It is unknown how this specific item made its way into the Warrnambool Museum. However, many South African artefacts came to the museum through men who served in the army during the Boer Wars of 1880-81 and 1899-1902.A beaded rope necklace. The rope is made from cloth and plant fibre with glass beads. It has a brass fastening. There are five colours: white, green, black and red with a pink band at the top. In the Zulu culture beads and jewellery were used as a means of communication. Generally they were used to convey messages about whether someone was married, engaged or single. The colours had different meanings but when placed next to white, the meaning would always be positive. white: purity and love black: marriage and rebirth red: also love green: contentment pink: denoted high status Beadwork was almost solely the work of women but men would also wear the jewellery.zulu, south africa, jewellery, beads, kwa zulu natal, africa, boer war, warrnambool

Wooden framed picture of 6 roulette planes flying upside down in formation. Message Roulettes on the picture " To Dandenong RSL Keep the spirit alive ! Roulettes '04".Signed on picture by 6 pilots R1 R2 R3 R4 R5 Fly Navy R6 (Signatures hard to accurately read). 4 small pictures at bottom of main picture-: 1 maintenance personal working on plane 2 a roulette pilot with children 3 roulette pilot with children 4 maintenance personal working on plane. On bottom of picture "The Royal Australian Air Force aerobatic team THE ROULETTES July-December 2004. Photography by Warrant officer Ray Bennell..See physical description above.

Artist Leonard French said of this work:- "The centre panel suggests a tree of knowledge growing out of a jewelled fish (a spiritual accompaniment is intended), and from the tree birds rise, spreading out through the cloud shapes of the other panels. Hands and figures rise from the earth, reaching for the birds. The left hand panel depicts the journey of figures in a boat, the seeking after or journeying to the source of knowledge. The far right hand panel is the garden, figures in a primitive state, a sort of evolution of figures from a primitive garden (the first garden). Visualization, verbalization, music and dance are tools we have to express a concept. The analysis of an art work is a delicate and sensitive task and great harm can be done in an attempt to become verbal about a form which relies upon elements peculiar to itself for intrinsic meaning." Leonard FRENCH (OBE) (08 October 1928 - 10 January 2017) Born Brunswick, Victoria Died Heathcote, Victoria Known for his enormous dalle de verre (concrete and slab glass) ceiling in the Great Hall of the National Gallery of Victoria Leonard French produced a large body of work throughout his lifetime. French won the Sulman Prize in 1960, and the Blake Prize for Religious Art in 1963 and in 1980. He was also awarded a Harkness Fellowship in 1965. In the Queen's Birthday Honours of June 1968 he was appointed an Officer of the Order of the British Empire. In early 1959 Leonard French was commissioned by the Ballarat Teachers' College students to paint a mural. The students were responsible for the payment of the work. When unveiled artist George Bush remarked: "the 1959 students have left something not just to 'oooh' and 'ah' at, but something that is thought provoking, arresting and interesting. This work of art keeps something in reserve and draws you to search for deeper meaning behind the splendour of colour. This mural is not one which will not fade the interest of its beholders, but one which will provide intrigue for generations to come." Originally French intended the mural to be five panels, each entitled (left to right) 'the Journey', 'Man', 'The Tree', 'The Earth', 'The Garden'. The finished mural was reduced to four panels with the central tree incorporated into the panels 'Earth' and 'Man'. Ballarat Teachers' College Art lecturer Arch Cuthbertson explained that the artist:- "Aims at evoking emotional flashed, opening doors to simultaneous thinking and feeling. To accomplish this he juxtaposes the threads of conscious and unconscious images, thus effecting a tapestry that allows many points of reference to converge upon his singular images. Whether the colours offer metaphysical sensations or convey a literal meaning will depend upon the breadth and depth of the viewer's experience. Similarly with the bird - we might well ask is it a defiance of gravity, a metaphysical ascension or the elusive winged knowledge? Again the answer could well be that these three associations have a singular purpose. " This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A four panel mural by Leonard French, commissioned and gifted by the Ballarat Teachers' College Student in 1959. Art lecturer Arch Cuthbertson was highly involved in this commission. Artist Charles Bush unveiled the mural at the Ballarat Teachers' College in Gillies Street, Ballarat. At that time he said:- "You have left behind you on object which will be full of interest to a lot of people. A work of art, so long as it is in existence, is constantly under review. Most of the good things that keep on going are usually to the uninitiated a little worrying. Many of you will be worried by this, because it does not make its message immediately clear. But come back and assess it again and again." art, leonard french, french, artwork, mural, ballarat teachers' college, class of 1959

