Copy of photographPrinted below photograph: "Central Wing facing Drummond Street, as it appeared in 1863. (Demolished in 1934 to allow the erection of the present Edward Wilson-Eildon House Building)" Daylesford, Beechworth, Maldon and Geelong Hospitals sought a united front for approach to the Colonial Treasurer on funds for charitable organizations, as ....... were at a critical levelballarat hospital, medicine, drummond street

The photo shows "William Clarke" who owned and operated the first commercial Punt across the Ovens River during the goldrush daysthe photograph shows "William Clarke" who was one of the first pioneers of the township of Wangaratta as it is now known. He also built one of the first hotels in Wangaratta.Brown wooden framed photograph, greyish background with silver surround around photo of William Clarke, one of Wangaratta's foundation pioneers. The wood is from the first punt. He was the owner of the first punt to cross the Ovens river, which he had built for 500 pounds. It was sunk in 1855 after the first bridge across the Ovens river was built.William Clarke1 1839 Wangaratta William Clarke 11 William Clarke 111(my father) Nell Clarke 1884-1965 William Clarke 1 Pioneer of Wangaratta Vic. 1839 This frame is made of oak from the punt he operated over the Ovens River during the goldrush days to Beechworthclarke family, punt, sydney hotel

Sphalerite or sphaelerite is named from the Greek word for 'treacherous' or 'deceiver' as specimens can vary widely in appearance, making them hard to visually identify. It is a zinc sulfide with the chemical composition (Zn,Fe)S, the most important ore of zinc. Specimens of sphalerite can contain iron as a substitute for up to 25% of the usual zinc present, as well as trace elements of gallium, cadmium, geranium and indium. Small amounts of arsenic and manganese may also be detected. Sphalerite is found in igneous, sedimentary and metamorphic rocks. It forms when carbonate rock encounters acidic, zinc-bearing fluid. It often forms in veins or in fissures of the existing rock, with colours and crystal shapes dependent on the composition of the the combining elements. It forms isometric crystal shapes including cubes, tetrahedrons, octahedrons, dodecahedrons. This specimen was collected in approximately 1852, in Broken Hill, NSW, as an adjunct to the Geological Survey of Victoria. It was donated to the Museum in 1868. Victoria and other regions of Australia were surveyed for sites of potential mineral wealth throughout the 19th Century. The identification of sites containing valuable commodities such as gold, iron ore and gemstones in a locality had the potential to shape the development and history of communities and industries in the area. The discovery of gold in Victoria, for instance, had a significant influence on the development of the area now known as 'the goldfields', including Beechworth; the city of Melbourne and Victoria as a whole.The specimen is significant as an examples of surveying activity undertaken to assess and direct the development of the mineral resource industries in Victoria and Australia, as well as the movement to expand human knowledge of earth sciences such as mineralogy and geology in the nineteenth century.A pipe-shaped specimen of sulfide-mineral zinc ore displaying patches of black, brown, beige and gold colouring. The main item has associated broken pieces. geological specimen, geology, geology collection, burke museum, beechworth, mineralogy, indigo shire, geological survey, sphalerite, sphaelerite, zinc ore, broken hill, nsw, victoria, galena, fluorite, chalcopyrite, lead, cadmium, gallium, germanium, indium, iron

Written on the back of the poster -"The artist is Betty Barberis nee Barton daughter of Roderick Barton and Myrtle Hore(?) of Gundowring born 1927. She illustrated Esther Temple's book 'The History of the Kiewa Valley'. The subject Sunda Singh was I believe a well known traveling salesman in early Kiewa Valley.. A Sundah Singh is recorded as dying 1948 in Henty. Sunda Singh (I think this must be) died 1933 in Beechworth and was later exhumed and cremated."The History of the Kiewa Valley by Esther Temple, Pages 36 and 37 re the Singh brothersA3 size poster of Sunda Singh, travelling salesman, and his horse drawn covered caravan . Sketched in black by Betty Barberis.Written on the back in pencil an explanation of the drawingsunda singh, travelling salesman, betty barberis, kiewa valley

