Originally the J A & A Templeton Funeral Parlour workshop, it was built in 1930 and was situated by his house in Traralgon.A small timber shop, rectangular in shape with a gabled corrugated iron roof. It has a verandah running along the front of the building, and there is a large billboard on the roof. There is a shed fixed to one side with a corrugated iron roof.Sign writing on the outside of the buildingfuneral directors, funeral parlour, traralgon, old gippstown, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, j a & a templeton, old gippstown heritage park, latrobe valley, latrobe city council

One-room police station was built in 1869 in Maffra and moved c.1882 to a new site in Maffra, by the new police residence office. The office was enlarged in 1936, incorporating the old police station.High local historic significance on account of age.A small timber building, rectangular in shape with a gabled corrugated iron roof. There is a small hood over the rear entrance of the station.police, maffra, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, wellington shire, old gippstown heritage park, latrobe valley, law, latrobe city council

Built at Old Gippstown from secondhand materials during the 1970sRectangular-shaped timber shed, with a corrugated iron roof. It has a back and two side walls, while the front is open for access.shed, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, bushy park, old gippstown heritage park, latrobe valley, farm shed, latrobe city council, gunaikurnai

From Victorian Heritage: The single storey mansion house with enclosed glass verandah, Burswood was built in 1853 on a site overlooking the Portland Bay for English born pioneer colonist Edward Henty. John Barrow of Adelaide was the architect for this exceptional Australian regency style residence which he designed as a central block of fine axed basalt ashlar and slate roof (now replaced) with flanking brick wings forming an enclosed rear courtyard. Burswood is the most important early mansion house in western Victoria, being an exceptional Australian regency design by distinguished colonial architect James Barrow. Edward Henty, a member of one of Australia's most remarkable colonial families and the founder of Portland, established the first permanent settlement in Victoria on 19th November 1834, and Burswood is testimony to his success as an early colonist. Henty lived in his mansion for 17 years in a semi-regal state. Burswood has been little altered since completion in 1853. A glasshouse conservatory to the side of the present enclosed verandah was demolished prior to 1895 and the slate roof replaced with iron. Johnstone, O’Shannessy & Co was a leading photographic studio located in Melbourne, Victoria, Australia. It was active from 1865 to 1905. Henry James Johnstone was also an artist and studied at Louis Buvelot's school and with Thomas Clark.Painting of a sandstone coloured building. A grand house with a driveway and well-kept gardens to the front. There is a horse and cart with a man standing to the side of it. There is a female figure exiting the building and another female and a man further along the driveway with a dog. The building has a glass conservatory attached to the side. The sky is blue with several fluffy clouds.Bottom right: Johnstone O'Shannessy & Co Melbourne (in white paint)homestead, henty, historic buildings, colonial, burswood house

The Lutheran School in Mackenzie Street was evidently also referred to as the 'German Penny School' because those who attended has to pay a penny per day. The original from which these negatives were produced belongs to Geoff Pedersen of Kamarooka, and was evidently taken in the late 1860's. Note the manse on the side and a portion of the church tower (built 1865) in the background. These negatives are donated to the German Heritage Society Bendigo Incorporated.Empty blue envelope with NEGS written in the top left corner and some typed information: The Lutheran School in Mackenzie Street was evidently also referred to as the 'German Penny School' because those who attended has to pay a penny per day. The original from which these negatives were produced belongs to Geoff Pedersen of Kamarooka, and was evidently taken in the late 1860's. Note the manse on the side and a portion of the church tower (built 1865) in the background. These negatives are donated to the German Heritage Society Bendigo Incorporated. bendigo, german heritage society, german heritage society collection - blue envelope, lutheran school, german penny school, geoff pedersen, german heritage society bendigo inc.

The Lutheran School in Mackenzie Street was evidently also referred to as the 'German Penny School' because those who attended has to pay a penny per day. The original from which these negatives were produced belongs to Geoff Pedersen of Kamarooka, and was evidently taken in the late 1860's. Note the manse on the side and a portion of the church tower (built 1865) in the background. These negatives are donated to the German Heritage Society Bendigo Incorporated.Strip of 3 black and white 35mm negatives. Three pictures of a building. Contained in a white envelope with Penny School x 3 negatives. Copy x 1 (No 12) Very light. Written on it. negative, bendigo, german heritage society, german heritage society collection - negatives - penny school

