Printed sheet onto quarto size paper (faded to a brown yellow), titled "Problem Check Sheet - W class" outlining check list to find and rectify faults on W class tramcars. Was located on one of the windows of the driver train room, had an adhesive back - placed on to the white backing paper. Gives solutions for various problems, motors, tram won't start, compressor, changing light fuses, controller locked, bent fingers, insulated tram and damaged pole. See Reg Item 1944 for the relevant assessment sheet and Reg Item 221 for a similar list provided for the training.trams, tramways, faults, w class, mmtb, hawthorn depot, training

Metal trunk issued to F.G. Davey for his personal effects which were shipped home to Australia after WW2.Part of the Frederick Gardner Davey DFC collection. Refer Cat No 3536PRectangular metal hinged trunk painted black. A hinged metal handle in on each end and at the back. Each handle is secured with metal rivets. The lid is secured closed with two 'Closebind' catches A brass locking mechanism is located on the front of the body and is accessed through a keyhole. The interior is painted grey with a brown leather seal around the edges of the lid. Various markings in white paint appear on the lid, each end, the back and the front. Paper stickers are glued onto the lid, back and right hand end. Inside the lid is a manufacturers plaque and year of manufacture printed in black.On lid: 'J13/S, F.G. Davey, VIC, R/124, RAAF Central Repository, West Melbourne, Vic'. On front: 'J13/S'. On Left hand end: 'J13?S 90 VIC, P410533, Davey F.G.'. On right hand end: 'J13/S, Vic' plus paper labels 'Geelong' and 'Mr F.G. Davey, Bendigo'. On back: 'J13/S' and paper label 'Not wanted on voyage'. Inside lid; ' 1944'.f.g. davey, personal equipment, military equipment

Detailed information on people buried in cemetery from 1901-1920HistoricalLarge soft covered book with text numerous black & white and coloured illustrations ISBN 978-0-6487351-0-6phillip island cemetery, rev. alexander robb, richardson, walton, grayden, forrest, leeson, lock, mcfee, george smith, west, cleeland, eliza cochlan, findlay, jenner, mckindlay, jeury, walpole, george cox, pamela rothfield

Demolition appears to be under way in this image of the Alfred Hall. It was built in 1867 for the visit of Queen Victoria's son Prince Alfred the Duke of Edinburgh, across the Yarrowee (which formed the municipal boundary) apparently because the municipalities of Ballarat and Ballarat East could not decide who should have the honour! The Alfred Hall held many of the city's events over 89 years, but was symbolically locked up the day the Civic Hall in Mair Street was officially opened, in August 1956. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. alfred hall, curtis street, holden cars, ballarat

This sugar spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This sugarspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history Unrestored sugar spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 20% encrustation, locking on portion of another spoon. 15% of original plate remains, with balance silver oxide and verdigris. Handle is badly bent and spoon bowl is heavily concreted. Impressions of five makers marks are visible: Crown, Circle, Rounded Square, Circle, Diamond, but details are obscured.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham brass plating, makers marks

Edward Bickford No 1519 enlisted in the AIF in the 1st reinforcements 21st Batt on 8.4.1915 age 25 years. Embarked for for Egypt 28.6.1915, embark for Gallipoli 29.8.1915, embark for France 19.3.1916, reported MIA 26.8.1916, a Court of inquiry dated 20.7.1917 found that he was KIA 26.8.1916 at Moquet Farm. Robert John Bickford No 1518 enlisted in the AIF in the 1st reinforcements 21st Batt on 8.4.1915 age 30 years 11 months. Embark for Egypt 8.4.1915, embark for Gallipoli 29.8.1915, hospital with Mumpa 20.1.1916, rejoin unit 7.3.1916, embark for France 19.3.1916, awarded the Military Medal (MM) as a Lewis Gunner and Gallantry under fire since March 1916, promoted CPL 1.9.1916, hospital with Odema of the feet 8.11.1916, rejoin unit 22.11.1916, WIA 12.1.1917 SW’s to Groin and Abdomen, DOW;s Flers 12.1.1917. William Bickmore No 815 enlisted in G Coy 14th Batt on 12.9.1914 age 21 years 11 months. Embark for Egypt 22.12.1914, embarked for Gallipoli, WIA 4.6.1915 shrapnel wound left arm, returned to Australia for discharge stating Stiffness of the Arm15.8.1915, return to Egypt in the 14th reinforcements and rejoin the 14th Batt 2.4.1916, embark for France 1.6.1916, promoted L/Cpl 1.9.1916, promoted Cpl 24.3.1917, reported MIA 11.4.1917, Court of Inquiry found he was KIA 11.4.1917 at Bullecourt. Refer 2949P, 2950P, 2991P for their photos.Bickford Family Set of WWI Commemorative Plaques: .1) Bronze Death Plaque, British pattern showing a helmeted female (Brittanica) in classic style dress holding a trident in right hand, wreath in the other & a lion at her side. In the rectangular box, embossed is the name Edward Bickford. .2) As above description though in the rectangular box is the name Robert John Bickford. .3) Descriptions as above though in the rectangular box is the name William Bickford. .4) Heavy wooden display case painted cream colour, 2 hinges on the side, no lock or catch. Inside are 3 recessed circular holes to hold the plaques.Written on rear of box is: “A.T.B. 94”military history, memorial, plaques

