Showing 2107 items
matching 1897/1898
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Brighton Historical Society
Hat, 1960s
Thomas Harrison (1897-1981) was a leading Melbourne milliner from the 1930s. He began his millinery career in 1920, and by the late 1930s had a salon and workshop at 163 Collins St. He later moved the business to Toorak Road, South Yarra. He continued millinery work until 1975.Pink floral dome-shaped hat made up of silk and velvet pink hydrangea petals and mauve silk stems attached to a stiffened net base.Label, printed black on white acetate, centre back: THOMAS HARRISONthomas harrison, hats, 1960s fashion, melbourne fashion -
Federation University Historical Collection
Photograph - Photo, Clare Gervasoni, Grave of Martin Hosking in the Ballaarat New Cemetery, 19/10/2021
The grave was made by F.W. Commons, Balllarat.Photos relating to the grave of Martin Hosking Ballarat missionary.Erected By the Citizens of Ballarat In Affectiontel Remembrance of Martin Hosking Town Missionary Who for 21 Years devoted his life and energy to the cause of the poor and suffering. Died honoured and beloved 17th Feb 1898 Aged 51 years Well done, thugh good and faithfull servant ballaarat new cemetery, martin hosking, f.w. commons -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''FAIR GIRLS AND GRAY HORSES'' BY WILL OGILVIE
Book. ALEC H CHISHOLM COLLECTION. 165 page hardcover collection of Australian verse by the Scottish poet, Will Ogilvie who spent 12 years in Australia working as a drover, horse breaker and station hand. Dust jacket has a coloured illustration. Published in 1958 by Angus & Robertson and printed by Halstead Press, Sydney. First published in 1898. Catalogue sticker ''2007 OGI'' on spine. Faded newspaper cutting from Sydney Morning Herald, 1/2/63, about the death of Will Ogilvie.Will Ogilviebooks, collections, poetry, alec h chisholm collection, will ogilvie, poetry -
Bendigo Historical Society Inc.
Photograph - CONSERVATORY, c.1910
Sepia photograph of Conservatory Building and Gardens with statues, Pall Mall Bendigo. Written on back in pencil 'Conservatory Pall Mall Bendigo'. Inscriptions: on front, below image printed 'Conservatory, Bendigo'. History of object : James Lerk, 2000 'Conservatory gardens, Pall Mall. Venus in the foreground has now been moved to the northern end of the Conservatory building. The cast iron frame of the Conservatory was cast at Brown's Foundry. The building was opened in 1898. Photo c.1910' Photograph Bendigo Advertiser 11.1.2001.buildings, conservatory -
Orbost & District Historical Society
framed photograph, Vogt. W.S, 1917
This photograph was on display in the Orbost Information Centre - the Slab Hut - for many years. Originally the post office was not at Orbost at all but in the small settlement of Newmerella. The building in the photograph was completed and opened in 1898 at a cost of 1038/4/8 pounds. The post office building today is a replica of this building, opened in 2004 after a local campaign to retain a full post office in the town.The photograph of the early post office shows that it was a popular meeting place. Today's post office is a replica of this one and stands on the same site.A framed photograph of the Orbost Post Office (photocopy?) in 1917. The glass was cracked and has been removed. The frame is a wooden one with carved shell shape decorations. In the foreground of the photo is a horse and coach and an early model car. The mail coach is on its way to Cann River. In the car is the Warren family.W.S. Vogt, Bairnsdaleorbost post-office -
Warrnambool and District Historical Society Inc.
