B&W photo of St Martins Anglican Church in its original location on (now) Belgrave-Hallam Rd, Belgrave South. The photo shows the street face of the building with dark-stained timbers. These were probably the original oiled weatherboards which were used in 1928. In front of the church is a wide wire gate and a smaller wired gate, and part of a fence can be seen on the right. There are shrubs planted against the church wall and a noticeboard is attached to the front wall of the sanctuary. The sign says 'St Martins Church of England' but the rest is illegible. Tall trees can be seen behind the building.

Newspaper clipping from The Courier, Ballarat, dated 2/7/1971, about the derailment of SEC Ballarat No. 41 just past the junction of Main St. and Bridge St. at about 4.10p, the previous day on the way to Mt. Pleasant. Has photo of No. 41 with the repair gang and a crew member. Note with the news item, says a pin broke and "the undercarriage of the tram collapsed". Photo has had No. 41 gone over in ink to highlight the number. One of large group of newspaper cuttings from John Bainbridge, 7/4/02. Has cutting date separate from item. accidents, main st, mt pleasant

Black & white photo out of rear cabin of M&MTB tram No. 988, running "bang road" or wrong line in Bourke St. on Sunday, 19 June 1955 while testing overhead. Good view of Bourke St. buildings looking towards GPO. Some motor cars in the street. Negative No. 315 on file. Scanned image of negative btm497i1 shows a wider image than the print. Geoff Grant's notes on the envelope that contained the negative - says that this was the first tram to run on the Bourke St. route. Negative scanned at hi res 21/5/2020.On typed paper on rear "View out of the rear cabin of 988 as it came up Bourke St. on Sunday the 19 June 1955" and "Geoff Grant" stamp in btm rh corner.trams, tramways, melbourne, bourke st., commissioning , tram 988

Yields information about the early use of the Ballarat horse trams and condition of the roadway - lots of rocks on the road surface. Also shows an all male loading of passengers.Black and White copy photograph of a State Library of South Australia SLSA B34585 of an well loaded, only male passengers on a Ballaarat Horse Tram - Grenville and Sturt St. Two horse with many men, Wilson's Bucks Head Hotel in background. Condition of the road surface very rough - can't see the rails. Photo taken in early days, as no modesty boards on upper deck - say 1887. Possibly a trial trip. Collected by Alan Bradley from the State Library of South Australia early 1980's. Used in The Golden City and its Tramways - page 28.tramways, trams, sturt st, grenville st, bucks head hotel, horse tram

Yields information about the early use of Ballarat's bogie trams and the curve from Main Rd into Barkly St on the Mt Pleasant route following track work.Digital image from the Wal Jack Ballarat Album of Ballarat 35 turning into Barkly St Mount Pleasant route from Main Road, 21-10-1951, Wal notes say testing new outside curve following renewal. Wal gives time as 3pm Sunday. Note the hotel behind the tram, rare to see this in a photograph and the young lady with a large pram. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative See Reg Item 7740 for a photograph of the work.On rear in ink "SEC Ballarat No. 35 as special testing new outside curve (96lb rails), Main Rd into Barkly St, Ballarat East, Sunday 3pm 21st October 1951" In top right hand corner is Wal Jack stamp with negative number "T24/PC" written in.trams, tramways, mt pleasant, barkly st, main road, trackwork, tram 35

Diggers & Mining. The Digging - The Diggers. Slide:I can safely say, in justice to the miners, that the whole time I was a Commissioner at the goldfields, I always received the greatest civility from the men I should call gold diggers; there were plenity of ruffians loitering about the place, who gave a little slang sometimes, but there were many more disposed to respect and support authority. . . (From the book, 'What I Heard, Saw, and Did at the Australian Goldfields' by C Rudston Read. Mr Read was an Assistant Commissioner at Bendigo in 1852.) Markings: 64 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Leslie John Bagust Collection. Black & White Photograph 1940 Alexandra Fountain Bendigo and surrounding streetscape. Matthews Brothers Haberdashery on the corner of Mitchell Street and Pall Mall. Beside The Matthew Bros. store J.B. Edwards tendered his trade as Jeweller and Watchmaker and T. Sayer furnished the local undertaker with hearses, horses and plumage. Just visible over the tops of the trees in Mitchell Street is the Morley Johnson building the former Toyworld. At the bottom of the photo on the front left in white is the notation No.1, and towards the right front bottom corner is the notation Alexandra Fountain, Bendigo.Valentine Publishing Co. Pty Ltd. Melbournebendigo, tourism, alexandra fountain bendigo

