Rosiland park in Autumn 1982 10A Rosiland Park, looking up the Bendigo Creek 1982 10B Rosiland Park, Autumn 12/05/1991 10C work on restoration of the Cascades, Rosiland Park 22/10/1996Edith Lunn

Photographs taken by ex-employee of Kitchen's, Lionel Hayfield (refer catalogue numbers 3411 and 3412) just before the building sold to "The Block" - a Channel 9 TV program. See also cat nos 3846, 3847 and 3848First floor series of colour photographs taken inside and from the J Kitchen & Sons Administration Building, Ingles St, Port Melbourne. Details where possible are on the back of the photographs. .05 - .11 ; front of building first floorindustry - manufacturing, built environment - commercial, built environment - industrial, demolitions, j kitchen & sons pty ltd

A newspaper article on the refurbishment of the arts centre in Marysville in Victoria.A newspaper article on the refurbishment of the arts centre in Marysville in Victoria. This building is known as MiRa-Marysville Information + Regional Artspace.Alex Standard 4 July 2018marysville, victoria, mira, marysville information and regional artspace

4/94-100 Nepean Street Watsonia. 3 bedroom 2 storey terrace home, auctioned 26 May 2018, P.I. $555,000, sold July 2018, no price informationReal estate advertising leaflet, 1 sheet, printed in colour both sidesnepean street watsonia

Nine photographs from the Country Roads Boards with Negative Numbers and description. Donated by L. J. HaywardNine photographs of the 2 car Punt and the 2 bridges between San Remo and Phillip Island. 310-01. Photograph of the two car punt operating in 1929 between San Remo and Newhaven. 310-02. Photograph of the Suspension Bridge between San Remo and Newhaven. 310-03. Photograph of the two bridges - old and new. 310-04. Photograph of the construction of the new bridge. 310-05 to 09. Photographs of the construction of the new bridge.310-01. CRB Neg No 68-1091 310-02. CRB Vic. Aust. Neg No. 61-864C 310.03. CRB Neg No. 69-1406 310-04. CRB Neg No. 67-3741 Phillip Island Bridge Sheet Pile Coffer Dam. 310-05. CRB Neg No. 68-461A. Phillip Island Bridge Portal Frame Piers on San Remo side. 310-06. CRB Neg No. 66-1012B Phillip island Bridge. The temporary steel bridge in October 1966. 310-07. CRB Neg No. 67-4019C Phillip Island Bridge. Anchor span beam 204 ft long. 310-08. CRB Neg No. 67-1826E. Phillip Island Bridge. Stressing an anchor span beam. 310-09. CRB Neg No. 67-1930F. Phillip Island Bridge. Placing the first beam on No. 3. span.suspension bridge, phillip island bridge, newhaven-san remo punt, l j hayward

21 Doris Street Greensborough. Four bedroom home, sold for $960,000 in May 2018. Previous sales, December 2015 for $745,000, September 1992 for $116,000 and December 1983 for $53,500.Real estate advertising leaflet, 1 sheet, printed in colour both sides. doris street greensborough

3446.1 - Newspaper clipping from The Courier, 30-5-2006, titled "Depot strikes it lucky" about the BTM winning a MIRA (Museum Industry Recognition Award). Has photo of Austin Brehaut standing in front of No. 26 in front of depot. Picture by Jeremy Bannister. Quote Stephen Butler about the reconstruction of the sub-station, fund raising and the Award. 3446.2 - A4 sheet print of the Courier's Web site, printed 31-05-2006 - shortened version newspaper article.btm, substation, museums australia, awards

See 1833.02 for more information about Little Bay St. Ed WHITING lived in Dow St Port Melbourne in 1930s (A PMHPS Member in 2000s). Photos copied by Ed WHITING for PMHPS include Violet JOHNSON (now WOODS) as a little girl and later as a young woman. Shows 1930s Port Melbourne life.Note that .01, .02, .05 are in hard copy and a copy of all six is on database Black and white photos (copies) from the 1930s .01 - Ed WHITING and friend Ron .02 - Ed WHITING and three friends at BP filling station on Beach St near Princes Pier .03 - Ed WHITING and two friends in Port Melbourne lane.(database) .04 - Violet JOHNSON and friends, Port Melbourne backyard area (database) .05 - Violet JOHNSON and friend on Little Bay St .06 - Violet JOHNSON with pretend gun (database)families, domestic life, built environment - domestic, engineering - roads streets lanes and footpaths, edwin whiting, violet johnson, violet woods johnson