The Lutheran School in Mackenzie Street was evidently also referred to as the 'German Penny School' because those who attended has to pay a penny per day. The original from which these negatives were produced belongs to Geoff Pedersen of Kamarooka, and was evidently taken in the late 1860's. Note the manse on the side and a portion of the church tower (built 1865) in the background. These negatives are donated to the German Heritage Society Bendigo Incorporated.Three negatives contained in a white Kodak negative re-order bag. Penny School negatives. Bag contained in a bright yellow Kodak re-order envelope. negative, bendigo, german heritage society, german heritage society collection - 3 negatives

Belmont settled by Watkins family. Built 1860's at Main LeadBelmont is of historical, architectural, aesthetic and technical significance to the State of Victoria. Number H0644 on the Victorian Heritage RegisterBelmont Home, Main Lead, 1800'sbeaufort - history

Colour photograph of a drystone building at Yandoit Creek built by Carlo Gervasoni, Luigi Gervasoni, Ambrogio Invernizzi and Giuseppe Giapponigervasoni homestead, swiss italian, heritage, yandoit creek, carlo gervasoni, luigi gervasoni, giuseppe giapponi, ambrogio invernizzi, drystone

Considered the best of the early mud-brick houses built by Alistair Knox. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p143 The Busst house hidden by trees at the corner of Silver Street and Kerrie Crescent is considered the best of the early mud-brick houses built by Eltham architect, Alistair Knox. Knox himself said, that the Busst house was the most mature mud-brick house designed at that period. ‘It related with true understanding to its steep site and expressed the flexibility of earth building ………to develop a new sense of flowing form and shape’. Built in 1948 for artist Phyl Busst, a former art student at Montsalvat, the house helped usher in Eltham Shire’s distinctive mud-brick residential character. Knox was the pivotal figure of the style developed from the 1950s to the 1970s. Scarcity of building materials after World War Two encouraged mud-brick building because earth was a cheap and plentiful building medium. But when Knox began building in mud-brick in 1947, no council in Victoria knew anything of this ancient art and he needed a permit. Fortunately the Commonwealth Experimental Building Station at Ryde in NSW, had been experimenting with earth construction to help overcome the shortages of that time. They published a pamphlet that became available in Melbourne on the same day the Eltham Council was to consider whether the earth building should be allowed. Knox caught one of the three morning trains to the city in those days and bought several copies of the pamphlet to give to each councillor. On his return he found the councillors standing on the steps of the shire offices after lunch at the local hotel. He heard that earth building had been discussed before lunch and that they were not in favor of it. Knox gave each councillor a pamphlet. They passed that plan and by doing so, opened the door for all future earth building in Victoria and by default, in Australia. Mud-brick houses attracted artists to Eltham, for their aesthetic appeal and because they were cheap. Those who built their own houses, included film maker Tim Burstall, artists Peter Glass, Clifton Pugh, Matcham Skipper, Sonia Skipper and husband Jo Hannan. For Knox, mud-brick building was more than just a cheap building medium. He saw it as harmonising with the surrounding bush and as a way of counteracting the growing materialism of the age. He wrote of its impact on ‘ 20th century man. It should counteract the confusion that the perpetual flow of high technology products have upon him ..’ Building the Busst house on a steep site was difficult because most earth-moving equipment was then in its infancy. For instance drilling for explosives was done by hand, which was a slow and painful process. Knox, assisted by his foreman Horrie Judd and Gordon Ford (who was to become a famous landscape designer), built two large main rooms - a living room/ kitchen downstairs - and upstairs, a studio/bedroom. The studio/bedroom opens onto the balcony, which covers the living area. The bath made of solid concrete by stonemason Jack Fabro, is particularly deep. Sunshine pours through the three French windows of the north-east facing kitchen/living area, which is lined with timber. The large hearth can fit a family around the fire while the timber floors and solomite (compressed straw) ceilings add to the cosy atmosphere. The garden is thick with trees, and in the late 1990s, Ford put in a pool near the original dry wall he had built as a young man.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox, alistair knox design, busst house, kerrie crescent, mudbrick construction, mudbrick houses, silver street

The gardens of Ovens District Hospital were laid out and planted by R H Jenkyns in 1874. Over 200 species of trees and shrubs were planted, including several large Himalayan Cedars (Cedrus deodora), a Coast Redwood (Sequoia sempervirens), rare Scots Pine (Pinus sylvestris), Pencil Cedar (Juniperus virginiana), Bunya Bunya Pines (Araucaria bidwillii), a Purple-leaved Dutch Elm (Ulmus x hollandica 'Purpurascens'), American Ash (Fraxinus americana), Pinus radiata, and numerous Populus alba trees and suckers. The gardens were considered integral to the healing process, also including orchards and kitchen gardens. In the 1880s, tourists flocked to Beechworth as the area became recognised as a health resort and picturesque beauty spot. Although the hospital closed in 1940, and parts were subsequently demolished, the gardens remain and form part of the site's listing on the Victorian Heritage Register. This photograph is part of a collection of items held by the Burke Museum relating to Ovens District Hospital. At the time of being built, the Ovens District Hospital was the only hospital between Melbourne, Victoria, and Goulburn, New South Wales, treating patients from all of north-east Victoria, including Indigo Shire.Black and white stereoscopic photograph mounted on card.Reverse: 97-2292 / View up centre path of Hospital / A03177 / BMM3177 / Note: A03178 / View of the central path of the Ovens Hospital / (Church St) Beechworthovens hospital, hospital garden, gardens and parks, ovens district hospital