Elaine Mann was married to David Mann, a successful Wodonga businessman and community leader who passed away in Wodonga in June 2012. David was a member of the Mann family who began their business in Wodonga in 1920. Elaine was a teacher in Wodonga for many years and an active member of the community.This photo collection is of significance as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the late 20th century.This image is reproduced from a set of coloured slides. The Wine Café on High Street next to Woolworths Food Fair Supermarket. It was owned by the Costa family for many years, then taken over by Josephine Adams Bernardo Costa was born in Switzerland in 1829 and left his homeland for Sydney at the age of 27. He ventured south to the gold fields of Beechworth and Yackandandah. He moved to 1891. Bernardo applied for and was granted a wine licence on 24/14/1887 and established his Wine Saloon. After his death in 1915, the Wine Café continued to be operated by his daughters Annie, Angela and Gertrude. They also operated a boarding house behind the café. The business operated under a range of owners for approximately 72 years, closing in about 1963. It was estimated that hundreds of thousands of gallons of wines of all kinds were sold there. On façade of building "WINE CAFE"wodonga businesses, high street wodonga, woolworths food fair, peard plumbing, roy benson

The Terminus Hotel, Wodonga was built by James Thompson Hatch in 1873, the same year the railway reached Wodonga from Melbourne. It was named due to its close proximity to the railway terminus. It was sold to Messrs George Day and Kenneth McLennan of Albury. It was first licenced to J.G. Morton in January 1874. Annie Allen, from Ireland, took over as licensee of the hotel containing 14 rooms in 1879, after she and her husband, George James Allen, purchased it. In 1887 they added a new wing on the south boundary of the property next to Peter McLean’s store at 81 Sydney Road. The architects for the new wing were Gordon and Gordon. A billiard room, a dining room, and 18 other rooms were added on the vacant block of land between the Hotel and the Bank of Victoria. A balcony 6 feet wide was added on the north side. Included in the plans was the latest patent elevator, later known as a dumb waiter. Allen died in 1889 aged 52, and Annie Allen continued to run the Terminus. She later married John G. Haldon and was licensee of the hotel until December 1898 when the licence was transferred to William Carkeek. Carkeek, from Cornwall, arrived in the colony around 1860 and is considered one of the founders of Tallangatta. In November 1903, the license was transferred to Daniel Crawford, then in 1906 it was transferred to Mr Stephen Carkeek. In 1916 it passed into the hands of Mr H. W. Allen of Rutherglen, son of Mr George James Allen. On 1st June 1998 the Terminus Hotel was destroyed by fire. Estimates of damage range from between a conservative $750,000 to as high as $2 million. The remains of the building were demolished in 1999.The Terminus Hotel was one of the earliest hotels in Wodonga with clear links to the establishment of the railway line. It was an important business and meeting place for social gatherings.On 21 December 1898 an application to transfer the license of the Terminus Hotel from Mrs Annie Haldon to Mr William Carkeek was lodged This was granted by the Wodonga Licensing Court on 12 January 1899. In February of that year, it was transferred to Mrs. Rebecca Carkeek. William Carkeek died on 17 March 1900, aged 57 years. In November 1900 Mr. Daniel Crawford took over the license. In March 1906, the Carkeek family returned to the Terminus Hotel when their son Stephen purchased the business. In January 1909, tenders were invited for Freehold Purchase of the property. It was available on a 7 year lease at a rental of £9 per week In 1913 Stephen Carkeek disposed of the goodwill of the business to Mr Wilson of Grenfell, New South Wales, thus ending the Carkeek family’s long association with the Terminus Hotel. He died in Beechworth on 16 May 1928.Across side of building "CARKEEK'S TERMINUS FAMILY HOTEL"hotels wodonga, businesses wodonga, terminus hotel wodonga, william carkeek

