This item was used at St Patrick's Catholic Church, Kirkstall from 1910. Although the item is black, black is no longer a liturgical colour after Vatican II.This is of historical significance to the people of Kirkstall and Koroit. It has potential spiritual significance of the local catholic population. it represents a typical item of a small village church in the late 19th Century.A black robe embroidered with black and silver,The chasuble is Roman style also called sandwich board, Pre- Vatican II style. It is watered silk and it may date from the early 20th C but it may date late 19 Century.There is an embroidered symbol on the front that encompasses the letters J H and S. Symbolic braiding.chasuble, robes, kirkstall, catholic, church, st patrick's kirkstall

Print (reproduction) of a woman in fifteenth century costume swinging a baseball-like bat and throwing a white ball into the air. Title text states: 'JEU DE PALME/XIV E/SIECLE'. Materials: Paper, Ink, Cardboard, Wood, Metaltennis

From the home of the late W.J. SebireLidded silver and glass ornate pickle jar on a stand with a three pronged silver pickle fork. Heavy glass patterned jar, silver lid has grapes and leaves decoration with an ornate patterned knob. It is of the style of the late 19th Century.New York. pattern of grapes and leaves on lidpickle jars, food storage jars, forks

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. It depicts Sturt St Ballarat c1890-1900s. The wide boulevard and historic buildings are indicative of the wealth which was brought to Ballarat as a result of the gold rushes in the second half of the 19th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Postcard of Sturt St, Ballarat - coloured. On front, printed: 'Sturt St Ballarat' On back handwritten: 'My dear Mrs / Brown I write / these few lines ... absent freind [sic friend] / J Drubar'postcard, photography, 1900s, ballarat, "green postcard album"

Flour bags were used when purchasing flour from the late 19th century to the mid 20th century. They were able to be reused for bulk storage of dry goods or sewn into domestic objects such as tea towels, pillowcases or waggas.The flour bag provides an example of a useful domestic packaging product, from the early 20th century.Calico flour bag for Golden Crust Self-raising flour, 25lb. The stencil on the bag includes the manufacturer’s address and images of heads of wheat and a plate of scones. 25lbs, Golden Crust, Self-raising Flour, Blended with Phosphate Aerator, Hancock’s Golden Crust Pty.Ltd. South Yarra, Vicflagstaff hill maritime museum and village, great ocean road, shipwreck coast, calico, domestic object, textile, food storage, flour bag, golden crust

Flour bags were used when purchasing flour from the late 19th century to the mid 20th century. They were able to be reused for bulk storage of dry goods or sewn into domestic objects such as tea towels, pillowcases or waggas.The flour bag provides an example of a useful domestic packaging product, from the early 20th century.Calico flour bag for 'Success Flour' from Stratton’s flour mill in Melbourne. The stencil on the front of the bag includes the image of a wheat stalk overlaid with the written information in scroll format.Stratton's, Success, Flour Mills, Melbourneflagstaff hill maritime museum and village, great ocean road, shipwreck coast, calico, domestic object, textile, food storage, stratton's, flour bag

Flour bags were used when purchasing flour from the late 19th century to the mid 20th century. They were able to be reused for bulk storage of dry goods or sewn into domestic objects such as tea towels, pillowcases or waggas.The flour bags provide both a snapshot of different producers and stockists of flour in Victoria and an example of a useful domestic packaging product, from the early 20th century.A set of five flour bags originating from different Victorian places. Stratton's in Melbourne, McAlpin's in Melbourne / Ballarat, Moran & Cato's in Fitzroy, Golden Crust from South Yarra and W.C. Thomas from Warracknabeal. Each bag is made from calico with an image on the front that relates to the company.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, flour bags, calico, domestic object, textile, food storage

This fine white unglazed porcelain figurine is one of six donated together, and one of a pair of two children carrying baskets on thei. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Fine unglazed white porcelain ornament, carved to represent a girl holding a basket on her back. One of a pair, the other being a boy holding a basket on his back. The hollow basket is a vase. It was made in Germany. "1084" "105" "GERMANY"flagstaff hill, warrnambool, maritime museum, bisque, china ornament, white china ornament, german, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, germany, girl with basket, vase