This is a framed photograph of the men's pool at the Warrnambool Salt Water Baths. These Baths were originally built at the end of Gilles Street on the line of the present railway line in 1876 but were rebuilt in 1889 further north in Gilles Street when the railway line was opened. The water was pumped from the sea, initially by a windmill and later by a gas pump. The men's pool was 100 feet by 50 feet and the women's pool was 60 feet by 30 feet with bathing strictly segregated in the 19th century. A building nearby housed marble cubicles with hot spa baths with the water heated on the site and a caretaker's cottage completed the complex. Men's nude bathing was a feature of the early 20th century. Originally built by a local public company the Baths were taken over by the Warrnambool Council. These baths were superseded by the opening in 1961 of an Olympic Pool In Warrnambool. The site and the remaining buildings of the old sea water baths are now heritage-listed and today form part of the headquarters of the Warrnambool and District Historical Society.This photograph is of historical significance as a depiction of the Warrnambool Salt water Baths in the early 20th century. These Baths were the basis for promoting Warrnambool as a health and spa resort town in the late 19th and early 20th centuries.This is a framed black and white photograph of the men's pool at the Warrnambool Salt Water Baths. It depicts men and boys swimming in the circular pool and one male on the diving board. All these men are naked. There are other clothed males and clothed attendants wearing hats and waistcoats. The change rooms are on the right side of the photograph and there is a fence with trees behind. The photograph is mounted on cardboard with a gilt edge and is held in a wooden ridged frame behind glass. warrnambool sea water baths, sea baths, warrnambool pool, gilles street

Newspaper clipping or magazine cutting photocopy of two sheets - from Inherit, July 2006, pp 6 and7 of an article titled "Historic Tram Shelters", written by Paula Judson. Sub-titled "1906-2006: 100 years of the electrification of Melbourne Tramways". Looks at addition of the tram shelters to the Register of Historic buildings, an overview of the trusts, the shelters and why they were built, gives examples of Dandenong Road, costs, architects such as Leonard J. Flannagan/ Has photos of three of the shelters, Balaclava and Orrong Road, Dandenong and Hawthorn Road and Cotham and Burke Roads.Along the bottom edge of the first sheet "Inherit July 2006 pp6,7" in black ink.trams, tramways, shelters, heritage victoria, pmtt, htt

A slab construction cottage built in Ripplebrook in 1880 as a home for a single female landowner by the name of Ada Donaldson, and later relocated to Labertouche. It was donated to Old Gippstown by the Mason-Brook Pastoral Co. of Labertouche. A small building of horizontal timber slabs. It has a verandah over the front entrance and the front porch, a main living area with a cast iron stove in the fireplace and a separate room (probably a bedroom). There is a stone chimney on the back wall and the roof is shingled. Originally a cottage in its own right, the slab kitchen is now a part of the Bushy Park display.Medium local historic significance.A small building of horizontal timber slabs. It has a verandah over the front entrance and the front porch. There is a stone chimney on the back wall and the roof is shingled. This building was built in 1880sout kitchen, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, timber slab cottage, ripplebrook, labertouche, mason-brook pastoral co., baw baw shire, latrobe valley, old gippsland heritage park, gunaikurnai, latrobe city council

2903 SUNNY CREEK formerly YARRAGON EAST. Sunny Creek State School, first called Yarragon East, was situated on Sunny Creek Road between Yarragon and Trafalgar and was opened in 1888. It was generally served by two teachers or a Head Teacher assisted by a Sewing Mistress. Edwin Mann taught there for 35 years, with his wife, Mrs Mann, as the Sewing Mistress for some years. [Extracted from Vision and Realisation: A Centenary History of State Education in Victoria, Vol. 3, 1973. This does not contain any details of the actual construction of the school, which is a typical Education Department building, and may date from later than 1888]High local historic significance, with some social significance: reunions of old students still held. (Dr Linda Young, Deakin University, significance assessment July 2009)Single-classroom State School. It is a rectangular-shaped timber building with weatherboard walls, timber frame and corrugated iron roof. An outside verandah is situated along the side of the building. Inside there is a small entry porch, a blackboard the length of the room (with fireplace) and a small store-room/cloak room. Built in 1888Has a name board above the front window that reads " SUNNY CREEK SCHOOL SS2903".school, sunny creek, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mines, victorian era, moe, historical village, education, sunny creek road, baw baw shire, yarragon east, latrobe valley, old gippsland heritage park, latrobe city council, board of education

