The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring tan and brown text and graphics. Graphics depict shearing and wool classing. front: CENTRAL CLASSING / SHEARING / GRAZCOS / 1966 / FORTY-SEVENTH / ANNUAL REPORTagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

Army housewife sewing kit, Vietnam period containing wool button, thread and a thimble.TW Pearce 3787383

Pattern book produced by Patons and Baldwins.Knitting book, 16pp. Front cover is printed in black and white with a photo of a man and a woman wearing knitted cardigans. Contains knitting patterns for men's and women's garments.No. / 416 / Patons KNITTING BOOK / No. / 416 / PATONS / DOUBLE QUICK / KNITTING / ALL PURE WOOL / P&B / WOOLS / 1'3d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting, design, style, fashion, wool

These cards, presumably part of a pack of cards (or two packs) are an advertising tool for Warrnambool rugs made by the Warrnambool Woollen Mill. The Warrnambool Woollen Mill in South Warrnambool was opened in 1910 with John Bennett the first manager. It produced woollen blankets and rugs and woollen products during the war years for military purposes. It closed in 2000.These cards are of interest as an advertising tool for the Warrnambool Woollen Mill which was a major industry in Warrnambool for 90 years. It shows the advertising techniques used by businesses in the 20th century.These are two regulation-size playing cards, both showing the five of clubs, with a colour advertisement for Warrnambool Rugs on the back. The advertisement features an assortment of Warrnambool woollen rugs. On back of cards – ‘Warrnambool Rugs, pure wool’warrnambool woollen mill, cards

Cloth made by Redpath's millQUALITY/ 100% PURE WOOL/ WIDTH CMStextile design fashion textile industry - history, alexander lau pty ltd w.r. redpath and sons, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history

Note from collector: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Waverley 'El Rio' Multicoloured checked Double sized blanketEl Rio Blanket/By Waverley/Pure Woolblankets, blanket fever, wool, el rio, waverley, launceston

Modern industrialized Berber carpets are distinguished by a loop pile construction type that gives a similar appearance to the distinct knot of traditionally woven Berber carpets. The modern carpets usually contain small flecks of dark colour on lighter shades of background colours resembling a natural undyed version of the traditional carpets. Berber is known for being one of the oldest and most durable kinds of carpet. Traditionally, Berber carpets are carpets hand-woven by the Berber people in North Africa and the Sahara. The carpets come in traditional and modern designs, which are distinguished by different knotting patterns, dyes and fabric textures. The origin of carpet weaving by the Berber populations dates back several millennia. The hand-spun cloth they created was named after the individual tribe, and they used natural fibres to create cloaks, rugs and other fabrics. Card showing printed text and graphic featuring an image of a sheep in tones of orange, brown and cream. Printed: PURE NEW WOOL / THE / LOOK OF / BERBERcollins bros mill pty ltd, manufacturing, geelong, wool, berber

This item is part of a collection of six black and white glass lantern slides previously housed in this box. The slides and this box are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Brown paper box with printed black text on a label adhered to top. Paper with hand written text is also stuck to top.top: [handwritten] GRAPHS OF / WOOL FIBRE THICKNESSnew south wales graziers association, travel, agriculture, j w allen, photography, glass lantern slide, sheep, breeding

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

Property of Jim Hay, geelong property manager of Elders Pastoral.Large bound photo album with black cloth cover containing pictures, notices, documents and news paper articles documenting Denny's Lascelles Wool brokers and Strachan Wool brokers. Pictures and documents are mounted on black card using glue and sticky tape, on both the front and back of pages. There are five photographs and one document not attached to the album that illustrate Denny's Lascelles Wool brokers. Photos feature different events across several decades related to the Dennys Lascelles Wool Store, including newspaper clippings, men driving a car and staff photos."To the Directors Denny's Lascelles Limited From T.G. Moore July 1941wool brokering wool stores wool industry, elders pastoral dennys, lascelles limited strachan and co. limited, hay, mr jim e. - elders vp, geelong, victoria, wool brokering, wool stores, wool industry

1. Jacket - Battle dress, khaki wool. Standard army issue. On the arms are cloth badges - Royal Aust. Corps of Tpt. and Sergeants stripes. 2. Trousers - Battle dress - khaki wool. This is the 'Modern' type, no cuffs or buttons on the ankles.uniforms, ract, passchendaele barracks trust

The quilt was made by Ada Maud Allen, the grandmother of the donor. Mrs Allen was from a Queensland wool growing property and was a prolific wool quilter. She was noted for her quilt making and also made items such as dressing gowns. She exhibited at many country shows and with the Queensland Country Women's Association. The wool used in the quilt was from her own property. The quilt was made in the 1930s and subsequently used by Mrs Allen's children, grandchildren and great-grandchildren.Wool quilt made by Ada Maud Allen, c.1930s. Detail of woollen quilt made by Ada Maud Allen, c.1930s. The woollen contents of the quilt and aspects of its construction can be seen. Conservation report and treatment proposals prepared by Abigail Hart, Textile Conservation, 19-1-01, for quilts 430 and 4053. Conservation treatment proposal prepared by Abigail Hart, Textile Conservation, 19-4-2001, for quilt 430. Report on the conservation treatment undertaken on the quilt by Abigail Hart, textile conservator. Country Women's Association pamphlet 'Use More Wool' Letter to Miss Ruth Lane, 30 November 1991 Letter to Mrs Allen from Margaret Travill, 22 March 1934 Letter to Mrs Allen from S.J. Rayment, 23 March 1934 Letter to Mrs Allen from E. Maitham, 21 April 1934, page 1 Letter to Mrs Allen from E. Maitham, 21 April 1934 page 2 Instructions on making woollen quilts page 1 Instructions on making woollen quilts page 2 Allen family photos from Queensland Museum page 1 - stud lambs Allen family photos from Queensland Museum page 5 - 'Nalemba', Sept. 1918 Allen family photos from Queensland Museum page 2 - at 'Stanbroke', early 1942 Allen family photos from Queensland Museum page 3 - 'Stanbroke', 1936 Allen family photos from Queensland Museum page 4 - Mr Marsh, Shearing Contractor Allen family photos from Queensland Museum page 6 - Mrs A. M. Allen c.1937 with grandson Allen Photos taken before conservation treatment March 2002quilting handicrafts, allen, mrs ada maud, quilting, handicrafts