This trinket box was made by Johann Landmann during his journey on the sailing ship Wilhelmsburg and was donated to Flagstaff Hill by the wife of Landmann's great-grandson. Landmann (or Landman, also known as August Landmann) was born in 1826 in Ganhor, Silesia, Prussia. At the age of 20, he travelled through Europe, working from town to town as a cabinet maker. At 26 years old he returned to Germany, married Anna Rosina in Wahlstatt, Prussia, and on the same day sailed for Australia on the Wilhelmsburg in 1853, the year the ship was registered. The Wilhelmsburg was a three-masted, square-rigged sailing ship built at Reiherstieg, Hamburg, and registered in Hamburg on 27th April 1853. On her maiden voyage in 1853, the ship sailed from Hamburg, Germany, to Australia with 510 passengers on board, including emigrants under the Bounty Scheme. Johan Landmann was one of the passengers. The Wilhelmsburg arrived in Hobson’s Bay, Melbourne after sailing for 100 days. Johann spent a week in Melbourne then travelled to Warrnambool aboard the Merry Kitty, arriving fourteen days later. Johann had landed in Melbourne with only 16 shillings in his pocket and by the time he arrived in Warrnambool, he only had one shilling and sixpence left. He also had very limited ability to speak English. He settled in the Allansford area, near Warrnambool, together with other families from Germany and went on to play a significant role in the history of Warrnambool. Johann worked as a cabinet maker in Warrnambool, making the first coffin in the Warrnambool cemetery. He also worked as a general merchant. He built many of the earliest shops in Warrnambool, and the first paddle boat used on the local Hopkins River. He made models of Warrnambool’s Ozone Hotel and Presbyterian Church; the model of the Hotel is now in the Warrnambool Art Gallery, and the model of the Presbyterian Church has been in the care of the Warrnambool & District Historical Society since around 2017. One of Landmann's residences was a two-storey building in Henna Street Warrnambool where he, lived upstairs and operated his business downstairs. After he retired Landmann built a ‘handsome stone residence’ at 30 Mickle Street, Warrnambool, where he lived until his death in June 1920; he was aged ninety-five. “Landmann Street” in Warrnambool has been named after Johann and appears on a map in 1872. He has also been honoured on Warrnambool’s Pioneer Memorial Board which is displayed at the Warrnambool and District Historical Society. Landmann's son Adolph Fritz Landmann (Fritz Landmann) born in 1861, was a Councillor from 1905 to 1915, and Mayor of Warrnambool from 1912 to 1915. The Wilhelmsburg sailed from Hamburg in 1863 heading for Queensland, Australia, but in December the vessel was wrecked off the coast of Holland during storms, with the loss of 247 lives.The trinket box is significant as an early Warrnambool historical artefact with a connection to the maiden voyage of the ship Wilhelmsburg a vessel that holds the record for the number of passengers carried in one journey on a small vessel. Johann Landmann is regarded as a significant and historical figure in the development of Warrnambool as one of the earliest pioneers, not only as a businessman but the civic duties he undertook. First as a councilman and later the mayor of Warrnambool. Trinket box, wooden, with inlaid timber patterns and images. The design includes a mirror with a hidden compartment inside the hinged lid, a removable inner tray divided into compartments, and a fitted brass lock. The trim around the base is angled to widen the base. Images on the lid and three sides represent sailing vessels and a building. The lid and corners have a rope-edge design. Panels of the top and three sides have an intricate inlaid pattern featuring various wood grains. Images are framed by lines etched into the wood. The inside corners of the frames have inlaid quarter-circles of contrasting woods, resembling photograph corners.shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, warrnambool, trinket box, inlaid woodwork box, wilhelmsburg, landmann, johann landmann, augustus landmann, landman, fritz landmann (warrnambool mayor), presbyterian church warrnambool, 30 mickle st warrnambool, ozone hotel warrnambool, johann carl augustus landmann, jewellery box