Taken in 1960, depicted is an aerial view of Lake Sambell and the surrounding township. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents what Lake Sambell looked like in 1960.Black and white reproduced rectangular photograph print on paper.lake sambell, #beechworth, beechworth 1960s, lake, victoria, australian landscape, mining, rocky mountain mining company

Taken in 1960, depicted is the construction of Lake Sambell, looking west across the lake. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents additional construction to Lake Sambell as a recreational reserve.Black and white reproduced rectangular photograph print on paper.beechworth lake, lake, lake sambell, construction, #beechworth, australian landscape, beechworth 1960s, victoria

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail

According to the 1912 Department of Mines Bulletin of the Geological Survey of Victoria, basalt covers a considerable portion of the Macedon area including Mount Macedon. Basalt is the most common form of rock underlying the earth's surface and is found in three kinds of rock forming environments: ocean divergent boundaries, oceanic hotspots, and mantle plumes and hotspots beneath continents.This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid mass, geological specimen in shades of grey and white. Hyalite is a colourless variety of opal. It occurs as globular and botryoidal masses and irregular crusts in volcanic and pegmatite environments where the silica deposits from the gas phase. Basalt is dark in colour, fine-grained igneous rock composed of plagioclase and pyroxene minerals. It is commonly formed as an extrusive rock, such as lava flow. It is one of the most common forms of rock underlying the earth's surface.burke museum, geological specimen, department of mines, geological survey of victoria, basalt, mount macedon, beechworth

Laterite refers to both a rock and a soil type that is rich in clay, as well as Iron and Aluminium. It is created during a process that is called laterization, where high heat and seasonal heavy rainfall cause there to be wet and dry periods, which over time hardens the soil into rock. Because of this, most laterite is formed between tropics of Cancer and Capricorn. The iron oxide in laterite is what gives it it’s orange-red colouring. The largest religious complex in the world, Angkor Wat in Cambodia, is partially constructed of laterite, particularly its foundations, as laterite is porous and allows rainwater to drain. This specimen of laterite was collected from the Democratic Republic of Congo while it was colonised by Belgium in the 19th century. Laterite forms in many parts of the world, particularly between the tropics. It is used both for ore and as a building material, and comparing specimens from different parts of the world allows us to document the different compositions that this mineral can have when formed at different locations. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.a palm-sized solid iron-aluminium oxide mineral specimen in shades of brown, orange and greyburke museum, beechworth, geological, geological specimen, laterite, laterite specimen, geology

These Message Sticks acknowledge the return of Dja Dja Wurrung Cultural material held by the Burke Museum. The Burke Museum is the current custodian of a significant collection of First Peoples’ cultural material from across South-Eastern Australia. These objects were sold to the Museum by Reynold Everly Johns in 1868. We recognise the harm caused by dispossession of cultural material, and by any inappropriate display and interpretation of this collection over the past 150 years. The Burke Museum is continuing to build relationships and collaborate with traditional owners, Aboriginal communities and the museum sector to ensure culturally appropriate outcomes for the collection, including repatriation of objects to communities of origin. Message sticks are a form of communication between Aboriginal nations, clans and language groups even within clans. Traditional message sticks were made and crafted from wood and were generally small and easy to carry (between 10 and 20 cm). They were carved, incised and painted with symbols and decorative designs conveying messages and information. Some were prepared hastily, like you might create a note left on a friend’s desk or a quick text message; others were prepared with more time to make the markings neat and ornate. There were always marks that were distinctive to the particular group or nation sending the message and often marks identifying the relationship of the carrier to their group. This way it could be identified and authenticated by neighboring groups and by translators when the message stick was taken long distances. Two solid cylindrical shaped pieces of wood bound together with black, red and yellow string. Each stick has etchings with angular lines and dots. dja dja wurrung, message sticks, burke museum, beechworth, beechworth museum, repatriation, reynold everly johns

