This dress, which was made around 1820, was passed down through five generations of a single family before its donation to Brighton Historical Society in 2007. It originally belonged to a great-grandmother of Margaret Reynolds (1881-1958) of Hertfordshire, England, who herself came into possession of the dress around the early twentieth century. Having no daughters of her own, in 1945 the 64-year-old Margaret sent the dress as a Christmas gift to her niece, Margaret Willoughby Reynolds (1907-1996). In the letter accompanying the parcel, donated to the Society with the dress, the elder Margaret writes that she loves the dress very much but has now outgrown it. She makes reference to her own mother Mary Reynolds (nee Lloyd)'s pleasure at seeing the dress worn, indicating that it may originally have belonged to one of Mary's grandparents. She had two requests of her niece: first, that the younger Margaret wear the dress on Christmas Eve as a treat for her Mary (the letter includes styling advice on how the dress should be worn and accessorised), and second, that she one day pass the dress on to her own daughter or niece. In March 1968, the younger Margaret gifted the dress to her Australian-born niece, Dorothy May England (nee Reynolds, 1924-2013), along with a letter of her own. Dorothy, a Bayside resident, donated the dress and both letters to the Society in 2007. The letters paint a picture of the significance of the dress within the Reynolds family and its journey from England to Australia.A white, mauve, purple, red, and green paisley / floral printed cotton day dress from circa 1820. The day dress features a wide scooped neckline, with a dropped shoulder line. At the head of the sleeve is has three lines of gathering creating a narrow arm hole around the shoulder, flaring out into a leg of mutton sleeve. The sleeve finishes neatly at the wrist with a cuff that secures with two brass hook and eye closures. The dress bodice is open at the centre front and secures with six hook and eye closures to the empire line waist. Over the breast on either side of the opening are six diagonal pleats, pressed and secured facing towards the neck. This pleated detail is on a facing that extends from shoulder to shoulder and finishes with a bound edge. The remainder of the front bodice is plain and secures to the skirt at the empire waistline. The skirt pleats onto a binding, wrapping around the torso and securing to the bodice with eight hook closures. At approximately knee, height the skirt has an additional gathered flounce with the dress finishing at approximately ankle length. From the back, the bodice is plain and the skirt is gathered and sewn to the bodice at Empire line. Alterations to the garment have been made with the addition of hooks and eyes. The garment is generally in good condition although the skirt at the front shows evidence of damage and subsequent repair.day dress, 1820s, migration, dorothy may england, margaret willoughby reynolds, margaret reynolds

The Australian Army bugle is a brass musical instrument used primarily for Military Purposes including signaling, commands, ceremonies and other official functions. They are no longer used in battle but still used as part of tradition.Brown/gold coloured bugle. Small hook at top so as to be able to attach it. Mouthpiece comes loose and inserted into the air pipe. Bugle is in the form of a mouthpiece inserted into a simple hollow tube of metal that circles twice before coming out to form into a widening tunnel.Mouthpiece has "Vincent Back Corp - 2 3/4c" engraved.brass bugle, musical instrument

This Hookey board was made of metal unlike many made of wood. The Mt Beauty Rural Fire Brigade was established by the State Electricity Commission of Victoria as an 'industry' brigade. When Mt Beauty was handed over to the Shire in 1961, the Fire Brigade became a member of the Country Fire Authority (C.F.A.). Today it is an urban fire brigade.This Hookey board was used by the members of the Mt Beauty Rural Fire Brigade from 1948 when the State Electricity Commission established the brigade. Grey metal round board with edge. 13 metal hooks spaced on front with embossed numbers 1 - 13 under each. A small circular engraved brass plaque under No. 13 and between No.s 9 & 10. Metal chain attached at top (for hanging). Embossed "Hookey"between No.s 1 and 13. Embossed numbers 1 - 13. Plaque "C A V .. Sales" on top. "Melbourne" on Bottom. "Quality Products" in middle. Cream paint splash right of centre and slightly on plaque.hookey; mt beauty; rural fire brigade; entertainment;

Sewing Kit in brown hinged box with bottom part of locking clasp missing and gold line around lid. Kit contains needles, collar stud,thimble,needle case, various button hooks. Box has "Warranted Sheffield Cutlery" stamped inside.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing kit

Survival kit containing:- Adhesive tape; Waterproof matches; Gauze compress; Sweet chocolate ration bar; APC tablets; Bacitracin opthalmic ointment; Adhesive bandage; Aluminium foil, folded to make container; Soaped tissues; Sewing kit; Fish hooks and lineFRAAS Surgical Mfg Co Inckit, survival, 161 reconnaissance flight

Used on local district farm 1950’s to 1960’sTwo parallel wooden 4x2 beams bolted with a metal rod and hook attachment to back of wagon. Has metal footing bolted to wooden arms upon which a bag of wheat sits. A meatball rod attached under the wagon allows it to pivot and lift the bag . None