Nineteen page double sided paper catalogue held with one staple in the top left corner. Pages are blue, yellow and white with black printed text. Cover shows printed text in blue, red, black and white with Dalgety Farmers banner and logo. front: [printed] CATALOGUE / No. G05’g / SEASON / 1988/89 / Dalgety Farmers / WILL OFFER BY AUCTION / AT THE / WOOL EXCHANGE / NATIONAL WOOL CENTRE, MOORABOOL STREET, / GEELONG / ON / WEDNESDAY 30TH NOVEMBER 1988 / 7352 BALES. WOOL.agriculture, wool, sales, dalgety, geelong, wool exchange, national wool centre, auction, catalogue

Donor, Valda Arrowsmith wore the suit during her time as Mayor of Nunawading at official functions in 1987/8.1987 Two piece black woollen suit. Skirt is straight hand woven and is lined. Top is woven wool with panels in shades of blue lurex, wool, braid, chenille and black lurex. Sleeves are magyar style. Black ribbed band at waist.costume, female

This item has been made to package a ‘Dream Sleep’ underblanket. This item was produced by the Warrnambool Textiles factory in the 1990s. In 1910 the Warrnambool Woollen Mill was established and it produced blankets, rugs etc with a staff of over 700 in the 1940s. In 1958 the Mill became the first in Australia to manufacture electric blankets. In 1968 the business was sold to Dunlop and in 1982 Dunlop sold the Mill to Onkaparinga Woollen Company. In 1983 Onkaparinga was taken over by Macquarie Worsteds and the Warrnambool Woollen Mill then traded as Warrnambool Textiles. In 2000 the Mill closed. This packaging is of some interest as a memento of the old Warrnambool Woollen Mill which operated in Warrnambool for 90 years and was a major industry in the town/city and a major employer of local residents. It is still remembered fondly by many local people today. This is a cardboard sheet for packaging an underblanket for Warrnambool Textiles. It has white printing on a dark blue background on one side and is white and unmarked on the other. It has an image of a sheep, three symbols for ‘Pure New Wool’, a symbol for ‘Naturally Flame Resistant’ and one for ‘Moth-Resist Treated’. The sheet is designed to be folded in four places to cover an underblanket. This is a cardboard sheet for packaging an underblanket for Warrnambool Textiles. It has white printing on a dark blue background on one side and is white and unmarked on the other. It has an image of a sheep, three symbols for ‘Pure New Wool’, a symbol for ‘Naturally Flame Resistant’ and one for ‘Moth-Resist Treated’. The sheet is designed to be folded in four places to cover an underblanket. warrnambool woollen mill, warrnambool textiles, onkaparinga woollen company

Small maroon hardback bookF. Kanematsu and Co Ltd Commonwealth of Australia. Central wool Committee. Limits Fixed for Appraisement of Australian Wool. 1945-46 Season.

Donated by Mr Leslie Rourke.Green textured soft cover booklet with black printed text on cover, 42 pages. Cover: [handwritten] W M Bakku Cover: [printed] THE NATIONAL COUNCIL / OF / WOOL SELLING BROKERS / OF / AUSTRALIA / WOOL REVIEW / 1974 - 1975wool brokering wool sales textile mills textile mills, national council of wool selling brokers of australia, wool brokering, wool sales, textile mills

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." 'Truly Fine Blankets of Surpassing Beauty' (range of blankets both fanned out and folded) Onkaparinga/100% Pure Wool Blankets/Truly Fine Blankets of Surpassing Beauty/Buy Well-Buy Wool/Guaranteed for Twelve Years blanket, blanket fever, wool, onkaparinga, advertisement, australian women's weekly

Three display signs advertsing Physician blankets and Bradmill sheets.One of three display signs. One of three display signs. One of three display signs.Berber by Physician 'The New Natural Look' Pure New Wool flame Resistant Machine Washable (Wool Cycle Only) Sheets by Bradmillsign

"Items in collection of K.W. Peatling" refer cat no 5140.2 Box 173 for his service detailsknitted wool jumper, v neck with long sleeves, cotton bound slits in shoulders for epauletteslabel on back neck edge, burgundy coloured writing "BRUCE PIE INDUSTRIES LTD. QUEENSLAND 1962 SIZE 42"wool uniform. military issue, wool jumper

Department of Defence brown, lined, leather, buttoned, with khaki wool & 4 buttons down front“G H ALLISON 1946” Jerkin leather Size No 1 Wearers height 5' 3" to 5' 6" Wearers breast over jacket 34 " to 41"uniforms - army, costume - male uniform, vest,

Cap, peaked, khaki wool with blackened brass Rising Sun badge. Leather chin strap.uniforms-army, male headwear

According to the donor these image copies were used in an exhibition, and distributed at the conclusion. Framed black and white photograph of a bullock team, wool laden waggon, cobb and bluestone buildings. wool waggon, skipton hotel

Photograph. A' Beckett Chambers building in Bull Street, Bendigo. Wool, Stock and Station agents. 1960s.bendigo, business, a'beckett chambers

Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Legacy Fleece Show 1962 and was awarded as a Trophy Winner. Navy blue wool ribbon with stamped yellow text. Yellow tassels at each short end.