Many soldiers travelled to Vietnam on Qantas charter airlines, which stopped for refuelling in either Hong Kong or Singapore. Because these countries were neutral, Australia had an agreement with their governments that our soldiers would not wear full uniform while there. So, soldiers were issued with multi-coloured 100% cotton shirts to be worn during the stopovers. This shirt was worn by National Serviceman Donald J Duffus, a Sapper in 17th Construction Squadron, June 1969 until June 1970.Multi coloured 100% cotton shirt with tropical pattern, commonly known as a Hawaiian shirt.shirt, don's shirt, vietnam, singapore, don duffus, 3794467, hawaiian shirt, uniform

This photo depicts a man standing next to a large piece of mining equipment identified as a hydraulic chisel (alternative name: drifter dill or power rock drill). This piece of machinery was used in mining to place holes in the walls of a mine which were then filled with dynamite or other explosives for rock blasting or to make holes for plug and feather quarrying. The additional tools to the right of the photograph and in front of the machinery can be identified as either picks or as feather and wedges, the latter of which were used to split stone drilled by the hydraulic or power chisel. Depending on the date of the photograph, which is not provided, this chisel was either powered by electricity or by hydraulics. The following is written on the drill "R.C. FORD'S PATENT No91 / MELBOURNE VICTORIA 1879". The man depicted in this photograph wears a wide brim hat, a loose fitting white shirt and loose pants. He wears boots and has a medium sized dark beard. This attire, along with his locality in the mine and proficiency with the mining equipment, identifies this man as a miner working in this particular, but unidentified, mine. It depicts an instance of hydraulic chiseling which makes this photograph valuable for the study of mining techniques from a date c1880.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray the types of machinery used in mining can reveal important information for technology and highlight the methods used to break apart the earth in order to obtain access to gold and other precious materials during the period this photograph was captured. Further research into RC Ford can potentially reveal even further information pertaining to this photograph. This image is of important historical significance for its ability to convey information about the methods and machinery used to access gold or mine more in general. It also highlights the size of machinery at the time and allows us to compare this to the size of the person standing besides the machinery to better understand the manpower which would have been required to use and set-up this macinery.A black and white rectangular reproduced photograph printed on matte photographic paper.Reverse: 7816/ copy 1/3gold, sluicing, gold sluicing, hydraulic sluicing, gold and tin mine, mining, gold mining, beechworth, burke museum, melbourne, victoria, hat, mining machinery, machinery, r. c. ford

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant and rare example of a couture range by Norma Tullo.Long red cotton evening dress with overall white polka-dots, designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with ruffles at the cuffs and on the hem. The light-weight cotton outer layer is supported by a thick cotton underlayer. Atypically, the dress has a label stating it is an example of 'Tullo Couture'. Dimensions: Shoulder width 40cm Bust: 92cm Waist: 72cmLabel: TULLO COUTUREaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses, tullo couture

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue cotton evening dress designed by Norma Tullo. The floor length dress has a high rounded collar, long sleeves with buttoned cuffs. The light-weight cotton outer layer is supported by a thicker cotton underlayer. Dimensions: Shoulder width 37.5cm Bust: 90cm Waist: 66cm Hips: 96cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue evening coat designed by Norma Tullo. The floor length coat has a wing collar, long sleeves and silver buttons at the front. The coat was worn over a long blue evening dress by the same designer and could be worn buttoned or unbuttoned. Dimensions: Shoulder width 38cm Bust: 96cm Waist: 87cm Hips: 116cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses

``Newspaper clipping from "The Mail", 13-4-93, P 14. Sponsors Ringwood Council's lollipop people could soon be advertising products as part of a plan to make up for lost State Government subsidies for the school crossing supervisor scheme. Council's corporate services director, Bill Black, is investigating possible sponsors for the scheme. Mr Black sugggested that sponsors could be associated with school wear, safety equipment or children's goods and services. No consideration would be given to a sponsor that was not appropriate for children. `