This photograph depicts four men standing near a large unidentified building. This building is the entrance to a deep lead mine shaft. There is a bridge entering the building, which was used to access the elevator to the shaft. Deep lead mining involved placing large shafts into the ground which miners use to access deeper locations in order to excavate the rocks in the search for lead. Deep lead mining was highly dangerous as roofs could cave in of the soil was loose. Therefore, this particular mining considered to be highly undesirable profession as many miners did not want to work long hours nor risk their lives in the search for lead. Indigo Shire was a large area where deep lead mining took place, and thus the landscape and environment was largely impacted by these mining businesses. The Indigo Shire grew in population and wealth in the early 1850s when people came into this location in the hopes of finding gold and making a fortune. Ultimately, the accessibility and availability of gold and precious metals decreased once the gold reserves dried up and alongside this, the large population moved away. The Ovens was also heavily impacted environmentally as deep mining resulted in the change in land formation.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about the methods used to find gold in Indigo Shire. It also shows a location where deep mining was undertook which provides insight into the impact of deep mining on the environment at a time when it was done. This image is important for current research into the history of Indigo Shire, a region in Victoria's north-east. Therefore, this image has the capacity to be beneficial for research into society and the motivations of those living and working in this region during this period and therefore, has social significance. The Beechworth Burke Museum has additional images relating to deep lead mining and Indigo Shire which can be analysed and studied alongside images like this one.Sepia coloured retangular photo printed on gloss photographic paper.Reverse: 1997, 2510/ A02570/ Deep Lead Mining/ page 94/ 65%/ Burke Museum, Photo 44beechworth, burke museum, indigo shire, deep lead mining, mining, gold, gold mining

Photograph of the winners of the six-men hose and reel event in Sandhurst on the 10th March 1886. There are 5 men pictured in the photograph all wearing dress uniforms and medals posing with a hand-drawn hose reel and stand pipe. Pictured from left to right: J. Scott / G. Duncan / C. Ellen / J. Anderson / F. Lloyd /. This photograph was take by James E. Bray (1832-1891).Sepia rectangular photograph printed on photographic paper and mounted on cardObverse: Winners of the six-men hose and reel event, Sandhurst, March 10th 1986 / Prize: Fifty Guinea Hose Reel/ J.E Bray Photo / J.Payne (absent) , J. Scott / G. Duncan / C. Ellen / J. Anderson / F. Lloyd / Reverse: 97.22 / 84-253-1 / BMMA3123 Members of Beechwoth Fire Brigade 1886emergency services, beechworth, sandhurst, burke museum, photograph, fire brigade, fire

Element of Ashton's Circus c.1870s showing crew staff, wagons and a circus tent in the background, and a man seated in the foreground with four small dogs standing on their hind legs (poodles?). This photo details the noteworthy entertainment, specifically Ashton's Circus or now known 'Circus Joseph Ashton', that would travel to Beechworth and be enjoyed by its citizens in the late 1800s. Black and white rectangular photograph printed on matte photographic paperReverse: 3718 / Ashton Circus / About 1870beechworth, burke museum, circus, ashton's circus, travelling circus, entertainment album, circus joseph ashton

A large black and white photograph of 9 ladies dressed in long garms with tea cups and saucers, some standing and some sitting in a house garden and onto verandah. A central figure is pouring tea from a silver pot on a table with a lace table cloth. This image depicts the way in which female residents in Beechworth in the late 1800s would enjoy their time through garden tea parties, providing insight to their ways of entertainment. Black and white rectangular reproduced photograph printed on matte photographic paper Reverse: BMM 8785 / 1997 2600/ PH 79 beechworth, tea party, burke museum, garden party, garden, verandah, cups and saucers

