlines Presentation of Colours Ceremonial, names of Regimental Staff, Duties, Companies and the names of Officers and the Consecration of Colours. On the front is the Rising Sun Badge with Australian Commonwealth Military Forces and two crossed flags. On the right is the Union Jack and on the left is the green 38th Battalion flag. The letter is from Allan Wilkie who has sent $10 to cover his subscription to the Historical Society and he enclosed the 38th Battalion AIF booklet on the Presentation of Colors. Two copies of this booklet.book, bendigo, 38th battalion aif, book, 38th battalion aif presentation of colors, allan wilkie, bendigo historical society, william henry wilkie, sir ronald munro ferguson, lady helen munro ferguson, c h davis, r o henderson, a fraser, j m mccusker, r m marks, w n gunson, p s spark, p j telfer, h w joseph, j j code, a runting, f e fairweather, j h moore, g v lansell, r e trebilcock, l lipshut, w j collins, c h peters, l l smith, e f moore, h dench, e w latchford, f c morrison, f r b martin, g hurry, j akeroyd, r d tyers, j l whitehead, w maxwell, h mccoll, a j a maudsley, h f selleck, w l bogle, w williams, a l reid, w h orchard, j b o'donnell, t e green

This rug was woven in the mid-1990s at the Tascot Templeton Carpet (TTC) mills in Devonport, Tasmania. It was an in-house design. The rug was woven as a one-off design exercise and was given a Golden Thread Award by the Australian Wool Corporation. The design never went into standard stock production and was never released for public sale. This rug has been woven with 100% wool on a 1 metre wide loom. The loom was purchased by TTC from United Carpet Mills of Preston and the rug was woven to demonstrate the capabilities of these looms. This rug is an example of Wilton weaving. Wilton differs from Axminster in that it is usually Loop Pile and 100% wool whereas Axminster is Plush (cut) pile and normally 80/20 wool nylon blend. TTC manufactured primarily high-quality narrow and broad loom, Axminster and Wilton carpets for the domestic and commercial market. They operated from the early 1960s until their closure in 2011. This rug was also on display in the Tascot Templeton head offices before being donated to the National Wool Museum in 2021 by Roger Warn. 3 x 3-meter carpet rug woven in 1-meter wide sections. The pattern repeats 3 times both in the width and the length. Starting from the bottom left corner, a square can be seen within a larger circular shape. These circular shapes connect end on end across the width and length of the rug. 5 Circles make up the length of the rug while 6 circles make up the width. Numerous small shapes encompass the entirety of the rug. These small shapes work together to form many interconnected repeating forms that draw your eye in a new direction every time you look at the rug. The predominant colour of the rug is a purple background with blue, cream and orange colours making up the foreground colours.carpet rugs, woollen rugs, tascot templeton carpets, axminster carpet loom

Ticket contained within Reg. Item 2488, page 31, ESCo, Ballarat Tramways, Morning and Evening Weekly Ticket, price 1/6, printed for Week 2, that is not available for Sundays or Holidays. Ticket printed on light weight card, in two colours, off white and teal, numbered 7743 available only between the City and Macarthur St. Notes the conditions of use, the time available for which the ticket may be used and where. Ticket has been punched or nipped a number of times. Printed by J.J. Miller, Melbourne. Note Item Not formally Numbered. Image btm2494i2 shows position on page relative to items 2494 to 2504. See Reg Item 2948 for circular detailing their use at the commencement of the issue of this style of Weekly Tickets - some detail differences in the style and colours later on.Some inscriptions about the ticket in pencil.trams, tramways, tickets, weekly tickets, esco

This board shows there are 7 Battle Honours which includes South Africa 1898 - 1902. This is due to Lineage pre the formation of the 38th BN in June 1916 in Bendigo. Refer Cat No 4435 for the actual 38th Bn Colours. This item is on display in the rear foyer entrance of the Bendigo District RSL in Havilah Road. Refer Cat No 8141P for the history of donation and placement across the RSL.Large board with brown/red background with ornate edge all round, each side are the Battle Honours of the Battalion in scroll formation, at the top central is the Colour Patch of the Battalion, the “38th” under that then”Battalion AIF”, at the bottom in a scroll is “France & Flanders 1916 - 18”brsl, smirsl, bdrslinc, 38th, battle honours