Uniform issued to S/SGT "Brian Thompson". Years of service 1973 - 1993. 316221.1. Jacket - white colour polyester/cotton fabric, rolled collar jacket, shoulder epaulettes, top of sleeves, black colour rank badge with gold colour crown and three stripes = Staff Sergeant. Manufacturers label back below collar. 2. Trousers - black colour cotton/polyester fabric with fob pocket and two side pockets. Metal and nylon zipper fly. Red colour wool fabric twin 2 cm stripe down each side seam. Manufacturers label back below waistband. Black colour polyester fabric lining waistband and pockets. Black plastic button inside waistband. 3. Cummerbund - Red colour polyester fabric, broad waist sash with three pleats, metal hook and bracket buckle and hook and loop fastener to adjust lengthy. Black colour polyester fabric lining. Manufacturers label. 4. Bowtie - black colour polyester fabric, pre-tied bow tie with metal clasp. Manufacturers label. 5. Braces - set of white colour cotton elastic braces with metal clips to attach to trousers. Metal slide clips to adjust length and plastic strap joiner.Manufacturers information. 1. Jacket - black fabric label - TETOROM/ 65% POLYESTER/ 35% COTTON/ WIMBLEDON WEAR/ MELBOURNE". White fabric label "97R/ WARM MACHINE WASH/ D NOT BLEACH/ MACHINE TUMBLE DRY/ WARM. WARM IRON." 2. "A.G.C.F./ VICTORIA/ 1987/ ^/ ARMY NO/ NAME" 3. "POLYESTER/ DRY/ CLEAN/ (50c) ONLY" 4. POLYESTER/ DRY/CLEAN/ (50c) ONLY"uniform, army, mess dress, brian thompson

The term ‘puggaree’ originates from the Hindu word, ‘Pagri,’ meaning a turban or thin scarf of muslin. Intended for insulation, the puggaree was a traditional Indian head-wrap, adapted by the British for headdress worn in hot, sunny regions. During World War One (1914-1918) a plain khaki cloth band was worn and this practice continued until compulsory training was suspended in 1929. Following the introduction of Voluntary Training in 1930, new puggarees were issued to the Commonwealth Military Force with different coloured folds denoting Arm or Service. During World War Two, a flat type of band was issued. Troops who were on active service in the Middle East at the time introduced a folded puggaree as a distinguishing mark of active service. Later, the Army reverted to various types of plain bands, green dyed puggarees for example, for jungle warfare. However, the official puggaree at the conclusion of World War Two was still the flat band. The current puggaree has seven pleats, one for each state and one for the Australian Territories. It is made from light khaki coloured cotton and is worn on the slouch hat with a unit colour patch sewn on the right side. While the majority of the Australian Army wear the light khaki coloured puggaree, there are slight variations for members of the 1st Battalion, the Royal Australian Regiment, and the Corps of Staff Cadets. Soldiers of the 1st Battalion, the Royal Australian Regiment, wear jungle green puggaree. The dark green puggaree was introduced during the Battalion’s service in Malaya over the period 1959-61. Unable to get puggarees from Australia for an official parade; the task of producing them was given to the Battalion tailor, Mr. Mohavved Beseek. Mr Beseek used ‘bush shirts’ (common issue British field uniform at the time) to make the puggarees as he was unable to obtain the khaki material locally or from Australia. It is thought that the Commanding Officer, Lieutenant Colonel W. Morrow decided that the green puggaree would be the puggaree worn by the 1st Battalion, the Royal Australian Regiment, in Malaya. After the battalion’s return to Australia, the dark green puggaree was adopted for permanent use. Because the dark green puggaree is so distinctive, the battalion does not wear a colour patch. Royal Military College staff cadets wear a distinctive puggaree of olive drab colour. The puggaree has eight pleats, with seven representing each state and one for the Australian Territories. The eighth pleat signifies the graduation of the first international cadet through the Royal Military College who hailed from New Zealand. Worn on slouch HatHat BandNilpuggaree,hat band, slouch hat, lara rsl

This is a bowler hat, commonly worn by men in the second half of the 19th century for semi-formal and informal wear. The bowler hat was first made by the hatters, Thomas and William Bowler, in 1849 and was said to have been commissioned by the owners of Holkham Hall, England, for use by gamekeepers on horseback to protect their heads from low-hanging branches. In the 19th and early 20th centuries bowler hats were worn mainly by businessmen in Britain, U.S.A and Australia but were also popularized for general use by notable personalities and actors such as Charlie Chaplin. This hat has no known local provenance but is retained for display purposesThis is a black felt hat with a rounded crown and a ribbon around the crown. The rim is slightly turned up. There are breathing holes in the crown.men’s headgear from the past, history of warrnambool