Hard cover picture annual for boys and girls published by Ward Lock & Co Ltd London New York and Melbourne, edited by Harry Golding. A book of childrens stories with green cover showing a portrait of a young girl, title in gold lettering surrounded with black decorative design, contains black and white plus some colour illustrations. Inscription inside front cover reads, Xmas examination 1906 prize awarded to Miss Ralla Mitchell for dux of third class 1st in arithmetic, reading, grammar, geography & spelling U V.Obrien Principal ''Vinery'' Myers St & View St private schools.books, children's, picture annual

Black case containing Siemens movie projector. The carry case has an opening in top for handle to come through and two locking tabs on bottom of two sides and Siemens metal label on side. Camera is dark grey with two folding reel holders, one of which doubles as a carry handle through case top. Camera has electric cord and power switch on bottom right with two other switches. Two sides fold down, probably for cooling. Lens has siemens name on it and is focusable. Reels are driven by spring belts. Number H77702 on small tag on side above switches.SIEMENS ASH BESTER & CO. H77702photography, projectors

Melbourne Tramway & Omnibus Co. Bell Punch No. D1902. A heavy nickel plated steel ticket or fare strip cancelling / registering mechanism used on Melbourne cable trams. When a fare was sold, the bell would ring advising the passenger that their fare have registered. "An ingenious device resembling in principle the ticket punch of a railway porter. It is carried by the conductor who wears pinned to his coat a 'trip-slip'. He punches this once for every fare received; the action is simultaneously registered on a dial inside the punch and bell rings to appraise the passenger of the fact. The punch is provided with a patent lock, the secret of which is known only at headquarters and effective system of check is thus secured." (" A story of the Melbourne Cable Tramway System" - page 54). Used by the MT&O and MMTB until 1922/23 when replaced by the check ticket system. Manufactured by the Railway Register Manufacturing Company. Lock number IDMA - see btm6. Has "TB" - Tramways Board - stamped on one side along with patent dates. See also Reg Item 72 and 72.1 for other examples. See "A story of the Melbourne Cable Tramway System 11/11/1885 to 26/10/1940" C.N. Govett and A. E. Twentyman. Copy held in the Hawthorn Tramway Depot collection. See Notes on opening from the Hawthorn Tramway Depot collection - see related documents.Has "D 1902" punched above ticket entry slot (both sides), "1902" on handle, "TB" stamped on numbering registering face. trams, tramways, ticket punch, tickets, fares, cable trams

