Semi-gloss, black and white, three-quarter, studio portrait of Geraldine Dare.methodist, dare, g.

Rev. James Harcourt (1866-1938) was a chaplain of Wesley College and a tutor at Queens College.Semi-gloss, sepia, head and shoulders studio portrait of Rev. James Harcourt.methodist, harcourt, j., wesley college, queens college

Rev. James Harcourt (1866-1938) was a chaplain of Wesley College and a tutor at Queens College.Semi-gloss, sepia, head and shoulders studio portrait of Rev. James Harcourt.methodist, harcourt, j., wesley college, queen's college

A studio photo of a male jockey dressed in riding silks carrying a saddle and a whip.horse racing, jockeys, portraits, unidentified, men, george evans collection

A studio photo, mounted on card, of a soldier wearing a pith helmet taken in Cairo.soldiers, armed forces, cairo, hats, uniforms, clothing and dress, unidentified, george evans collection

From Chapman Family AlbumSepia Studio Portrait Child standing on chair holding basket. in front of plantAlice Righetti in script. R. Bloomfield Rees Eaglehawk

Black and white photo of John and Mary Schwerkolt as small children. Studio Portrait.schwerkolt, johann, jackschowsky, mary elizabeth

Black & white studio photograph of Evelyn Maggs, seated, with her sister Harrietmaggs, harriet, evelyn

Names of the footballers can be found on a card in with photograph.Black and white studio photograph of the East Burwood Football Club team in 1968.east burwood football club - 1968, sporting clubs, football clubs

Black & white studio photograph of Alwyn Till standing in front of a wooden chair.clothing and dress, till alwyn

A sepia studio portrait of Alwyn Till in his WW2 air force uniform.till, alwyn terence, ww2, raaf

John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. William Lucas , who came from England to visit Matthew Child in the late 1870s. He purchased land from Matthew and married his daughter Catherine. They developed their property as the sporting lodge 'Glenrivers'. Their daughter Dorothea was born in 1888. She was an accomplished horsewoman who married her cousin Charles Percival (Percy) Child in 1917. Percy worked a sawmill on the creek .Black and white copy of studio portrait of Doris (Dorothea) Child (nee Lucas).Handwritten by John Lundy-Clarke on reverse: Doris Lucas “Dorothea?” Daughter of W Lucas and Catherine nee Child. Wife of Percy Child. Mother of Lois. Born 1889 died 1936 (?)dorothea lucas, dorothea child, percy child, matthew child, william lucas, catherine child

Black and white photograph of Matcham Skipper standing at the door to his studio at Montsalvat. Nonematcham skipper, photograph, montsalvat

Black and white studio portrait. Thomas Hugh Kneen, Principal 1946-1967On reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. D.1556."t.h. kneen, principal, publicity

Black and white studio photograph of Eric B. Littlejohn, Principal, in the Principal's Office.On reverse, "Eric Littlejohn," and, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. D.1341.G."e.b. littlejohn, principal, principal's office, publicity

Recording of La Fiamma for the Talking Newspaper Service in Sydney. 10 negatives of coloured images of narrator in studio and 1 printed proof sheetroyal blind society of nsw, talking newspaper service

Prior to the election of female Councillors and Mayors in the 1960’s, The Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Rae was born Ethel Mary and during her time in office she attended functions alongside her husband for Queen Elizabeth and the Duke of Edinburgh during their visit in 1963.Framed, oval photographic studio portrait with flat glass. Hand coloured detail.ll, Mrs R A Rae / Mayoress 1962 - 63. lr, Martin Washington / Bendigoethel mary, martin washington photography, roy alexander rae, city of bendigo mayoress, city of greater bendigo portraits, mayoress rae, mayor rae, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Aileen Baldwin was born in Eaglehawk and was one of the youngest Mayoresses that the City has had. Reproduction of Black and White photographic studio portrait sitting behind oval mount.city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayoress cambridge, mayor w cambridge, cambridge printers, lansell pendant

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Gwen Jeffrey served as Mayoress from 1969 - 70.Reproduction of Black and White photographic studio portrait sitting behind oval mount.lr; Martin Washingtoncity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayor jeffrey, mayoress jeffrey, lansell pendant

Thomas Harvey (16/8/1842-30/6/1912) was born in Cornwall. He married Eliza Williams (23/3/1841-12/7/1923) on 6/12/1865. The lived in Clarke Street, Harveyville. This was a small cluster of Cornish miners homes in Eaglehawk.Copy of posed studio photograph of Thomas and Eliza Harvey. McKenzie Family Collection.Photographer's stamp John Lay Eaglehawk, Paris Panelhistory, period clothing

after their marriage at St Andrews Bairnsdale. Groom in dark three piece suite, white shirt, pale tie. Bride has simple head dress and veil, dress with long sleeves slashed at upper arm, short train, bouquet tied with white ribbon. Sepia toned studio photograph of John Alexander and Rita Wills Bairnsdale Victoriagenealogy, celebration, fashion

Bunde Hansen Steenholdt, a miner, lived at Linton from about 1865. He and his wife Johanne Louise Steenholdt had twelve children.Steenholdt family photograph - parents and twelve children taken in front of studio backdrop."Bunde and Johanna Steenholdt and family 1885".steenholdt family, bunde steenholdt, johanna steenholdt

BLACK & WHITE STUDIO PHOTOGRAPH OF A MAN DRESSED AS A SWAGGIE HOLDING HIS SWAGWITH COMPLIMENTS FROM HARD TIMES 1916 J. HORNBYlocal history, document, postcard, crick, shrigley, mc lennan & lazarus

The photograph is of George Kallinikos who was one of the members of the Kallinikos family from the village of Ag Yianni Ithaca who migrated to Australia and settled in Melbourne in the first half of the twentieth century. Spiros Kallinikos was the first member of that family to migrate to Australia in 1910.A studio portrait photograph of a smartly young man. The photograph has a cream border.

The photo is taken in Pretoria South Africa. One of the subjects is Orthon Moraitis.A sepia studio photograph of a head and shoulders portrait of two men dressed in suits. Written on the back and translated from the Greek: ORTHON MORIATIS/ PRETORIA S.AFRICA/ 20.7.1934.orthon moriatis, south africa

This is a wedding photograph of Dimitri and Kalypso Sofianos who were married in the Greek Orthodox Church Evangelismos on 14th February 1937.A scanned black and white studio photograph of a bride and groom taken on their wedding day.

The photograph was taken in the 1920s of the brothers, Peter and Dennis Flocas. The brothers ran the Golden Age Café at the top end of Bourke Street near Spring Street which was opened during the the First World War.They like many young Ithacan men migrated to Melbourne in the early decades of the twentieth century. Most settled permanently in Melbourne where they married and raised families.A scanned black and white studio photograph of two smartly dressed men in suits.

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media