David Fletcher Jones commenced his tailoring and hawking business in the 1920’s. The business expanded through the decades to become the main manufacturing employer in the city of Warrnambool. The business moved from Liebig Street around 1947 to a site in East Warrnambool which was once an old quarry. The factory which was built at “Pleasant Hill” manufactured quality clothing, initially men’s trousers, suits which expanded in later times to include ladies’ wear. A network of stores was opened throughout Australia to sell the garments. A common item linked to a significant business and personality of Warrnambool.Fletcher Jones Factory held a significant place in the economic development of the city. The Fletcher Jones Gardens remain a significant landmark in the cityBlack plastic coat hanger with metal hook. Fletcher Jones in gold lettering below the hook.warrnambool, fletcher jones, pleasant hill, fletcher jones gardens, coathanger

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This evening dress was donated by Kathleen Gervasoni, a long term resident of Kew, and mayoress of the former City of Kew (1978-9). The gown was manufactured under licence in Australia and purchased from Paulette Modes, High Street, Kew.Long black crepe evening dress, highlighted with geometrically arranged red grosgrain braid trim on bodice and sleeves, designed in the 1970s by Louis Féraud, Paris.Label: "Louis Féraud, Paris"women's clothing, evening dresses, kathleen gervasoni, louis féraud, paulette modes, international fashion - 1970s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The dress was purchased, and worn by Kathleen Gervasoni, a long term resident of Kew, Kew Historical Society member and mayoress of the former City of Kew (1978-1979). It is part of a collection of clothing and accessories donated to the collection by her.Black velvet, black and majenta organza, taffeta underskirt, large black satin bow, drop waisted evening dress, made to order for the donor from a boutique in Ivanhoe. women's clothing, evening dresses, kathleen gervasoni, australian fashion - 1980s, evening wear

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. 1880s women's dress featured tightly fitting bodices with very narrow sleeves and high necklines, often trimmed at the wrists with white frills or lace. This example may have had its sleeves removed post construction.Grey coloured silk taffeta, ‘tailed’ woman’s waistcoat with cream silk panels. It would appear that the sleeves have been removed. women's clothing, fashion - melbourne - 1880s, bodices, vests

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is an exception to the collection in that it was one of the few garments imported from overseas. Th reality is that increased postwar spending power by Australian women made the importation and wearing of imported fashion a more common occurrence.Bottle green coloured evening dress. The long sleeved dress has a v-neckline. The cotton and nylon fabric is self patterned with large diagonal stripesLabel: Papoopapoo, women's clothing, international fashion - 1960s, evening dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Sportsgirl is an Australian fashion house. Founded in 1948, the first Sportsgirl store was located in Swanston Street, Melbourne. During the 1950s the brand continued to expand its stores in Melbourne. It expanded to Sydney in the 1960s. The dress was donated by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Sleeveless white cotton mini dress with a high round collarLabel: Sportsgirlwomen's clothing, fashion and textiles collection, australian fashion - 1960s, day dresses, mcintyre collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This emerald green, satin evening dress, owned by Gwen Steele, was worn by her to a reception for Queen Elizabeth II in 1954 at Government House, Melbourne. [The personalised printed invitations are kept in the Subject File 'Gwen Steele'.]Emerald green, satin cocktail dress with shoe-string straps.royal visit (victoria) 1954,, gwen steele, women's clothing, australian fashion - 1950s, cocktail dresses

The dress is an excellent example of mid-1970s evening wear and comes with its original box and dockets. It was purchased from a local op shop by a Brighton Historical Society volunteer, who subsequently donated it to BHS in 2017. The receipts tell us that the dress was originally purchased from Georges department store on Collins Street by Mrs Eunice Amelia Hill (b. 1917) of 6 Webb Street, Brighton. Eunice placed the dress on lay-by and paid for alterations in December 1974; it was delivered to her home in January 1975.Full-length knit dress of blue, green and silver patterned lurex with Georges box and receipts. High neck with metal zip centre back. .1 - dress .2 a-b - Georges box with lid .3 a-c - envelope & 3 layby & alteration receipts stapled together & separate delivery invoice .4 - Receipt for dress alteration & delivery chargeLabel, woven black on white acetate, centre back: PRINTED BY HAND / Pelilla / MADE IN ITALY Label, printed black on white acetate, centre back: 65% RAYON / 35% POLYESTER / MADE IN ITALYevening dress, maxi dress, 1970s, brighton, eunice amelia hill, georges of collins street, pelilla

