Pictorial and written record of Australian generals in World War 1. From Trove it is 'Record of the Australian Imperial Force in the Great War 4th August 1914 - 28th June 1919' by J.W. Sanders. Published in approximate 1920. More details to be added. TBA and check locationShows British and Foreign honours bestowed on generals, and commands held in the Australian Army during World War 1.A bound green ledger of Australia's generals in the first world war.Title printed in capital letters and underlined with an arc, gold lettering. Badge of the Rising Sun and inscription underneath badge (AUSTRALIAN COMMONWEALTH MILITARY FORCES) printed in gold lettering.world war one, australian imperial force, history

A postcard with a black and white image of small boats being towed on a rope through water. Each boat is carrying several soldiers, and other ships and boats can be seen in the background. From the title it is a landing party going ashore near Gaba Tepe, on the Gallipoli peninsula. The back of the post card is blank so it was kept more as a souvenir than sent as a letter. There are other similar postcards in the collection.Images of Gallipoli were captured on postcards as mementoes. Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1.Black and white postcard with an image of small boats being towed on a rope through water. Each boat is carrying several soldiers, and other ships and boats can be seen in the background. Front of postcard: "TOWED IN UNDER PROTECTION OF THE FLEETS FIRE : A LANDING PARTY GOING TO REINFORCE THE AUSTRALIANS NEAR GABA TEPE."world war one, gallipoli, souvenir

A post card showing a scene from Gallipoli. Postcards were a common form of correspondence in World War 1. They were also good souvenirs as cameras weren't commonplace.Postcards were a very common form of communication in the first World War. This postcard also records Gallipoli for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had served at Gallipoli.Postcard with an image of ANZAC Cove. Several soldiers can be seen standing along the beach, while boats and supplies line the shore. world war one, gallipoli, souvenir

Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. The link to Legacy is not known but there are many postcards are in the collection.Postcards were a very common form of communication in the first World War. This postcard also records the war for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1 and many had served at Gallipoli.The postcard's image depicts a field of white canvas tents line the background. Several people can be seen cutting wood in the foreground, standing just behind a wire fence. world war one, souvenir

A postcard depicts five soldiers standing near a cannon in winter time. They are wearing jackets and hats to protect them from the cold as freshly fallen snow rests on the surrounding foliage. Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. The link to Legacy is not known but there are many postcards are in the collection.Postcards were a very common form of communication in the first World War. This postcard also records the war for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1.The postcard's image depicts five soldiers standing near a cannon. They are wearing jackets and hats to protect them from the cold as freshly fallen snow rests on the surrounding foliage. A small hole can be seen at the top centre of the card, most likely from a thumb tack.world war one, souvenir, cannon, soldiers

Aussie, a lighthearted account of life in the field for Australian troops during WW1. Featuring stories, cartoons, letters to the editor and much more. Aussie was conceived in November 1914 but it was not until January 18, 1918 that Aussie was first published with a print run of 10,000 copies. The third issue had a print run of 100,000 copies. A couple of single original issues are also in the archive. This was a compilation put together by Phillip Harris from the original editions and printed in Australia in 1920. Funds raised from the sale of the compilation went towards the construction of The Australian War Memorial.Despite the dreadful conditions on the Western Front during the war the Australian troops managed to procure enough rescoures to publish an interesting and humour packed account of life for them as it was. A great morale booster.Cover, cardboard, faded and some stains. Pages, paper, some tears, stains,discolouration.Front cover, "Aussie. A reprint of all the numbers of the Diggers' own paper of the battlefield, wholly written, illustrated and printed in the field by members of the AIF. Produced by the editor, Phillip L. Harris on behalf of the Australian War Museum. 1920. Forward by Major General C.B.B. White, K.C.M.G., C.B., D.S.O."world war one, souvenir, magazine

This document records the unveiling of the Villers-Bretonneux Memorial by King George VI, the Queen of England and the President of the French Republic, on Friday 22nd July, 1938. The programme includes prayers, hymns and memorial dedication. The assumption is that a Legatee attended the service and saved the programme and it somehow made its way into the Legacy Archives. A significant memorial was built at Villers-Bretonneux to commemorate Australian losses in World War 1. This programme shows King George and the President of France opened the memorial together and that it was an important event in 1938.Paper program. 6 pages. Running order for the unveiling of the Villers-Bretonneux Memorial by King George VI, the Queen of England and the President of the French Republic. Friday 22nd July, 1938. Includes prayers, hymns and memorial dedication.memorial, world war one

