Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Space artifacts on display in USA Pavilion, Expo 70, Osaka, Japan (Architect: Davis Brody, with designers Chermayeff & Geismar & Haviv)Made in Australia / 12 / MAY 70M3 / 39 (Handwritten)expo 70, osaka, robin boyd, slide

News clipping cartoon about the 1935 Davis Cup team. Part of a collection of photos once owned/collected by D.P. Turnbull. Materials: Paper, Inktennis

A Spalding-branded box containing twelve Spalding 'Davis Cup Standard' tennis balls. All ball are unbranded. Materials: Ink, Rubber, Cardboard, Felttennis

Ticket mounted in block of perspex. Ticket is for Australia v. Spain Davis Cup final 28th - 30th November 2003 Materials: Acrylic, Paper, Inktennis

Silver platter, commemorating Davis Cup European Zone Final Durban 1967. Also states: South Africa...Brazil...J.Drobny'. Materials: Silver/Metaltennis

These nine photographs of Printer Technicians operating printing presses were probably taken circa 1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. c1980s. They are most likely operating the Komori, Planeta or Ultra-MAN-III offset printing presses. Although most photos except for photos .1P to .4P are not annotated, most personnel are positively identified..1) - Photo, black & white, c1980s, SPR Mark ‘Dogs’ Doherty, Lithographic Squadron .2) - Photo, black & white, c1980s, Paul Davis, Lithographic Squadron .3) - Photo, black & white, c1980s, L to R: unidentified, CPL Peter Breukel, Lithographic Squadron .4) - Photo, black & white, c1980s, SPR Colin Campbell, Lithographic Squadron .5) - Photo, black & white, c1980s, CPL Paul Davis, Lithographic Squadron .6) - Photo, black & white, c1980s, CPL Paul Davis, Lithographic SPR Mark ‘Dogs’ Doherty Squadron .7) - Photo, black & white, c1980s, L to R: WO2 Jeff Lynch, CPL Paul Davis, Lithographic Squadron .8) - Photo, black & white, c1980s, unidentified, Lithographic Squadron .9) - Photo, black & white, c1980s, CPL Josh De Groot, Lithographic Squadron .1P to .4P – personnel annotated .5P to .6P, .8P to .9P – no annotation .7P – no personnel annotated, ‘Last PNG JOG’ annotatedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, printing

A Davis Lady Elite tennis racquet, with fibreglass overlays along the shoulders and shaft, and leather handle grip with patterned perforations. Davis logo and model name features across base of head and throat. They are surrounded by ornate floral designs along the shoulders. 'D' and 'TAD' trademarks feature along shaft, with further floral motifs in between. TAD "Kings of the Court" trademark features on lower shaft on obverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on lower shaft on reverse. TAD trademark features on rubber butt cap. Racquet is accompanied by original presentation cover. Inscription, in part: TAD/DAVIS/TENNIS RACKETS/AUTHORIZED DEALER/.../DISTRIBUTED BY/VICTOR SPORTS, INCORPORATED/... Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Adhesive tape, Rubber, Fibreglass, Painttennis

BHS CollectionA Davis Tyre pump. A black metal cylinder four centimetres diameter and 48 centimetres long is attached to a metal plate four centimetres wide and 14 centimetres long. A one centimetre diameter, 50 centimetre long rubber hose is attached to the bottom of the cylinder has a metal fitting on the other end. The wooden handle on top of the cylinder is 17 centimetres long and three centimetres diameter, it has a one centimetre diameter, 44 centimetre long metal rood attached to the middle of it which goes into the cylinder and presumably has something on the end of it to push air through the rubber hose. The logo near the top of the pump is partly destroyed has on it - 02 (an unreadable word) DAVIS TYRE PUMP. (There is a picture of The Davis Cup tennis trophy in the middle) Partly destroyed on the bottom of the logo is - DAVIS INDUSTRIES AUSTRALIA Part of the Aileen and John Ellison Collectionaileen and john ellison, davis tyre pump

Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Unique collection of photographs showing the first years of an armoured regiment of the post-Second World War era Citizen Military Forces showing equipment, uniforms, training and social activity and some personalities.Black and white photograph of seven servicemen, 4 in AIF uniform, 1 in 8/13 VMR uniform,1 in RAN uniform and 1 in RAAF uniform. Part of a collection of photographs collected during the life of the regiment and passed to the Heritage Collection when it was formalised in the early 1980s." A. Veitch, K. Kothoff ( RAN ), Maurie Davis, Ian McKay, John Neale, John Larkin. Bill Purcell. "albury, anzac day, 8/13 vmr

Image taken of the Geelong Lawn Tennis Association - C2 Grade Premiers for Season 1959.1 photograph of Premiership tennis teamStanding: G Reid, D Clarke, A Smythe (Capt.) Seated: S Ridgeway, J Davis, L Ridgewayleopold tennis club, c reid, d clarke, a smythe, s ridgeway, j davis, l ridgeway, geelong lawn tennis association

Dr John Hains, presented these two shakers to Dr Neville Davis, President of ANZCA (1995 to 1996). Dr Hains expressed in his letter to Dr. Davis, how these two shakers are made from a red cedar branch which had fallen on his property in Queensland. A pair of hand crafted red cedar salt and pepper shakers, each with a thin gold band above the base.dr john hains, red cedar, hand crafted

A photo of country Junior Legatees that had come to Melbourne for a camp in January 1963. They stayed for two weeks at Blamey House in Kew. At the time Legatee Bert Davis was CFO, and his daughter Louise was asked to help with the running of the camp. Photos donated by Legatee Bert Davis' daughters.A record of outings and camps provided for Junior Legatees in the 1960s.Black and white photo of girls outside Blamey House.camps, blamey house, junior legatee outings

Letter dated 6th September, 1961 addressed to Miss L. M. Prout, 24 Quick Street, Ironbark from National Trustees Executors and Agency. Estate A. Latta deceased. Statement of Assets & Liabilities enclosed.document

Photograph. The Patricia Coles (nee McLean) Collection. Bendigo Easter Parade Queen Competition 1934. Copy of a black & white photograph. One woman in centre with a bouquet. Surrounded by five girls and a small boy. Two are seated. Identified on the reverse as from left to right - Shirley McLean, Patricia McLean (seated), June McLean (all sisters). The two girls standing on the right - Mary Gallagher of Kangaroo Flat, and Kathleen Hart on the far right, daughter of Elsie & Eric Hart, View Point Hotel Bendigo. The sisters are the daughters of Nellie & Tom McLean, United Kingdom Hotel, Golden Square.bendigo, entertainment, easter parade queen competition, bendigo easter fair. bendigo easter parade queen compettion. mclean family of golden square. united kingdom hotel.

Two photos of country Junior Legatees that had come to Melbourne for a camp in January 1961. They stayed for two weeks at Blamey House in Kew. At the time Legatee Bert Davis was CFO and his daughter Louise was asked to help with the running of the camp. Photos donated by Legatee Bert Davis' daughters.A record of outings and camps provided for Junior Legatees in the 1960s.Black and white photo x 2 of girls outside Blamey House.camps, blamey house, junior legatee outings

Printed on pink paper. Illustrations of six Magneto-Electric machines used for medical purposes. Four of them are mounted in wooden boxes, the other two on wooden stands. They have horseshoe magnets in them and brass handles to turn them. The first one was manufactured by Daniel Davis in 1848, the next two by W. C. & J. Neff 1850-1860 and 1870, the fourth one by Ariel Davis patented in 1854, the fifth one Signed 'Davis' ca. 1850 and the sixth one Miller Cowen Dynamo Electric Machine, Knott Apparatus Company 1921. Written at the top of the page is: Spark Museum, Body therapy Machines.medical, magneto-electric machine - body therapy machine, daniel davis, w c & j neff, ariel davis, ashael davis, davis & kidder, miller cowan dynamo electric machine, knott apparatus company

A Davis TAD tennis racquet, ribbon whipping around shoulders, fibreglass overlays along the throat and shoulders, and leather handle grip with patterned perforations. Davis logo and model name features across base of head and throat. They are surrounded by ornate floral designs along the shoulders and throat. TAD "Kings of the Court" trademark features on lower shaft on reverse. Davis coat-of-arms "Duce virtute comite fortuna" trademark features on lower shaft on obverse. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Adhesive tape, Rubber, Fibreglass, Painttennis