Spraying units were manufactured in Australia by REGA Products Ltd. from 1926. REGA established themselves as leaders in the production of agricultural and horticultural spraying machines, including smaller knapsacks. Their metal knapsacks were quickly adapted to a range of applications and were widely used by the Forests Commission and Country Fire Authority (CFA). They were metal and very robust but heavy and uncomfortable to wear REGA was later purchased by the Garrard family and still operate as part of Garrads Pty Ltd. This sprayer was used by the FCV at Creswick No longer in use.The REGA spray unit includes brass fittings, leather straps with a brass pump handle and adjustable nozzle attached. Adjustable leather straps have "quick release" clips and studs Camm lock lid with chain attached FCV Creswick REGA stampbushfire, fire pump, forests commission victoria (fcv)

Spraying units were manufactured in Australia by REGA Products Ltd. from 1926. REGA established themselves as leaders in the production of agricultural and horticultural spraying machines, including smaller knapsacks. Their metal knapsacks were quickly adapted to a range of applications and were widely used by the Forests Commission and Country Fire Authority (CFA). They were metal and very robust but heavy and uncomfortable to wear REGA was later purchased by the Garrard family and still operate as part of Garrads Pty Ltd. This sprayer was used by the FCV at CreswickThe REGA spray unit includes brass fittings, leather straps with a brass pump handle and adjustable nozzle attached. Adjustable leather straps have "quick release" clips and studs Camm lock lid with chain attachedREGA Creswickforests commission victoria (fcv), bushfire, planned burning, fire pump

The elaborate fancy cotton braid known as Cornelli work on this jacket is a technique of embroidery or applique of cotton thread and braid that became popular in the nineteenth century. It was used on French doll's clothing where elaborate the Cornelli wear was stitched on for decoration. The examples used in this family also included that on men's railway uniforms and bandsmen's uniforms. This jacket belonged to Eleanor Burke (nee McKew) Mrs Mary Taffe's mother and came to Hymettus at Ballarat when she arrived here to live from Donald with husband Michael in 1945.This jacket displays elaborate fancy cotton stitching and braid known as Cornelli work, a technique of embroidery or applique of cotton thread and braid that became popular in the nineteenth century. This lady's jacket is a good example of a style popular at the end of the nineteenth, early twentieth century.

Helmut Fendt was a ski instructor at Falls Creek in 1966. Many of the earliest instructors at Falls Creek came from Austria at that time. The Austrian-made sweater was made by Carlo Gruber. These sweaters became part of the uniform for the Falls Creek Ski School. Carlo Gruber was an Austrian designer who specialised in winter wool ski wear. He was a ski instructor and later teamed up with Adidas to develop a wide range of clothing items and snow boots. Many of his designs were reissued by Adidas in 2005.This item is significant because it was part of the Falls Creek Ski School uniform in the 1960s.A pale blue wool knit sweater manufactured by Carlo Gruber of Austria. It has an embroidered logo on the upper left sleeve. The cuffs and hemline have a two-toned blue striped edge.helmut fendt, falls creek ski school, snow apparel

Framed portrait of Howard (Pat) M. Lightfoot (1904-1991), who was the President of the Association for the Blind in 1952-1954 and 1964-1972 respectively. It is part of a series of paintings commissioned by the AFB Board to commemorate the work of past presidents of the organisation. Mr Lightfoot is seated, with his hands clasped, and wears a gray jacket, grey collared shirt, green woolen vest and red tie. There is a name plate attached at the base of the painting with his name and dates of appointment. Signed by the artist in the lower, right-hand corner.1 art original in gold frameMr Howard (Pat) M. Lightfoot OBE President 1952-54, 1964-72 Association for the Blindassociation for the blind, h.m. lightfoot