A Spalding 'Tournament' model tennis racquet, featuring vinyl stringing, leather wrapped grip and plastic butt cap. Manufacter's 'star within a circle' logo features on throat and butt cap. Model name printed on right shoulder on both sides. Manufacturer logo printed on butt cap. Manufacturer name printed along shaft on both sides. Wilson Championship brand printed on net strings. Blue sticker on handgrip says 'INSPECTED BY/2'. Materials: Wood, Metal, Lacquer, Glue, Leather, Vinyl, Ink, String, Adhesive tape, Fibre, Paint, Plastictennis

Hand written letter dated: Bendigo, November 12Th (?), 1892The letter on letterhead of The Colonial Mutual Fire insurance Company Limited and addressed to Mrs Schroeder. It reads: Dear Madam Messrs. Connolly and Tatchell have asked me to write you in reference to the insurance of your butcher shop in the joint names of Mr. Kelly and yourself. Mr. Tatchell says he understand that you wish to insure it for 100 pounds. Will you kindly sign the proposal at the bottom and give me the name of your tenant. I am dear madam yours faithfully signed R. J. Barton.organization, business, h.a. & s.r wilkinson real estate

.1 Printed A4 sheet - blue background advising the myki will be the only tickets available to used from 29/12, has images of Myki and Metcard tickets. Advises that the tickets can purchased from retailers, 7-Elevan and selected tram stops. Has the Victorian Stage government logo and that it was authorised by the Government at 55 Collins St. Melbourne. .2 - Similar to above, but says no tickets on trams from 29/12. (actual date of change over in 2012) .3 - hand out card - What is Myki - explaining the use. Two copies of each held.trams, tramways, tickets, myki, metcard

Two pages from the RACV Royal Auto magazine that concerned Melbourne's tramways, printed on off white paper with some colour. 60.1 - Article titled "Unfair use of Motoring Taxes" about the use of the "motorists" money for the extension the East Preston Tram route. The funds concerned came from the Bicentennial road funds. From the September 1983 issue. 60.2 - Members letters for and against Tram Priority, printed on either side of the sheet, page 17 and 18, from the August 1983? issue of Royal Auto, titled "Members have their Say". 13 letters either way.trams, tramways, racv, mmtb, east preston, fairways, tram priority

Typed letter from W. M. Flentje to Miss J. Parry, Secretary, Bendigo Historical Society referring to the preservation of land to preserve mining relics. Part of the land may extend into private property and some crown Land. He says, 'If the Land Conservation Council should decide to add the Crown land part of the area to the Forest Park, then preservation of the area will become our responsibility.' Letter written Forests Commission Victoria letterhead. It has a green logo on the top of two trees, one eucalypt type and the other, a pine. Letter dated 10th December 1976.document, memo, mining in bendigo, mining in bendigo, letter to miss j parry, forests commission victoria, whipstick forest park advisory committee, w m flentje

ticketDemonstrates a range of tickets used by Provincial Tramways of Victoria.Assorted State Electricity Commission Victoria tramway tickets 1930 - 1972. The tickets, known as "flimsies", have a value of 2,3,4 and 7 pence. One ticket has been nipped, the remainder are unmarked. In Row 1, where the tickets have the additional wording "ELECTRICITY SUPPLY DEPARTMENT", either an alphabetic or numerical identifier is used, and either a date stamp or printed number. Row 2, tickets 1-3, have an alphabetical prefix with a six digit identification number. The Row 3, 7 pence ticket has no identification although there is a label with the ticket which says "BALLARAT ?" The ticket in Row 1 (No 3) appears to have the date 19/4/41 written in pencil on the front face. Row 3 ticket 1 has the date 25/11/55 with the word "Rivision" on the lower edge of the ticket front.tickets, tramways, state electricity commission of victoria, esco

