Showing 12233 items matching "wood-cut"
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Melbourne Legacy
Document - Document, notes
A hand written list of the members of clubs and groups who ordered copies of 'There Goes a Man' which reveals that only a proportion of Legatees purchased the book. Out of a total of 4515 Legatees, 998 ordered a copy. There is no indication of who compiled the list. See also 00876.Reveals that by no means every Legatee supported the project sufficiently to buy a book. Part of the story of how the book 'There goes a Man' came to be created.Ruled white page cut from a notebook.Handwritten in ink and pencilsavige book, biography -
Ballarat Tramway Museum
Photograph - Illustration, Rose Stereograph Co, "Sturt Street, Ballarat", c1913
Illustration or photograph looking at the Grenville St tram terminus. One of the trams is a Sebastopol-type tram No 22. Has the large shelter in the background and another tram in the view. Taken c1913, following the introduction of the Sebastopol-type tram. From a Rose Series postcard - Rose Number 1710. Note the Mechanics Institute advertising sign on their building advertising the institute rather than a company. The 8-hour monument at the end of the central median can be seen. On the rear is an illustration of Shoppee's Square in the median strip. See item 4083 for a postcard.Yields information about the operation of ESCo trams in Sturt St and in particular the Sebastopol type.Black and white Illustration cut from a journaltramways, trams, sturt st, esco, grenville st, sebastopol type, tram 22, shoppee's square -
Ballarat Tramway Museum
Photograph - Illustration, WTP, "View from Lydiard Street South looking across Sturt St", c1907
Illustration of the intersection of Sturt St and Lydiard St Nth with the Ballarat Post Office being the primary feature. Has an ESCo tram turning from Sturt St into Lydiard St. Shows the trackwork at this location and has several horse-drawn vehicles in the photograph. Note the building in the road space on the left-hand side of the photograph. The caption along the bottom edge "View from Lydiard Street South looking across Sturt Street to the Post Office and Lydiard Street North to the Railway Station. On the rear has an item about Ballarat itself and its history. See also item 6245 for a postcard of this view. Yields information about the post office corner at the time of the opening of the tramway and demonstrates printing techniques.Black and white Illustration cut from a journaltramways, trams, sturt st, esco, post office, lydiard st north -
Ballarat Tramway Museum
Photograph - Illustration, "View of Ballarat today", c1910
Illustration or photograph taken from the Town Hall, looking North East towards Black Hill. The Post Office, railway yards, Sturt St buildings are in view. Has a tram eastbound at Lydiard St and another waiting to depart Grenville St. There are two horse-drawn cabs in the view. The road surfaces have marks - either from being watered or graded. On the rear is a photograph of R O Henderson's New Furniture warehouse, View Point Bendigo. Yields information of Ballarat c1910.Black and white Illustration cut from a journal"1912" in pencil alongside the image title.tramways, trams, sturt st, esco, grenville st, bridge st, lydiard st north, black hill, post office -
Whitehorse Historical Society Inc.
Domestic object - Salt Cellar
Cut glass container used for salt at the tableglass technology, glassware, domestic items, table setting -
Federation University Historical Collection
Newspaper - Newspaper articles, Chatham-Holmes Collection: Elizabeth Chatham articles, 1) 1975; .2) 1993
.1] Elizabeth Chatham was a past student at Loreto School and was president of the Past Pupils' Association. A gift of $2000 was presented to Loreto Abbey and to Loreto Convent. .2] In 1993, Elizabeth Chatham was elected to the general committee of the Ballarat Golf Club at its 98th AGM - first female to do so. The Golf Club was formed in 1895.Articles cut out from Ballarat Courier.elizabeth chatham, loreto, past pupils' association, loreto abbey, loreto convent, ballarat golf club, agm, general committee -
Dandenong/Cranbourne RSL Sub Branch
Memorabilia - Half Beer Bottle Vase
Beer Bottle with top cut off and engraved.Around the bottom of bottle-THIS BOTTLE ALWAYS REMAINS THE PROPERTY OF THE MANUFACTURERS BOTTLE CO. VICTORIA PTY.LTD. Engraved on side of bottle-The "Lady Blamey" 9th Aust Div.- April 1940 - 80 7 Div Cav Regt 8 " " " 9 " " " 9 " " C'do -
Flagstaff Hill Maritime Museum and Village
Leisure object - Tobacco Pipe, Early 20th century