Postcard - Post, Card Georgia, c.1910
The recipient of this card, Jessie Bonnett was born in Allansford in 1897. She spent her life on the family farm at Mepunga with her brothers Jack and George. She died in 1990 and her scrapbook came into the collection of the Warrnambool and District Historical Society through her relative, Mary O’Callaghan. Nothing is known of Ada Lawlor.This card has social significance and interest showing the communication between people in an earlier age. Postcards were commonly used to convey a short message between friends. This is a postcard with an image of the ship ‘Georgia’ on the front and a letter from Nullawarre on the back. There is a stamp from the Gray’s Colosseum Stationers and a symbol, ‘F & J’ on the back. Nullawarre, 13.10.10 Miss Jessie Bonnett, Mepunga, Dear Jessie, Just a P.C. in answer to your pretty card and for being so kind in always helping me with my sums. Please excuse this P.C. as I have no other. I remain, your affect. playmate, Ada Lawlor. Dear Jess I was not at school yesterday as I was sick with a cold.jessie bonnett, ada lawlor, the georgia -
Eltham District Historical Society Inc
Photograph, Mia Mia, Hurstbridge, 1916
Mia Mia was a cottage on the other side of the bridge on Diamond Creek at Hurstbridge. Fred and Catherine Hurst first lived here after their marriage in 1897. For many years from at least 1916 through to 1941 it operated as the "Mia Mia" tearooms where wedding receptions and afternoon teas for convalescent soldiers were held.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, cottage -
Port Fairy Historical Society Museum and Archives
Photograph - Postcard
The Port Fairy rabbit factory was mooted on April 1896 by June of the same year The Port Fairy Preserving Company Limited was a registered company. Tenders were called in September and in 1897 a trial preserving run was planned. 5000 pairs of rabbits were being received each day coming by road as depicted in this photograph.Rabbit Load Jan 1908 James Stblack and white photograph on card with handwritten greetings Jan 1908 - Dad and our dear old horses Darky and Chance- x62-20-006 transport, rail, road, wagon, horses, james street, rabbits, 1908 -
Bendigo Historical Society Inc.
Newspaper - NEWSPAPER CLIPPINGS SHAMROCK HOTEL, Unknown
(Third Newspaper Clipping )The Shamrock lights are blazing again article. Photograph of a chandelier framed in an archway in the first floor foyer. Electricity was a modern innovation when the Shamrock re-opened in 1897. Electric light lit the interior throughout and there were electric bells in every room. (The fourth Image directly underneath) depicts an invitation to the Governor of Victoria and his wife Lady Loch to a sumptuous banquet at The Shamrock in Novemebr 1886 to commemmorate their visit Sandhurst for the opening of the Juvenile and Industrial Exhibition.bendigo, history, shamrock hotel -
Orbost & District Historical Society
shawl, late 19th century?
In 1896 Albert Richardsonand his bride, Lettice, came to the mill at Tabbara. Their daughter, Mrs Mary Barclay, was born at Marlo in 1897. Her Scottish great-great grandmother who was born about 1800, kept silk worms. When she was about 12, she collected and spun the silk to later make this shawl.This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.A handmade shawl of beige silk. Edge is fringed.shawl costume-female handcraft silk -
Uniting Church Archives - Synod of Victoria
photograph, 16/12/1952
Irving Benson (1897 - 1980), Methodist clergyman, journalist and social reformer. Ordained in 1919, minister at Toorak Methodist 1918 - 1923, Daley St. Brunswick 1923 - 1926, Wesley Church Melbourne 1926 - 1967. Superannuated 1967. William Morris (Billy) Hughes (1862 - 1952) was the Prime Minister of Australia 1915 - 1923.B & W photograph of the Rt Hon W. M. Hughes standing in the pulpit of Wesley Church Melbourne. Rev Dr Clarence Irving Benson is seated behind him.irving benson, methodist, toorak, brunswick, wesley church, billy hughes, prime minister -
Uniting Church Archives - Synod of Victoria
photograph, 16 January 1952
Irving Benson (1897 - 1980), Methodist clergyman, journalist and social reformer. Ordained in 1919, minister at Toorak Methodist 1918 - 1923, Daley St. Brunswick 1923 - 1926, Wesley Church Melbourne 1926 - 1967. Superannuated 1967. William Morris (Billy) Hughes (1862 - 1952) was the Prime Minister of Australia 1915 - 1923.B & W gloss photograph of a seated Rt Hon W. M. Hughes speaking with Rev Dr Clarence Irving Benson.irving benson, methodist, toorak, brunswick, wesley church, billy hughes, prime minister -
Flagstaff Hill Maritime Museum and Village
Equipment - Distant Signal, 1897-1931