Newsletter - 8 pages, A4 centre stapled, partly coloured, black and white photographs, titled "Easygoing - Transport Services Newsletter - Issue 6 - Winter 2000". Has a welcome from the Minister for Transport Peter Batchelor - first issue for 2000. Provides news on Government policy, Regional rail, Spencer St station refurbishment, public transport interchanges, new look trams for Yarra Trams. Has a photo of an A class with a skyline board "It's taken 115 years for this tram to get to the Docklands" - number not visible. The notes provides the basis for the new livery. Notes introduced on 4/3/2000 and has a message from the CEO Seven MacDonald.trams, tramways, yarra trams, minister for transport, livery, docklands, spencer st, doi

Set of six documents printed by the Met for the introduction of Neighbourhood bus services to the Box Hill area Oct. 1984. .1 - Envelope marked The Met - Introducing your neighbourhood bus service", containing at the time a message from Steve Crabb, Minister for Transport (now sealed) .2 - Letter from Steve Crabb .3 - Timetable for The Met Bus Route 748 dated 29/10/1984. .4 - Pamphlet - "Introducing your new neighbourhood bus service", with a map of the Ringwood neighbourhood. .5 - Pamphlet - "Shop for 2 hours at Box Hill Central for just 80c" .6 - Timetable for The Met Bus Route 738 dated 29/10/1984.trams, tramways, the met, timetables, melbourne, fares, box hill, doncaster, buses

Colour postcard divided back, featuring three images of Melbourne Trams, produced by Kangaroo Gifts of Melbourne with Photography by Wayne Zerbe Collectors Range. Has space for name and address, stamp and a message. features: 1 - decorated tram St Kilda Road, tram 682, see Reg item 671 - by Merrin Eirth. 2 - W6 923 in Swanston St 3 - Z8 Elizabeth St in the "Libraries are for everyone" all over advertising livery - 1/12/1989 - accessed from Vicsig site - 15/12/17 - http://vicsig.net/index.php?page=trams&article=adtrams 2nd copy added 15/9/2020.trams, tramways, postcards, transporting art, swanston st, elizabeth st, advertising trams, tram 682, tram 923, tram 8

Wooden Wax Sealing stamp - wood handle with a small brass stamp with the letters "R.Ty." and "I" or "1" underneath. See e-mail message from Andrew Cook dated 3-2-2019, Andrew advised "That is a wax seal (see attached image of a modern day one). You can still buy them to this day. I'm only guessing, but maybe the seal came from one of Melbourne's cable tram depots? 'R' could possibly stand for 'Richmond' or maybe 'Revenue'. See: https://milligram.com/creativity/wax-seals - accessed 22/2/2019 for samples of the seals and the stamps - very similar in design.trams, tramways, mmtb, revenue clerks, tickets

Colour postcard grey border, divided back - Steve Parish postcard of 7 trams on Prince's Bridge, with a blue arch in the background. The lead tram - W5 or SW5 793 showing route 3, followed by many trams. On the other track appears to be SW5 872, route 15. Both have Medibank Private adverts on the front. May have been at the time of an event, given that a Officer in a suit is talking to the driver. Back has space for name and address, stamp and a message and details of the postcard. Produced by Steve Parish Postcards. Card No. PC3029 and a historical note regarding trams on the back. Has "Melbourne Australia" along the bottom edge.trams, tramways, princes bridge, sw5 class, route 3, route 15, tram 793, tram 872?