a) Nagaoka Record Anti-Static & Disc Guard Kit The Nagaoka STAT-10 is a record protecting agent that serves both to protect your records from static and to significantly reduce record and stylus wear. By using this product you will improve the sound that you hear from your records, but will also protect your records. The unique charge reducing formula significantly reduces the amount of static electricity present on the surface of the vinyl recording. It also reduces the irritating noise produced by the scratches present on the surface of the vinyl recording. This record protecting agent also contains a special lubricant / protecting fluid agent.This lubricant / protecting fluid reduces record wear so that your recordings are as good as new. b) 'PAROSTATIK' Disc preener -: Use while rotating record slowly on Turntable. Press gently during one or two revolutions. Dust collected on plush surface should be removed before re-use. Device has "built-in" anti-static requiring occasional moisture replacement. Remove cap from centre tube withdraw and moisten wick (when dry) with clean water and replace Always return "Parostatik" to case when not in use. Vinyl records became very popular mid 20thC and cleaners were used to preserve the audio quality of the record surface.A box containing Vinyl record cleaning equipment manufactured by a) Nagaoka Pty Ltd Japan and b) 'Parostatik' C.E Watts Pty Ltd England a ) Box : NAGAOKA / A / trademark / NAGAOKA / AUTOMATIC RECORD CLEANER / ORIGINAL BEST PRODUCTS / NAGAOKA & CO LTD. MADE IN JAPAN / AUTOMATIC / RECORD CLEANER / AUTO 1 / NAGAOKA ORIGINAL BEST PRODUCTS b) Packet ; THE / "PAROSTATIK" PATENT .... REGD./ IMPROVED / DISC PREENER / FOR PERFECT RECORD MAINTENANCE Cylinder; Watts / "PAROSTATIK" / DISC PREENER / For perfect record maintenancerecord players, music, vinyl records, moorabbin, bentleigh, cheltenham, japan, nagaoka pty ltd ,, watts c. e. pty ltd, parostatik disc preener, england

These items are from the private collection of George Shirling of Red Onion, Falls Creek. Veruschka von Lehndorff, known simply as Veruschka, was a German aristocrat and fashion model. In 1969 The Australian Ski Year Book included the following report on her visit to Falls Creek. "George Shirling and Michael Blackwell pulled off quite a coup for Ko-Ki when they played host to the world's top model, Veruschka, Countess von Lehndorff, last July. Veruschka, all blonde six feet of her, and her photographer-manager, Franco Rubartelli, chose Falls Creek as the location for a series of photographs featuring new-season's ski wear. The model, whose reputed fee is $800 to $1,000 a day for advertising shots was on assignment for Vogue International, and the article was to appear during the early part of the Northern Winter. Veruschka and her manager spent 10 days at Falls Creek, during which they photographed $8,000 worth of the best high-fashion ski wear and experimental ski equipment, especially air freighted from the USA". In this photo she is riding on the snowmobile from Koki Alpine Lodge. The Koki smiling face logo can be seen on the front of the vehicle.This item is significant because Veruschka's visit to Falls Creek brought it international attention.A colour photo of Veruschka riding the Koki Snowmobile at Falls Creek.koki alpine lodge, george shirling, veruschka

Vietnam eraVietnam eraFibre helmet liner used with the US M1 steel helmet. The outside of the liner is a dark green colour and the inside brown. The liner contains a webbing suspension system that can be adjusted to fit the wearer's head. The suspension webbing has a three-strap olive green nylon webbing in an asterisk pattern stretching across the inside of the liner. A brown leather and nylon webbing sweatband is mounted around the inside of the liner with metal clips. The suspension system is mounted at six points with metal rivets and clips. Metal clips are riveted to either side of the liner and at the rear.Cat. No. 8415-50-753-5792. Written in black texta is MORCOM, 37019 an 1966-67.helmet, headgear

Brown, hard, cloth covered book of 260 pages, including an index and illustrations. The contents include the Philosophy of the Stamp-Milling Process; Gilpin county colarado; Typical Stamp Mills of California; Milling in Black Hills South Dakota; Early Australian methods, more modern Australian Methods; Gold Milling at Bendigo; Double discharge Mortars in Victoria; Stamp Mills of Otago New Zealand, Review of Australian Practice, Wear and Tear of a Mill; Flouring of Mercury. Illustrations include South Clunes United Company, Crushing Mill at Ballarat, Battery at Bendigo.mining, milling, colorado, ballarat, bendigo, california, clunes, america, united states of america, modern australian methods, star of the east, sebastopol, britannia united, bakery hill, north cornish mill, daylesford, new normanby, north cornish