This three-dimensional Distant Signal is part of a Flagstaff Signal set of ball, cone and drum shapes. It has been woven and then fabricated with strong metal swivel fittings and loops for suspending from a high point on a flagstaff at a signal station or on a ship’s masthead. The cane signal was constructed to withstand all weather and to be visible from a long distance. The gaps between the woven cane allow air to pass through, minimising possible swaying. Similar sets were made from rope or fabric. Warrnambool's Flagstaff was erected in 1854. Its primary use was to display visual signals that could convey messages between land and sea. It was also used to notify the local population of the approach of ships. One of the popular signalling codes in use in the early-to-mid 1800s was the Marryat’s Code but there were others in use as well; there was no one standard code. In 1857 the International Marine Conference adopted an International Code of Signals as a standard communications system for all vessels that could be understood in many different languages. The Normanby Advertiser reported on June 5th 1857 a query from the Post Master General as to whether the request of the Chief Harbour Master would be carried out, in that Warrnambool would receive a new flagstaff and a set of Marryatt’s signal flags. The Table of Codes was published, showing how to use combinations of these flags to send messages. The Code was revised in 1887 to cover situations where distance, light, wind and weather conditions affected the visibility of the flags and prevented clear communication. The first report of the International Code of Signals Committee of 1897 warned signalmen not to rely on ordinary semaphore flags and introduced a Distant Signal Code using either particular semaphore flags or the three-dimensional shapes of a ball, cone and drum that aligned with the semaphore flag shapes of a circle, pennant and square. International Code of Signals In 1931, after World War I’s experiences in using signal codes, the International Code of Signals conference in Washington revised and published the rules for the conduct of signalling. One of the changes was that “the use of the Distant Signals and of fixed semaphore was abandoned”. It is of interest to know that modern marine law in many countries insists that a set of Day Shapes must be carried onboard vessels of a certain size. These highly visible geometric shapes are used at sea in daylight to communicate messages between vessels. They are used in a similar way to the Distant Signals, in that different combinations of shapes represent different messages. The set of shapes includes a ball, cylinder, cone and diamond. The shapes are hung between the top of the vessel’s foremast and the front of the vessel. They are only coloured black and are about 1.5 metres high. The vertical line of shapes can mean messages such as Boat not under command, Fishing, and Under sail and power.Distant Signals were an important means of marine communication from the late 1880s to the early 1930s, including during World War I. They were an advancement to the International Shipping Codes and safety. The cane signals’ shapes appear to be the same from whatever direction they are viewed, removing confusion about the message they convey. The same shapes continue to be used today for the sets of Day Shapes used as marine navigational signals that are mandatory on certain-sized vessels.Distant Signal Ball, part of a Flagstaff signal set. A round woven cane ball, painted black, with a metal rod passing through the centre. The rod has a loop at each end, then a concave, octagonal metal plate that rests on the outside surface of the ball, serving as a washer. The rod has swivels at each end.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, distant signal, signal, maritime signal, ball signal, signal shape, flagstaff signal, signal station, masthead signal, communications, marine technology, signals, marine signals, flaghoists, international marine conference, international code of signals, signal codes, marine safety, signal flags, day shape, daymark, day symbol, navigation, warrnambool flagstaff, 1854, 1857 1931, 1887, 1897 -
Flagstaff Hill Maritime Museum and Village
Equipment - Distant Signal, 1897-1931
This three-dimensional Distant Signal is part of a Flagstaff Signal set of ball, cone and drum shapes. It has been woven and then fabricated with strong metal swivel fittings and loops for suspending from a high point on a flagstaff at a signal station or on a ship’s masthead. The cane signal was constructed to withstand all weather and to be visible from a long distance. The gaps between the woven cane allow air to pass through, minimising possible swaying. Similar sets were made from rope or fabric. Warrnambool's Flagstaff was erected in 1854. Its primary use was to display visual signals that could convey messages between land and sea. It was also used to notify the local population of the approach of ships. One of the popular signalling codes in use in the early-to-mid 1800s was the Marryat’s Code but there were others in use as well; there was no one standard code. In 1857 the International Marine Conference adopted an