A humorous post card intended to emulate an official army issued post card used for soldiers to quickly send information home. However the options given on the humorous postcard are contradictory. Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1.Brown card with printed with black text. Side A Nothing is to be written on this side unles it is of useful information to the Enemy or your lady friends. If anything is written on this card it will be destroyed. In any case it will not be forwarded. I am quite well (?) I wish I were dead I am dead I have been dead for some time I am not yet shot I wish I were shot I hope to be shot I am shot The Q.M. has recieved the parcel you sent me Please forward 5 pounds/ 10 pounds/ 20 pounds/ 50 pounds (strike out the sum not required) I am in Hospital. She is/is not lovely. Signature (Must be Embossed) Date _ Side B The address only is to be written on this side. If anything is written on this side the post card will be destroyed. (Leadswingers Club)Pencil markings on side B appear to be numbers used to tally something.war correspondence, world war one, souvenir

A post card sent to Master J. Brenner of "Chippenham" Railway Parade, Williamstown by his cousin Ethel for his collection. The connection to Legacy is not known. This postcard is the Country life. Series V registered postcard number 9180. Was named "OILETTE" and was produced and printed by Raphael Tuck & Sons, the date is unknown. This item represents a serie of artistic postcards created in England and even though its year of making is unknown possess an aesthetic significance about the kind of postcards produced by Raphael Tuck & Sons.Postcard with of a country scene with a boy holding a donkey. Handwritten: Dear Cousin, Mother says she promised she would send you some postcards. I am sending these & hope you will like them for your collection. Your Cousin. Ethel. / Master J. Brenner "Chippenham" Railway P. Williamstown. Front side: Printed in photo, "CHUMS" / Handwriten photo sign, [?]lette. Back side: Printed on paper, printed symbols / Raphael Tuck & Sons' "OILETTE" [Regd.]Postcard 9180. / COUNTRY LIFE. Series V. / ART PUBLISHERS TO THEIR MAJESTIES THE KING & QUEEN / Printed in England / If sent Abroad, this space may only be used for Name and Address of Sender. / CARTE POSTALE. / TUCK'S POST CARD. / POSTKARTE. / (For Address Only.) / [Stamp] VICTORIA, POSTAGE, ONE PENNY, 1d. souvenir, world war one

A postcard of Egypt from John Basil McLean, who signs himself Basil to his family. This item was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. Possibly these were with him during his time in the First World War and kept them as a mementos. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).An example of correspondence between soldiers and their home during World War 1. It shows that Australian soldiers took the opportunity to see parts of the world when they were serving overseas.Standard size postcard with image of a Pharoh statue (Roi Khephern) in Cairo Museum.Front - “CAIRE / Le Musee - Statue du Roi Khephern” Back - “UNION POSTALE UNIVERSELLE / EGYPTE / CARTE POSTALE / Ephtimios Freres, Port Said / Cai 190 / 54917 / N14 / At Sea / 31.12.16 / My dearest Mater / Just a few lines for the close / of the old year. We had our first wet day today. It was too wet for / church parade. The sunset this evening / was simply lovely. I wish you could / have seen it. With all good wishes / for 1917 to all from your loving Son / Basil.war correspondence, souvenir, world war one, mclean

A wartime letter written by Arthur Evans that was later mounted on card for display purposes. It was donated to Legacy in 1998. The letter was written on the fabric of an aircraft wing. The letter was written by Arthur Stanley Evans while convalescing in Briston in 1917. He had been injured at Bullecourt, France with the 18th-16th AIF. The letter says 'Dear Minnie, Just a line to say your nice long letter arrived yesterday and I am now waiting the money etc. Have run out of paper so am scrawling this on a piece of wing belonging to one of Fritz's tubes that I saw one of our chaps having a scrap with in the air over our lines one day. "Fritz LOST". Glad Betty liked her little gift. Will write you later. I am improving every day and expect to have leave shortly. Love to all, Arthur." Not to let war time shortages of paper get in Arthur Evans way, he improvised and his letter to Minnie, it arrived intact. The fabric would be quite durable and light. A great memento to show family and friends.Despite war time shortages a little ingenuity can overcome many difficulties.Backing, ply board. Letter and short story typed on white cardboard, cardboard fixed to ply backing. Original letter fixed to white cardboard. Lower left hand corner folded over showing the reverse side of the fabric. Original letter rectangular in shape. All of the above is surrounded by a brownish border.The letter, the story and how the letter came to Legacy is printed in brown ink. The original letter is hand written on a piece of wing fabric from a German aircraft shot down over Allied lines.souvenir, world war one