This small glass has been kept as a souvenir of the Warrnambool Criterion Hotel by a local resident, James Godfrey. The Criterion Hotel opened in Kepler Street, Warrnambool in April 1872. The first licensee was John Tate and the Humm family members of Woodford and the McGennan family of Warrnambool were prominent licensees and owners in the late 19th and 20th centuries. In the second half of the 20th century the hotel was an important centre in Warrnambool for live pop music. The hotel closed in 2008. The building was partially destroyed by fire in 2010 and the remaining structure was demolished in 2013. This glass is significant because it has local provenance as a memento of a hotel in Warrnambool prominent in the local business world for 136 years and as an example of the souvenirs kept of this hotel by Warrnambool residents.This is a small clear glass tumbler with a heavy base and a slightly tapered neck and a circular open top. The name ‘Criterion Hotel’ has been etched on to the side of the glass.Criterion Hotelcriterion hotel warrnambool, history of warrnambool, glass

This book belonged to a Marian Adams from Limerick but, unfortunately no information has been found on this person or the connection to Warrnambool. There were several families in the Warrnambool area with the name ‘Adams’ in the 19th century. This book is kept as an interesting 19th century book but it will be of greater interest if information is found on Marian Adams. This is a hard cover book of 516 pages. The cover is brown leather with gold embossed ornamentation and gold lettering on the spine. The pages are gilt-edged and the cover has become partly detached from the binding. The pages are much stained and the cover is very rubbed. The inscription is handwritten in black ink. There are eight engravings on steel in black and white and all are protected with white tissue. There has been a book plate pasted onto the inside of the front cover but it has been torn away. ‘Marian Adams Limerick, October 19th 1870’ marian adams, history of warrnambool, william cowper poet

This dish is typical of those in use in households in the 20th century. It could have been used in the kitchen for holding condiments etc or for holding small items such as hairpins or nibs in other parts of the house. This item has no known local provenance but it is an attractive dish and is retained for display purposes. This is a white moulded glass dish with a rim extending over the top of the dish. household items, warrnambool history

A souvenir or promotional item for the Warrnambool Woollen Mill. Playing cards was a very popular and common pass time in the 20th century with a variety of games being played, some of which survive to this day.A common object which is related to one of Warrnambool's longest running businesses.A green cardboard box containing two packs of playing cards.The sets of cards have the same image of Warrnambool blankets with one set edged in orange and one in blue. With Compliments of The Warrnambool Woollen Mill Co Ltd, on the box. Warrnambool luxury blankets , Warrnambool Paradise on the cards. warrnambool, warrnambool woollen mill

These two exercise books contain notes on Methods of Teaching and were produced at a Teachers' College in Victoria sometime in the 20th century. They belonged to Claire O'Keefe who came from the Winslow area.These books are of some interest as examples of tertiary education notebooks from the past.1 A black-covered exercise book with ruled pages and handwritten notes in blue ink. .2 A red-covered exercise book with ruled pages and handwritten notes in blue ink C. O'Keefe Method of Teachingvintage school exercise books, methods of teaching texts, claire o'keefe winslow

This ladies' dainty handkerchief has a handmade border of tatted craft work. Modern tatting is a craft that became popular in the 18th to mid-19th century. This handcrafted handkerchief is an example of the tatting craft, used to make decorative edges on a wide variety of domestic manchester and clothing items. It was common for household linen from the late 19th and early 20th century to be embellished with decorative trimsLadies' silk handkerchief with handmade tatted edges, square with rounded corners.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, handkerchief, tatting, silk handkerchief, clothing, handworked, craft, handcraft

Mannequins such as this were a common decorative item in the mid 19th to early 20th century. They were purely ornamental and were not generally used as a dressmaking accessory.This item is representative of a range of decorative items displayed in homes from the mid 19th to early 20th century and was donated by a Wodonga resident.A mannequin made of wrought iron. It has a metal bow at the waist.decorative arts, metal mannequin

Black and white photographs of Cable car and trailer on display at Beaufort Victoria Lake Goldsmith Steam Traction Rally mid 1980's. This cable car set operated on Ballarat Tramway Museum track during Begonia Festivals 1987-1988. Photos by George Bishop.On the back photo in ink "Cable car and trailer on display at Beaufort Victoria Lake Goldsmith Steam Traction/ G.Bishop photo"tramways, trams, cable trams, lake goldsmith

Block mounted, colour photograph from a slide, scanned and reproduced on an A3 size sheet and mounted on a foam backing of No. 14 at the depot mid 1990's. Tram has a Peters Ice cream roof advertisement for the Lake Lodge. From a photo from Warren Doubleday.trams, tramways, depot, btm, tram 14

Twenty four page photocopied pages contained within blue covers, side stapled titled ""Basic Streetcar Operation - Instructions for K control, straight air and Safety Car". Published by the Branford Electric Railway (Pennsylvania USA) for training their crews, mid 1970's.trams, tramways, instructions, training, braking, controllers, birney