'King Billy' of Ballarat is also known as Frank Wilson, after the surname of an owner of Ercildoun Estate. He was buried in a Wesleyan burial plot at the Ballaarat Old Cemetery on 26 September 1896. The Anglican burial ceremony was organised by the community who thought 'King Billy' to be the last of his tribe. The Ballarat Star of 25 September 1896 stated: that Billy and his subjects 'once virtually owned all the land comprised of the City of Ballarat and its immediate surroundings 'so 'it can be considered only fair that six feet of ground should not be denied for his burial' The Australian Natives Association and the Australian Historical Records Society (later Ballarat Historical Society) took a major role in the burial of Frank Wilson. "As public interest and compassion grew, noteworthy citizens of Ballarat and two key Christian denominations appeared to jostle for pre-eminence in the ritual to follow. Whilst the 'venerable Archdeacon Mercer' from the Anglican Church took the funeral service, the cemetery trustees arranged that the body was placed in 'a central site in the Wesleyan section of the cemetery'. Frank was recorded as a Roman Catholic. The coffin was carried to the grave by several Methodists, including Justice of the Peace, Glenny, and Member of the Legislative Assembly, Kirton, as well as Old Colonists' and noted citizens. (https://www.academia.edu/3246304/2001_Remembering_King_Billy_Journal_of_Australian_Colonial_History_vol_3_2_61-80) Three Images relating to King Billy of Ballarat as illustrated in the Evening Echo Historical Edition 1904. * Image of a group of Aboriginal people. They are most most probably Wathaurung (Wadawurrung) . The picture includes ten standing males, two holding a boomerangs. Six females sit on the ground in front, three hold hats. A seated child wears a hat. * The burial of King Billy in the Ballaarat New Cemetery, 26 September 1896. * King Billy's Grave in the Ballaarat New Cemetery. wathaurung, wada wurrung, wathaurong, king billy, aborigines, aboriginal, frank wilson, mercer, ballaarat new cemetery, glenny, burial, mullawullah

Bendigo Weekly from Friday, September 8, 2000. Article by James Lerk ''Discover Bendigo, Bendigo Arcade's fiery farewell''. This well known Bendigo landmark was lost through attrition and fire. At 10.30 pm on October 3, 1974, smoke was seen coming from the arcade building. Miss O'Shannessy, the owner of the baby wear shop had switched on a heater that accidentally ignited some of the shop's contents. Despite the efforts of two Fire Brigade from Bendigo and one from Golden Square the fire gutted the Arcade. The clip is in a plastic folder.newspaper, bendigo, bendigo weekly

Welmar white formal men's waistcoat. Back less. Shawl lapels. White starched marcella fabric. Single breasted with three buttons and button holes at waist. Pockets on either side at waist level. Each side of waistcoat has two X 1 cm buttons inside of the waistcoat. There is a tab ( 23 cmX2 cm) with three eyelets to join pieces behind the neck. A buckle is attached at waist level on the side of each piece through which a cotton tape (155 cm X 2 cm) is threaded to be tied at the back of the wearer.Label inside LH section ''WELMAR'' All cotton. Dresswear 40.Stamp on both pieces 50 54costume, male, men's formal waistcoat

Black and White photograph, of Bendigo 21 with the destination of Golden Square, in the Pall Mall, approaching Charing Cross, during the mid to late 1950's. Tram has a roof advert for Bendigo Timber Co. Masonite and a Cohn's Drink ad on the front of the tram. In the background are roof advert for Mobilgas on the Beehive Building, Ezywalkin building, A. G. Treloar Optician and Evlyn Amer? shop for Infants Girls and Ladies Wear. There is a large number of Holden motor cars in the photos along with bicycles parked by the Ezywalkin shop. Printed on Fujichrome paper. Two copies held."TMSV Sales" stamp on rear. On rear of in ink "MMTB 188, Bendigo 21"trams, tramways, bendigo, charing cross, pall mall, tram 21