People in ancient civilisations smoked pipes during various healing and religious ceremonies. By the end of the 15th century, after tobacco was discovered in America, smoking had become a common pastime for everyday people. From that time, tobacco pipes were fashioned from many materials ranging from gold and silver to corn cobs and clay. A popular material was meerschaum, an expensive, soft, white stone from Turkey. In the 1820s, French craftsmen carved pipes out of the wood from the growth on the root of a Mediterranean White Heath. This material became increasingly popular due to its durable, heat-resistant qualities. The growth was called ‘bruyere’, now anglicised to ‘briar’ wood. Bakelite was the first plastic made from synthetic components. It was developed by Leo Baekeland of New York in 1907. The material was heat-resistant and could be moulded into any shape and hardened to keep its shape. This invention greatly impacted the industrial world and the products available to the domestic market, making more objects available at reduced cost.This smoker's tobacco pipe symbolises one of the leisure activities of the early 20th century that has continued into modern times. The shape and materials of the pipe represent a point in time in the evolution of tobacco pipes, including the revolutionary impact that the 1900s invention of Bakelite had on objects available in the domestic and industrial markets.Smoker's tobacco pipe; a round brown wooden pipe bowl joined to a dark brown mouthpiece. The French pipe's bowl is made from briar wood, and its mouthpiece is Bakelite. There is an inscription on the pipe."French Briar Pipe"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, smoker's pipe, tobacco pipe, briar wood pipe, wooden pipe, smoking, french pipe, bakelite, smoker's equipment -
Mont De Lancey
Tool - Hay Knife, Brades & Co, Unknown
A silage or hay knife with two turned wooden handles. The blade has eight teeth. It was used to cut hay when it is dry. Blocks were cut for the stack as needed for stock feed. Silage is an animal feed cut and stored while still green.'Brades & Co, Pat. No.71'agricultutal tools, hay knife, agricultural equipment -
Warrnambool and District Historical Society Inc.
Stencils x 3
Stencils were used to mark produce before it went to markets and/or in transit. Produce such as bales of wool, dairy and fresh produce were so marked and the account credited to the relevant producer. The origins and provenance of the stencils is not known at this time.These stencils have no known provenance but have interpretive interest and significance..1 Oval metal stencil with the number 373 cut out of the metal and with WTC engraved above it. Circular hole in the metal on the left side. .2 Circular metal with 549 cut out of metal and S of W engraved above. One large circle and two smaller circles also cut out of the metal. .3 Oval metal stencil with the numbers 199 cut out of metal and TCW engraved above it. Circular hole has been cut out on the left..1 WTC Old catalogue number on rear 437 .2 S of W Old catalogue number on rear 442 .3 TCW. Old catalogue number on rear.433warrnambool, metal stencils, farm stencils -
Frankston RSL Sub Branch
Set, Draughts
An incomplete set of hexagonal shaped wooden discs intended for use as the playing pieces in a game of draughts. This trench art item consists of a set of 12 pieces (the white pieces) in natural wood and 11 pieces of the same wood which have been dyed a dark colour (the black pieces). An accompanying note, written on military "Field Report" stationery, states "Cut from tree branch in the jungle of Malaysia - 1965" "Coloured with medical dressing". -
Wangaratta RSL Sub Branch
Equipment - Swagger Stick, c1863
This swagger stick belonged to Private Ernest LUCAS who served with the Royal Defence Corps between 17/6/1907 and 18/5/1919 including the 6th Battalion Middlesex Regiment In the British Army before World War I, swagger sticks were carried by all other ranks when off duty as part of their walking out uniform. The stick took the form of a short cane of polished wood, with an ornamented metal head of regimental pattern. The usual custom was for the private soldier or NCO to carry the stick tucked under his arm. Until 1939 swagger sticks were still carried by peacetime regular soldiers when "walking out" of barracks but the practice ceased with the outbreak of World War II. The 6th Battalion Middlesex Regiment can trace its history back to 7 August 1760 as part of the Middlesex Militia. In 1778 it was titled the 1st East Middlesex Militia. By royal order the regiment was later designated the Royal East Middlesex Militia on 24 April 1804. By 1855 it was using the formal title of "1st or Royal East Middlesex Regiment of Militia". In 1900 the number of regular Middlesex Regiment battalions was doubled with the formation of a new the 3rd and 4th battalions; and the two militia battalions were renumbered as 5th and 6th battalions of the regiment. The unit's standing orders of 1863 record the regimental insignia as being somewhat unusual, in that it did not include standard royal crown, but featured a five-pointed Saxon Crown atop a shield with the arms of the East Saxon Kingdom i.e. three stylised Seaxes hilted and pommeledpLong narrow round cane made from polished reddish/brown wood with brass metal tip and embossed silver topSilver metal top embossed with a crown above a shield inscribed 6th Battalion Middlesex Regtswagger stick, 6th battalion middlesex regiment, private ernest lucas -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, Lennox Gallery Pty Ltd C/N 49592, Post WW1