A 48 page book, primarily humorous drawings that provide a lighter look at life in the trenches of France. It is missing its original cover and has a white cardboard cover to replace it. The drawings were drawn by Captain Bruce Bainsfather and published in The Bystander, a London publication and republished in Australia in 5 volumes. Unknown which volume this is from. Primarily humorous drawings that provide a lighter look at life in the trenches of France.Illustrations from World War One that would have been significant to the founding legatees who had all served in World War One.Front, white cardboard cover, with black stripe on the bottom and two vertical black and white patterns on right and left side of cover. Rear cover, white cardboard, blue stripe top and right hand side of cover. Pages and spine sewn together with white cotton, reinforced with grey tape. Pages, glossy white paper. Full of cartoon caricatures accompanied by frontline humour.world war one, souvenir, magazine

The Female Relative's Badge was issued to the wife and/or mother, or to the nearest female relative of soldiers, nurses and masseurs who had left Australia for active service abroad during the First World War. The service number of the relative is inscribed on the back of the badge. A bar(s) suspended below the badge was issued for each additional relative, son or daughter serving. (taken from awm.gov.au). The provenance of this badge is unknown. A search on the defence force numbers has been unsuccessful to ascertain the owner of the badge. More research would be required.Shows the importance placed on having relatives serving in the Defence Forces.Silver badge with blue enamel and safety chain. A.I.F. in cutout script in the centre of an oval. Oval has blue enamel with silver text "Issued by the Dept of Defence to Women of Australia". An enamelled scroll beneath this contains the word "For Duty Done". The badge is surmounted by a King's Crown. A brooch fastening and a safety chain are attached to the back, the original safety pin is missing. Two bars are suspended from the bottom of the badge indicating a total of 3 relatives serving overseas. Defence force numbers 33370, 20232 and 20233 inscribed on back. Manufacturer mark "WM Mclean & Co / Melb / STG SIL"female relative's badge, world war one

The notepaper says: "In commemoration of the heroic deeds of the men of ANZAC at GALLIPOLI in 1915 and in recognition of the great debt owed by all Australians. With the compliments of the Government of the Commonwealth of Australia." It was given to Legatee Gordon Beith. His son and daughter presented it to Legacy. The Anzac Commemorative Medallion was instituted 1967. It was awarded to surviving members of the Australian forces who served on the Gallipoli Peninsula, or in direct support of the operations from close off shore, at any time during the period from the first Anzac Day in April 1915 to the date of final evacuation in January 1916. (taken from defence.gov.au)Shows the recognition by the Australian Government of the servicemen who served at Gallipoli.ANZAC Commemorative Medallion in brown leather case. Bronze medallion with depiction of Simpson and his donkey carrying a wounded soldier, in a circle with the date 1915. The circle is topped by a crown. It is bordered on the lower half by a laurel wreath above the word ANZAC. The reverse shows a map in relief of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by New Zealand fern leaves. The name and initials of the recipient, G. Beith, is engraved on the reverse the engraved name. The presentation case is dark brown leather like outside, with maroon silk lining, and maroon velour cushion for the medalion to rest in. Inside is a printed note on Commonwealth of Australia white notepaper. Accompanying it is a block of wood with inscription of it's donation to Legacy.'G. Beith' engraved on the reverse.gallipoli, medallion, world war one