In 1992, internationally renowned Australian satirist, Barry Humphries, visited the Malvern Op Shop as one of his characters, pensioner Sandy Stone. Media crews covered the event. In this photo, Humphries (dressed in an old brown checked dressing gown) sits on a art deco club lounge armchair, holding his book "The Life and Death of Sandy Stone" (1991). He is surrounded by three women, all Arthritis Foundation of Victoria volunteers, as they pose for a photo.COL photo of a elderly man, dressed in an old brown checked dressing gown, sitting on a art deco club lounge armchair in a crowded room. He is surrounded by three middle-aged women, each wearing a name tag that says "Volunteer". He is holding the hand of one of the women with one hand, and a book with his other hand. The book is titled, "The Life and Death of Sandy Stone". In the background, there are miscellaneuous items protruding from a large hanging wall pocket storage organiser, a shirt handing from a rod in the corner, and other miscellaneous items around the room.[Handwritten in thick black ink or pencil] 1/65% [On a yellow sticky note, handwritten in black ink] Barry Humphriesarthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, fundraising, barry humphries, satirist, comedian, author, book promotion, sandy stone, pensioner, the life and death of sandy stone, volunteers, malvern, 1992

At the Arthritis Foundation of Victoria's Malvern Opportunity Shop, four volunteers pose for a promotional photo with a large teddy bear on the front counter. A man is playing the role of a customer while three women assist him at the counter.COL photo of four people inside a shop. Three women are standing behind the shop counter, while a man stands on the other side. One woman (to the left of the frame) is holding a pen, poised as if about to write in a ledger book. In her other hand, she is holding a pair of spectacles. Another woman (to the right of the frame) is holding the back of a teddy bear, which is sitting upright on the countertop. The man has one hand placed on top of the teddy bear's head. He is holding a handkerchief with his other hand. The woman in the centre is looking at the man. On the left of the counter, there are various Arthritis Victoria brochures on a small display stand. On the right, there is a plastic ruler across the corner of the counter. Directly behind the women are some shelves with soft toys and dolls. Beside that are more shelves containing crockery, bric-a-brac, paintings and prints. On the top shelf, there is a white rectangular sign that says, "Thank you for supporting ARTHRITIS VICTORIA your help is greatly appreciated". There is another line of text below, which is illegible. Beside the text, 'Arthritis Victoria' is the organisation's logo. On the wall above the shelves is a large rectangular sign (partially obscured), which says "Something can b... ARTHRITIS FOUNDATION OF VICTO...". Below that is a NO SMOKING sign.arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, teddy bear, sales ledger book, sales book, ruler, brochures, toys, dolls, crockery, bric-a-brac, framed paintings, framed prints, pictures, volunteers, members, malvern, 2000

This photograph shows the floodwaters during the 1971 flood at Orbost. The two mahogany trees in the photograph stopped the Snowy River from changing its course. The 1971 flood was the the worst flood on record. At Jarrahmond it was at least 11 metres and up to one and a half kilometres wide on the flats causing enormous damage to the flood plain. Records say that "The brown floodwater stain in Bass Strait could be seen from passing airliners." Considerable damage was done to railway infrastructure, roads and farms. More information from the APRIL, 2008 newsletter by John Phillips. (see orbosthistory.com.au)This is a pictorial record of a significant event in the history of floods in Orbost.A black / white photograph of raging floodwaters at the bottom of the Orbost township.orbost-flood-1971