WILLIAM THOMAS SHUFFLEBOTHAM No 2544 enlisted in 5th reinforcements 58th Batt on 11.6.1916 age 32 years. Embarked for England 25.9.1916. Embarked for France 2.1.1917, hospitalised 22.2.1917 with Gastro Enteritis, embarks for France 30.8.1917, listed WIA and missing 25.9.1917 Polygon Wood. Classed KIA by a Court of inquiry in the Field 25.9.1917.Tan wooden frame with carving, glass front, cardboard backing & hanging cord. Sepia photo of soldier in uniform, jacket, trousers, puttees, boots & peaked cap. Flag draped in background.On front: “WILLIAM THOMAS SHUFFLEBOTHAM, No 2544, 5th REO's 58th Batt AIF, Enlisted 11.06.1916, Report KIA 25.09.1917 at Polygon Wood” On back in black biro: “WILLIAM THOMAS SHUFFLEBOTHAM” info. Sticker on back: Lennox Gallery Pty Ltd, C/N 49592photography-photographs, frame accessories, military history-army, shufflebotham -
Leopold Tennis Club
Photograph, Robert Pockley Studios, Geelong Lawn Tennis Association Leopold Tennis Club A4 Grade Premiers - Season 1970, 1970
Image taken of the Geelong Lawn Tennis Association - A4 Grade Premiers for Season 1970.1 photograph of Premiership tennis teamStanding: K. Stanley, R. Wooding, A. Smythe (Capt.), A. Jinks Seated: Mrs M. Wooding, Miss P. Dickins, Mrs D. Browne, Mrs G. Johnsonleopold tennis club, geelong lawn tennis association, r wooding, p dickens, k stanley, a smythe, a jinks, m wooding, g johnson, dorothy browne -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, jet necklace, c1880
Jet became popular in the Victorian era for mourning jewellery, which became fashionable after the death of Queen Victoria's husband Prince Albert in 1861. Jet is a dense black fossilized wood, almost like coal, and very light in weight. It is easy to cut, so carved well. It became popular in the Victorian era for mourning jewellery, which became fashionable.This jet necklace is typical of the mourning jewellery worn by early settler women in Moorabbin Shire c1900A continuous circular, long, black necklace with small jet beads.Nonejewellery, mourning wear, jet stone, queen victoria fashion, early settlers, pioneers, black clothing, moorabbin mirror, bader fran, rietman august, rennick stefanie, resin jewellery, -
Flagstaff Hill Maritime Museum and Village
Equipment - Pattern, Briggs Brass Foundry, Early 20th century
The wooden patterns are part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; a pair of blocks that form a rectangle with a carved centre hole and disc shape inside. The block is made from laminated pieces of wood with cut corners. Both sides have four drilled holes in a square configuration but in different positions. The cut faces and the space carved into them are painted red; one piece has two dowel pins that fit into two drilled holes on the other. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912 -
Flagstaff Hill Maritime Museum and Village
Functional object - Nail
This historic bronze nail dates back to 1790ss to 1890s. Nails such as this one were used for ship building, as deck fasteners and many other uses. This nail was made at a time when the shanks of nails were usually machine cut but the heads were hand formed by blacksmiths. The nail was recovered from a shipwreck along the coast of Victoria in around 1968 and is part of the John Chance Collection. The nail is significant historically as an example of hardware used when building wooden ships in the early to mid-19th century. The nail is historically significant as an example of the work and trade of blacksmith. The nail is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Nail; bronze, deck nail. Rounded rectangular head, rectangular shank cross-section, tip flattened to a rounded wedge shape but cut straight down at the end instead of a point. The surface is pitted and rough and has yellow and orange concretion and degradation on the nail's surface. Recovered from an unspecified shipwreck along the coast of Victoria. Part of the John Chance Collection. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, fastener, nail, square nail, machine cut mail, blacksmith, historic nail, bronze nail, hand forged, coastal shipwreck, victorian shipwreck -
Ararat Gallery TAMA