Part of a collection donated by Elwyn Davis. See also Reg.Nos. 0950 - 0952.A green cloth bound book with black lettering on the cover and spine. 242 pages of black print on English teaching in school.A Handbook For the Elementary School Teacher - Elwoodeducation department of victoria, ellwood, w.h., chief inspector of primary school teaching, primary schools, george evans collection

Part of a collection donated by Elwyn Davis. See also nos.0949 - 0952.A mustard coloured cloth bound book with blue lettering on the cover and spine. 197 pages of black print on the method of teaching arithmetic.The Method Of Teaching Arithmetic/ Education Department Victoria.education department victoria, teaching, primary school, george evans collection

A Davis Hi Point, fibreglass composite tennis racquet, with an open throat and large head. Racquet features plain leather handle grip. Model name features across base of head. Davis logo features along shaft. TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Adhesive tape, Rubber, Fibreglass, Painttennis

Tait collection: item 46 of 62 This is a document giving details of the Will and Probate of Miles Staunton (called Miles Stanton in the Will and Myles Staunton in the official Victorian death records). He died at Tower Hill in 1898 at the age of 72. He was a farmer in the Koroit district and left real estate to the value of £2799 and personal estate to the value of £128. The chief beneficiaries were his wife and children. Miles Stanton was unable to write and signed his will with a cross. The lawyers involved, Fletcher and Mackay and Ernest Chambers, had legal offices in Warrnambool at the end of the 19th century. The document, with others, was passed down to successive lawyers occupying the legal premises in Kepler street (Fletcher and Mackay, later Mackay Taylor) and located in this building in 2014. This document is of some interest as it gives details of the Will and Probate of Miles Staunton who was a 19th century farmer in the Koroit district.This is a white piece of paper folded in two to make four pages. Three of the pages have ruled margins in red and there is handwritten material on four pages in black ink. There is no proper seal attached but there is a hand-drawn circular sketch representing the seal of the Supreme Court of Victoria. The document contains information on the Will and Probate of Miles Staunton of Koroit who died in 1898.In the Supreme Court of the Colony of Victoria In the Probate Jurisdiction In the Will of Miles Staunton in the Will named Miles Stanton late of Koroit in the Colony of Victoria farmer deceasedmiles staunton, ernest chambers, fletcher and mackay, warrnambool, tait collection

Tait collection: item 48 of 62 This is a document giving details of the Will and Probate of William James Osborne, a Tallangatta farmer who died in 1896 at the age of 59. His death place is given as Tower Hill. A William Osborne is listed as a Wangoom farmer in 1856, a farmer at ‘Thompson’s Old Farm’ in Allansford in 1866 and a farmer at Winton Farm on the Allansford Road near Shipley in 1869 but these references may be to William Osborne’s father as there is mention of a William Osborne, Junior at that time. William James Osborne left real estate to the value of £560 and personal estate to the value of £81 to his wife, Hannah. The lawyer who drew up this document was Ernest Chambers who had legal offices in Warrnambool, Koroit and Port Fairy at the end of the 19th century and the beginning of the 20th century. He was in possession of this document and it has passed down to successive lawyers occupying the legal premises in Kepler Street where it was located in 2014 (former premises of the law firm of Mackay Taylor). This document is of interest as it gives details of the Will and Probate of William James Osborne, a farmer in the Allansford area in the 19th century. This is a cream-coloured piece of parchment paper folded in two to make four pages. Three of the pages have handwritten material in brown ink and the pages are not ruled. A seal of the Supreme Court of Victoria is attached with a green ribbon and there is one red stamp of the Master in Equity of the Supreme Court. The document is somewhat stained but legible. The document gives details of the Will and Probate of William Osborne of Tallangatta in the County of Heytesbury. He died in 1896. In the Supreme Court of the Colony of Victoria in the Probate Jurisdiction in the Will of William James Osborne late of Tallangatta in the County of Heytesbury in the Colony of Victoria Farmer deceased. ernest chambers, warrnambool lawyer, william james osborne, tallangatta, tait collection