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong No. 3 at the junction between Aberdeen St and Pakington St. The tram has the destination of West. The conductress is standing in the doorway. In the background is the store of "Wm F Orr Decorator" Photo mid 1940's. trams, tramways, geelong, aberdeen st, pakington st, west, tram 3

Black and White photograph of a set of recovery trolley's under a road vehicle rear axle - Reg No. V1283. shows the nature of the construction of the trolley and dual rear tyred vehicle. Has a towing pin - possibly one of the recovery vehicles. Mid 1970's? Photographer unknown.trams, tramways, recovery, accidents

Used in the 19th centuryA bill hook or axe-handled slasher which is an axe-handled forged metal blade with a strong curved sharp axe like edge and a straight secondary edge on the back. It has a broken wooden handle with steel or a tang which passed through the handle if it were still attached. There is stamped on the blade near the handle join - '2'. The original finish of the blade would have been, 'Japanned' which is baked black enamel. It was used to cut back scrub, small trees and woody vegetation in the 19th century.'2' stamped on the blade near where it joins the handle.slashers, cutting tools, bill hook slasher, gardening tools, agricultural tools

Singer was first established as I. M. Singer & Co. in 1851 by Isaac Merritt Singer with New York lawyer Edward C. Clark. Best known for its sewing machines, it was renamed Singer Manufacturing Company in 1865, then the Singer Company in 1963. The Singer company began to market its machines internationally in 1855 and won first prize at the Paris world's fair that year. They had offices established in both Sydney and Melbourne by the mid-1960s. The company demonstrated the first workable electric sewing machine in 1910. Singer was also a marketing innovator and a pioneer in promoting the use of instalment payment plans, making their machines more affordable for many people. According to its serial number, this machine was manufactured in 1950 and was one of the new models designed to be more portable as it only weighed about 10 KG.This sewing machine is of local, national and international significance as it represents developments in technology and the impact this had upon the work of women.The Singer 99 was a sturdy and reliable machine that was easy to use. Lighter than other machines of its time, this machine weighed only 10 Kgs. It is mounted on a wooden base with a small compartment under the balance wheel to store accessories and bobbins. It has a 'Bentwood' (polished plywood) cover which also provided some room for storage. The machine is driven by a small electric motor and a light to illuminate the work area. It is decorated with gold decals and a filigree pattern. It includes a knee control which is inserted in a hole at the front of the machine. The serial number EG045782 indicates it was manufactured in 1950.Across the top in gold script: "The Singer Manufacturing Co. / Made in Great Britain" On light cover: "SINGER" Plate with specifications also attached. On front of machine in oval badge: A CENTURY OF SEWING SERVICE/ THE SINGER MANFG. CO. 1851 - 1951singer sewing macnine, domestic appliances, women's work, technology

This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860s the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much - loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Virginians Author: William Makepeace Thackeray Publisher: Henry Frowde Oxford University Press Date: 1863 The Virginians-- A tale of the last centuryThe label on the spine cover with typed text PAT FIC THA Paste down front end paper has a sticker from Warrnambool Mechanics Institute and Free Library. Front loose end paper has a sticker from Corangamite Regional Library Service.shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the virginians-, william makepeace thackeray

Bendigo Advertiser "The way we were" from 1999. In its prime: the Bendigo Railway Station early this century.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from 1999. Serenity: the boatsheds oon lake Weeroona early this century.newspaper, bendigo advertiser, the way we were

B. 1859 Glasgow; Glasgow University; 1886 ordained in Scots Church Melbourne; to New Hebrides Mission, Aulua, Malekula; 1907 Dunolly; 1910 Sunbury; 1919 Convener of Board of Missions; editor "Record"; 1923 Abbotsford; 1929 Glen Iris; 1931 Moderator, Victoria; 1944 died 23 August. Son, William Watt Leggatt was a politician in the Bolte Government in Victoria.Sepia photo of Leggatt posed facing his right; dressed in 19th century clerical suit, collar and waistcoat."Thomas Watt Leggatt - Aulua, New Hebrides - minister Sunbury, Abbotsford. Father of Sir William (Bill) Watt Leggatt, Ormond Law Agent for (?) in London - Deaconess Dorothy Leggatt."leggatt, thomas watt, new hebrides

A page from 'Century' magazine, advertising tennis products from W&S, and Horsman. Materials: Paper, Inktennis