Colour postcard Carinya Postcards, of Fitzroy St, St Kilda, looking west from the St Kilda Railway Station. Has W2 311, route 15, to St Kilda Beach. Shows the centre poles. Two copies held.trams, tramways, w2 class, fitzroy st, st kilda, route 15, tram 311

This reliquary (container for relics) contains a relic of St Therese of the Infant Jesus. A relic may be a piece of clothing, or some object associated with the saint. The use of reliquaries became an important part of Christian practices from at least the 4th century and this one, formerly in the Bishop's oratory at Ballarat, dates from the early twentieth century."Brass monstrance styled Reliquary of St Therese of the Infant Jesus. Inscribed on the back "J P O'Collins 1922"

The weatherboard house was the former vicarage for the adjacent historic Anglican Church in Warrenheip St., Buninyong.The house is of historic significance and is a good example of a weatherboard house of its Victorian era.Former Anglican Vicarage, Warrenheip St. Buninyong. Victorian era weatherboard house with metal roof and verandah, low front fence. "Former Anglican Vicarage 1982"timber, house, weatherboard house, vicarage, anglican, buninyong, warrenheip street

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a group of men dressed in a band uniform seated on a variety of wooden chairs, playing their instruments. They are seated in a grassed area with a stadium on the left and other large buildings in the background. The men are the St. Hilda's Band with Frank Wright as the conductor. The place is Cardiff, Wales.Written in pencil on the back - St Hilda's, Frank Wright Conductor, Cardiff (Wales), 9-6-34frank wright, st hilda's band, brass band, conductor, cardiff

Standing - G H Robinson, J B Levi, T Unsworth, F L Dawkins R T Taylor, R H Morley, H Moroney. Sitting - G B Renfrey, E O'Donnell, A Jacka (Mayor), B Gray, G Cummingsblack and white photograph, fair conditionOriginal mounted photograph. Standing - Cr G H Robinson, JP; Cr J B Levi, Cr T Unsworth JP, Cr F L Dawkins JP; Cr R T Taylor, Cr R H Morley JP, Cr H Moroney JP. Sitting - Cr G B Renfrey JP, Cr E O'Donnell JP, Cr A Jacka VC JP (Mayor), Cr B Gray MLA, Cr G Cummings. The Sears Studio, St Kilda. Councillors circa 1930-31.

Yields information about the Grey St Loop, Albert St Sebastopol.Colour slide, Kodak white cardboard mount, developed Dec 1969 of No. 36 (Sebastopol) and 41 (Lydiard St Nth) crossing at the Grey St loop in Albert St.ballarat, tramways, trams, sebastopol, grey st, albert st, tram 36, tram 41

"For the children, Sunday School is a happy place. St Margaret's is fortunate to have a group of young men and women parishoners who conduct the school, especially as accommodation is cramped, drab and uncomfortable. Class in picture is conducted in shack from motor car case"Digital scan of photograph - Original Source Copy: St Margaret's Parish Archives. church of england, churches, eltham, st margarets church

"For very nearly one hundred years, people of Eltham have worshiped at St. Margaret's usually spending a few pleasant minutes after the service chatting with friends. But the percentage of parishoners who attend church regularly and frequently is pitifully low." c.1960Digital scan of photograph - Original Source Copy: St Margaret's Parish Archives. church of england, churches, eltham, st margarets church

Original drawing was Indian ink on paper by Alfred George Reynolds (1906-1996) who was Vicar of St Lukes Vermont from 1947-1952. Alfred George Reynolds was a noted Australian artist in the mediums of oil painting, etching and pen and ink drawing.Black and white cutting from a newspaper of St. Lukes Anglican Church, VermontA G Reynoldsst. lukes anglican church, vermont

Side view of St. Matthew’s Church with wooden fence. Looking west.St Matthew's Presbyterian Church viewed from the side with a wooden picket fence. Photograph similar to 121.5 judging by the similar trees around the church.stawell religion

Side view of St. Matthew’s Church with wooden fence. Looking west.St Matthew's Presbyterian Church viewed from the side with a wooden picket fence. Photograph similar to 121.5 judging by the similar trees around the church.stawell religion

The St Francis Xavier Chapel and Catholic Cemetery was established on land donated vby squatter John Egan.Three photographs of St Francis Xavier Chapel, the chapel in the Eganstown Catholic Cemetery. The grave stone at the front of the church is for John Egan. st francis xavier chapel, eganstown, 1999, eganstown catholic cemetery, eganstown, church, chapel, cemetery, john egan

"LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Colour photograph of a portrait of St Brigid in stained glass. The depiction of St Brigid is located at St Brigid's former Catholic Church, Crossley.st brigid, stained glass, st brigid's crossley

Black and white photograph of steam roller and steam-tractor pulling church building along road.Written beneath photograph, "Church of England. Being shifted from cnr. Main St. and Pratt St. to Ringwood St. 1924."

