Common wombats are short-legged, muscular, nocturnal marsupials that live in a wide variety of habitats throughout Australia. A common wombat can grow up to 1.2 metres in length and weigh up to 35 kilograms. The name “wombat” comes from the Darug language spoken by the Aboriginal Darug people, who originally inhabited the Sydney area. The wombat was first recorded in 1798 by explorer John Price on a visit to Bargo in New South Wales, however, wombats are depicted on Aboriginal rock-art that date back as far as 4,000 years ago. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Medium sized stocky wombat with a broad head and two muscular forelegs and two weaker hind legs that are met with long sharp black claws. The hair is long, thick and coarse in brown/yellow shades. The head features two small black eyes that have been made from glass, two short pointed ears and a bare nose pad. On wooden mount: BMM 5901 /taxidermy mount, taxidermy, wombat, animalia, vombatidae, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, common wombat

The photograph is of one of the Sunbury Cultural Rings sites. There are three Aboriginal earthen rings. The one in the foreground which is clear of weeds has been formed as a round dip in the earth and it is thought it was used as an Aboriginal gathering place. They are owned and managed by the Wurundjeri Tribe Land Council.The rings bear evidence of Aboriginal settlement and land use in the area. A coloured landscape photograph of open grassland and hills across the valley with a few native trees growing . aboriginal cultural rings, sunbury, jacksons creek, wurundjeri people

Description of the seasons occurring in Melbourne and their effect on Aboriginal culture and land management.15 p., booklet, illus.aborigines, aborigines victoria, melbourne

Cultural history of Australia, covering aboriginal society and white society to 1988.Paperback, 317 p,. black and white photographs. 2nd edition.australia history

This basket was hand-made by Mrs Tiny Solomon, an Aboriginal woman, in Orbost.This item is an example of an Indigenous style hand woven item of the very early 20th century. A shallow hand-woven grass basket. It has a flat bottom and a handle across the top.basket aboriginal weaving handcraft

Wayne Muir was a former head of the University of Ballarat Aboriginal Education UnitMounted and framed photograph of Wayne Muir in academic regaliawayne muir, education, aboriginal, aboriginal education centre

Shirley Morgan was the Manager of the Aboriginal Education Unit when this brochure was produced. Two copies of a black covered booklet aimed at encouraging indigenous students to study at university.aboriginal education centre, aborigines, aboriginal employment

Newspaper Article written by H.S. Parris on the aboriginal history in the Whroo area.

Edward Stone Parker was the protector of Aborigines at the Mount Franklin Aboriginal Protectorate.Mary Cook Parker (Cooke) and Edward Stone Parker Gravestone at Franklinford Cemetery. Mary Parker died on 11 Oct 1842, aged 35 years. Edward Stone Parker was born in 1802 and died on 25 April 1865. "Sacred to the memory of Edward Stone Parker, Protector of Aborigines. A pioneer of 1838. Died 25th April 1865. Aged 63 years. Als his first wife Mary Cooke Parker. Died 11th Oct 1842. Aged 35 years. Blessed are the dead which die in the Lord." "Also his second wife Hannah Parker aged 75 years. Also her father Leonard Edwards. Died 14th Jan 1843 aged 63 years." "Emilie Sarah Parker Wife of George Alfred 29th June 1949, aged 82 years" "Also his eldest son Edward Stone Parker died 23rd November 1847. Aged 18 years also his seventh son Edward Leonard Parker Died 9th Nov 1900. aged 49 years." "And his ninth son George Alfred, :ate Rector Christ Church Daylesford loved husband of E.S. Parker, B.1858 D. 1916." "Also Charles George Bright Parker Vicar of All Saints, St Kilda. Beloved only son of the above, Loved husband of K.H. Parker, B. 1897 D. 1938."frankinford cemetery, edward stone parker, mary cooke parker, protector of aboriginies, mount franklin aboriginal protectorate, hannah parker, leonard edwards, emilie sarah parker, george alfred parker, charles george bright parker

non-fictionA book and computer database detailing the story of Coranderrk.coranderrk, aborigines, aboriginal languages

Ronald EDWARDS PEPPER Gunai Ronald Edwards Pepper is the grandson of Dulcie (Dolly) Mullet and Watson Pepper, Ronald’s family moved to Morwell in the 1960s from Lake Tyers Mission. He graduated from Federation University with a Bachelor of Visual and Media Arts in 2017, and has completed several commissions and participated in numerous exhibitions, in Australia and overseas. Artist Ronald Edwards-Pepper is keen to express himself through painting and telling stories of his Gunai/Kurnai ancestors. "My nanna and her stories have been part of my life, and who I have become today, and this influences my artworks. My grand-parents are Dolly Mullet & Watson Pepper. They came from Lake Tyers Mission and moved to Morwell in the 1960s with their mob of kids. Now this is the family home." EDUCATION: 2013-2017 - Bachelor of Visual & Media Arts/Federation University. 2010 - Trainee Mentor in Education (Latrobe Regional Gallery, Morwell) 2008 - Certificate III in Aboriginal Torres Strait Islander in Languages 2007 - Traineeships, Young Ambassador at the Latrobe Regional Gallery, Morwell 2006 - Completed & Graduated - Awarded 'Student of the Year’ 2005 - Certificate IV ATSI Cultural Arts, TAFE Mid-valley Campus Gippsland 2003 - Certificate 4 in Aboriginal and Torres Strait lslander Art & Design, TAFE Mid-valley Campus, Gippsland 2002 - Certificate 3 in Aboriginal and Torres Strait Islander Art & Design, TAFE Mid-valley Campus, Gippsland AboriginalSigned verso "R.Edwards"ronald edwards, aboriginal, gunai kurnai