A small timber church, containing an entrance area, congregation area, vestry and a small store room. The main part of the church is rectangular, but the smaller rooms give the building a 'T' shape. The roof is 'A' framed and is corrugated iron. There are three crosses on the roof; one on the entrance and two on the main building; one on the front and one at the rear. There is a bell in the yard. Built in 1895moe, church, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, historical village, church of england, holy trinity anglican church, rev. c.j. chambers, latrobe valley, old gippsland heritage park, latrobe city council

Photocopy of two newspaper articles about the consultation for the redevelopment of the former Hawthorn Tram Depot "Old trams to bet boost as depot reaches end of line" - written by Paul Robinson of the Age, dated 19/8/1998 about the study proposals for the future of the Hawthorn tram depot - built around the theme of having a museum there. Quotes ULC document, Mayor of Boroondara, Loreto Davey. Has a view from Wallen Road as a photograph. "Tram depot is saved by the bell" - written by Lyall Johnson of the Age, dated 14/8/1998. Includes a photograph of Margaret Drew at Southbank depot sitting inside V217. Reports on the study for the redevelopment of the site. Quotes the Minister for Transport's Press Release and the Chairman of National Trust's W class Trams Committee, Michael Norbury.trams, tramways, hawthorn tram depot, heritage, minister for transport, tram depot

This private late-nineteenth-century four-wheeled carriage has been built to transport a family or group of passengers with a coachman in the front seat. It can be pulled by one horse, or by two horses if the T-pole is attached. The button fittings along each side of the carriage indicate that a folding roof or hood was once attached. The frame across the front of the carriagewas likely to have been a ‘dashboard’ with a leather or wood covering to prevent water, mud and other particles from splashing onto the passengers. The rear step between the two side-facing bench seats is adjustable to allow for ladies’ long skirts. These rear seats appear to be removable, in which case the carriage could be converted to a wagon to transport goods and equipment. The carriage could have been illuminated by oil or carbide lamps placed into the lamp holders on the sides. The carriage was kept under cover for many years in an open-front sandstone building that also included living quarters and an area that may have been stable. It was at ‘Murweh’ a Warrnambool property at 203 Liebig Street. The home is now Heritage and National Trust Listed and described as a ‘gentleman’s residence’. It was built by James Wotton Shevill in the 1860s. Shevill was a councillor from 1875 to 1878, serving in 1878 as Mayor of the Borough of Warrnambool. Jeremiah Wade lived at Murweh there from 1879-1880. By 1915 F.B. Whitehead and his family were living there, and by 1930 the address was used by Mr T.J. Rome and his family. Thomas James Rome was still using that address in September 1973 after his 100th birthday. It is believed that one of the property’s owners had been an Obstetrician in Warrnambool. The current owner re-told the story that children used to hide in the back section of the carriage and smoke, hidden from the sight of onlookers. He had heard the story from a previous owner.The well-appointed horse-drawn four-wheeled carriage is likely to have first belonged to a local councillor and past Mayor of the town of Warrnambool, J.W. Shervill, whose 1860s city property was the carriage location for many years. The carriage is a rare local example of a town-based lifestyle befitting a prosperous personality of the late 19th century. It adds to the story of Warrnambool's development as a town influenced by the port, wealth gained from shipping and the home place of prominent local people such as the Councillor and later Mayor. The side-facing rear seating is unusual for a passenger carriage. It has the feature of removable rear bench seats, allowing for the dual purpose of a carriage or wagon.Carriage; the Victorian-era horse-drawn four-wheeled open carriage has a coachman’s bench seat across the front and two side-facing bench seats in the rear. There are steps at the front on each side and a centre adjustable step and the back. It has a hinged shaft, two lamp holders and a separate T-pole. The bench seats have padded backrests upholstered in green leather and each has padded armrests at the ends. A rectangular metal frame, likely to have been a dashboard, is mounted across the front of the carriage. It has two inner vertical bars. The carriage's body is painted dark green with crimson highlights on some of the panelling. Decorative oval panels with hand-painted motifs are mounted along the sides. The side panels of the carriage have metal fastener buttons attached. The iron-rimmed wheels have sixteen wooden spokes and copper cuffs on the outside of the hubs, and the rear wheels are higher than the front wheels. Wooden brake blocks are mounted onto the back wheels and are active by a metal lever at the front right side of the carriage. The undercarriage is fitted with leaf springs on each side, mounted from front to back axles. Included are: (1) The separate T-pole that allows two horses to be harnessed to the carriage (2) Leather horse winkers with metal hardware and oval brass plate on the side of each winkerMotif painted on an oval panel [a musical lyre within a blue floral wreath flanked by scrolls] flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, murweh, buggy, cart, carriage, wagon, horse-drawn vehicle, victorian buggy, four-wheeled carriage, coachman’s seat, bench seat, side-facing benches, upholstered seats, victorian decals, heritage vehicle decoration, antique hand painting, hand painted decals, motifs, iron-rimmed wheels, wooden brake blocks, leaf springs, t-pole shaft, rear step, equine carriage, 19th century vehicle, victorian transport, transport, gentleman’s vehicle, james wotton shevill, councillor, mayor, jeremiah wade, f.b. whitehead, thomas james rome, warrnambool obstruction, warrnambool genealogy, warrnambool pioneers, victorian carriage, one horse carriage, two horse carriage, horse drawn carriage