Coloured booklet of various scenes and buildings in and around Bendigo, titled Bendigo Victoria's Golden City. The front cover has a scene of Charing Cross looking towards Pall Mall. Inside the front cover is a very brief history and some Historical Buildings are mentioned. They are: Fortuna, Shamrock Hotel, Gold Mines Hotel, City Hall, Post Office, Law Courts, the Home for the Aged, Sacred Heart Cathedral, St. Paul's, Specimen Cottage, Log Lock-up and the Chinese Joss House. The coloured pictures inside are: The Central Deborah Gold Mine, Fortuna, Miner's Cottage, The Gold Mines Hotel, Victoria Hill, Bendigo Law Courts, Eaglehawk Log Lock-up, Look-out Tower Rosalind Park, Alexandra Fountain - Charing Cross, Conservatory Gardens with Law Courts in background, Inside the Conservatory, Bendigo Home & Hospital for the Aged - Victoria's 'White House', Sacred Heart Cathedral, Chinese Joss House, Chinese Joss House - Interior of the Main Temple, Bendigo Pottery - Potter at work, Bendigo Municipal Offices, Bendigo Institute of Technology at Flora Hill, Mt. Alvernia Hospital, Cobb & Co Coach, R Class Locomotive, Bendigo Tramcar, Lake Weeroona and Lake Eppalock Pumping Station. Some more attractions are mentioned inside the back cover. On the back cover is the Cenotaph - the only scale replica of the Whitehall Cenotaph - and Alexandra Fountain by night.Nucolorvue Productions Pty Ltdbendigo, tourism, photographs of bendigo icons, bendigo - victoria's golden city, fortuna, shamrock hotel, gold mines hotel, city hall, post office, law courts, home for the aged, victoria's 'white house', sacred heart cathedral, st paul's, specimen cottage, log lock-up, chinese joss house, charing cross, cenotaph, alexandra fountain, centra deborah gold mine, army cartographic unit, miner's cottage, harvey town, victoria hill, look-out tower rosalind park, conservatory gardens, conservatory, bendigo pottery, bendigo municipal offices, bendigo institute of technology, mt alvernia hospital, cobb & co coach, r class locomotive, bendigo railway station, bendigo tramcar, lake weeroona, lake eppalock pumping station, art gallery, historical museum eaglehawk, melville's caves, whitehall cenotaph, nucolorvue productins pty ltd, national library of australia

72 - Melbourne Tramway & Omnibus Co. Bell Punch No. D1335. A heavy nickel plated steel ticket or fare strip cancelling / registering mechanism used on Melbourne cable trams. When a fare was sold, the bell would ring advising the passenger that their fare have registered. "An ingenious device resembling in principle the ticket punch of a railway porter. It is carried by the conductor who wears pinned to his coat a 'trip-slip'. He punches this once for every fare received; the action is simultaneously registered on a dial inside the punch and bell rings to appraise the passenger of the fact. The punch is provided with a patent lock, the secret of which is known only at headquarters and effective system of check is thus secured." (" A story of the Melbourne Cable Tramway System" - page 54). Used by the MT&O and MMTB until 1922/23 when replaced by the check ticket system. Manufactured by the Railway Register Manufacturing Company. Lock number not known. Has "MT& ..." stamped on one side along with patent dates. 72.1 - as above but for punch number D1338 - added 17/12/12. See also Reg Item 6437 for another sample - punch No. D1902. see - \dbtext\museum\documents\htd242i.pdf for opening instructions. See "A story of the Melbourne Cable Tramway System 11/11/1885 to 26/10/1940" C.N. Govett and A. E. Twentyman. Copy held in the Hawthorn Tramway Depot collection. Has "D 1335" punched above ticket entry slot (both sides), "335" on handle, "MT& ..." stamped on numbering registering face. 72.1 - As above with number "D1338" punched in. The M.T.& Co" is more visible.trams, tramways, ticket punch, tickets, fares, cable trams

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

This is a photograph of students from Orbost State School. Those in the photograph have been identified by Mary Gilbert. Back Row L-R - Eva Morgan; R. Powell; Doris Smith; ?; Mona Arkins; E. Hardy; H. Beattie; Molly Hammill; Jessie Morgan; Kath Daley; Jessie Gall; Nina Williams; Billy Kerr; Gwenda Beveridge; Emily Mackley; Chrissie Mackley; Myra Malcolm; Annie Malcolm; Betty Gilbert; K. Beattie; Doreen Feltis; B Woodlands; ?; ?; ?; Carl Wehner; Bill Grose; Ham Bird; Eddie Lowater; ?; Jack Morgan; B. Hawkless; Jack Nixon; Harry Perry; Georg perry; Arthur Simpson; Albert Shaw; Bill Laycox; ? Lock; Neha Cameron; Stan Smith; Stan PorterThis photograph is associated with the history of education on Orbost.A black / white photograph showing a group school children in front of an outside wall of a timber building. Seated in the front row is a boy holding a sign with "GRADES 5 & 6" hand-written in what appears to be white chalk on a blackboard. The photograph is mounted on grey card and has a list of names attached to the bottom.