International Code of Signals as a standard communications system for all vessels that could be understood in many different languages. The Normanby Advertiser reported on June 5th 1857 a query from the Post Master General as to whether the request of the Chief Harbour Master would be carried out, in that Warrnambool would receive a new flagstaff and a set of Marryatt’s signal flags. The Table of Codes was published, showing how to use combinations of these flags to send messages. The Code was revised in 1887 to cover situations where distance, light, wind and weather conditions affected the visibility of the flags and prevented clear communication. The first report of the International Code of Signals Committee of 1897 warned signalmen not to rely on ordinary semaphore flags and introduced a Distant Signal Code using either particular semaphore flags or the three-dimensional shapes of a ball, cone and drum that aligned with the semaphore flag shapes of a circle, pennant and square. International Code of Signals In 1931, after World War I’s experiences in using signal codes, the International Code of Signals conference in Washington revised and published the rules for the conduct of signalling. One of the changes was that “the use of the Distant Signals and of fixed semaphore was abandoned”. It is of interest to know that modern marine law in many countries insists that a set of Day Shapes must be carried onboard vessels of a certain size. These highly visible geometric shapes are used at sea in daylight to communicate messages between vessels. They are used in a similar way to the Distant Signals, in that different combinations of shapes represent different messages. The set of shapes includes a ball, cylinder, cone and diamond. The shapes are hung between the top of the vessel’s foremast and the front of the vessel. They are only coloured black and are about 1.5 metres high. The vertical line of shapes can mean messages such as Boat not under command, Fishing, and Under sail and power.Distant Signals were an important means of marine communication from the late 1880s to the early 1930s, including during World War I. They were an advancement to the International Shipping Codes and safety. The cane signals’ shapes appear to be the same from whatever direction they are viewed, removing confusion about the message they convey. The same shapes continue to be used today for the sets of Day Shapes used as marine navigational signals that are mandatory on certain-sized vessels.Distant Signal Cone, part of a Flagstaff signal set. A woven cane cone, painted black, with a metal rod passing through the centre and two crossed metal bars at the base. The central rod has a loop at the top and passes through the bars at the base, finishing in a metal loop. The rod has swivels at each end.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, marine navigation, marine communications, communication signal, lifesaving, ship at sea, day shape, masthead signal, day signal, day mark signals, marine technology, safety equipment, navigation equipment, marine day shape, day marker, cane day shape, signal cone, day signal cone, cone signal, cone day shape, distant signal, flagstaff signal, signal station, communications, signals, marine signals, flaghoists, international marine conference, international code of signals, signal codes, marine safety, signal flags, daymark, day symbol, navigation, warrnambool flagstaff, 1854, 1857 1931, 1887, 1897 -
Flagstaff Hill Maritime Museum and Village
Equipment - Distant Signal, 1897-1931
This three-dimensional Distant Signal is part of a Flagstaff Signal set of ball, cone and drum shapes. It has been woven and then fabricated with strong metal swivel fittings and loops for suspending from a high point on a flagstaff at a signal station or on a ship’s masthead. The cane signal was constructed to withstand all weather and to be visible from a long distance. The gaps between the woven cane allow air to pass through, minimising possible swaying. Similar sets were made from rope or fabric. Warrnambool's Flagstaff was erected in 1854. Its primary use was to display visual signals that could convey messages between land and sea. It was also used to notify the local population of the approach of ships. One of the popular signalling codes in use in the early-to-mid 1800s was the Marryat’s Code but there were others in use as well; there was no one standard code. In 1857 the International Marine Conference adopted an International Code of Signals as a standard communications system for all vessels that could be understood in many different languages. The Normanby Advertiser reported on June 5th 1857 a query from the Post Master General as to whether the request of the Chief Harbour Master would be carried out, in that Warrnambool would receive a new flagstaff and a set of Marryatt’s signal flags. The Table of Codes was published, showing how to use combinations of these flags