Set of two pamphlets - A4 printed on white paper both sides in full colour titled "Tram Priority Program", published c2004. .1 - Pamphlet with message from the Minister for Transport Peter Batchelor, program part of a two year, $30M project in conjunction with VicRoads, with a map showing the priority sections of the tram network, with contact details. Has VicRoads and Vic Government logos. .2 - Pamphlet about the Clarendon St South Melbourne pilot project showing proposals, hook turns, proposed road treatments and time line - notes 2005 for permanent installation. Some of the proposals did not appear to be adopted. Two copies of each held.trams, tramways, yarra trams, vicroads, south melbourne, tram priority, trackwork

Short Trip ticket, full fare, printed for the 2011, prior to Myki coming into use. Has the Metcard logo on it, along with other Metcard, Metlink information. On the rear of each ticket has the use details. .1 - Daily Full Fare - Zone 1, $7.00, issued 31/5/2011 and used on the same date. Has a message that Myki can now be used on trains, trams and buses. .2 - Two hour Concession - Zone 1, 10 trip, $15.10, issued using a Mastercard on 10/5/2011 and first use made on same day. Ten trips taken with the last on 26/5/2011. Two copies of each heldtrams, tramways, tickets, metlink, metcard

Book with 124 pages, missing original covers, titled "Official Programme and History of Ballarat for its Centenary Celebrations 1938 / One Hundred Years", comprising 8 signatures and side and stapled with three staples along the left hand side. Price 1/- Features photographs of the city (images 2 and 3), Editor's Foreword, message from the Mayor J.H. Trekardo, a listing of daily events for each month in the history of the Ballarat and the year of the event, eg on page 20, August 18, "Electric Trams service commenced, 1905". Has many advertisements from local businesses, including the SEC (image 4) on page 25, the history of Ballarat gold mining, water, supply and other services."Edward Crimmins" on the top right hand corner of page 1 in ink. See Reg Item No. 2488 for a signature on the Membership receipt for H.P. James 1939 - Treasurer? of the Ballarat Historical Society.trams, tramways, ballarat, centenaries, civic history

This is a plain brown book with small diagonal squares pattern on the covers. La Nourriture De L'ame, ou Recueil De Prieres pour les Principales Fetes de L'annee which translates to - The Food for the Soul or Collection of Prayers for the Main Holidays of the Week. The author is Jean- Rodolphe Ostervald, pastor of the French Church of Bale. There is a drawing on the frontispiece of Jesus talking to men. At the back is a Table of Contents. Some pencil markings inside, foxing and tanning. There are two bookmarks included - One has Federal printed on it in red lettering with a rising sun pattern at each end with a French handwritten message written on the front and back. Another paper used as a bookmark has Y Foy and Gibson, Melbourne. 545p.non-fictionFood for the Soul - a collection of prayers for every day of the week and for the main holidays of the week. religion, prayers

Colour postcard divided back, serrated edge, with a view from the Melbourne Town Hall portico, looking south along Swanston St towards the intersection of Bourke St. shows the city square, Wales Corner, trams and traffic in both streets. Has a W2 crossing Swanston St - W2 586? - the crossing is one of the type which composed of panels that allowed for maintenance. City Square completed to Flinders Lane early 1970, Bourke St Mall opened 1983 - photo mid 1970's Back has space for name and address, stamp and a message and title of postcard. Produced by Nu-Color-Vue. Card Number ML 209, NCV 2940.trams, tramways, postcards, swanston st, bourke st, tram 586?

Set of two letters on quarto paper regarding an article to appear in the Feb. 25 issue of Modern Transport. .1 - Original of letter from D. R, Lamb, editor of Modern Transport magazine dated 30/12/1938 addressed to Mr. A. D Murdoch General Manager MMTB requesting an message of 1000 to 2000 words describing developments in the MMTB for publication in "Overseas Transport and Trade", showcasing British Industries for a forthcoming Fair. .2 - Response back from Lewis Russell Publicity Officer dated 13/1/1939, advising the death of Mr. Murdoch, enclosing a response of about 1500 words and asking for a copy to be sent to his brother Herbert Russell at The Times.Has an approved note from the Chairman H Bell.trams, tramways, london, reports, letters, mmtb, publicity, transport