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian doll and clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen.Doll dressed in authentic Bavarian costume. Black wool hat trimmed with gold lace and dried flowers. Gold coloured skirt on dress with sash. Bodice is black with traditional embroidery. White long sleeves with lace trim at cuffs. She is holding a basket with dried flowers."Merry Christmas Else-Lore" on baseelse oertel, else lore hukins, friedel dehnel, dressmaker, chef, camp 3

Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian doll and clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen.Hand made Authentic Bavarian doll. He wears a bottle green woolen hat with light green band and white feather. Bottle green jacket with red trim on front opening and pockets. Red jumper with white pointed collar. Leather lederhosen with flower embroidery on waist and braces. Arms and legs made from hessian? Leather boots with laces. White knitted socks with green band. Hand sewn and painted face.else oertel, friedel dehnel, bavarian, doll, dressmaker, else-lore hukins

J.W. Gardner erected premises in Beech Forest which formed the core of a village. No further progress was made until access was facilitated though the development of a narrow gauge railway approved by the Victorian Parliament in 1898. Construction commenced in 1900. From this time Colac and Geelong business interests began investment in Beech Forest and established various retail and service establishments over the next few years. In 1902 three early settlers, Gardner, Charles Buchanan and John Cockerill, divided part of their land or bought land which was sold to businesses. On these subdivisions were created saleyards, general stores, a post office, bakery, blacksmithing, banks, a police station and lock-up, a public hall, churches, a state school, bootmaker, butcher, solicitor's office, hairdresser, billiard's saloon and newsagency.B/W. 188mm x 266mm. A general view of Beech Forest township in c.1903.beech forest; township;

A brown wooden award depicting a two AFL players reaching for a mark in the lower center half of the board with a coloured image of an AFL football on a playing field located above the players. At the top of the shield is inscribed 'R.V.I.B. Football Tipping Competition' and below the relief is written 'Donated by Ted Petersen'. There are 16 plates on the shield, with 14 inscribed as follows: 1987 Marieta Doughty - 1988 Len Stevens, Steven Mallia -- 1989 David Wilkes-Johnson -- 1990 Laurie Hoskins -- 1991 Jon Lock -- 1992 Peter Hilton -- 1993 Gunther Glas -- 1994 Malcolm Fraser -- 1995 David Horsfall -- 1996 Peter Hilton -- 1997 Anne Norton, Simon von Saldern -- 1998 Nicola Roche -- 1999 Purita McConnon -- 2000 Pam McAleese.Digital Image of engraved rectangular boardroyal victorian institute for the blind, awards

Arthur Lock was a Rat of Tobruk and served as President of the Albury Rats of Tobruk Association. 14,000 Australians were in Tobruk during the siege. On return to Australia the veterans looked to maintain the ties created amongst those who were in Tobruk during the siege and to ensure their needs were supported. In 1944, the Rats of Tobruk Association, NSW was established. This was followed by the establishment of the Victorian Branch on 2nd October 1945. Other branches and sub-branches were established across Australia and a Federal Council was established in 1946. With the passing of the survivors of Tobruk, most branches have been wound up with the exception of the Victorian branch. Since 2012 the Rats of Tobruk Association Inc. has opened up affiliate membership to descendants and relatives of the original "Rats" in order to preserve their legacy.This item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region. A green tie featuring the insignia of the Rats of Tobruk and a Tobruk "T" tie pin.world war 11, rats of tobruk, tobruk

Arthur Lock was a Rat of Tobruk and served as President of the Albury Rats of Tobruk Association. 14,000 Australians were in Tobruk during the siege. On return to Australia the veterans looked to maintain the ties created amongst those who were in Tobruk during the siege and to ensure their needs were supported. In 1944, the Rats of Tobruk Association, NSW was established. This was followed by the establishment of the Victorian Branch on 2nd October 1945. Other branches and sub-branches were established across Australia and a Federal Council was established in 1946. With the passing of the survivors of Tobruk, most branches have been wound up with the exception of the Victorian branch. Since 2012 the Rats of Tobruk Association Inc. has opened up affiliate membership to descendants and relatives of the original "Rats" in order to preserve their legacy.This item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region.A Christmas card produced by the Rats of Tobruk Association. It includes an image of St. Anthony's Church, Tobruk taken in 1941.world war 11, rats of tobruk, rats of tobruk association