to send messages. The Code was revised in 1887 to cover situations where distance, light, wind and weather conditions affected the visibility of the flags and prevented clear communication. The first report of the International Code of Signals Committee of 1897 warned signalmen not to rely on ordinary semaphore flags and introduced a Distant Signal Code using either particular semaphore flags or the three-dimensional shapes of a ball, cone and drum that aligned with the semaphore flag shapes of a circle, pennant and square. International Code of Signals In 1931, after World War I’s experiences in using signal codes, the International Code of Signals conference in Washington revised and published the rules for the conduct of signalling. One of the changes was that “the use of the Distant Signals and of fixed semaphore was abandoned”. It is of interest to know that modern marine law in many countries insists that a set of Day Shapes must be carried onboard vessels of a certain size. These highly visible geometric shapes are used at sea in daylight to communicate messages between vessels. They are used in a similar way to the Distant Signals, in that different combinations of shapes represent different messages. The set of shapes includes a ball, cylinder, cone and diamond. The shapes are hung between the top of the vessel’s foremast and the front of the vessel. They are only coloured black and are about 1.5 metres high. The vertical line of shapes can mean messages such as Boat not under command, Fishing, and Under sail and power.Distant Signals were an important means of marine communication from the late 1880s to the early 1930s, including during World War I. They were an advancement to the International Shipping Codes and safety. The cane signals’ shapes appear to be the same from whatever direction they are viewed, removing confusion about the message they convey. The same shapes continue to be used today for the sets of Day Shapes used as marine navigational signals that are mandatory on certain-sized vessels.Distant Signal Ball, part of a Flagstaff signal set. A round woven cane ball, painted black, with a metal rod passing through the centre. The rod has a loop at each end, then a concave, octagonal metal plate that rests on the outside surface of the ball, serving as a washer. The rod has swivels at each end.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, marine navigation, marine communications, communication signal, lifesaving, ship at sea, day shape, masthead signal, day signal, day mark signals, marine technology, safety equipment, navigation equipment, marine day shape, day marker, cane day shape, signal ball, day signal ball, ball signal, ball day shape, distant signal, flagstaff signal, signal station, communications, signals, marine signals, flaghoists, international marine conference, international code of signals, signal codes, marine safety, signal flags, daymark, day symbol, navigation, warrnambool flagstaff, 1854, 1857 1931, 1887, 1897 -
Flagstaff Hill Maritime Museum and Village
Equipment - Distant Signal, 1897-1931
This three-dimensional Distant Signal is part of a Flagstaff Signal set of ball, cone and drum shapes. It has been woven and then fabricated with strong metal swivel fittings and loops for suspending from a high point on a flagstaff at a signal station or on a ship’s masthead. The cane signal was constructed to withstand all weather and to be visible from a long distance. The gaps between the woven cane allow air to pass through, minimising possible swaying. Similar sets were made from rope or fabric. Warrnambool's Flagstaff was erected in 1854. Its primary use was to display visual signals that could convey messages between land and sea. It was also used to notify the local population of the approach of ships. One of the popular signalling codes in use in the early-to-mid 1800s was the Marryat’s Code but there were others in use as well; there was no one standard code. In 1857 the International Marine Conference adopted an International Code of Signals as a standard communications system for all vessels that could be understood in many different languages. The Normanby Advertiser reported on June 5th 1857 a query from the Post Master General as to whether the request of the Chief Harbour Master would be carried out, in that Warrnambool would receive a new flagstaff and a set of Marryatt’s signal flags. The Table of Codes was published, showing how to use combinations of these flags to send messages. The Code was revised in 1887 to cover situations where distance, light, wind and weather conditions affected the visibility of the flags and prevented clear communication. The first report of the International Code of Signals Committee of 1897 warned signalmen not to rely on ordinary semaphore flags and introduced a Distant Signal Code using either particular semaphore flags or the three-dimensional shapes of a ball, cone and drum that aligned