Uterine and anal pessaries were in use from the early 1900s onwards. The size and shape of the pessary varied greatly, and the variation of the original Hodges pessary is evident in many catalogues over a period of sixty years. Celluloid appliances were made in many different colours (ie. blue, pink, white, yellow). The use of celluloid gradually decreased during the late 1960s.Yellow celluloid (plastic) pessary. intrauterine device

Uterine and anal pessaries were in use from the early 1900s onwards. The size and shape of the pessary varied greatly, and the variation of the original Hodges pessary is evident in many catalogues over a period of sixty years. Celluloid appliances were made in many different colours (ie. blue, pink, white, yellow). The use of celluloid gradually decreased during the late 1960s.Hodges -style intrauterine pessary, made of black vulcanite.intrauterine device

This stable belt is in the battalion colours of The Royal Australian Regiment. A stable belt is a striped colored belt worn at times by the armed forces of the United Kingdom and other Commonwealth countries. The stripes identify and vary by regiment and corps.The term "stable belt" originates from when UK cavalrymen would place the surcingle around the waist when cleaning the stables and tending to their horsesThe Australian Army adopted the stable belt in the late 1970s. They were removed from service in 1995 but were reintroduced in 2017.Red and dark green striped woven belt with gold coloured buckle with crestBuckle - The Royal Australian Regimentrar, stable belt, royal australian regiment

Aqua glass bottle, 12.7 cm tall, embossed on three sides: ‘Hauthaway’s/ Peerless Gloss/ Made in U.S.A’. Hauthaway’s company, established in 1852, manufactured protective coatings for shoes. The bottles come in different colours. Some have the name Hauthaway’s repeated (instead of ‘Made in U.S.A). This example was discarded in 1908 after the death of Mary Everett. Embossed on base, ‘C/6’.Green, square-bottomed glass bottle"Hauthaway's" on one face, "Peerless Gloss" on the opposite facebottles, containers

An example of badges issued by Legacy prior to 1966 for fundraising during the Legacy Appeal and Badge Week. Also a leaflet from 1964 showing the styles and colours of badges and their donation value. The symbol of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them.Examples of early Legacy badges that were sold in the 1960s to raise money for Legacy's work.A set of Legacy Appeal badges with Legacy torch and wreath issued prior to 1966 and a leaflet from 1964.White oval badge has '£1 AJ Parkes Brisbane' on reverse. Brown badge has '£25 Angus and Coote' on reverse. Pale blue badge has '£50 Angus and Coote' on reverse. Green oval badge has '£10 "Parxite 77" AJ Parkes Brisbane' on reverse.legacy appeal, fundraising, badge week

The building is the Soldiers Memorial Institute Pall Mall Bendigo. The period of the painting is between the years 2008 and 2016 after the remodeling of the Forecourt and the major renovations to the building 2016 - 18. This is the first of 3 water colours by Stan Thomas. The building was the HQ of the Bendigo RSL now known as the Bendigo Military Museum. Refer Cat No's 8000.2, 8222, 8224 for the building history.Painting, water colour, timber gold frame, painting is set in two white insets, painting shows a large building greyish colour with a dome on top by artist Stan Thomas.Hand painted on, "RSL Hall Bendigo", "Stan Thomas"brsl, smirsl, painting, rsl hall

This cropped halter top and palazzo pants outfit belonged to Meredith Lenné, a lifelong Brighton resident. Produced by Melbourne designer Leon Haskin in 1972, the design was also sold in colour combinations of gold-and-brown and white-and-blue. Meredith remembers being drawn to the outfit because she liked the colours, though she only wore it a couple of times to dinner parties.Cropped halter top and palazzo pants with a Pucci-style print of abstract patterns in red, pink, purple, orange and white. Top has a deep v-neck and secures with a fabric tie at the back.melbourne designers, meredith lenné, leon haskin, 1970s, flinders lane