Belonged to and used by Patrick O'Kane 1872 - 1947 in the Burramine/Boosey districtHeavy all iron well bucket. Riveted together in two halves (top and bottom). Made from metal sheets riveted together, also strengthened with iron straps. It has a large, round iron rod turned into a hook which is attached across the top.nonebucket

Worn b y Gloria Woodland as a foundation garment for special evening gown - she found it a very impractical garment taking up to a half an hour each time at the toilet. Only worn once...Flesh coloured elastic & lace body length garment. Lace bra cup - lace panel down front - elastic shoulder strap, silk nylon crutch with eight adjustable hooks and eyes to close under the crutch - also four loops to hold suspenders.Hickory Style 4512 - size 16Bcostume, female underwear

The dress and accessories worn by Mrs Margaret Scully for her wedding. Following their engagement in 1956, her husband built their home of 67 years in Box Hill South.- Silk brocade (cream) - Rouleau loops, covered buttons from back neck to waist - hook & eye below waist - Rouleau loop, covered buttons wrist to elbow - Mandarin collar - Corded waistband and hem - Dress forms train at back - Shoulder padsNilwedding dress, c 1950's, marriage

Rectangular wooden pencil case with an assortment of wooden nib pens, slate pencils, metal protractors, sharpeners and other and stationary inside. Pencil case has metal hooks to latch closed and lid has faded lettering making out Approved Photographic colours.Approved Photographic colours

Rocket equipment which has been used in various lifeboat and rocket stations on the Victorian Coast. It is unclear if this is the original rocket equipment from Port Campbell. This equipment, if not original has been used in rescue operations and is identical to the equipment that has been in use at Port Campbell from C.1890 onwards.Metal, brass and timber tripod structure with a channel or trough to support the rocket. It has a pendulum and dial to measure the height trajectory. Very long wooden box with hinged lid painted a green-grey colour with four brass hinges and two rusted metal hooks.

Spurs would have been used by horse riders in the light horse and in other units in WW1, AIF as part of their standard issued equipment. Hocking Regt No 2741.Pair of silver steel riding spurs with brown/black leather straps and buckle. Spurs are wishbone shape with leather strap across the top. Strap approximately 30cm in length and hooks onto top of spurs with a metal clip. Round blunt circular blade at bottom.passchendaele barracks trust, riding spurs

Gaiters worn by students. Given to Archives by Alice Tucker (née Glascodine) who graduated in 1933.Pair of brown leather gaiters worn by students at Burnley College. Makers name "Alex Morrison, Melbourne. W.E Melb" Stamped into leather at side. The top is fastened by buckle and strap. At bottom there is a hook fastening. Worn - top and bottom stitching and binding in need of repair.Makers name "Alex Morrison, Melbourne. W.E Melb" Stamped into leather at side.gaiters, students, alice tucker (née glascodine), 1933

Shows H class tram number 57, east bound in Flinders St with the Flinders Street Railway station in the background. Has a number of horse drawn vehicles in the view along with motor cars and trucks, some of them doing a hook turn. A policeman is on point duty. Photo taken after Flinders St converted to electric trams from cable trams in 1927. Commercial print from a SLV photo.Yields information about the location, the streetscape and the trams and vehicles in use at the time. Original photo taken from a Rose Series - Southern Cross Series No. 5. See State Library of Victorian Collection - H2011.27DBlack and white photograph of Flinders St Station Melbourne, late 1920's with H class tram 57 in the view."RSCP 327" & "C1929" in pencil and "H57" in red ink on rear.tramways, h class, trams, tram 57, flinders st, flinders st station, horse drawn vehicles, mmtb

The Daylesford Fire Brigade carriage was locally built by White and Oldham, wheelwrights and carriage makers to the design of Captain Henshaw. Their premises was behind the Victoria Hotel, and American by origin.Photograph of the first ladder carriage bought by the Daylesford Volunteer Fire Brigade, built locally, and designed by Captain Henshaw. It is an important record of purchase and some significant buildings circa 1867.Black and white photograph showing the first ladder carriage of the Daylesford Fire Brigade taken from Bridport Street looking towards Wombat Hill. The carriage stands in Victoria Street (now Central Springs Road) and shows the former Daylesford Post Office on the right. The building on the left was the Bank of Victoria, later the Belvedere Hotel, and in 2012 was Kookla. Other buildings include Victoria Building, Church of England (Anglican), Stanbridge Hall.The carriage shows ten canvas water buckets hanging on hooks, a long ladder and two hoses hang from hooks on the lower section of the four wheeled carriage. The roads and footpaths are unsealed.Typed verso: "Copied from on original kindly loaned by J. Ogilthorpe. Shows Daylesford Fire Brigades first Ladder Carriage outside the then Fire Station where Kindergarten now stands 1977. Date about mid 1860s. This ladder carriage was locally built by a wheel and carriage maker with premises behind Victorian Hotel. White and Oldham. Designed by Capt. Henshaw was an American who went to the New Zealand goldfields about 1870. Post Office was built in 1867. On Belvedre (sic) at this time a a Bank, Bank of Victoria." Stamped: "Daylesford and District Historical Society"dayelsford, daylesford fire brigade, henshaw, post office, white and oldham,