Robert Mitchell attended Ballarat College 1879The book was printed in 1878 year, The place of publication of the book is W & A K Johnston, Edinburgh and London, 1878. A School Atlas of Physical Geography. Book in English language. Book has cover wear and fading, modest foxing to plates. Some plates are missingHandwritten on flyleaf: R. A Mitchell July 1878 / Ballarat / RAM

An extremely detailed atlas of tribes, clans, and languages in eastern Victoria and south-eastern New South Wales. Includes maps, census information about the numbers and makeup of these clans in historical records, meanings and comparative spellings of all known named tribes and clans.maps, b&w photographs, colour photographs, tables

A program from the "In Other Words" Festival, celebrating poets and translators from around Australia and across the world. Features poetry, essays and songs from Jeanie Bell & Vanessa Fisher, Lou Bennet, Ricardo Idagi, and Bruce Pascoe. Works in English and Language.Black and white photographsvacl, south-east queensland, cherbourg, dungibara, ewamin, garumngar, jiman, inala, tiddas, yorta yorta, mer, murray island, wurundjeri, aunty joy murphy wandin, wathaurong aboriginal cooperative, jeanie bell, vanessa fisher, lou bennett, ricardo idagi, bruce pascoe

Adhesive Label or Signs with about the behaviour on Trams, printed on a vinyl based paper - No Smoking, No feet on seats, No fare evasion, No Alcohol, No indecent language and No forcing doors, No Animals, No Bicycles. No operator logo. Sign of the type with an adhesive back. Printed on "JAC" paper.trams, tramways, signs, tramcars, passengers, by laws

This item is a useful reference tool on the history of Indigenous People in East Gippsland and the Orbost district. A manilla folder with typed pages. On the cover is a label, "History of Aboriginal People of East Gippsland". On the inside cover is a letter addressed to the librarian at the Shire of Orbost Library. The letter is clipped to the inside of the folder.on front cover - a stamp -"Orbost Historical Society"aboriginal australians, gippsland aboriginal history, kurnai, brabawooloong peoples, tatungooloong peoples, krowathunkooloong peoples

Populated by mythical beings, these stories of heros, birds, rivers, lakes and shores have been passed down over generations and today offer a window of understanding into the powerful Aboriginal connection to the land.word listscreation stories, dreamtime

A first attempt to make a complete collection of all recorded Aboriginal names of towns, shores, homesteads, rivers, swamps, mountains and other natural features of south-east Australia. Gives meanings.word listsvocabulary, word lists, south east australian languages

The board game, titled The Storyteller, was created by Geelong Wathaurong/Ngarrindjeri man Glenn Shea, who was a youth justice worker at the Wathaurong Aboriginal Co-operative when the game was created. The idea for The Storyteller evolved through Glenn's personal experience of working with Aboriginal adolescents and young people. Board game based on Indigenous education. White box with an oval shaped design on the front depicting the face of a man in red.The Storytellergames, board games, first nations, aboriginal, identity, place, belonging

This photograph is of one of the Aboriginal sites in Sunbury. It is situated on a hillside overlooking Riddell Road near the water tanks. It is uncertain what part this ring played in Aboriginal culture but it is thought to be a place where men gathered. Another ring lower down the hillside is thought to be where the women gathered.A coloured photograph of a hillside with low growing plants in the foreground and the outline of a ring on the opposite hillside.aboriginal cultural rings, riddell road, sunbury

Good governance means good business What is governance? The Indigenous Governance Awards Key elements of good governance Finalists 2005: Koorie Heritage Trust, Victoria; Central Australian Aboriginal Congress, NT; Sunrise Health Service, NT; Goldfields Land and Sea Council, WA; Institute for Aboriginal Development, NT; Maari Ma Health Aboriginal Corporation NSW; North Coast Aboriginal Corporation for Community Health Qld; Tiwi Islands Local Government, NT What works: lessons from the 2005 Indigenous Governance awards Governing body: choosing the board; Size and frequency of meetings; Board change and continuity; Processes of decision-making; Making good decisions; Financial decision-making; Accountability tools Managing and implementing decisions: carrying out recommendations; Informing stakeholders Conflict resolution: conflicts among the board; Complaints from members; Staff conflicts Leadership development: developing youth; Staff development and training Cultural norms and values: Boards and elders; Community and culture Future planning.colour photographsbusiness enterprise, indigenous business

Mrs Eaton was daughter of George and Granny Thomas. Respected Aboriginal couple at Newmerella.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century when women's focus was the home and its decoration was important. Embroidery and crochet work was an affordable way to personalise and add aesthetic value, and examples of embroidered and crocheted pieces could be found in most Australian homes.A canvas runner, unbleached, with two symmetrical designs in thick white thread on front. Fancy borders sewn on edge.cloth handcraft needlework eaton-julia manchester table-linen