The Australian Navy's first flagship, the battle cruiser HMAS Australia (I) was the centrepiece of the 'Fleet Unit', whose acquisition signalled the RAN's arrival as a credible ocean-going force. The Commonwealth Government decided upon the name Australia, and it proved a popular choice, carefully avoiding any suggestion of favouritism towards any one Australian State. Notwithstanding some construction delays, John Brown delivered Australia £295 000 under budget. Following successful gun, torpedo and machinery trials she commissioned as an Australian unit at Portsmouth, England, on 21 June 1913 under the command of Captain Stephen H. Radcliffe, RN. Two days later the ship hoisted the flag of Rear Admiral George Edwin Patey, MVO (later Vice Admiral Sir George Patey, KCMG, KCVO), who had been selected to command the Australian Fleet. In company with the new light cruiser HMAS Sydney (I), Australia sailed from Portsmouth on 21 July 1913, and their voyage home was seen as a further opportunity to stimulate public awareness and naval sentiment around the British Empire. Arrangements were made at the first opportunity for the flagship to visit many of the principal Australian ports. On the outbreak of World War I Australia (I) operated (with other ships of the Australian Fleet) as a counter to the German East Asiatic Cruiser Squadron under Admiral Graf von Spee. On 11 November 1918, the signing of the Armistice brought the fighting in Europe to an end. On 21 November, the Grand Fleet came out from the Firth-of-Forth in two divisions to meet the German High Seas Fleet steaming across the North Sea to be interned at Scapa Flow. Australia (I) had the honour of leading the port line at the head of her squadron. After returning home Australia (I) resumed the role of RAN flagship. A year later she played the leading part in the naval activities associated with the visit of the Prince of Wales in HMS Renown, but her time was rapidly running out. In November 1921 she returned to Sydney and the following month was paid off into reserve on 12 December 1921. Less than three years later she was prepared for scuttling to comply with the terms of the Washington Naval Treaty of 1922, which provided for a reduction in naval strengths. The RAN had already removed some of the ship's equipment for use in other warships, and now began the deliberate scrapping of Australia (I) by extracting piping and other small fittings. She was towed to sea by tugs and sunk along with her main armament in position 095 degrees, 24 miles from Inner South Head, Sydney, on 12 April 1924. Extracts from http://www.navy.gov.au/HMAS_Australia_(I)Teak frame photograph Metal Plaque on frame: HMAS Australia First flagship of the Royal Australian Navy 1913-1920 Sunk under terms of the Washington Treaty 12th April 1924 navy, world war one, australia, war, wwi, flagship, hmas australia, ran

The names entered on the Honour Board were selected from enlistments in WW1 who were born in Kyneton.This Honour Board commemorates those servicemen who enlisted from the Kyneton district and made the supreme sacrifice for their country.Wooden Honour Board with gold lettering , three panels, largest with three columns, two outer panels have one column, with oblong, bronze small plaque underneath.Enlistments from the Kyneton District who died as a result of active service in WW1. Inscription on brass plaque below the Honour board reads: Presented by Miss LENNON of the CLUB HOTEL, 23 Feb 1922 Unveiled by Lt. Colonel Geoff HURRY DSO, MHR 11 Nov 1923 Plaque below the board reads: GRUNDY & CO Brunswickhonour board, kyneton rsl, world war one

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A half length portrait of Charles Richardson, the brother of the historian Dorothy Rogers, who enlisted in 1914. Pte. Charles Field Richardson fought and was wounded at Gallipoli. He died of his wounds in Alexandria after being wounded at Gallipoli.pte. charles field richardson, charles richardson, world war one

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. Frank Richardson sent this postcard to his family from Cairo before leaving for the front.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Postcard from Egypt to Dorothy Richardson, from her brother Frank in 1915Dear ones at home These Huildings are wonderfull and the interiour are still more ancient and Beautiful. I will have a lot to tell if ever God spares Me to come back alive off to seat of War good bye love to all be kind to Hazel & Alice for Your lovings sons sake Frank dorothy richardson, frank richardson, world war 1, cairo, world war one

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed metal fundraising badge, featuring an olive wreath encircling in red text: ‘ANZAC Apr. 25. 1915’, on a white background. "ANZAC Apr. 25. 1915 / Copyright"anzac day, first world war (1914-18), patriotic buttons, world war one, numismatics, badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed tin fundraising badge showing an armed soldier advancing through a rocky landscape. The soldier’s head is bandaged and spots of red indicate that the soldier has sustained wounds to the head and hand. The badge bears the word ‘Copyright’ on the border.Lest We Forgetpatriotic buttons, first world war (1914-18), numismatics, lest we forget, world war one, wwi, memorials

