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Tatura Irrigation & Wartime Camps MuseumPrint - Heaphy's Whim - Inn Framed Print, Heaphy's Whim Inn
The inn was located on the SW corner of the intersection now known as Dhurringile Rd and Hogan St. There is now no trace of the pictured building. This was the northern boundary of the James Winter estate and was called " Nelson Gate ". The town "whim " ( water pump ) was near the Brown St / Albert St round-a -boutBlack and white print in a black plastic frame with white card surround. Inn with horses and carts, people in the carts, people standing under verandah and off to the side. Wide section of road in front and trees behind -
Tatura Irrigation & Wartime Camps Museum
Certificate, Young Workers' Patriotic Guild
Issued by the Education Department of Victoria to those who raised funds for the War Relief.Coloured certificate on heavy paper. Certificate reads "Education Department Victoria. Young Workers' Patriotic Guild. This is to certify that during the second world war JEAN CRAVEN a pupil of SHEPPARTON HIGH SCHOOL. Qualified as an effective member by raising 1 pound for War Relief objectives. Signed by A E LIND Minister, J A SEITZ director, James O"CONNOR Headmaster. Dated 5th November 1942. Framed in a red frame with gold edge, white mount and under glass.education department of victoria, young workers' patriotic guild, jean craven, shepparton high school, war relief ww2 -
Tatura Irrigation & Wartime Camps Museum
Photograph - Norm Whitford
Dispatch Rider/Driver Norman James Whitford V18848. Garrison BattalionBlack and white portrait photo.whitford, norm whitford, 17th army garrison, garrison -
Tatura Irrigation & Wartime Camps Museum
Photograph - Norm Whitford
Dispatch rider Norman James Whitford. Army Garrison Black and white of dispatch rider on his motorbike -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Tatura Flour Mill, 1880
Copy of very old photograph of Reillys Flour Mill, built 1880. Remodeled in 1931, again in 1936. In 1946 an extension of 33 feet was built for wheat cleaning machinery. The mill was powered by steam until 1927, then brown coal, suction gas, then electric motors in 1940.Black and white photograph of Reillys Flour Mill, Tatura, 1880 - 1965. Demolished 1966. Young girl in foregroundTatura Flour Mill, "Reillys" corner Casey and Albert Streets.reillys flour mill tatura, james reilly -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Tatura Flour Mill, 1947
Copy of very old photograph of back of Reillys Flour Mill, Tatura, after extension in 1946. Very solidly built..Black and white photograph of Reillys Flour Mill, Tatura, 1880 - 1965. Demolished 1966.Tatura Flour Millreillys flour mill tatura, james reilly -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, Tatura Flour Mill, 1947
Copy of very old photograph of men working on wheat stacks at Reillys Flour Mill, Tatura, 1947. During whole of its working life (1880-1965) it was managed by members of one family.Black and white photograph of Wheat stacks at Reillys Flour Mill, Tatura, 1880 - 1965. .Stacked wheat at Reilly's Mill Taturareillys flour mill tatura, james reilly -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, James Curtis Home, 1986
Photograph of home of James Curtis, corner Francis and Kerford Streets. Original home of J. H. Davey, proprietor of Tatura Guardian. Occupied by Mrs Jas. Curtis 1988.Black and white photograph of an early home in Tatura. Exterior.on back: home of James Curtis, corner Francis and Kerford Streets, 1986. Original home of J. H. Davey, proprietor Tatura Guardian.james curtis, tatura guardian, francis street tatura, kerford street tatura -
Tatura Irrigation & Wartime Camps Museum
CD, Kaye Watson, Kaye Darveniza MP, 2008