Tait collection: item 54 of 62 This document gives the details of the Letters of Administration of Michael Maloney who died intestate in 1907. He was aged 64. In this document he was described as a farmer from Dennington, near Warrnambool but a Michael Maloney is listed in 1866 as a butcher and this may be the same person or a member of his family. Michael Maloney left real estate to the value of £160 and personal estate to the value of £38. This was passed over to the son, Michael Maloney, a railway employee of Flemington, Melbourne. The lawyers involved in drawing up this document were O’Mahony and Murray who had legal offices in Warrnambool in the late 19th and early 20th centuries. Con O’Mahony had established his practice in Warrnambool in the 1880s under the name of Klingender, O’Mahony and Murray and by the 20th century this was operating under the name of O’Mahony and Murray. Con O’Mahony died in 1920. This document was then passed down to successive lawyers occupying the legal premises in Kepler Street where it was located in 2014 (the former premises of the legal firm of Mackay Taylor). This document is of some interest as it gives details of the Letters of Administration of Michael Maloney, a farmer in the Dennington area in the late 19th and early 20th centuries. It will be useful for researchers. This is a cream-coloured piece of parchment paper folded in two to make four pages. The front page has ruled black margins and there is handwritten material on two of the pages in brown ink. These two pages also have printed italic script on them in black ink with the handwritten material inserted in the spaces left. A seal of the Supreme Court of Victoria is attached with a green ribbon and there is a red stamp of the Master in Equity of the Supreme Court on the first page. The document is somewhat stained. The document gives the details of the Letters of Administration of Michael Maloney of Dennington who died in 1907. In the Supreme Court of Victoria in the Probate Jurisdiction in the Estate of Michael Maloney, late of Dennington, in the State of Victoria, farmer, deceased, intestate. Letters of Administration.o’mahony and murray,, warrnambool solicitors, michael maloney 1907, warrnambool, michael maloney dennington 1907, michael maloney, tait collection

Tait collection: item 39 of 62 This document gives the details of the Will and Probate of Thomas Oakley who died in Warrnambool at the age of 75 in 1893. He had come with his first wife to Australia in 1852 and was a Customs Officer in Warrnambool, in charge of the signals and premises, living in Merri Street. Later after the death of his wife (they had ten children) he married Eliza McKeeman in 1870 and they lived at ‘Oakbank’ near the Warrnambool Cemetery where Oakley pursued farming interests. They had a further eight children, many of them making their mark in the business and community life of Warrnambool and further afield. Thomas Oakley left real estate to the value of £900 and personal estate to the value of £1251, with the beneficiaries being his wife, his daughters, Elizabeth and Mary Anne from his first marriage and the eight children of his second marriage. The lawyers concerned with this document, O’Mahony and Murray, had offices in Warrnambool in Kepler Street at the end of the 19th century and the beginning of the 20th century. This document was in the possession of Ernest Chambers, a Warrnambool lawyer during the same period. It was then passed down to successive lawyers occupying the Kepler Street premises and located there in 2014.This document is of considerable importance as it gives details of the Will and Probate of Thomas Oakley, a prominent and successful landowner in Warrnambool in the 19th century. It will be of great use to researchers. This is a white piece of thick paper folded in two with handwritten material on four sides of the paper. The pages have printed red lines at the edges of three pages. The document contains details of the Will and Probate of Thomas Oakley who died in 1893 in Warrnambool. The pages are clean and readable.In the Supreme Court of the Colony of Victoria in its Probate Jurisdiction in the Will of Thomas Oakley late of Warrnambool in the County of Villiers in the Colony of Victoria Landowner deceased.o’mahony & murray,, warrnambool lawyers, ernest chambers, warrnambool lawyer, thomas oakley, tait collection

From series of photos loaned for copying by Thelma Nixon Edgar and Emily Nixon Davis .14 - Colour photo of five children in football gear - The "Port Stars".families, montague, sam nixon, mary nixon, thelma nixon edgar, emily nixon davis