Built in 1924 by Vic Fish to a typical Dahlsen home plan. House let in 1939, but small bungalow retained for own use. Later bought by J Williams and set up as small camp park - Gelia Park.Colour photograph of Echo Beach Holiday Park. Shows a 1920's style dwelling with extension at front. Tiled roof, fibro cladding, at 33 Roadknight Street, Lakes Entrance Victoriafences, houses, heritage study

Built post WW2 as home for Rev Canon Albert E Clark. The decorative brick and stone work on house and in garden built by Canon Clark with assistance of wife and daughter Ruth. Ruth Clark, noted botanist, with particular interest in the ground orchids of East Gippsland, continued living here until her death in Septemebr 1997.Colour photograph of a timber dwelling. Tiled gable roof, sash windows, decorative stone work on chimney, base of house, veranda, paths, garden and front fence. Attractive wrought iron railings atop stone fence, at 7 Williams Road, Lakes Entrance Victoriafences, houses, heritage study

Relocated from 14 Hunter Street, Lakes Entrance, Victoria, when owners had new home built.Colour photograph of a weatherboard dwelling with corrugated iron, hipped and gabled roof. Vernada across half front. Gable decoration above front window. Situated in Byrnes Road, Toorloo Arm, Lakes Entrance, Victoria.houses, fences, heritage study

Built in 1903 by John Wain, Architect Thomas B Dobson, as Rectory for St Nicholas Church of England.Colour photograph of a white painted timber dwelling with corrugated iron roof. Left hand gable projecting from hip roof. Situated at 11 Church Street, Lakes Entrance, Victoria.fences, houses, heritage study

This residence named 'Mourilyan' was built in 1892 beside Harbeck's Store, Lakes Entrance, as a family residence. It was altered and extended in 1927. In 1968 it was relocated to present site in Williams Road. The entrance steps and stonework were constructed by Rev A E Clark. Internal renovations during 1990's. Continually occupied by Harbeck family and descendents. Also a colour photograph of the front entrance of same dwelling in new location at Williams Road, Lakes Entrance. Also one colour photograph of the front entrance of same dwelling in new location at Williams Road Lakes Entrance VictoriaBlack and white photograph of a fibro dwelling on Esplanade, beside Harbecks's Store. Lakes Entrance Victoriahouses, heritage study

House built 1911 for James Carpenter as family home. Original front lawn of violets was venue for Violet Picking Days, around 1920 and 1930. Exterior now aluminium cladding. Occupied by Mac and Margo Kerby, pharmicists, 1960's to early 1980's. Ian Daniel 1990's. Name of house 'Corumbene' Also One Colour photograph of front fence. 02442.1Colour photograph of a substantial weatherboard triple fronted Californian Bungalow. Bull nose veranda returns around angle to side main decorative timber frieze under veranda roof. Two cypress trees and one Norfolk Island Pine of significant age. Situated at 90 Carpenter Street, Lakes Entrance.houses, heritage study

House built on Rogby Island by Mitchelson around 1915, relocated to corner of Lake Street and Barkes Avenue around 1920, then to Phillips Street 1962. Front window altered, veranda frieze removed, side extension of veranda removed.Colour photograph of a timber residence at 3 Phillips Street. Gable roof, fibro cement section under gables. Front door has fanlight above, widow light beside door filled in. Barge board of gables typical of dwellings built by Leo Mitchelson, Lakes Entrance Victoriahouses, heritage study