18 photos take at the launch of book "Marched in" and 20th anniversary of the start of the war camps museum, 8 November 2008. 0722 - the cake with museum decoration 0733 - Lurline and Arthur Knee signing their book in the foyer 0751 - (front row) Mike Sondheim (President of the Dunera Assn) and his wife Senta (2nd row) Cr Andrew Crawford, Dorothy and Dr Ern Miles, Lurline and Arthur Knee and Kurt Beilharz and Isobel Marke (representing the Temple Society Camp 3 internees) (3rd row) Ron Donaldson (former President Tatura Historical Society) in wheelchair, his wife Margaret (behind his shoulder), Geoff Youlden (former Rodney Shire President) and his wife Beryl, Mrs ???? and behind her Anne and Warwick Finlay (President of Murchison and District Historical Society). 0754 - Mike and Senta Sondheim with same people as above 0757 - Ms Darveniza (member of Victorian Legislative Assembly) speaking into microphone; Secretary Mignon Campbell and President of Tatura and District Historical Society Lyn Harrison, at table. 0765 - Lyn Harrison presenting a Certificate of Appreciation to Dr Bruce Anderson, Rotarian, local vet and a generous benefactor to Tatura Museum. 0774 - Former Rodney Shire Councilor Andrew Crawford cutting the anniversary birthday cake with President Lyn Harrison. 0775 and 0776 - cake being cut. Black and white photographs 0776 - Mike Sondheim launches the book "Marched In" 0786b - Arthur Knee replies with a joke, enjoyed by his wife and Ms Darveniza. 0792 - Lyn Harrison and Ms Darveniza with Vice President Jack Pickworth. 0797 - Ladies as above with Major James "Jim" Sullivan. 0804 - Kurt Beilharz, representing the German Temple Society internees from Camp 3, with Lurline and Arthur Knee. 0805 - as above in full length photograph 0808 - Close up Major Sullivan with Arthur Knee. Black and white photograph. 0815 - Close up of Lurline and Arthur Knee with Mike Sondheim. Black and white photograph. 0816 - as above in colour. 0818 - Michael Brent (formerly Bernstein) Dunera Boy with Mike Sondheim. Gold disc, green and back text inside a black and clear plastic case.mached in, kaye watson, lurline knee, arthur knee, mike sondheim, senta sondheim, cr andrew crawford, dorothy miles, dr ern miles, kurt beilharz, isobel marke, temple society, ron donaldson, margaret donaldson, geoff youlden, beryl youlden, anne finlay, warwick finlay, ms darveniza, mignon campbell, lyn harrison, dr bruce anderson, jack pickworth, major jim sullivan, michael brent -
Tatura Irrigation & Wartime Camps MuseumPhotograph, Camp 4 Garrison Staff, 1940's
Camp 4 administration staff. Back row: Captain A. Maddison, Nellie Collins, Lt Hugh Scholes, Capt Lidlow MO, Frances Sproat, , Lt Wally Callaby, Lt James Sullivan, Pat Tonsing, Lt. Crichley Front row: Miss George Bunting, Captain Wright (the new CO), Major W. Scurry, Captain T. Love and Vi Collins.Black and white photograph of Army garrison personal: 9 standing and 5 seated. All in uniform. Tree behind to the right. camp 4 administration staff, captain a. maddison, lt. h. scholes, lt. w. callaby, lt. j. sullivan, lt. crichley, miss n. collins, captain (dr) lidlow, miss f. sproat, miss p. tongs, miss g. bunting, captain wright, major w. scurry, captain t. love, mrs collins -
Tatura Irrigation & Wartime Camps Museum
Book, My Life, 2006
To record the history of James Crawford family, past and presentOff White coloured cover, black writing. Photo of author in colour.my life, crawford j, harper, woodlands, tatura, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book - Family History, My Life, 2006
To record the history of James Crawford family, past and present. Life at "Woodlands" contains many family photos and Toolamba historyWhite - Off white cover. Black writing, photo of author in colourmy life, crawford j, woodlands, tatura, crawford, harper, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, My Life, 2006
Written to record the history of James Crawford family, past and present. Life at "Woodlands" contains many family photos and Toolamba historyWhite/off white cover. Black writing. Photo of author in colour on front cover.my life, crawford james, tatura, books, history, local -
Williamstown High SchoolMatriculation Form 1935
1935 matriculation class. Taken outside the prefects pavilion. Back row: Hugh Vallance, Laurie Parker Centre row: Harry Hocking, Edmund Parsons, Eric McGrath, Keith Morna, Harry Spencer, Keith James, Bill S. Reynolds, Ronald Ross Front row: Jean Morris,Gwladys Murray, Thelma Hatch, Tassie Thomson, Margaret SmithBlack and white photograph mounted on board.williamstown high school, 1935, matriculation form -