with the semaphore flag shapes of a circle, pennant and square. International Code of Signals In 1931, after World War I’s experiences in using signal codes, the International Code of Signals conference in Washington revised and published the rules for the conduct of signalling. One of the changes was that “the use of the Distant Signals and of fixed semaphore was abandoned”. It is of interest to know that modern marine law in many countries insists that a set of Day Shapes must be carried onboard vessels of a certain size. These highly visible geometric shapes are used at sea in daylight to communicate messages between vessels. They are used in a similar way to the Distant Signals, in that different combinations of shapes represent different messages. The set of shapes includes a ball, cylinder, cone and diamond. The shapes are hung between the top of the vessel’s foremast and the front of the vessel. They are only coloured black and are about 1.5 metres high. The vertical line of shapes can mean messages such as Boat not under command, Fishing, and Under sail and power.Distant Signals were an important means of marine communication from the late 1880s to the early 1930s, including during World War I. They were an advancement to the International Shipping Codes and safety. The cane signals’ shapes appear to be the same from whatever direction they are viewed, removing confusion about the message they convey. The same shapes continue to be used today for the sets of Day Shapes used as marine navigational signals that are mandatory on certain-sized vessels.Distant Signal Cone, part of a Flagstaff signal set. A woven cane cone, painted black, with a metal rod passing through the centre and two crossed metal bars at the base. The central rod has a loop at the top and passes through the bars at the base, finishing in a metal loop. The rod has swivels at each end.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, marine navigation, marine communications, communication signal, lifesaving, ship at sea, day shape, masthead signal, day signal, day mark signals, marine technology, safety equipment, navigation equipment, marine day shape, day marker, cane day shape, signal cone, day signal cone, cone signal, cone day shape, distant signal, flagstaff signal, signal station, communications, signals, marine signals, flaghoists, international marine conference, international code of signals, signal codes, marine safety, signal flags, daymark, day symbol, navigation, warrnambool flagstaff, 1854, 1857 1931, 1887, 1897 -
Flagstaff Hill Maritime Museum and Village
Equipment - Distant Signal, 1897-1931
This three-dimensional Distant Signal is part of a Flagstaff Signal set of ball, cone and drum shapes. It has been woven and then fabricated with strong metal swivel fittings and loops for suspending from a high point on a flagstaff at a signal station or on a ship’s masthead. The cane signal was constructed to withstand all weather and to be visible from a long distance. The gaps between the woven cane allow air to pass through, minimising possible swaying. Similar sets were made from rope or fabric. Warrnambool's Flagstaff was erected in 1854. Its primary use was to display visual signals that could convey messages between land and sea. It was also used to notify the local population of the approach of ships. One of the popular signalling codes in use in the early-to-mid 1800s was the Marryat’s Code but there were others in use as well; there was no one standard code. In 1857 the International Marine Conference adopted an International Code of Signals as a standard communications system for all vessels that could be understood in many different languages. The Normanby Advertiser reported on June 5th 1857 a query from the Post Master General as to whether the request of the Chief Harbour Master would be carried out, in that Warrnambool would receive a new flagstaff and a set of Marryatt’s signal flags. The Table of Codes was published, showing how to use combinations of these flags to send messages. The Code was revised in 1887 to cover situations where distance, light, wind and weather conditions affected the visibility of the flags and prevented clear communication. The first report of the International Code of Signals Committee of 1897 warned signalmen not to rely on ordinary semaphore flags and introduced a Distant Signal Code using either particular semaphore flags or the three-dimensional shapes of a ball, cone and drum that aligned with the semaphore flag shapes of a circle, pennant and square. International Code of Signals In 1931, after World War I’s experiences in using signal codes, the International Code of Signals conference in Washington revised and published the rules for the conduct of signalling. One of the changes was that “the use of the Distant Signals and of fixed semaphore was abandoned”. It is of interest to know that modern marine law in many countries insists that a