One letter (1490.a) and two flyers (b and c) a. A covering letter dated September 1985 to Anglican congregations and their representative on Mission letterhead with a typed message headed Sea Sunday' from Michael Chin, Senior Chaplain. b. Monotone flyer with red colour title 'Your Daily Bread Costs Him His Family Life' depicts bearded man holding photo of woman and child aboard a ship. There are four different associated organisation logos. c. Deep blue three-colour flyer titled 'Remember Seafarers on Sea Sunday; July 10th' features a graphic of a silhouetted figure framed by porthole looking at tanker out to sea; features three logos below. Additional inscriptions and logos: a. The Mission letterhead in blue featuring the Missions to Seamen flag. b. The sub-title 'Sea Sunday Oct 20 is your chance to remember him and his family in your prayers' and featuring four logos; the International Christian Maritime Association circle, the Apostleship of the Sea flag, the British Sailors Society flag and The Missions to Seamen flag. c. The sub-titles 'Seafarers are members of God's family too' and 'The Church serving ALL seafarers' and featuring three logos; The Mission to Seamen flag, the Apostleship of the Sea flag and the British Sailors Society flag.mission to seamen, international christian maritime association, apostleship of the sea, british sailors society, flyer, reverend michael chin, sea sunday, 1985

This book was awarded to Mary Elizabeth Pyers in 1886 for a prize for repetition of hymns. Mary entered Clarendon Ladies' College in 1886. In the original register Mary's married name became Mrs. Duncan, father's christian name is listed as George, his occupation as squatter and his residence as Lawler Station Donald. "Mrs. Duncan (M. Pyers).-Early in the year Mrs. Duncan was appointed a "Justice of the peace." In April, during the ceremony of unveiling a "Pioneer Memorial" at the Minyip Hospital, a sun-dial was erected on the front lawn inscribed thus: "Erected by Welfare League to Mary Duncan in appreciation of her life's work for the district, 1929." Mrs. Duncan was particularly pleased with a congratulatory message from Clarendon and declares that "so much of the 'better things' for which I have been chosen are on account of early influence and wise guidance, especially from dear Mrs. Kennedy." (The Touchstone, December, 1929, p. 5.)Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in brown cloth with black and gilt illustration on front cover and spine. Slight detached spine and pages, slight foxing on pages, black and white illustrations throughout, 379 pages.Book plate inside front cover: CLARENDON LADIES' COLLEGE./ BALLARAT./ Repetition of Hymns./ AWARDED TO/ Mary E. Pyers/ December, 1886.mary-elizabeth-pyers, 1886, book-prize, clarendon-ladies'-college, mrs-duncan, george, lawler-station-donald, the-touchstone-december-1929, mrs-kennedy.

The ship Speke, which was wrecked in 1906 near Kitty Miller Bay, was named after the town Speke in Liverpool, where Speke Hall is located. Source http://www.nationaltrustcollections.org.uk/place/speke-hall Speke Hall This half-timbered Tudor courtyard house acquired its present shape during the 16th century under the ownership of Sir William Norris and his grandson, also Sir William. It was completed, except for some minor additions, for Edward Norris by 1606. The predominant architectural message of Speke is the decorative potential of wood. The exterior, with its high proportion of timber to infill, is a riot of geometrical patterning, while many of the Tudor interiors are filled with carved and embellished panelling – including a genealogical overmantel from c.1560 – some probably imported from the Low Countries, where the Norrises had trading connections. After a period of neglect, Speke was restored and entirely refurnished in the mid-19th century by the Watt family. 2 x Large photos of Speke Hall - 1 Black & White, 1 coloured.Speke Hall, Gardens and Estatethe speke, sailing boats, shipwrecks, photographs, speke hall