Depicted is James Ashton (also known as Jim Ashton), a circus proprietor, crouched beside a seated small girl (or a lady with dwarfism). The two are dressed in formal attire, James is wearing a wide-brimmed hat, and together with the girl holding a small bouquet of flowers.James Ashton was the son of James Henry Ashton. James Henry Ashton founded Ashton Circus in the early 1800s, well before Federation. For over 160 years Ashton Circus has travelled to both regional towns and big cities, bringing joy to the people of Australia. Generations of the Ashtons crossed desserts and flooded rivers, drove over snow-covered mountains, fended off bushrangers, and even ventured where there were no roads to reach the communities that have loved and inspired our family of performers for over a century. People came from all around to enjoy Ashton Circus. In the 1800s, Ned Kelly watched our show on a number of occasions and even enjoyed tea with the performers after the show. The Ashton Family has grown and changed over eight generations since James Henry Ashton started his circus. Our family continues this great tradition, proud that we still bring affordable family entertainment to our fellow Australians. Today, the 4th, 5th, 6th, 7th and 8th generations of the Ashton family are still on tour, operating three individual circuses throughout Australia- each of having grown from the same roots.Black and white oval reproduced photograph printed on rectangular paper mounted on cardboardObverse: Jim Ashton was the first generation in Aus-/ tralia. His father came out in the 1840's and/ established a circus that toured the country. (printed)/ Reverse: 1997.2560 (in pencil)/ about 1860 (in blue pen)/ A02560 (in pencil)/entertainment album, burke museum, beechworth, circus, ashton circus, james ashton, jim ashton

Standard dress uniform jacket for soldiers.Khaki coloured single breasted jacket fastened with four centre plastic buttons and a belt. Belt attached to jacket on back via two leather loops buttoned around a fabric loop. Jacket carries two breast pockets on exterior with flap, each fastened with single plastic button and two metal press studs. Two hip pockets with flaps, unfastened. Interior is lined with synthetic fabric; one interior chest pocket on the left hand side underneath which is a manufacturers label (transcribed below). Small square paper tag sewn into left jacket interior (transcribed below).Interior label reads "E.W. P/LTD./SOUTH AUSTRALIA/1968/[broad arrow symbol]/SIZE 36 SHORT/CLASS 8406/66-019-8479/ARMY No./NAME/DRY CLEAN ONLY./REPRESS USING IRON AND DAMP CLOTH OR MEDIUM TO HOT STEAM IRON./CREASE UPPER HALF OF LAPELS ONLY." Written on the label is handwritten text "J.V." And "12/0L/0/67." Stamped in purple ink "BATCH No./385." Paper tag reads "62000/LOT 12 36S/GLOBE6/67."military, uniform, vietnam war, 1960s, dress uniform, beechworth, returned services league

Members of the Presbyterian faith were among the first settlers in the North-east of Victoria, and in the year 1842 the Presbytery of Melbourne requested the Rev. Peter Gunn, Minister of the Gaelic Church, Melbourne, to visit Presbyterians along the Murray River. This was the first of a series of annual visits, and was of a missionary nature. In May 1851, the Rev. David Hunter Ballantyne was appointed to the Wodonga district based out of Albury. In 1860 the Presbytery of Beechworth was formed, and from it two large presbyteries have grown - Wagga Wagga and Beechworth. In the early days the services at Wodonga were held in the old court house, which still stands. Wodonga Presbyterian Church continued as part of the Parish of Albury until the end of 1887, when it was placed under the administration of the Session of the Beechworth Church, with a home missionary in charge. Mr William Cooper was placed in charge for the first months, then Mr William Smith, a city missionary who had recently arrived from Scotland, was appointed. Mr Smith conducted a cordage factory at Stonleigh. He remained as missionary in charge for the next 10 years, and in that time the church steadily progressed. Plans were made for the erection of the building which now stands in High Street, Wodonga. Mr John Whan was a Founding Member of the Church and was appointed Sunday School Superintendent, an office which he held for 46 years, rendering extensive and valued service to the church and congregation. With a growing congregation and realising the challenges presented to the Church by changing conditions, land for a new church was sought. In September 1950 property was purchased in Nilmar Avenue in Wodonga and the new Presbyterian Church St Stephens became their new home. With the amalgamation of the Presbyterian and Methodist Churches, the new Church became the Uniting Church. The original Presbyterian Church was later sold to the Free Serbian Orthodox Church.These photographs are significant because they provide evidence of the changing nature of religious worship and groups in Wodonga.A collection of black and white photographic images depicting the first Presbyterian Church at Wodonga. The Church was later taken over by the Free Serbian Orthodox Church.presbyterian church, free serbian orthodox church, wodonga churches