Sr. Scott is in a room in the Royal District Nursing Service (RDNS) Melbourne Centre. She is wearing the RDNS grey uniform dress which has the insignia "Royal District Nursing Service" written in white on a grey background attached to the upper sleeves. The photograph is showing some of the equipment which is available for temporary loan to RDNS patients.From the founding of the Melbourne District Nursing Society (MDNS), in 1885, known as the Royal District Nursing Service (RDNS) from 1966, equipment was loaned and demonstrated to patients and their family members, to enable them to care for their loved ones in their home. In the 1970s RDNS employed a Physiotherapist who taught RDNS staff the correct transferring techniques, including the use of a hoist when this became available. RDNS staff taught and used these techniques in patient’s homes to undertake safe transfer of the patient and to reduce physical strain on RDNS nursing staff and family members. Each RDNS Centre had a room or shed where equipment for loan was kept. Headquarters also kept additional equipment which could be transported to Centres as required. Black and white digital image portraying Sister Scott, who is smiling and has her dark hair drawn up, checking equipment. She is holding a bath seat in her hands. Behind her on a table, left to right, is an air cushion, draw sheets, male urinal, female urinal, bed pan and a sheepskin which is in front of a wooden board with rows of cup hooks and names under each hook. In the left foreground is a hoist with a white sling hanging from either side of the front hanger. To its right is a closed wheelchair, a 4 pronged walking stick, and a commode to the right of Sr. Scott.Barry Sutton Photographer. Quote KL 49rdns, rdns equipment, rdns uniform, royal district nursing service, sister scott

This glue pot would have been used in woodwork projects. The glue used was probably an animal based glue.This item is an example of an accessory used by a trades person before the widespread availability of the modern liquid adhesivesA cast iron glue pot consisting of two separate pots - the larger of the two is designed to hold water and be hung over a fire. The smaller pot is placed inside so the glue can melt. each pot has a metal hanging / lifting hook / bail handle.glue-pot trades carpentry cast-iron container

Makers of Snakebone Necklaces Two local women who made these necklaces were: Minnie Blucher (nee Wanke) (c.1891-1976) who lived at Briagolong in the 1940s. Highly artistic, she eagerly sought out snakes, killing many around Noble's Bridge. Peter Mills of Briagolong remembers that she would hang them on fences for maggots to eat away the fresh, and painted and dyed the bones. She also used spine bones from cattle for ornaments. Bella Buttsworth (1882-1951) was the daughter of Thomas and Rachel Mills of Briagolong, and the aunt of Ina Worseldine of Maffra. Ina remembers her making these necklaces in the 1920s, and that she placed beads in between the bones. The comment was also made that she often put large bones at the front and smaller ones to the back. Bella obtained the bones by boiling the dead snakes down, and then left the bones out on logs in the sun to bleach.A circular necklace made of spine bones from snakes and red beads, threaded onto copper wire. It contains 20 bones, each with a red bead between it and the next, with five red beads near a rough hook catch. The bones appear painted, possibly with calcomine.craft, handcrafts

'Going Away' jacket and skirt worn by Catherine Grant - nee Marden after her wedding at Holy Trinity St Kilda on 22 June 1873. Catherine Jane Marden was born in Bacchus Marsh in May 1849 and died in June 1925. William Fraser Grant was born in Aberdeen on October 17, 1845 and died in April 1916. See Love letter ND3737 and Marriage Certificate ND1667Going Away Dress. Faded grey skirt and jacket. Material- shot silk . Lace trim on neckline. Cuffed jacket sleeves with 3 buttons. 13 covered material button trim, with hook and eye fastening. Bustle effect skirt. Same material on long train.costume, female

Roselia Isabell Welch was an actress born 16 November 1838, probably in England. Father John Murrell Welch, mother Angela Towsey. Dress has been worn by her descendants.|This decorative day dress was worn by Roselia Welch to the 1872 Melbourne Cup. Roselia made her Cup Day dress by hand - she may have used a published dress pattern but her skill as a needlewoman is evident as the entire surface is decorated with narrow hand beaded black braid applied in a fern-like motif over the blue cotton fabric of the dress creating a lace-like effect.Dress worn by Roselia Isabel Welch to the 1872 Melbourne Cup. White lining inside dress, blue lining inside train. V neck, front hook and eye opening. Handmade hook holes down centre front. Set in sleeves with black piped armhole seams. Fitted bodice with black piped seams Flat front skirt, full bustle area at back with centre back opening. Floor length train. Blue printed label on lining of centre back panel, right side. Upper case letters 'SUP' visible. Brown tape at waist with hook. Two pairs of tapes either side of back opening for bustle. Black lace around neck, sleeve, train and back opening edges. Black cotton loop in centre of train. Inset pockets right side at hip level and very small one left side at waist level. Entire surface of dress decorated with black braid hand stitched in a fern-like pattern.