Numurkah & District Historical Society
Photograph - Photo of James Fry Businesses
Black & White photo of illustrations, 16 buildings all owned by James Fry & Co Ltd -
City of BallaratArtwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
City of BallaratPublic Artwork, Ruth by Charles F. Summers, Circa 1885
Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth -
City of BallaratArtwork, other - Public Artwork, Rebekah by Charles Summers, Circa 1885
Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah -
City of BallaratArtwork, other - Public Artwork, Modesty by Charles Francis Summers, Circa 1885
Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty -
City of BallaratArtwork, other - Public Artwork, Perseus by J. Cranari, Circa 1880s
This depiction of Perseus in marble, was Presented by James Chapman in 1885 to the National Gallery of Victoria. It was de-accessioned and transferred to Ballarat in 1943 where it joined other Victorian-era statues acquired in the 1880s and later. It was located outside the first Ballarat Library in Camp Street and moved to an indoor location at the Ballarat Botanical Gardens in 2013 due to ongoing vandalism.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, standing naked male with small wings on helmet.Perseusperseus -
City of BallaratArtwork, other - Public Artwork, Percival Ball, Sir William Wallace by Percival Ball, 1889
The imposing white marble statue of William Wallace by Percival Ball stands approximately 8 feet tall with helmet and sward. The statue is mounted on a granite base with a marble plaque inscribed in praise of William Wallace, the Scottish warrior famous for leading the defeat of English forces at the Battle of Stirling Bridge in 1297. The artwork is located in the Botanic Gardens in Ballarat, Victoria and can be seen upon entry from the main gates. Sculpted by Percival Ball of Melbourne and unveiled in 1889, the statue was funded by a £3000 bequest to the gardens by James Russell Thomson, a Scottish miner who made his fortune during the Victorian gold rush. It was intended as a tribute to Thomson’s Scottish origins. The front the statue bears an inscription from Robert Burns’ 1785 sentimental poem ‘The Cotter’s Saturday Night’, which also lauds Wallace as a noble patriot and hero.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue of William Wallace on plinthWALLACE Bequeathed to the public of Ballarat by the late James Russell Thomson unveiled 24th May 1889. "Oh thou! who poured the patriotic tide that streamed through Wallace's undaunted heart, who dared to nobly stem tyrannic pride, Or nobly die, the second glorious part, (The patriot's God, peculiarly thou art. His friend, inspirer, guardian, and reward!) Oh never, never, Scotia's realm desert; But still the patriot, and the patriot bard, in bright succession raise her ornament and guard;" (Burns)sir william wallace, statues, statuary pavillion, botanical gardens, lake wendouree, william wallace statue, charles summer, percival ball -
Coburg Historical SocietyBlack and white Photograph of the Merry Moreland Maidens, 1939c
These are the Merry Moreland Maidens, a WW 2 fund raising group who sang and performed sketches in costume around Melbourne for the Red Cross Comforts Fund. They were led by Mrs May Lecky. Back row. Left to right: Mrs Patterson, Noake, Noble, Cork, Huntley, Egginton, James, Smith, Wakelin, Johnson Front row. Left to right: Mrs George, Pye, Chapple, Millist, Luke, Gallant, Thompson, Luckherd (?), Denman, Numa, Bartlett. (Mrs Violet Johnson). Black and white photographmoreland, world war two, red cross -
Wangaratta RSL Sub BranchBook, World War 1 Honour Board - Milawa Primary School 737, 2005