The 2/24th Australian Infantry Battalion Association was uniquely granted the Freedom of the City by the Rural City of Wangaratta in 1990 - to our knowledge the only/first Battalion Association in Australia to be granted this honour. Council acknowledges its appreciation of the contribution made by this Unit to community peace and national democracy and congratulates “Wangaratta’s Own” 2/24 Australian Infantry Battalion Association on its Fiftieth Anniversary since formation.The 2/24th Australian Infantry Battalion Association was uniquely granted the Freedom of the City by the Rural City of Wangaratta in 1990 - to our knowledge the only/first Battalion Association in Australia to be granted this honour. Council acknowledges its appreciation of the contribution made by this Unit to community peace and national democracy and congratulates “Wangaratta’s Own” 2/24 Australian Infantry Battalion Association on its Fiftieth Anniversary since formation.Brown timber and gold gilt edged frame containing document with three signatures and red seal. A plaque is attached to glass on lower edge below document.Plaque reads - On 18 November 1994 the City of Wangaratta the Shires of Wangaratta, Oxley and part of the Shires of Benalla, Yarrawonga and Beechworth were amalgamated to create what is now the Rural City of Wangaratta. On 9 November 1996 the Commissioners and Citizens Proudly conferred "Freedom of Entry to the Rural City of Wangaratta" on the 2/24th Infantry Battalion Association.freedom of the city of wangaratta, 2/24th australian infantry battalion association

Taken in the 1960s, depicted are approximately twenty-nine male and female spectators at a school swimming carnival on Lake Sambell near the caravan park. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape. This photograph represents the post-gold rush era use of Lake Sambell as a recreational reserve. Swimming carnivals were held at the lake and considered a social event for the Beechworth community.Black and white reproduced rectangular photograph print on paper.Reverse: Community/ Swimming pool 1960s/ near the caravan park/ Lakes?lake swimming pool, lake swimming, beechworth carnival processions, carnival, #beechworth, beechworth 1960s, victoria

The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail

The Mistle Thrush is native to Ireland and Scotland, North Africa and parts of Asia. It is known as a large, aggressive and powerful bird. They have several different calls: the main call, given by both sexes, is a dry chattering 'krrrr', louder when the birds are alarmed or excited. There is also a squeaky 'tuk' contact call. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Mistle Thrush has a pale grey-brown upperpart and a greyish-white chin. The yellow/buff breast and off-white belly are marked with round black spots. The long tail has white tips on the outer feathers, and the underwing coverts are white. The glass eyes are dark brown and the bill is blackish with a yellow base to the lower mandible. The legs and feet are yellow/brown. There is no plumage differences between the male and the female Mistle Thrush. This particular specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 111a. / Mistle Thrush / Catalogue, Page 28. / Other Label: 57. / Turdus viscivorus /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, mistle thrush