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.In 1916 the Australian Government called for conscription of Australian men as voluntary recruiting did not seem to be producing sufficient numbers to supply the front line. Referendums were held in 1916 and 1917. Both referendums were defeated and conscription did not occur. This badge advocates a ‘Yes’ vote in the first referendum."Vote Yes / Oct 28 1916"conscription debate 1916, patriotic buttons, first world war (1914-18), world war one, referendum

Medallion was issued to Miss Edna Huf of Albury, sister of No 533 Sergeant Carl Wilhelm Huf, 7th Battalion AIF who died at sea on HMT "Royal George" on 13 May 1915 of wounds received at Gallipoli and buried in Chatly Cemetery Egypt. Huf was aged 20. Miss Edna Huf donated the medallion together with other items to 8/13th Victorian Mounted Rifles Collection prior to her death at Albury.Part of a collection of items relating to the service and death of a single Australian soldier in WWI which was kept by his sister and passed to a local military collection for keeping shortly before her death in Albury.Bronze medallion featuring Simpson and donkey on obverse and map of Australia and New Zealand on reverse. Issued in 1967 to surviving persons who had served at Gallipoli and NOK of deceased servicemen. Inscribed on lower portion of reverse "CW Huf"huf, gallipoli, anzac commemorative medalion, anzac day, wwi, world war one, anniversaries, medals, numismatics, donkeys, simpson

Following the death of his only child Mervin on 23 December 1916 at Magdhaba Egypt, Mr Justice Higgins HB has a small number, possibly as few as six, of memorial books made. He sought permission from Signaller JC Campbell to use a selection of photographs taken at Gallipoli and Egypt. The photographs together with typed copies of several letters written by Captain MB Higgins 8th ALH make up the book. It seems likely this copy of the book was given to the 8th Light Horse Association for safe keeping. Following the closure of the Association the last secretary Mr Matthew Maynes entrusted the book to a relative Mrs Baily to be donated to the 8/13 Victorian Mounted Rifles.This is a rare, historic and artistic example of how one family sought to come to terms with the loss of their only child in the Great War 1914-1918.Leather bound album of 44 leaves containing collection of photographs taken by Signaller JC Campbell and typescripts of two letters written by Captain Mervin Higgins 8th Australian Light Horse AIF during WWI. Cover is faded maroon in colour.Donated by Mrs Baily [held] in trust to late M Maynes 8 ALH [to] VMR Museum 17.11.92world war one (1914-1918), higgins mervin b captain, 8th light horse, higgins henry b justice mr

The 8th Light Horse was raised at Broadmeadows Victoria in September 1914 and sailed for overseas in December 1914 so this trial must have taken place during that period. The Wiles mobile cooker was developed by a Ballarat engineer, James Fletcher Wiles, on the advice of Sir Stanton Hicks, first Director of Catering for the Australian Army. The horse drawn cooker was operated by steam, raised by burning oil, to cook food and heat a baking oven. About 300 units were produced during WW1 (1914-18) and were in service in Egypt, France, and Australia. They could be operational in 20 minutes, and cooking could take place while being towed up to 50 kph..The first trial of this major innovation in military cooking together with this fine study of a light horse regiment on the march makes this object a significant one to the Australian Army and Victoria.Large framed photograph of a regiment of mounted horsemen on the march. Frame is of stained molded wood with glass front. Name panel at lower centre."The famous 8th Light Horse / returning from Greensborough Camp / After the first trial of the Wiles Cooker / Victoria 1914-1918"wiles cooker, greensborough, world war one, wwi, light horse

