Octagonal varnished wood font with a fitted lid. The lid has a large brass knob on the top secured by three screws and the front a small brass plate on one side. Each of the other seven sides have carved two carved leaves. The font is on one single turned wood leg which sits on an octagonal base. The inside of the font contains a copper bowl. There is a support for the bowl which must be a later handmade addition to the font as it is made of plywood. The manufacturers name is on the inside of the lid."TO ST ANDREW'S PRESBYTERIAN CHURCH FRAMLINGHAM BY THE LADIES GUILD 18TH APRIL 1954"st andrew's presbyterian church framlingham

Twenty page knitting pattern book featuring black and white text and colour images. The colour cover features a woman wearing a blue and orange knitted jumper and an orange head scarf.front: [printed] BOOK 835 / PRICE CODE H / Patons / HEATHERMOOR / for LADIESfashion, design, knitwear, home made, wool, pattern book, patons

This Journal contains a wide variety of lifestyle subjects, showing an interest in in collection of ladies’ fashion covers, newspaper clippings and personal notes appear to have been gathered by a person with interests in fashion, poetry and the home. The covers dating up to 1870 have signatures such as “E. Preval”, a mid to late 19th century watercolour artist. Covers from 1871 have no signatures but have the word “COPYRIGHT” included in the printing. The name below the illustrations “Moine et Falconer” is a French fashion printer and publisher. The loose newspaper cuttings are dated from 1878 to 1927. Journal, comprising a collection of sixty (60) medium weight cartridge paper covers of the “Ladies’ Supplement of the London Journal” with a selection of newspaper clippings pasted to the back of all but two of the covers. The journal covers are dated between years 1868 – 1877. They each have a hand coloured engraving. Below some of the illustrations is a name and address (in French). Some of the covers have a portrait orientation and others are landscape. Some of the covers have a length of additional paper on the left/top with small print, as though there has been a magazine spine attached. The covers have printed dates and numbers, and some of the illustrations are numbered and have one or two signatures. On the reverse of the covers is a selection of newspaper cuttings, including poetry, Household Receipts (recipes, helpful hints on household matters, quotes, fashion, etc.) and personal notes, carefully cut to fit onto the pages. Hand written dates on some of these articles show that they are not all from the same date, and don’t necessarily correspond to the date of the cover. Some of these pages have been assembled upside down to the front cover. Also included are additional notes and loose newspaper cuttings from 1878 – 1927. Under some of the hand coloured engravings are the printed words “Moine et Falconer, imp. r. St Victor, go Paris” (or similar). There are also one or two signatures on the earlier engravings including “E. Preval”. Printed onto the Journal pages “Price one Penny”. Several of the pages have hand drawn lines and pencil script notes. Many of the newspaper cuttings have a date written in pencil on them. For example, “Stuffing Birds”.. The Ladies’ Supplements have been printed with number for “Published with No. –“, and a number for “Presented with Part -”. Some of the reverse pages have pencil notes beside them. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies’ supplement of the london journal, the london journal, journal, 19th century, london journal office, moine et falconer, fashion print, ladies’ clothes, fashion plates, 19th century lifestyle, 19th century fashion, e proval

The ring was the property of Valerie Dale who attended CPLC in the 1930's. It was donated to the school by her daughter in 2012. The ring is the first of its type to be returned to the school. The ring was accompanied with Valerie's school hatband and a blank school-produced Christmas card. Historical significance to the school because it is the only example of its type. Clarendon Presbyterian Ladies College silver ring with blue enamelled crest and motto Inscribed below crest: 'SUIVEX LAS VERITE' Verso: 'ST.?11'ring, clarendon-presbyterian-ladies-college, c-p-l-c, valerie-dale, uniform-accessories, school-momentos, 1930's, toni-kicinski, jewellery,

Crest usually supplied on stick pin. Owner Isal (Veal) Gambetta who attended the school 1949 - 1951 stated students were allowed to create the bar pin at their own expense. Coloured Clarendon Presbyterian Ladies College crest on bar with pin and safety chainbadge, clarendon-presbyterian-ladies-college, isla-veal

Small monochrome photograph (faded) depicting seamen and ladies standing next to a carttea, picnics, loch etive, lhlg, zoo

Starting in around 1850, women began wearing boots that resembled the ones already worn by men in high society. Women’s Victorian boots were slightly more feminine in nature, however, than those worn by their male counterparts. The boots first worn by women extended to the middle of the calf so that her ankle would stay properly covered underneath her many skirts. These boots often featured laces or a row of buttons to keep them secure to the foot and ankle. Although usually made from durable materials like rubber and leather, boots that were worn purely for fashion were sometimes made of more elegant materials like patent leather or dyed suede. Fashion boots from the Victorian era exude all of the opulence and decadence that are unique to that time period. Design elements like scalloped trims, intricate embroidery, and lace accents were also not uncommon when it came to elaborately designed Victorian boots. Unlike men’s boots, they also boasted a slight heel that was thinner and more feminine in design. How lavish a woman’s boots were greatly depended upon how much money her family had and her place within society. While footwear was standard during this time, shoes were still quite a luxury to the modern Victorian. Only very wealthy women owned multiple pairs of boots that featured eye-catching design elements. https://www.wardrobeshop.com/blogs/victorian-era/an-in-depth-look-at-victorian-footwear These boots appear to be of a practical nature, designed for comfort, warmth, and proof against the rain and mud, rather than high fashion.These ladies' boots are historically significant for their manufacture and use during the Victorian period.Pair of ankle length black ladies' boots with long tan coloured laces.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, boots, victorian, leather, footwear

BLACK AND WHITE PHOTO -group - Three ladies standing on the steps of a house entrance.photograph, person, female

Black lacquerwork with mother of pearl inlay depicting 3 ladies in traditional costumelacquerwork, bowl with lid

Slide. Bendigo Easter Fair. Three young ladies on a purple & gold float.slide, bendigo, bendigo easter fair., bendigo easter fair.