The white-browed babbler is a a very active bird and is often found in noisy social groups. It lays two nests: one to lay its eggs in, and a separate nest to roost in. The Babbler is located in dry sclerophyll woodlands throughout mainland Australia. The diet of this species is varied: including insects, spiders and other invertebrates, small amphibians, crustaceans and reptiles. These birds will also eat fruits and seeds. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The White-browed Babbler is a small bird with dark brown/grey plumage. It has a white throat, a white tipped tail and a long, pointed curved bill. This species have a distinct white brow and dark eye stripe which inspired its name. The specimen stands upon a wooden mount and has an identification tag tied around its leg.Label: 68a. / White-[illegible] Pomatostomus superciliosus /See Catalogue, page 20 /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, white browed babbler

The spotted pardalote is the smallest of all Australian birds. It has a tendency to nest in a long horizontal tunnel, often dug into the soil of creek banks, the embankments of railway cuttings, and quarries. Its call is characterised by a very clear and repetitive double "ding". The spotted pardalote is common in woodlands and eucalypt forest areas in Australia. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. One of Australia's smallest native birds, the male spotted pardalotte is covered with small, distinct white spots. Males have a pale eyebrow, a yellow throat and a red rump. Females are similar but have less-distinct markings. 10060 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 14a. / Spotted Diamond Bird / See Catalogue, page 9. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, spotted pardalote

This particular specimen was recovered from two hundred feet down in the Golden Mile in Kalgoorlie, Western Australia. The Golden Mile, named after the estimated sixty million ounces of gold worth around one hundred billion dollars, was the birthplace of the largest gold rush in Australia almost one hundred and thirty years ago when William Brookman and Samuel Pearce leased the Great Boulder mine. The Golden Mile is also the home of the Super Pit, Australia's most well-known mine.The majority of gold deposits will form as a native metal, however, on occasion, it can form a compound with another element, in this case, sulphur. Therefore, this specimen is a rare example of gold naturally forming into a compound mineral with sulphur. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A small gold-sulphide ore mineral specimen in shades of silver and grey with flecks of gold. Precious metals are often found in Sulphide Ores, as sulphides usually bind to these metals. They are also extremely symmetrical in crystaline form. Gold-Sulphide Ore occurs when gold forms a natural compound with other elements. In this form, gold can be present in one of two ways. It can be fully immersed in the sulphide, or a portion may be partially free. This specimen has minimal gold visible, with only a few flecks being partially visible.burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, gold-sulphide ore

A knitted handbag made by patients of Mayday Hills Asylum.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A blue and white knitted handbag with cane handles, made by a patient of Mayday Hills.beechworth, burke museum, mayday hills asylum, knitting, handbag, bag, craft, fibre art

Knitted handbag made by patient of Mayday Hills Asylum.Mayday Hills Asylum was one of the three largest psychiatric hospitals in Victoria, and played an important role in the treatment of mental health illnesses from its establishment in 1867 to its closure in 1995. As part of prescribed treatment, many patients participated in craft activities were they were able to create an array of objects. A pink knitted fabric handbag in moss stitch with plastic handles.beechworth, burke museum, mayday hills asylum, knitting, handbag, bag, fibre art, craft

This badge was awarded to Joan Cahill in 1948 for serving full-term in the Signals Branch of the Australian Women’s Army Service. During her service, Joan serviced in the Signals Branch of the Australian Women's Army Service were she rose to the rank of Corporal.Gold metal badge with wing, rising sun and anchor design, crown at top.OBVERSE: 'SERVICE / AUSTRALIA', REVERSE: '1948 / ISSUED BY C'WLTH GOVT / A307351 / AMOR / SYDNEYburke museum, beechworth, army service, australian women's army service, ww2, wwii, world war two, joan cahill

An Australia Service Medal 1939 - 1945, issued to Corporal Joan Cahill. During her service, Joan serviced in the Signals Branch of the Australian Women's Army Service.A army service medal featuring a silver pendant and a dark blue, white, and red striped ribbonFRONT: AUSTRALIA SERVICE MEDAL / 1939-1945 / BACK: G:BR:OMN:REX ET INDIAE IMP: GEORGIV S VI /burke museum, beechworth, army service, australian women's army service, army medal, ww2, wwii, world war two