In 2005 the children of Grades 4,5 and 6 of Milawa Primary School researched and compiled personal stories, photographs and service records to honour those listed on the Milawa State School WW1 Honour Board. Inside rear cover contains a colour patch index to the following:- Andrew Robert BARRIE 3757/ Ralph Augustus CECIL 1677/ John COLEMAN 4089/ Arthur John Victor CULPH 896/ Edward Heathcote CULPH 2629(1447)/ Henry John CULPH 3108/ Thomas Wilson CULPH 34A/ Edward Frederick DOIG 3991/ Ernest Hugh DOIG 2937/ John Harold FOWLER 4488/ William Joseph FOWLER 3233/ Howard Fraser GRANT 7077/ Joseph Henry HOWELL 7247/ Frederick John HUMPHREY 2472/ Stanley Gordon HUMPHREY 3553/ Roy Curtis KENNEDY 5401/ Charles James KETTLE 29741/ Michael McGRORY 5390/ Ernest Phillip McPHEE 50339/ Stanley Charles McPHEE 3741/ Thomas MURDOCH Lieut/ William Lawrence PURDON 3223/ Ludin James ROBERTSON 980/ William Francis ROBERTSON 981/ Harold Ernest THOMAS 966/ George Ernest Vincent WOODBERRY 2173.White and red book with blue wording and photograph of school children at a cenotaphBook is dedicated to all the service men and women in the Australian Armed Forces who continually strive to protect the Australian way of life.ww1, honour board, milawa state school -
Wangaratta RSL Sub BranchPhotograph, 8/9/1945
Instrument of Surrender marking the surrender of Japanese Forces by Vice Admiral Kamada to Australian Major General Edward James Milford on 8 September 1945. After the surrender of Japan, a Dutch military court convicted Kamada of war crimes for the executions of 1,500 west Borneo natives in 1944 and the ill treatment of 2,000 Dutch POWs held on Flores Island. Kamada was sentenced to death and was executed on 18 October 1947.Black and white photograph of documentinstrument of surrender, ww2 -
Lake Bolac & District Historical SocietyPhotograph - Black and white photograph, Josiah Park's Home built in 1890, c1960's
... park james murray black and white photograph Josiah Park's Home ...Bluestone home of Josiah and Mary Park built in 1890 by English stonemason James Murray. Josiah had the blacksmith business next door and built the house and stables to house his family of 12. The laundry and bathroom were detached and water was pumped from a large underground tank by a windmill manufactured in the blacksmith shop. The verandah was added in 1920 and this photo was taken in 1974.black and white photographjosiah park, mary park, james murray -
Lake Bolac & District Historical SocietyBlack and white photograph, "Fintry" Woolshed, 1938
Shearing Team, 1938, at woolshed of "Fintry" standing in front of triple-A wool bales. Pictured from left are Lewis Whiteway Wills, Guy Rance, Lewis Wills, John Barnes, Jack Meek, Myles Graham, Geoffrey McInnes, Laurie Green and James Wills (right). lake bolac, "fintry", woolshed, shearing team: barnes, graham, green, mcinnes, meek, wills -
Lake Bolac & District Historical SocietyBlack and white photograph, Carting Wheat at Lake Bolac
James Wills of "Fintry" Lake Bolac carting bags of wheat with his International truck which was purchased for Goodall's, Mortlake. The truck was able to carry 35 bags of wheat.lake bolac, fintry, wills, internation truck, goodall, mortlake -
Lake Bolac & District Historical SocietyBlack and white photograph, Lake Bolac Debutant Set, Electric Light Ball, 1938
Lake Bolac Debutant Ball (05/08/1938), held to celebrate the arrival of electricity to the district. Men, from left - Lewis Wills, James Geddes, Neil Robertson, Palmer Cheeseman, Ron McKenzie, Lyle Peters, Arthur Cody, Donald Davidson, Douglas Hucker, Richard Geddes, Donald McInnes. Women, from left - Grace McInnes, Dulcie Hucker, Mavis Gange, Joan Sim, Eva McInnes, Phyllis Veale, Gladys Hucker, Margaret O'Rorke, Helen Moreton, Jeani Gange, Marion Moreton, Jean Geddes.lake bolac, debutant ball, electricity, 1938, cheeseman, cody, davidson, gange, geddes, hucker, mcinnes, mckenzie, moreton, o'rorke, peters, robertson, sim, veale, wills. -
Lake Bolac & District Historical SocietyBlack and white photograph, Overcrowded Private Transport circa 1915
Lake Bolac, home from school, circa 1915. From the back (of the horse) - mounted; James, Teen and Cliff Murray, Harry Park, Billy and Sheila Murray. At the horses' head Faith Murray and adult, Kitty Grahamlake bolac, 1915, murray, park, graham -
Lake Bolac & District Historical SocietyBlack and white photograph, Lake Bolac Tennis Club - Premiers 1937
Lake Bolac Tennis Club - Premiers 1937. Men, L-R: Bob McKenzie, James Wills, Harold Dixon, Palmer Cheeseman. Ladies, L-R: Muriel Graham, Maude Kinnersley, Maud Wills, Margery Geddes.lake bolac, tennis, premiers, 1937, cheeseman, dixon, graham, geddes, kinnersley, mckenzie, wills.