The 1971 flood was the the worst flood on record. At Jarrahmond it was at least 11 metres and up to one and a half kilometres wide on the flats causing enormous damage to the flood plain. Records say that "The brown floodwater stain in Bass Strait could be seen from passing airliners." Considerable damage was done to railway infrastructure, roads and farms. More information from the APRIL, 2008 newsletter by John Phillips. (see orbosthistory.com.au) The railway line was destroyed and was not expected to be opened for a fortnight. Orbost was cut off by 50 square miles of Snowy River floodwater. These photographs are pictorial records of the 1971 floods which was a significant event in the history of Orbost. They are also associated with the East Gippsland Railway.Three black / white photographs of flood debris and flood waters near a railway line. 3102.l has a pile driver 3102.2 shows a gap in the viaduct and 3102.3 shows men with a tractor cleaning up the debris,3102.1 - on back - "1971 FLOOD REPAIRS TO ORBOST RAILWAY VIADUCT - 15th February 1971. Donated by Audrey Van Den Berg VRH 3693" 3102.2 - on back - " DAMAGE TO RAILWAY VIADUCT ACCUMULATED DEBRIS" 3102.3 - on back - "DAMAGE TO RAILWAY VIADUCT AT ORBOST. CLEAN UP BEGINS"orbost-flood-1971 orbost-viaduct-flood-damage orbost-railway

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label

Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label

The notepaper says: "In commemoration of the heroic deeds of the men of ANZAC at GALLIPOLI in 1915 and in recognition of the great debt owed by all Australians. With the compliments of the Government of the Commonwealth of Australia." It was given to Legatee Gordon Beith. His son and daughter presented it to Legacy. The Anzac Commemorative Medallion was instituted 1967. It was awarded to surviving members of the Australian forces who served on the Gallipoli Peninsula, or in direct support of the operations from close off shore, at any time during the period from the first Anzac Day in April 1915 to the date of final evacuation in January 1916. (taken from defence.gov.au)Shows the recognition by the Australian Government of the servicemen who served at Gallipoli.ANZAC Commemorative Medallion in brown leather case. Bronze medallion with depiction of Simpson and his donkey carrying a wounded soldier, in a circle with the date 1915. The circle is topped by a crown. It is bordered on the lower half by a laurel wreath above the word ANZAC. The reverse shows a map in relief of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by New Zealand fern leaves. The name and initials of the recipient, G. Beith, is engraved on the reverse the engraved name. The presentation case is dark brown leather like outside, with maroon silk lining, and maroon velour cushion for the medalion to rest in. Inside is a printed note on Commonwealth of Australia white notepaper. Accompanying it is a block of wood with inscription of it's donation to Legacy.'G. Beith' engraved on the reverse.gallipoli, medallion, world war one

A postcard to the Comradeship Committee when a Legatee was travelling in England. It is addressed to Mr T Walsh at Legacy. It is dated 12 June 1992. It says: Dear Terry and all. We've had 4 days ON Dartmoor, not IN Dartmoor. In view of our name, we keep a low profile so as not to be invited to stay!! Most of the Moor is a very beautiful place, especially around Widecombe-in-the-Moor! We're keeping well and should see you all in the middle of August. Give our kind regards to all our Legacy friends. Thanks, John and Nancy C.A record of a Legatee travelling and relating experiences back to his comrades in Melbourne.Colour postcard of Dartmoor Prison.Printed "Dartmoor Prison, Princetown". 33p UK postage stamp. Handwritten text in blue pen.comradeship, legatee

Time heals all wounds. Federation is now a fact, and Sean O'Day, managing partner in Gooloora Station can look far across the rolling country in which his children will grow up as individual members of a single nation. There is still much to be done, and the miles, and the years, and the future are calling him to the task, while the Mona Lisa-like expression of his young bride seems to say, "Yes, you have your dreams of a world to run, but I can find all my happiness in running a home for you!" FINIS.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo - Final Scene.des martin, many a mile, ringer's river, northeast victoria stories