The photographs show a G glass tram westbound in Swanston St with a W class tram northbound during the mid to late 1920s. Enlarged from a postcard - see item 5883.Yields information about a G class tram and other trams at Flinders St station.Set of 2 Black and White photographs of a scene at Flinders St station with the G class tram enlarged.Has ink notes on rear regarding the location and the TMSV sales stamp.tramways, trams, g class, flinders st, swanston st, flinders st station, w class

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a group of men and women standing in an auditorium. Some are in band uniform and carrying their instruments whilst the rest are in highland dance costume. The band is St Hilda's with the conductor Frank Wright. The dance troupe is Roy Stewart Dancers of Scotland. The place is Morecambe Lanes, London.Handwritten on back - St Hilda's - F.W. Conductor, Roy Stewart Dancers, (Scotland), Morecambe Lanes, July 1934frank wright, cornet, conductor, ballarat, st hilda's band

Janette Mary Phillips Child St Stawellstawell medicine

.1 -No. 35, outbound to Sebastopol with the Southern Cross Hotel in the background. Has signs for Fosters Larger, Carlton Draught and Victoria Bitter. Has a number of passengers boarding the tram. .2 - at Hospital corner with the signal system control box for the Forest City signals in the foreground on a pole. Has marking for Sebastopol, Sturt St West and Drummond St North? written on the box. Above this is a sign advising passengers that trams depart this point for The Gardens, View Point and Sebastopol. In the background is J. A. Malpass Hairdresser shop. See item 8900 for the actual switch. .3 - No. 35 turning into Drummond St south with the bottle shop on the south east corner in the background.Yields information about Hospital corner and the switch for the Forest City signalling system controls.Set of three 35mm slides - AGFA dark blue / white plastic mounts of trams in Sturt St near Hospital Corner. tramways, trams, sturt st, hotels, hospital corner, forest city signals, signs, tram 35

Yields information about the Lydiard St Nth Level crossing.Colour slide, Kodak white cardboard mount, developed September 1968 of No. 27, southbound crossing the Lydiard St level crossing with a destination of Sebastopol. The tram has a Twin Lakes sign. the Kennedy Murrays General Carrier building in the background."Railway Xing Lydiard St Nth" in red ink.ballarat, tramways, trams, lydiard st nth, level crossings, railway station, tram 27

St. James' Anglican Church, Orbost, was conceived and built as a memorial to the men 'who served and suffered during the Great War' as noted on the foundation stone. The Right Reverend GH Cranswick, DD, Bishop of Gippsland, laid the stone on 1 October 1927.This is a local history book written by a local author.A 54 pp book titled The Memorial Church of St James, Orbost, A History. The front cover is cream/white and has a b/w photograph of a church and spire (St James, Orbost). The text is black. The book was written by Jennifer A. McLennanchurch-history anglican-orbost st-james-orbost

The Mission and the Ladies Harbour Light Guild organised many social events for seamen especially during the Christmas period. This one is one o the many events organised at the St John's College (formerly Cumloden College between 1891-1905) on 195-201 Alma Road, St Kilda East, in what seems to be the gymnasium (as per the ring hanging from the ceiling on the right). The reverend seen at the back could be Canon John Stephen Hart, successor of Canon Reginald Stephen, who welcomed the groups at the school on this occasions.The photograph depicts a group of seamen seated at tables inside a room waiting for a dinner to be served. Only one lady dressed in white is amongst them. At the back a reverend can be seen standing.Xmas Day 1914 at St John's Collegewwi, st john's college, cumloden college, dinner, christmas, lhlg, st kilda east, alma road

Typed below photograph, "Mullum Creek from footbridge on Munro St. Looking east, 1969". Written on backing sheet, "Mullum Creek looking east at footbridge at Munro St. 1970. Pampas grass was planted years ago by Mrs. Blood".(To be verified in regards to planter). +Additional Keywords: Brown, Mrs / Blood, MrsTyped below photograph, "Mullum Creek from footbridge on Munro St. Looking east, 1969". Written on backing sheet, "Mullum Creek looking east at footbridge at Munro St. 1970. Pampas grass was planted years ago by Mrs. Brown or Mrs Blood".