AMCU (Australian Multi Camouflage Uniform) Combat Dress colours - light to dark green through to mid to dark brown. Cotton/polyester fabric. Green colour plastic button. Nylon and metal zipper. Trousers - waist band with belt loops, two front pockets, two large side pockets with zipper closure, two small lower pockets with hook and pile flap closure, zipper fly. green cotton fabric pocket lining. At ankle - elastic drawstring with plastic lock clip. White colour polyester fabric manufacturers label on right pocket lining. Light khaki colour plastic knee pads insitu. Manufacturers information on label - black ink print. "ADA/ MADE IN AUSTRALIA/ FED 2019/ PO: CC3623/ NSN: 84155 66 161 6287/ SIZE 32R ( 79-84 cm/ ^/ NAME:/ PM KEYS:/ MAIN: /75% COTTON/ 25% POLYESTER/ STRETCH:/ 91% NYLON 9% ELSATANE/ KNEE PAD MUST BE/ REMOVED BEFORE/ CLEANING HOT MACHINE/ WASH, NO BLEACH/ NO FABRIC SOFTENERS/ MAY BE TUMBLE DRIED HOT/ DO NOT IRON OVER STRETCH PANELS/ OR HOOK AND PILE".uniform, army, combat dress, amcu

.1) This one was used in the Writing room which later became a Meeting room then finally the RSL Building & History room. it was attached to the LH side of the Fire Place and ran an old Electric Heater on the Hearth. It was used up to about 2005. .2) This one was in the Old Kitchen built on the side of the Soldiers Memorial Institute in the mid 1960's This one ran the Electric stoves used by the Womens Auxiliary of the Bendigo RSL and to make the Rum & Coffee for the ANZAC Day Dawn service. The kitchen was removed as part of the Renovations in 2016 - 18..1) Heater meter, metal construction black coating, top face has a glass section with a "usage meter" saying "coins paid, unused", metal plate under with details re numbers, maker, coins per hour, on right side slot for "Shillings only" with knob, removeable lockable tray at bottom for coin storage and removing. .2)Same style as .1) but a different glass face style metering, it has 11 circular dials with one hand, these show "Coins paid, coins unused", this one shows the round meter going around when in use. The only differance between to two shapes is at the top re fixing to a wall..1) On plate, "Remote Control Switch - for alternating switch No 26 204 020 - Type Wik 36.1 - Adjustable 1-6 coins per hour, Adjusted for 1 coin per hour" On stickers, "insert 10 cents - Turn knob to right". .2) On glass section, "230/240 revs per KWH - 1200 - Serial No 8338380 - 5 - 50". On label stuck on, "10 c equals 1/2 hour"brsl, smirsl, shilling

This writing desk was used by the Warrnambool Bank of Australasia personnel and the date associated with it (through unproven Historical Society records) is 1859. The Bank of Australasia was established in Sydney in 1835. The Warrnambool branch of the Bank of Australasia was established in 1854 in a stone cottage in Merri Street leased for two years. The bank was next located in a leased building in Timor Street with new purpose-built premises at the corner of Timor and Kepler Streets opening in 1860. In 1951 the Bank of Australasia merged with the Union Bank to form the A.N.Z. Bank Limited. In 1970 the E. S. & A. Bank and the London Bank of Australia merged with the A.N.Z. Bank forming the A.N.Z. Banking Group Limited with the business transferring to Liebig Street. The old Bank of Australasia building was purchased by the Warrnambool City Council and later sold to a private buyer. It is now a nightclub. The writing desk may have been used in both the Timor Street leased building and the bank building at the corner of Kepler and Timor Streets. William Palmer was the Bank Manager when the desk would have been first used. This is a most significant item as it comes from the Warrnambool Bank of Australasia, the first bank to be established in Warrnambool and a major banking business in Warrnambool for nearly 100 years. The desk was handed over to the Warrnambool and District Historical Society by Clarrie Kempton, the A.N.Z. Bank Manager in Warrnambool from 1964 to 1971.This is a wooden writing desk, possibly made of walnut wood. The base is rectangular with a drawer with a brass handle at the base. From the base the desk slopes up to a triangular shape with a slightly curved top. The middle of the desk has a front opening with two doors with four brass hinges with a brass lock. There are six bolts, one with a slot missing. Inside the doors are inset 10 wooden slots of different sizes to hold papers, letters, ink, dockets etc. Also inside the doors, behind a transparent material, are spaces for the day, date and month. These numbers and letters were once able to be changed according to the date. The writing desk is in good condition but a little stained. ‘Tuesday’ ‘8’ ‘November’ bank of australasia, history of warrnambool, history of warrnambool

