Tapered triangular navy blue felt pennant with gold screen-printed writing "Morongo" and coloured School crest, featuring royal blue circle, with white diagonal cross, with dark green background and golden lantern with white flame, on top of cross.pennant, education, school, morongo, geelong, girls, boarding, presbyterian, uniting, history, banner, private-girls-school, lucy-shaw, gertrude-pratt, dulcie-brookshaw, 1920-1994, kindergarten-year-12, sint-lucernae-ardentes

This an advertisement / souvenir for Merrangbaur House in Lakes Entrance. Merrangbaur was in , Lakes Entrance and stood on the on the Prince's Highway, about a kilometre from Lakes Entrance. It was destroyed by fire on the early morning of December 15, 1935. The original residence of the Roadknight family, the first white settlers in the Lakes Entrance district, Merrangbaur House had been conducted as a guest house for many years. Much of the furniture was lost, although a portion of the building, consisting of the ballroom and several bedrooms, was saved Mrs. Anne McInnes, aged more than 80 years, the mother of the proprietress, Miss McInnes, was the only guest sleeping in the house when the fire began and had to be assisted from her blazing bedroom on the ground floor. She was carried through a window by members of the fire brigade and spent the remainder of the night at the house of a friend. Miss McInnes was in Melbourne on a business visit arranging for Christmas bookings, when she was informed of her loss. (info. from The Argus Melbourne Monday December 16 1935)This item is associated with tourism in East Gippsland in the early 20th century.A black / white photograph / postcard.There is a photograph of a Lakes Entrance scene in each corner with a banner for "ROADKNIGHT'S MERRANGBAUR HOUSE' in the middle.In a circle is "FIRST CLASS ACCOMMODATION TARIFF 30/- WEEKLY". It has a note that "Coaches for Buchan Caves call at Merrangbaur daily".merrangbaur-lakes-entrance roadknight-lakes-entrance postcard-lakes-entrance

Depicts lying up point at last light of a five man SAS patrol. All members are lying in a circle with heads inner most at touching distance from each other to warn of snoring or enemy. Backpacks are handy, belts are used as pillows.diorama, lup

Belonged to Joan Fitzmaurice, mother in law of donor, who got the bag from her mother (Mrs Wharton) in England in the 1940's. Joan was a Knitter not a sewer.A cream linen bag - half circle pleated onto a yoke with a strap handle. Yoke decorated with appliqued crinoline lady in an embroidered cottage garden of hollyhocks. Border and strap in green embroidery. Body of bag decorated in petit - point of vase of flowers.handcrafts, knitting

Tea pot would have had a thick tea cosy and this piece over the top as decoration.White tea pot cover - semi-circle in shape. hand made tatting and drawthread edging. Three cut out embroidery patterns with leaves embroidered around them on one side and one example of the sam pattern enlarged on the other side.handcrafts, needlework, manchester, table linen

The Rats of Tobruk Association, Inc, Victoria was formed in September, 1945. The Association was open for those Servicemen who had Served at, and during, the Longest Siege in British Military History - the Siege of Tobruk - 240 Days, between April10th and December 10th 1941 in WW2 and who were fortunate enough to return to Australia at the end of hostilities. Of approximately 14,000 Australians involved in the Siege of Tobruk, 559 were KIA, 2450 were WIA and 941 became a POW. Brown wooden lacquered shield with the Rats of Tobruk Association symbol (brown rat on gold circle with white ad gold scrolls surrounding with the name of the association printed upon) overlaying a yellow T below a crown. Below the symbol is the motto 'no surrender'.THE RATS OF TOBRUK ASSOCIATION NO SURRENDER

An enamelled badge with a flapping bird above a circular target of white black blue and red concentric circles with a brass bow superimposed on it and enclosed by Kew City Bowmen with two crossed arrows below, on a violet blue background mounted on the handle of a spoon Kew City Bowmen (front) Pitcher epns A1 (reverse)kew city bowmen, souvenirs - spoons

Adhesive label or sign for use on the press for information button and speakers and CBD tram stops - has the letter I within a circle and the words "Press for Information" underneath. On the base has Yarra Trams contact call numbers. Two copies held.trams, tramways, yarra trams, timetables, melbourne, information

Dyeline print of Drawing R8906 - Motor Bus Data, dated 19/7/1954. Gives bus numbers, make and type number of vehicles in service, capacity, turning circle, wheel bases, Tare weight, overall length, width and height.trams, tramways, buses, mmtb, lists