"Art is the vehicule for communications far Beyond the confines of a space, while design is the aesthetic cradle in which messages are nurtured and processed." "A 586 rework of the iconic building that has withstood the redevelopment of the Melbourne Docklands and defied the odds. On display a large format print 700mm x 1400mm print. Also a limited run of smaller prints on archival paper also available to support Melbourne's first non-profit charitible organisation that is still self funded, ie. not government funded." During the Open House Melbourne 30-31 July 2011, the artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. Made in Melbourne, 586 is an urban digital experimentalist who blends social narrative with found image creating messages that inspire social consciousness and free thought. Cast in a local foundry back in 1991, 586 was a number, amid hundreds of men working between the ladie and the furnace in a clock on - clock off automated industrious landscape. Legend tells of a time when correspondance to workers was addressed to their number, not their name. Disapproval spread rapidly and a revoit soon followed, eventually the power of the masses won out, but the demoralizing treatment of the worker would go on to shape 586's perception and became the catalyst for a personal protest against social imbalance. This print was on display and smaller prints were also sold to raised funds for the Mission.DigitalLarge digital print of a design that overlays various symbols ( 4 flying angels ), the sails of a sailing ship and contemporary cityscapes and seascapes. centrally features a full photograph of the Mission to seafarers building at 717 Flinders St. Melbourne. Mounted in a large black frame and glazed with perspex .mission to seafarers, flinders street, melbourne, windvane, dome, flying angel, sea, norla dome, bendigo wealth, artist 586, 2011, artwork-paintings, open house, norla dome project space

Probably acquired for use in Telegraphy courses run at the Ballarat SChool of Mines between 1875 and 1893. Telegraph relays amplified electrical signals in a telegraph line. Telegraph messages traveled as a series of electrical pulses through a wire from a transmitter to a receiver. Short pulses made a dot, slightly longer pulses a dash. The pulses faded in strength as they traveled through the wire, to the point where the incoming signal was too weak to directly operate a receiving sounder or register. A relay detected a weak signal and used a battery to strengthen the signal so that the receiver would operate. This relay was made by the firm of Charles T. and John N. Chester, two brothers who successfully partnered in New York City. Charles (1826-1880) founded the firm and provided the expert telegraphy knowledge while John (1820-1871) kept the books and managed the business operations.(http://americanhistory.si.edu/collections/search/object/nmah_706518, accessed 25/01/2018)Electromagnetic relay device used in telegraphy. The working parts mounted on a brass plate, attached to a wood base. Equipped with four terminal posts. Adjustable contactor mechanism. This electromagnetic Relay Device was used in Telegraphy at the Ballarat School of Mines. After a special meeting of the Ballarat SChool of Mines Council in 1874, a decision was made to offer instruction in Telegraphy, a subject not directly related to mining. Telegraphy was taught by W.P. Bechervaise, postmaster at Ballarat. On 07 October 1874 the Ballarat Courier correspondent reprted on Telegraphic training: "... these classes ... are a snare and a delusion, as there is scarcely the remotest chance of obtaining employment when the examination has been passed."scientific instrument, telegraph relayer, telegraphy relay device, telegraphy

Printed colour postcard from top of the Town Hall, looking northwest with Snows building in the foreground looking west. Has a horse tram travelling up to Lydiard St. on the south side of Sturt St. Has the buildings on north side of Sturt St. in the view, including the central median reserve before the trees had grown. Titled "Shoppee and Alexandra Squares, Ballarat Vic." along the bottom edge. On the bottom of the postcard is a one line hand written message, ink fading, very hard to read. On rear of postcard is the address to a Mr Frank Tucker, Glencairn, Park Avenue, Harrogate, England. Has two Victorian stamps, half penny (green) and one penny (red) stamps. Has been postmarked, "Ballarat East 16.11.04". See images .1 and .2. Two copies held - on the second copy, the address details have been crossed out and the stamp removed. Yields information about central Ballarat in the horse tram days.Postcard - printed colour, divided back, used.trams, tramways, horse trams, sturt st, postcards, snows, tram 3