Functional object, Inaniwa Udon, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Hand-cut sections of cryptomeria wood make a simple but dignified box for dried noodles. The shop in Akita City that sells this product was founded in 1665. The label, with its numerous seal impressions, has the look of an old-time legal document, and this is fitting, for it is actually the shop's pedigree. It records, among other things, the name of the founder and the fact that the shop, originally located in Inaba, once sold its noodles to the feudal lord of the region by special appointment. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving -
The Beechworth Burke Museum
Animal specimen - Australasian Wood Duck (female), Trustees of the Australian Museum, 1860-1880
The Australasian Wood Duck is commonly described as 'goose-like' in appearance. They reside throughout Australia and Tasmania in regions including grasslands, open woodlands, wetlands, flooded pastures and along the coast and bays. Unlike some breeds of ducks, this species can walk on land with ease and can often be seen perched on logs and in trees. The Wood Duck eat grass, clover and other herbs. On occasion they eat insects. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The female Wood Duck has a pale brown head with dark glass eyes. The head is looking backwards over left shoulder. The bill is a dull grey colour and the legs are a similar grey.The breast is speckled cream-grey with a white lower belly and under-tail. There is a paper tag tied to the upper part of the Wood Duck's right leg, a white label attached to the front right of the wooden platform and a grey label on the left beside the white label.....[missing] Goose / ....[missing] page 38. / 133 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, australaisian shovelor, shovelor, wood duck, australian wood duck, female duck, maned duck, female -
NMIT (Northern Melbourne Institute of TAFE)
Program: Farewell to Bert Campbell and Tom Woods CTS 15 December 1965
Bert Campbell and Tom Woods were teachers being farewelled from Collingwood Technical Schoo. Two programmes held as well as two Invitation slips with tear-off response slips.Four-sided Whtie card. On cover is the CTS logo and 2 photos and text 'Farewell to ... / Bert Campbell / Tom Woods / In the School Hall / COLLINGWOOD TECHNICAL SCHOOL / WEDNESDAY, 15th DECEMBER, 1965'. Page 2 lists the 'Entertainment', page 3 is the 'Programme', page 4 is headed 'Autographs'. Also held are two Invitations to the Farewell with tear-off replies collingwood technical school, bert campbell, tom woods, nmit -
Creswick Campus Historical Collection - University of Melbourne
Equipment, Steam distillation unit, circa 1930
[E.J. Semmens experimented with Eucalyptus distilling during his time as principal of the VSF, this piece of equipment would have been used for teaching and research at the School and maybe linked to Semmens' research.] Detailed description of item supplied by from the International Wood Collectors Society.Steam distillation box for extraction of essential oils from wood or sawdust and leaves. Copper box and stand, bakelite fittings, cork and glass tubing. The box has a vent for releasing steam pressure and bottom drain hole to collect oils. It is raised to allow a burner to fit underneath it. forestry, forest products, semmens, edwin james -
Federation University Historical Collection
Photograph - Colour photograph, Former Ballarat Gaol Gates, 24/04/2017
The main gate to the former Gaol is a monumental work. The arch keystone facing Lydiard Street is beautifully executed. The gates and the iron lacework over the top are distinctive.The arch under the flyover is also distinctive; the basalt keystone appears to have been cut from one single block of stone. Most of the gaol has been demolished to allow the School of Mines Ballarat to expand onto the site. The remaining structures at the site include the main gate, warden's residence and governor's residence. These buildings are now used by Federation University.The main gate to the former Gaol is a monumental work. The arch keystone facing Lydiard Street is beautifully executed. The gates and the iron lacework over the top are distinctive.The arch under the flyover is also distinctive; the basalt keystone appears to have been cut from one single block of stone. gate, gaol, arch keystone, lydiard street, iron lacework, flyover, stone, basalt, warden's residence, governor's residence, ballarat school of mines, federation university, former ballarat gaol -
Federation University Historical Collection
Colour photograph, Ballarat Courier Photographer, Former Ballarat Gaol Gates, 09-06-1997