Cash registers were used by businesses to store the money received for the transactions of goods and for recording the amount of money taken over a period of time e.g.. a day. This cash register is pre 1966, pre decimal currency and includes the halfpenny.Dudley Pigram who managed the Mongan's Bridge Caravan Park used this register. He brought it down to the Mt Bogong Clay Target Club in the 1970's although it is pre decimal currency. Dudley wass a founding member of the Clay Target Club.This brass cash register has a serial number indicating that it was made between 1905 and 1906. It is very heavy. A black metal cash register with glass across the top where the amount of the sale is displayed. There are 2 rows of keys - the top row left to right - 8/-, 6/-, 4/- 2/- with white background, 11d, 9d, 7d, 5d, 3d, 1d with red background. Bottom row left to right - 9/-, 7/- 5/- 3/- 1/- with white background, 10d, 8d, 6d, 4d, 2d, with red background plus a digital half d with a white background. Between the rows on the left is a 'No Sale' key. At the front of the register is a locked tray.Serial number S 33148. B.214KAA on a gold plaque below the glass display in the middle. On its right is a key hole. 'National' - above the keys. cash register. mongan's bridge caravan park. mt bogong clay target club. dudley pigram. business.

This operating table belonged to the famous gynaecological surgeon Dr Victor Bonney and was given to Dr Frank Forster in 1953 by his widow Mrs Annie Bonnie, a distant relative of Forster's. Dr Victor Bonney (1872 - 1953) followed his father into medicine and trained at St Bartholomew's and the Middlesex Hospitals. Writing his obituary in 1953, FW Roques said of Bonney that he "'made three great gifts to surgery. First, he was the pioneer of myomectomy; second, with Berkeley, he extended and perfected Wertheim's operation for carcinoma of the cervix; and third, he devised a fine surgical technique emulated by so many of his pupils. To theatre sisters, labour-ward sisters and young house-surgeons he will always be remembered as the discoverer of 'Bonney's Blue' [antiseptic solution].'" Bonney's utilitarian, portable operating table has a round, worn scrubbed patch showing traces of his famous blue solution.This portable operating table was owned and used by pioneering gynaecological surgeon Sir Victor Bonney in London, U.K. c 1900. Dr Bonney employed two theatre sisters and had two sets of instruments and portable operating tables. This made it possible for Dr Bonney to 'complete three or more operations a day by rotating staff and equipment with a chauffeur driven Lanchester or Rolls Royce', delivering them from one house to the next. The donor of the operating table, the late Dr Frank Forster, was a distant relative of Sir Victor Bonney's widow, Annie Appleyard, formerly of Tasmania. When he visited her in the UK after Bonney's death, she offered the operating table to Dr Forster for the RANZCOG Museum. It was still in a canvas bag in the boot of one of Bonney's cars. Sir Victor Bonney was the pioneer of myomectomy, the surgical procedure for removing uterine fibroids. In collaboration with Berkeley, he extended and perfected Wertheim's operation for carcinoma of the cervix. Bonney was an influential teacher, developing and promoting conservatism of surgical technique (minimal intervention) that has had a lasting influence in modern surgical practice. To theatre-sisters, labour-ward sisters and young house-surgeons he will always be remembered as the discoverer of Bonney's Blue an antiseptic that was characteristically blue.Portable, laminated operating table. Plywood rectangular table with two laminated plywood extensions, a head board, and a foot board. At the foot board are insets of canvas straps to support a patient's ankles. Two detachable stirrup poles, each with a canvas strap attached, fit into two holes at the lower end of the table. The table is supported by two timber trellis cross braces with metal bars, and supported at the centre by a metal rod that allows the table to pivot up and down. Two metal arcs with a locking mechanism fix the table at the desired elevation, allowing a Trendelenburg tilt ( a 45 degree tilt, with the patient's head downwards.) The operating table is demountable for transportation and re-assembly.obstetric delivery