This is an East German cap which presumably would have been worn by a German airman. It is a fairly recently made piece, dating to the 1980’s or 90’s.This cap has historic significance as a piece of East German airforce uniform. Itnis a fairly recently made piece, dating to approximately the 1980’s-90’s. It is also in excellent condition.A grey fabric peaked cap with fine blue trims and a black plastic head cover. There is a silver fabric rope looped around a silver metallic stud on either side if the cap. Attached to the front/centre of the cap is a metallic ornament depicting the east German logo in red and silver, surrounded by a silver wreath and wings. Above this is a silver metallic ornament depicting a propeller surrounded by two curved pieces of foliage. There is a faux leather strap on the interior and a square of lighter grey fabric stitched into the underside of the cap. This contains inscriptions. There is also a round yellow sticker on the interior side of the plastic head cover. This also contains an inscription.Inscriptions on the grey square of fabric on cap interior: NVA 55 1856 T Inscriptions on yellow sticker on cap interior: HA.05military, airforce, german, cap, hat, east german

Written on back of photograph, "Intersection of Warrandyte Rd. and Aird Street. Lindsay's old home on corner on right-hand side." 05/1978

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Opposite Crown Hotel / Tanswell Hotel / BEECHWORTH / (on tape) Reverse: BEECHWORTH NOSTALGIA / BW – 05 (on masking tape) 004 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

A collection of photographs taken and donated by Carrol Ryan. Trevor Ryan's Mobile Stage which he hires out for events. This was for the Kustom Cars on the 7th January, 2012. The Rally is held at the GP Race Track with entertainment on the Esplanade in Cowes. Nine colour photographs of the preparation for Kustom Cars Rally event held in Cowes on the 7th January 2012. 280-01. Photograph of the crowd inspecting the cars on The Esplanade. 280-02. The Band Stand. 280-03. Mustang - one of the Kustom Cars. 280-04. Trevor Ryan and DJ on stage. 280-05. Crowd in front of stage. 280-06. Stage setting up for concert. 280-07. Band on stage. 280-08. Crowd inspecting cars. 280-09. Andrew in front of Stage On back: 280-01. What better setting than this. 280-02. Trevor's Mobile Stage he hires out for events. Fabulour Band provided by Bass Coast Shire. 280-03. Mustang, one of the Kustom Cars. 280-04. Trevor and DJ Kustom Cars. 280-05. Crowd walking past stage between songs. 280-06. Trevor asking the boys what they need and testing sounds. 280-07. Band Kustom Cars 07/01/2012. Esplanade at bottom Thompson Ave. 280-08. Trevor Ryan (Bugs). He helps organise the events. 280-09. Andrew, one of the team helping to co-ordinate the Kustom Cars Event.kustom cars rally phillip island, trevor ryan, carrol ryan

Letter to members ('Dear Friend') of Eaglehawk East Methodist Church and Sunday School (Ex Primitive Methodist ), signed Wm Richards & F Wood (Hon Sec). Letter re Jubilee Fair and contributions. Dated 29/3/05)organization, church, bendigo churches

Copy of a map showing streets and allotments in the Long Gully area, last updated 30/05/97, printed 19/06/97. Made by the Land Titles Office. Some street names, reserves and allotment numbers are printed on the map.bendigo, history, long gully history group, the long gully history group - long gully area, land titles office, office of surveyor general, city of bendigo, shire of marong, state electricity commission

Photograph of 4 troopers - L/C Rus Kiellerup, SGT Len Allen, TPR Dan Kenny, TPR Ambrose Crowe on the turret of a tank. An extract from an after action report of 28/05/1968 is set below the photographphotograph, centurion tank, kiellerup, allen, kenny, crowe

- Worn 05/04/1961 for marriage of Betty Cutts to Howard Cutts. - Example of commissioned Georges wedding dress?- Ivory wedding dress with guipure lace detail. - Lace trim at neck, sleeve and cummerbund.'Georges Melbourne'wedding clothing, c1960's, commissioned clothing

The Sandridge Marine Lodge was founded in 1858. Two locations; originally Stokes St and then in Liardet St from 1917. Both buildings are now converted to apartments. .05 - Photo of 2nd Marine Lodge (Freemasons) converted to apartment block in early 2000sbuilt environment - civic, built environment - domestic, societies clubs unions and other organisations, built environment - industrial, freemasons lodge, swallow & ariell ltd, sandridge marine lodge