The 8th Light Horse Regiment was raised at Broadmeadows Camp in 1914 and served at Gallipoli, Sinai, Palestine, Transjordan and Syria. At Gallipoli the regiment took part in the ill-fated charge at the Nek on 7 August 1915 and suffered horrendous casualties including the Commanding Officer Lieutenant Colonel Alexander White. Following the evacuation the regiment was brought up to full strength under the command of Lieutenant Colonel Leslie Maygar VC and went on the participate in all the major actions of the desert campaign culminating in the capitulation of Turkey in October 1918. The regiment was in reserve at Beersheba and came under air attack resulting in the death of Lieutenant Colonel Maygar. The post-war regimental association met regularly until the late 1970s when dwindling numbers brought about its closure.A rare document relating to a Victorian mounted regiment of World War 1 (1914-1918) with the thank-you cards providing a unique method of recording the passing of this proud regiment into history.Blue hardback scrap book containing a roll of members of the 8th Light Horse Regiment AIF Association, some newspaper clippings about Light Horse in the Middle East campaign, collection of return-thanks cards for deceased members of the regiment pasted in, and hand written letter to Matthew (Matt) Maynes thanking him for his sterling service as secretary of the association.8th light horse, association, wwi, world war one

A detachment of the 13th Light Horse Regiment took part in the march.Rare relic of the great Peace March of 19 July 1919 in London involving 18,000 men of all allied nations including Australia.Coloured single fold program of the London Peace March held on 19 July 1919. Has the portraits of their majesties King George V and Queen Mary.peace march, 13th light horse, wwi, world war one, george v, queen mary, london

Regimental 543 Trooper Geoff Gilbert of Northcote Victoria enlisted in the 13th Light Horse Regiment AIF aged 21. He served at Gallipoli and Egypt before the regiment moved to the Western Front in March 1916 as Corps cavalry. Steel helmets and gas masks became regular equipment as the regiment engaged in all the major actions involving the Australians. Gilbert brought his helmet home after the war as a souvenir.Rare souvenir of headwear worn by an Australian light horseman of World War 1 (1914-18). Steel helmet worn on the Western Front by Lance Corporal Geoff Gilbert 13th Australian Light Horse during World War 1 (1914-1918).helmet, 13th light horse, wwi, world war one, the great war, first world war, gallipoli, australian imperial forces, aif

James Alexander Nicholl was born 1878 at Ballarat Victoria. He served four years with the 3rd Regiment Victorian Colonial Forces, receiving his commission as an officer after two years. On 1 May 1900, as a 22 year old lieutenant, he sailed with the 4th Victorian Imperial Regiment to South Africa serving there under Colonel NW Kelly for fifteen months. Upon his return to Australia he resumed service with the now, Australian Light Horse. He was adjutant of the 16th (Indi) Light Horse located in northeast Victoria when WWI began. He volunteered for the AIF and was appointed to ‘C’ Squadron 13th Light Horse with the rank of Captain. Nicholl served at Gallipoli, France and UK, returning to Australia in 1919. Again he resumed his service with the CMF, this time with the 20th Light Horse.Rare group of medals awarded to citizen soldier from Victoria with service in Boer War and WWI (1914-1918) and peacetime service with pre-Federation Colonial Forces and post-Federation Citizen Military Forces both before and the war.Swing mounted medal group awarded to Major JA Nicholl being: Queens South African Medal with four clasps - Transvaal, Rhodesia, Cape Colony and South Africa 1901; 1914-15 Star; British War Medal; Victory Medal and Colonial Auxiliary Forces Officer's Decoration (VD). On rim QSA "Lieut J.A. Nicholl Victorian MR"; on reverse 14-15 Star "Captain J.A. Nicholl 13/LH Rgt AIF"; on rim BWM and Victory "Major J.A. Nicholl AIF"; on reverse VD "Major J.A. Nicholl 20th LH"nichol, medal, boer war, wwi, vd, colonial, light horse, 13th, world war one

The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous, but ill-fated charge at the Nek on 7 August 1915, it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Lieutenant Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. Returning to Australia after the war, the 8th Light Horse AIF was disbanded in 1921, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces.Rare professional photograph of a light horse squadron prior to their departure for overseas in 1914.Black and white photograph of 6 ranks of soldiers arranged in tiers being " C " Squadron 8th Light Horse, shortly before departure to the Middle East. Photograph is mounted on card.Soldiers are wearing bandoliers and peaked caps.On face of image - " 'C' Squad 8th Light Horse" and " Darge Copyright". On rear of mounting card " No.378/2nd Regx? 3rd Top"8th light horse regiment, world war one (1914-1918)

Example of aerial photography during WWI in Middle East.Black and White aerial photograph of column of horses in desert terrainmilitary, wwi, world war one, desert, horses, aerial