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates In 1905, the land was vacant in Balaclava Road, north side, from Kooyong Road east to the right of way, except for one house. A block of this land was acquired by the Presbyterian community and a timber church erected there in 1910. In time, a larger church was required. After several years of fund raising led by George Kinross, a new red brick St Stephen's church was built in 1926 to the design of architects Haddon and Henderson. George Currie was the builder and the cost of construction was £5,100.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates: St Stephens has architectural importance as a noteworthy example of a Gothic Transitional design in the Arts and Crafts eclectic manner (see Stylistic Typology in National Trust's Historic Church's Study}. The facade treatment successfully combines Christian symbols with Gothic forms in the Arts and Crafts mode (comparable with Haddon's Presbyterian Church, Malvern (1906) and Haddon and Henderson's Oakleigh Church (1928). It is locally important as an example of Robert Haddon's work in Caulfield, where he also lived (4 Glenferrie St q.v.).Page 26 of Photograph Album including three black and white photographs of St Stephen's Presbyterian Church, with two photographs in portrait mode across the top showing 2 different stained glass windows from the inside; and one in landscape mode in the bottom section which appears to be a photograph of a framed photograph or drawing of the church.Hand written: St Stephen's Presbyterian Church Balaclava Road [top right] / 26 [bottom right]trevor hart, caulfield north, balaclava road, george kinross, haddon and henderson, george currie, st stephen's, 1900's, 1920's, gothic transitional, christian symbols, arts and crafts, robert haddon, stylistic typology, gothic, drawings, presbyterian church, architects, lead lights, stained glass windows

1850's Gold Rush Police PrecinctB/W photo, Old Police Station/Residence (c1859) Cornish St. Buninyong near Yuille St.buninyong, warden's office, butter factory, depot, couthouse, police

1850's Gold Rush Police PrecinctB/W photo, Old Police Station/Residence (c1859) Cornish St. Buninyong near Yuille St.buninyong, warden's office, butter factory, depot, couthouse, police

Tony IRVING (1939- ) Born England Arrived Australia 1942 Tony Irvings work is a snapshot of urban life. In the 1970s, he won the prestigious National Gallery of Victoria's John McCaughey Acquisitive Prize. The St Kilda Kiosk before it was destroyed by fire in 2003, and has since been restored by the state government because of its heritage significance.RealismAn blue etching and aquatint with the St Kilda Kiosk at the subject matter. The St Kilda Kiosk was destroyed by fire in 2003. Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, st kilda, churchill, printmaking, st kilda kiosk, tony irving

View of St. Matthew’s Church looking north. Shows Baptist Church (built 1869) in background on right.View of ST Matthew's Church looking north. a long wooden picket fence along the path in front of the church. A building in the background to the right of the church.stawell religion

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of an early 1930's bus boarding a vehicle and passenger chain ferry. A group on men dressed in a band uniform are standing and watching the bus's progress. Land can be seen on both sides of the Tamar River. It is the Torpoint Ferry between Devonport in Plymouth and Torpoint in Cornwall. The men are the St. Hilda's Band, including Frank Wright, the conductor.Written in pencil on back - St Hilda's Bus on Torpoint Ferry between Devon and Cornwall, 1934frank wright, st hilda's band, st hilda's bus, brass band, torpoint ferry

Bandage used by Maggie Walker while attending First Aid Training during World War One approximately 1916 while her fiance Thomas Bishop was serving overseas. They married after the war. This bandage remained in the Bishop family for many years and was treasured. This would have been fairly standard equipment in first aid training. Probably had an associated instruction card that explained the numbers on each method of using the bandage as printed on the bandage.Triangular shaped bandage of calico material with multiple printed diagrams showing how to use item. Indicates base edge as well as sides and pointPrinted on top point the St John Ambulance Association Star "THE ST JOHN AMBULANCE ASSOCIATION" "M.W." written in permanent pen on edge