The main gate to the former Gaol is a monumental work. The arch keystone facing Lydiard Street is beautifully executed. The gates and the iron lacework over the top are distinctive.The arch under the flyover is also distinctive; the basalt keystone appears to have been cut from one single block of stone. Most of the gaol has been demolished to allow the School of Mines Ballarat to expand onto the site. The remaining structures at the site include the main gate, warden's residence and governor's residence. These buildings are now used by Federation University.The main gate to the former Gaol is a monumental work. The arch keystone facing Lydiard Street is beautifully executed. The gates and the iron lacework over the top are distinctive.The arch under the flyover is also distinctive; the basalt keystone appears to have been cut from one single block of stone. gate, gaol, arch keystone, lydiard street, iron lacework, flyover, stone, basalt, ballarat school of minesfederation university, warden's residence, governor's residence -
City of Ballarat
Artwork, other - Public Artwork, William Dunstan VC Memorial, 1995
The Dunstan Memorial is a minimal form of rough-cut bluestone and sheet granite in memory of Ballarat born soldier, William Dunstan, who served with honour in Gallipoli, WWI. His unit successfully defended a post despite being seriously wounded. He and one mate were the only survivors of the 10 men defending the trench and all were awarded the Victoria Cross. Following the war Dunstan worked as manager and director of the Herald and Weekly Times.The memorial is of historical significance to the people BallaratThis is a minimal form of rough-cut bluestone and sheet granite in memory of Ballarat born soldier who served with honor in Gallipoli. His unit successfully defended a post despite being seriously wounded. He and one mate were the only survivors of the 10 men defending the trench and all were awarded the Victoria Cross. In honour of William Dunstan, VC 1895-1957. William Dunstan was born in Ballarat East and educated at Golden Point State School. Shortly after the outbreak of the First World War, 19 year old Dunstan enlisted in the 7th Battalion, 2nd Brigade, 1st Division of the Australian Imperial Forces. Within 3 weeks he was posted to Gallipoli and was immediately embroiled in the Battle of Lone Pine. Early on the morning of 9th August, 1915, Dunstan and 10 other men were defending a trench captured from the Turks. The enemy launched repeated counter attacks and suffered heavy casualties. Only 3 surviving Australians remained and were rebuilding the blown-up barricade of sandbags when the Turks launched a final vicious assault to regain the trench. Struggling to defend their position, the three Australians resorted to catching the Turkish hand bombs and throwing them back at the enemy or smothering those that landed with Turkish great-coats. Hand bombs killed a 10th defender and wounded both Dunstan and his only remaining companion. Again the Turks were driven back and this time the two wounded Australians were left alone until later relieved and hospitalised. As a result of the intensity of the fighting and the tenacity of the 3 defenders, each was awarded Victoria Crosses for their most conspicuous bravery. Following the war, Dunstan enjoyed a successful career to become the Managing Director of the Herald and Weekly Times. He died in Melbourne aged 62 and is remembered with respect by the citizens of Ballarat.first world war, wwi, william dunstan, conflict, war -
Tennis Australia
Racquet, 16-Dec-24
Spalding wood racquet with red and white whipping on shoulders and grooved wood handle. Leather cuff on butt. Materials: Wood, String, Gut, Leathertennis -
Mont De Lancey
Functional object - Drinking Glasses
May have come from Germany with the donor Dorothy Adamson's grandparents in the 1920's.1. Set of three clear cut footed glass wine glasses, with a lined pattern. 2. Set of two clear cut footed glass sherry glasses with a lined pattern. 3. Set of five clear cut footed glass sweet dishes with a lined pattern. glasses, drinking glasses, sweet dishes, bar equipment, liqueur glasses, wine glasses -
Mont De Lancey
Tool - Hay Knife, James Griffin & Sons, Unknown
A large steel curved bladed silage or hay knife with a tapered handle and a bent pointed sharp end. It was used to cut hay when it is dry. Blocks were cut for the ? or stack as needed for stock feed. Silage is an animal feed cut and stored while still green.agricultutal tools, hay knife, agricultural equipment -
Orbost & District Historical Society
pleating machine, late 19th century - early 20th century
Pleated ruffles were a fashionable trimming for ladies’ clothing in the late 19th century - early 20th century. Dressmakers and classy laundries offering “fancy” ironing services both had plenty of use for a pleating machine. Pleating machines were sold for home use too.This item is an example of a machine not commonly used today.Metal and wood pleating machine, still in working order. Handles are carved wood.textile-machinery sewing pleating-machine -
Tennis Australia
Paddle, Circa 1910
A ply-wood paddle, with rounded butt. Materials: Wood, Metal, Glue, Lacquertennis -
Tennis Australia
Paddle, Circa 1910
A ply-wood paddle, with squared butt. Materials: Wood, Metal, Glue, Lacquertennis