set of Day Shapes must be carried onboard vessels of a certain size. These highly visible geometric shapes are used at sea in daylight to communicate messages between vessels. They are used in a similar way to the Distant Signals, in that different combinations of shapes represent different messages. The set of shapes includes a ball, cylinder, cone and diamond. The shapes are hung between the top of the vessel’s foremast and the front of the vessel. They are only coloured black and are about 1.5 metres high. The vertical line of shapes can mean messages such as Boat not under command, Fishing, and Under sail and power.Distant Signals were an important means of marine communication from the late 1880s to the early 1930s, including during World War I. They were an advancement to the International Shipping Codes and safety. The cane signals’ shapes appear to be the same from whatever direction they are viewed, removing confusion about the message they convey. The same shapes continue to be used today for the sets of Day Shapes used as marine navigational signals that are mandatory on certain-sized vessels.Distant Signal Ball, part of a Flagstaff signal set. A round woven cane ball, painted black, with a metal rod passing through the centre. The rod has a loop at each end, then a concave, octagonal metal plate that rests on the outside surface of the ball, serving as a washer. The rod has swivels at each end.distant signal, flagstaff signal, signal station, masthead signal, communications, marine technology, signals, marine signals, flaghoists, international marine conference, international code of signals, signal codes, marine safety, signal flags, day shape, daymark, day symbol, navigation, warrnambool flagstaff, 1854, 1857 1931, 1887, 1897 -
Orbost & District Historical Society
Photograph - black and white photograph
This fine wooden building is located in Browning Street, Orbost and is now (2022) used as the St Andrews Uniting Church Hall. It has a supper room and toilets attached and is a hall that has been used for many community purposes including a Flower Show, exhibitions, concerts, Sunday School, and Harvest Festival etc. In1977, the Orbost Presbyterian Church became the Orbost Uniting Church and the old church became a hall when a new church was built nearby. an excellent photograph of this building which shows the original fence A b/w photograph of a building which is a church with the entrance to the front of the picture. A fence made partly of post and rail, and of white picket in the front of the photo. Some trees in the background. No people can be seen. On back of this photo: 'The first Presbyterian services were held by Rev. Charles Atwood in 1885. He held services in the Mechanics Institute for 5 years. The Presbyterian Church was opened on 9th January 1898. Timber was cut at Richardson's Tabbara mill. Mr R P Cameron built the Church.'presbyterian church, orbost -
Arapiles Historical Society
Government Gazettes, Victorian Goverment Gazettes, 1886-1952
Loosely bound pages, some with maroon and grey hard cover, from various yearsVictorian Government Gazette, crown coat of arms, dates: 1886, 1889, 1891, 1894, 1895, 1896, 1897, 1901, 1902, 1906, 1907, 1912, 1913, 1914, 1915, 1928, 1929, 1933, 1935, 1938, 1939, 1941, 1942, 1943, 1944, 1945, 1952. -
Bendigo Military Museum
Honour Board - 38th BN BATTLE HONOURS, Unknown
This board shows there are 7 Battle Honours which includes South Africa 1898 - 1902. This is due to Lineage pre the formation of the 38th BN in June 1916 in Bendigo. Refer Cat No 4435 for the actual 38th Bn Colours. This item is on display in the rear foyer entrance of the Bendigo District RSL in Havilah Road. Refer Cat No 8141P for the history of donation and placement across the RSL.Large board with brown/red background with ornate edge all round, each side are the Battle Honours of the Battalion in scroll formation, at the top central is the Colour Patch of the Battalion, the “38th” under that then”Battalion AIF”, at the bottom in a scroll is “France & Flanders 1916 - 18”brsl, smirsl, bdrslinc, 38th, battle honours -
Bendigo Military Museum
Instrument - BUGLE, GERMAN WW1, 1914-1918
Ref See "FLEMING". 1. THIS COAT OF ARMS WAS ONE OF THE KINGDOM OF PRUSSIA'S. The sword and the mace pattern was used between about 1803 - 1898. (It was superseded by a sword and orb with a cross surmounted on the ord). This second pattern lasted til 1918 with the fall of the House of Hohenzouern). 2. CHR REISSER was a well known instrument maker in those days. 3. ULM is a town in Wurtemberg, Germany.This is a brass bugle. On top is a crest, it is set in a raised circle. It features an eagle wearing a crown - wings spread. One talon has a sword, the other talon has what appears to be a mace. The mouthpiece is secured with a short brass chain.Stamped at opening of the outside is "CHR REISSER" "ULM"ww1, bueles, germanic, bugle -
Warrnambool and District Historical Society Inc.