A Junior Legacy Certificate presented to Valma Wigg on 12 July 1940. The text says 'During the Great War many men offered themselves for Service in the Forces of the Empire. To assist the children of those who fell, or who have died since, the Melbourne Legacy Club was formed. The Children of deceased sailors and soldiers constitute the Junior Legacy Club.' It was part of a collection of Legacy items from Valma Hutchinson (nee Wigg), a former junior legatee. Valma was accepted into Junior Legacy club in 1940 when she was about 10 years old.An example of the formality surrounding enrolment into Junior Legacy.Buff colour Junior Legacy membership certificate with black printing.Typed 'Valma Wigg' and '12.7.1940' and signed in black ink.junior legatee, girls' classes, jlc

Photo of a white tram painted to celebrate 75 years of Legacy work. As well as the 75 Legacy logo, it says "Legacy - Helps the families of our departed Veterans" and "75 years on ... Legacy still caring. 1923-1998". Photos show widows boarding for a ride. The tram is possibly parked near the Shrine as it is at Stop 19 which is the usual stop on St Kilda Road for visiting the Shrine. Other photos show there were speeches and refreshments held in a marquee and a ribbon being cut by Legacy President Tom Butcher and Robin Cooper the Victorian Minister for Transport.A record of a way to promote Legacy during the anniversary in 1998.Colour photo x 2 of a tram painted to promote to Legacy's 75th Anniversary and widows boarding for a ride.legacy promotion, tram, 75th anniversary

Three photos of Ben Thomas a young boy that helped raise funds each year by selling Legacy Badges, sometimes with his friends. From the note on the back his photo was included in a President's report 1993 in the fundraising section. Note says: "Page 3 President's Report, include pic. Master Ben Thomas (far left) and his merry band of helpers assist Legatees to raise funds for Legacy's Annual Badge Appeal." Ben was a special guest at a gathering at Legacy House on 19 March 1992, see 01909.A record of a young person helping sell Legacy badges.Colour photo x 3 of Ben Thomas fundraising for the Legacy Appeal. White paper label with black type.White paper label with black type and blue pen notations. legacy appeal, fundraising, ben thomas

A goal tournament in 1992 held at Huntingdale Golf Club. Melbourne Legacy held regular golf days for Legatees. Some events were as a fundraiser for Legacy and well as a social event for legatees. President Geoff Swan is in the first photo in a navy jacket. Legatee Larkin can be seen in front of a Legacy prize wheel and prizes. The article in the Answer in 1993 says that the association with the Huntingdale golf club began in 1933 and over the years over $255,000 has been raised for Legacy. The Open Mixes Foursomes is usually held in December and the Ladies Day is annually in October. A record of the type of activities Legacy provided as a social outlet for the Legatees and for fundraising.Colour photo x 5 of a golf tournament in 1992.golf, huntingdale golf club, events

Inscription on the back of the photograph identifies the subject as Sophie May Hogan, age 5, and says that the original photograph was taken in April 1912, when Sophie was a flowergirl at her Aunt Mary's wedding in Ballarat. Sophie was born in Linton in 1906, a daughter of James (Jim) Hogan and Sarah Hogan née Walker. She married Alec Wheeler in 1941. Sophie moved to Skipton with her parents when she was six but maintained contact with her Linton grandparents and cousins throughout her life. Sophie died in 2006. She was the mother of LDHS president Jill Wheeler.Black and white copy of original photograph which shows a young girl wearing a long-sleeve dress which has pintucks, smocking, and lace trim. She has two large ribbons in her hair. The lace trim on her underwear is just visible beneath the hem of her dress, and she appears to be wearing boots, or shoes with long dark socks."Sophie May Hogan / April 1912 / Aged (almost) 6 years / (Flowergirl at her / Aunt Mary's wedding / in Ballarat)".sophie hogan

Sent from France by Charles Sands June 17/17 Dear Little Dorothy I suppose you have been wondering if I am ever going to write to you wee little Dorothy. I was so pleaseed to get the pretty card that you sent me it made me long to be back with you again and I think I will some day. I am pleased you have a lady school teacher. I will say goodbye now little Dorothy with best wishes from CharlieBlack and white photograph of little girl holding flowers, image in oval frame dark background on postcard Franceworld war 1914-1918, communications