The battery powered set, which dates from the second half of the twentieth century, comprises two main components, the electronic keyer with a single lever for tapping, and a transmitter (?), both connected by a keying cable. Morse code was invented in the 1830s by American, Samuel Finely Breese by using electrical signals to quickly transmit information over a long range. In the early 1890s Italian inventor, Guglielmo Marconi improved the technology to the point where it became an essential device used for commercial and government purposes. The first practical applications were demonstrated with maritime messaging, where this simple mode of communication was seen as a timely replacement for the historic practice of signaling by flags, lights and foghorns. Cape Schanck has an earlier Morse code key, which is original to the lightstation (CSLS 0035), and Cape Otway has another early example although its provenance to the lightstation has not been formally verified (COLS 0074). The Morse code set has first level contributory significance for its historical value as an earlier communications device that has since been made redundant by more sophisticated technologies.Morse code key set. Comprised of the tapping component and a metal box part with a white electrical cord.Yes

An address delivered by Legatee Brian Armstrong (according to handwritten note on Envelope L.6) at the graveside of Sir John Monash in Brighton Cemetery on 24th October 1937, six years after Monash' death. In it he mentions how he, Armstrong, was one of "the great Company of junior officers and men who carried his orders into effect." and quotes from the message sent by Monash to all the men of the Australian Army Corps before a battle on 8 August 1918 when "for the first time on the western front we fought as an Australian army, with the green grass beneath our feet and a retreating enemy in sight." Legatee John Henry Brian Armstrong was President of Melbourne Legacy in 1937, and rose from Private to Lieutenant in the AAMC 22nd Btn. He was wounded at Dernancourt 25.4.1918 and Herleville, becoming a P.O.W. 18.8.1918. He was discharged as medically unfit 2.8.1919 and became a solicitor, serving as a Legatee for 54 years. Although Melbourne Legacy is not referred to specifically, it is clear that Monash' service to his country lives on in the work of Legatees in caring for others.Typed and hand written quarto paper, black on white, bound with green cord.Numerous annotations in black pen, and pencil.john monash, speech, obituary

This fold out series of black and white images shows scenes of Bacchus Marsh in the late 1930s or during the 1940s. The date of the set of images is not stated but it shows the Bacchus Marsh Swimming Pool constructed in 1938. The general purpose of the images to promote tourism suggests the collection may date from the post war period of the late 1940s or early 1950s when petrol rationing and other wartime restrictions were being discontinued. The eight scenes are: Railway Station Bacchus Marsh; Bacchus Marsh Post Office; Main Street Bacchus Marsh; The Avenue Bacchus Marsh; Maddingley Bridge; Swimming Pool Bacchus Marsh; Rustic Bridge Maddingley Park; View Across Maddingley Flats. The cover illustration of the fold out envelope shows a happy family in a new model car. The message of the image clearly being to encourage people to travel by motor car to places like Bacchus Marsh for recreation and to engage in the general pastime of tourism.One set of 8 fold out black and white photos showing various scenes of Bacchus, with a cover illustration of a family traveling in a motor car. Measurements: 112 x 90 mm folded; 112 x 750 mm unfoldedSouthern Series Registeredbacchus marsh history, bacchus marsh views, bacchus marsh postcards

Community information brochure issued in 1974 by Ringwood Council outlining local services, sporting, and cultural facilities. Includes names of Ward Councillors, Council's revenue and expenditure charts, and two City of Ringwood Free Tipping Vouchers valid until the end of 1975."Frontpiece: Council's Immunisation Programme." "Message from your Mayor, Councillor Stan Morris, J.P. (photo). In this, Ringwood's 50th Year as an independent Municipality another milestone is recorded. It is our hope that the City will continue to develop soundly so as to improve our quality of life. The past achievements have been accomplished by Council/Citizen co-operation and we have no doubt that this co-operation will continue during the next 50 years".rinx

Records Department Glenelg Shire CouncilWith compliments ephemera Henty plough and painting, signed by A.C. Pearse, (donor of plough). Made from light card, there is a picture of the Henty plough in the top right hand corner of ephemera. Main picture below has two men, one holding the plough being pulled by cows, and the other holding a shepherds crook.Hand written copied message in black writing 'Souvenir of the old Henty Plow. This Old Plow was brought out from Scotland by Edward Henty and turned the first sod of Victorian soil at Portland in the year 1834. With the Compliments of HUDSONS STORES PTY. LTD. 655 BOURKE STREET, MELBOURNE'. Blue ink signature located at the lower middle part 'A.C. Pearse'. The word 'Director' hand written in black next to the signature.henty plough