Crockery, Serving dish x 2, Between 1900 and 1920
These two serving dishes or tureens have been made by the English firm of Myott, Son & Co. early in the 20th century (Art Nouveau design). Ashley Myott established the business in 1898 and later his brother joined the business. In 1976 the firm merged with the Alfred Meakin Company but today it is owned by the Churchill Pottery Group. The dishes have no known local provenance. These dishes are kept because they are attractive items in good order and examples of the type of dishes bought for use in the more affluent households early in the 20th century They will be useful for display purposes These are two identical china serving dishes with lids. The bases of the dishes are circular with the bowl section having twelve-sided edges and two handles with black patterns. The tops of the bowl have two black lines around the edges with two ornamental patterns in red, grey and black on the top edges. The lids also have twelve sided edges and have the same black lines, four of the coloured designs and handles with black patterning. On the bases are a gold-coloured crown with the maker’s details. ‘Myott, Son & Co. Ltd.’ myott & co, art nouveau, warrnambool, art nouveau serving dishes -
Port of Echuca
Photograph, Gem around 1931 at Lock 7 (Renmark/Wentworth, 1980
Details of the P.S Gem: Construction; Composite 40 h.p Tonnage : 228 Gross, 183 net. Length; 133.6 ft. Breadth; 20.7 ft. Depth; 6.6 ft. Date of Registry; Adelaide, 1876 No. 74,652 Built at Moama, N.S.W 1876 Owners: River Murray N. Co. Ref; 'The Register of Australian and New Zealand Shipping 1898' pp 55. This is a photograph showing a large paddle steamer; The Gem in midstream . It is situated near Lock 7 in South Australia even though the Lock is out of sight.A black and white photograph of the P.S Gem believed to have been taken about 1931. In the foreground is a small moored row boat.Written on the back in lead pencil, Gem around 1931 at Lock 7. (Ren / Went)paddle steamers, murray river, p.s gem, shipping, lock 7, renmark, wentworth, price family collection -
Flagstaff Hill Maritime Museum and Village
Instrument - Clock, 1920s
It is possible that this may have been a wedding present or gift to Roy Wines and or his family as his name is scratched on the bottom. Roy was married in 1924 in Warrnambool. Roy Arthur Wines was Born in 1897 in Mailors Flat Victoria Australia and Died in 1980 in Ballarat. Roy lived for a number of years in Warrnambool during his married life.A massed produced item that at the time was cheap to buy with no makers mark or date stamp thousands would have been produced using a mould to make the ceramic case in two half's by pouring liquid clay into the mould and then joining the half's together when cured. This item could have been produced in Holland at any number of pottery factories at this time for export in vast quantities.Ceramic clock; the mechanism is plated steel and set in a ceramic case with glass over the face. The ceramic base colour is white with royal blue ceramic colour to the front and sides only. The blue ceramic has been painted over with lime green house paint on the front and sides. An inscription of a handwritten name is on the case and a hard-to-read model or batch number is on the cast base. Handwritten "Roy Wines" Cast number "6072"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, clock, roy wines, ceramic, ceramic clock, horology, time keeper, travel clock, bedside clock, timepiece -
Hume City Civic Collection
Photograph, c1897
The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill / Sunbury / April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental Health Collection. During 2000 this was transfered from Mont Park to the Royal melbourne Hospital.Two men are standing near a garden with a dwelling on the right hand side of the image. There are trees in the background. Unmounted black and white.walls, w., sunbury asylum, walls album, george evans collection -
Hume City Civic Collection
Photograph, c1897
The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.Photograph of house with four chimneys and a shed at the back, with a garden and a wire fence and a white gate. Unmounted black and white.walls, w., walls album, george evans collection -
Hume City Civic Collection
Photograph, c1897
The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.Photo of St Mary's Catholic Church in Macedon Street, Sunbury. Shows church behind a picket fence and St Mary's Catholic School next door. Unmounted black and white.walls, w., walls album, st mary's catholic church, st mary's catholic school, our lady of mount carmel, george evans collection -
Hume City Civic Collection
Photograph
The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.The photo of St Mary's Anglican Church has been taken from Stawell Street, Sunbury. There is a picket fence along the street line and trees in the churchyard and along the roadway. Unmounted black and white.walls, w., sunbury asylum, walls album, george evans collection -
Hume City Civic Collection
Photograph
The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.Two woman are playing tennis on a court which is surrounded by a wire fence. In the background there are trees and a building with a paling fence. Unmounted black and whitewalls, w., sunbury health library, walls album, george evans collection -
Hume City Civic Collection
Photograph
The original photo is part of an album taken by W.Walls, the front page of which is inscribed "The Hill/Sunbury/April 1897". Whilst most of the photos relate to the environs of the asylum, there are others taken around Sunbury and elsewhere. The original album is held as part of the Mental health Collection. During 2000 this was transferred from Mont Park to the Royal Melbourne Hospital.This is a creek scene with a hill in the background. Unmounted black and whitewalls, w., walls album, george evans collection