Made by internee at Camp3Cream coloured handwoven macrame ladies belt with copper coloured plastic buckletatura, handcrafts, macrame

Made by internee Emil Hottelmann at Camp 3 for his wife.Ladies macramé clutch bag with wooden toggle in colours black, yellow & cream.tatura, handcrafts, macrame, sieglinde melton, sieglinde hottelmann

PHOTOCOPY CLUNES BUTTER FACTORY, TWO LADIES STANDING IN FRONT OF WIRE FENCE.CLUNES DAIRY COMPANYlocal history, photography, photographs, buildings

BLACK AND WHITE PHOTOGRAPH ON DARK MOUNTING. GROUP OF LADIES IN FRONT OF LARGE BUILDING.photography, photographs, events and celebrations, large group of ladies

The Vermont Girl Guides celebrated their 70th anniversary with a dinner in the Coghlan Centre of St Johns Mitcham. Each guest was given a handkerchief as a souvenir.Blue ladies handkerchief with Girl Guide emblems printed on corner. In cellophane bag.Vermont District 1929 - 1999costume accessories, female

Silver ladies fob watch decorated on lid - white face with black numeralshorology, watches

Ladies red gloves, suede finish, curved edging, raised stitched joinsgloves, ladies,

Black and white photograph of two young ladies. Part of the Barker's family collection.Gwen McGowan and her sister. Coles salesgirl 1943.coles salesgirl, 1943

A colour slide of a fete at Legacy House in Swanston St in 1959. There are tables set up around the room and boy playing with a blue balloon. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slide of ladies in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Handwritten on front ''Fun for everyone ILC Fete 1959'. Imprinted by indentation "Aug 59". Imprinted with black ink '8'.ilc, fete

Slide photograph of Stanhope residents prepared to go to the ball held in honour of Princess Alexandra's visit to Melbourne in September 1959. The ball was held at the Melbourne Town Hall. Notes from Matron's Vines book says the lady in yellow is Helen McBain, the other names are not known. The handwritten note implies it is the visit of the Queen Mother, but it was a ball held to welcome Princess Alexandra in September 1959. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the Stanhope residents participating in an important event.Colour slide of ladies in evening outfits in the Stanhope hallway, in a beige Anscochrome mount.Handwritten on reverse 'Stanhope girls. Visit of Queen Mother' in blue pen.junior legatee, royal visit, ballgown, stanhope

Slide photograph of Stanhope residents prepared to go to the ball held in honour of Princess Alexandra's visit to Melbourne in September 1959 posing with Matron Vines. The ball was held at the Melbourne Town Hall. The handwritten note implies it is the visit of the Queen Mother, but it was a ball held to welcome Princess Alexandra in September 1959. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the Stanhope residents participating in an important event.Colour slide of ladies in evening outfits with Matron Vines, in a beige Anscochrome mount.Handwritten on reverse 'Stanhope girls. Visit of Queen Mother' in blue pen.junior legatee, royal visit, ballgown, stanhope, dorothy vines

An article written by Legatee Bill Rogers about volunteers, led by Beryl Billing, who process used stamps for sale to fundraise for Legacy. The article may have appeared in the Bulletin. It acknowledged the huge amount of work Beryl had done over the years. Beryl's husband was a Legatee with Dandenong/West Gippsland Group (now called South Eastern). Beryl started the stamp group in February 1981 and over 27 years the stamp group raised $208,698. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008) or as a legatee.A record of the acknowledgement given to long-standing volunteers.One A4 page by Bill Rogers about Beryl Billing and the Stamp ladies.beryl billing, stamps

Trousseau of Mrs. A. Mitchell (1877)White long ladies nightgown, with broderie anglaise front at yoke, and on long sleeves.nightdresses, nightwear

Elizabeth Jane Blamire, b. 1865 and Rary Emelia Isabel Blamire, b. 1863, were two of the eight children of William Blamire and Mary Ann Blamire (née Green). The Blamire family lived at Linton, where William worked as a blacksmith and painter. In 1874 they purchased Allotment 8, Section 2, Township of Linton (now 48 Sussex Street, Linton) and built a house there which was their home for many years (now demolished).Oval sepia portrait of two young ladies dressed in high necked gowns."Jane Elizabeth Blamire (Lily)(left) Mary Isabel Blamire (Millie) (right) daughters of William Blamire of Linton (No) 1632"jane elizabeth (lily) blamire, mary isabel (millie) blamire

Part of Mcnamara collection- Crochet in ecru cotton - false front to be worn under ladies' suit for modestyNilhandmade accessories, crochet, clothing

The house was in Sussex Street, next to the library building, and was the home of the Todd family.Black and white photograph of two ladies standing on front verandah of a weatherboard house."Lilly Pilly tree". "Lil Poultney and Pet Todd". "Taken about 1910 we could hear all the music from our veranda. Dance music band music children's concert from the old Shire Hall what a lovely old hall it was with a cedar spiral staircase. Huge magnolia tree in front & clock".lil poultney, pet todd, houses

Photographed are Diamando and Yianni Raftopoulos (Bourlotos) and Diamando's sister, Maria Paizis. They are pictured in the village of Kioni in Ithaca.A black and white photograph of two ladies and a man standing under an olive tree.