The first meeting of the 1st Bendigo Guides was held by Miss Merle Bush on the 22nd of August 1922 in the St Paul' School Room. Twelve girls were present. Miss Bush was given permission to open the Company by Miss R. Hamilton, State Secretary for Victoria, she received her Captain's Warrant on 12th December 1922.Letter with black border on parchment paper - Buckingham Palace 3rd March 1952 - Black typing and blue handwriting. Typed address a at the bottom -rectangular envelope with black border with Royal insignia on back of envelope3rd March 1952. Dear Madam I am commanded by the Queen to express to you and to all those on whose behalf you wrote her sincere thanks for your kind message of sympathy in her great loss. Her Majesty greatly appreciates their thought of her and her family at this time Yours truly Edward Ford - The Divisional Commissioner -The Northern Division Girl Guides Association of Victoria Serpentine Victoria Australiagirl guides, guiding, merle bush, trefoil guild, queen elizabeth ii, buckingham palace, royalty

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. All cards have titles on the front printed in red. The majority of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Proudfoots Boat House – Proudfoot’s Boathouse is at 2 Simpson Street Warrnambool, on the banks of the Hopkins River. In the 1880s it was a venue for hiring boats for rowing, fishing, sailing and picnics. It was a popular destination for tourists coming from Melbourne for a day or weekend outing. The beautiful historic Victorian period building was designed, built and established by Thomas Proudfoot. He applied to build a boat jetty in 1885. He died in 1900 and his wife Catherine took over, running it for many years. Later her son Bruce and after that her granddaughter Ena Hunt and her husband took over; it remained in the family until 1979. The buildings, including the ‘U’ shaped jetty and tearooms, were restored and modified in the 1990s by the Warrnambool Sports Club, under the control of the Warrnambool City Council. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time, he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This card is the only one of the nine cards with the location of Warrnambool added to the name 'Joseph Series'. It is also the only one that has text within the outline for the postage stamp. The font used for the test of the headings is slightly different to the other cards. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool. This postcard of Proudfoot's Boathouse is of historical significance for is connection with Proudfood’s Boathouse. Proudfoot’s Boathouse is an example of late-Victorian recreational and tourist facilities. Boathouses were popular 19th-century tourist and recreational attractions, providing refined and healthy activity. This boathouse shows the early realisation of the tourism and leisure potential of seaside towns such as Warrnambool, a potential that has become increasingly important as port uses have ceased and other industries have been subjected to financial pressure. Proudfoot's Boathouse is of social significance because it illustrates the continuity of the attraction of this kind of leisure facility. Although the glory days of boathouses were in the 19th century, those that survive continue to be well patronised. Proudfoot's Boathouse has been an important recreational facility and attraction for tourists flocking to the Hopkins River, one of the State's most popular boating and fishing resorts, since 1885.” (Statement of Significance is from the Victorian Heritage Register)Postcard, one of nine, landscape orientation. Coloured photograph print within an oval border and mauve-toned shading. Cameo Image of figures in three rowing boats on still water beside a building with three gable roofs and decorative verandas. Other boats are moored at the landing in front of the building. The roofs each have a tall pole at the front. There is a park right of the building that also has a landing. In the background is a grassed slope and the sea. Reverse has printed inscriptions and an outline for a postage stamp. There is no correspondence written on the card. The card is one of the Jordan Series by Joseph Jordan, printed in Great Britain in the early 1900s. Front, in red: “PROUDFOOT’S BOAT HOUSE / HOPKINS RIVER, WARRNAMBOOL” Reverse in black: “Jordan Series Warrnambool” “POST CARD” “Printed in Great Britain” “This space may be used for Communication” “The Address to be written here” Within the stamp outline: “3 / BRITISH / MANUFACTURE"flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, proudfoots boat house, boat house, proudfoots, hopkins river, boats for hire, row boats, recreation