UnknownTrident form, blue and green patterning on a grey base. Below the trident are three circles of gold, with a black horizontal line underneath these. The background is pale blue with darker blue lines providing a textured appearance. Mounted in faun matt and gold frame.Front: Series VI/5 (lower left) Symbol derDreifealtigkeit (lower centre) K. Zimmer 70 (lower right) (pencil) Back: (no inscriptions)stencil

This is the 1985-6 Annual Report for Lyndoch Home and Hospital for the Aged, Warrnambool. It contains lists of Board Members, a President’s Report, photographs, Lyndoch’s Aims, financial reports and a list of Life Governors. Lyndoch Home for the Aged was established in 1952 and has developed with a wide range of facilities for the aged since that date. The original Lyndoch property near the mouth of the River Hopkins was owned by a Melbourne tea merchant, George Rolfe, who bought the land when there were on the site only a couple of cottages and a larger building which had been a school, Warrnambool Grammar, run by Henry Kemmis. Rolfe acquired the land in the 1870s and named the property Lyndoch after the town in the Barossa Valley where he had lived. He owned Lyndoch for 44 years ad it was his stepdaughter Florence Lake who built in the 1920s the bungalow known as Lyndoch which forms the original building of Lyndoch Home for the Aged. Today the facility is called Lyndoch Living. This 1985-6 report is kept for the benefit of researchers wanting details of the history of Lyndoch over the past 30 or 40 years.This is a booklet with a plasticized white cover with a black and white photograph of a Lyndoch building on the front cover. There are eight double-sided pages with printed material and photographs. The pages are stapled.On front cover: ‘Lyndoch, Warrnambool, Annual Report, 1985-1986 On back cover: A black circle with the words: ‘Lyndoch, Comfort and Security for Aged Folk’. lyndoch aged care facility, warrnambool

Set of two cufflinks featuring coloured enamel School Crests attached to small silver chains and silver oblong keepersSchool crest featuring royal blue circle, with white diagonal cross, with dark green background and golden lantern with white flame on top of cross.education, school, morongo, geelong, girls, boarding, presbyterian, uniting, history, badges, cufflinks, private-girls-school, 1920-1994, kindergarten-year-12, sint-lucernae-ardentes, lucy shaw, gertrude pratt, dulcie brookshaw

One cufflink featuring coloured enamel School Crest attached to small silver chains and silver rod keeper.School crest featuring royal blue circle, with white diagonal cross, with dark green background and golden lantern with white flame on top of crosseducation, school, morongo, geelong, girls, boarding, presbyterian, uniting, history, badges, cufflinks, private-girls-school, 1920-1994, kindergarten-year-12, sint-lucernae-ardentes, lucy shaw, gertrude pratt, dulcie brookshaw

This tablespoon was recovered from the wreck of the Loch Ard that sailed from Gravesend, London. The manifest listed an array of manufactured goods being exported to the Colony of Victoria. Included in the cargo manifest was a large number of hardware and cutlery items. These spoons are representative of similar items of silver electro-plated cutlery salvaged from the Loch Ard wreck site, comprising nickel silver electroplated spoons and forks of various sizes but all sharing the same general shape and design. History of the Loch Ard: - The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Spoon, tablespoon; nickel silver plated spoon with fiddle-back design handle, narrow stem with flared collar and elongated bowl. Marker's marks are impressed on the back of the handle. It was recovered from the wreck of the Loch Ard.Crown with diamond with W P inside Oval with anchor or key Square with cut corners with fancy cross inside Circle with lion Diamond with "P"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, dessert spoon, petrified timber, conglomerated cutlery, silverware, dining utensil, spoons, conglomeration of spoons, spoon, tablespoon, cutlery

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Bendigo Mining Country." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A single poppet head and a chimney with smoke coming out can be seen on the right hand side with two houses further away. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "Norman W. Penrose" ("Bendigo Mining Country') 14 Barkly Terrace, Bendigo. phone: 36420. In red chalk No 4 within a circle. bendigo, mining, norman penrose, artist, teacher

Photograph of shearing table in use, designed by John Borthwick.Photograph of shearing table in use, designed by John Borthwick.Shearing table marketed 1953 designed by Qld. grazier John Borthwick Country Life Photo Copyright Reserved Negative....... No...... 6 (circled) 6965shearing machinery shearing, shearing machinery, shearing

Yields information about tram services and how timetables were printed using a clock face for use in Ballarat. Demonstrates timetable making.Thirty two page, white paper, saddle stapled booklet, titled "Electricity Supply Department - Ballarat Tramways - Official Time Table August 1937", Gives notes on the through routing of the tram service, how the clock style format works and that it operates from the Tramway Centre. Also details when extra services are run and times as specific points along the route. Page 29 detail the fares and charges, page 30 - luggage, page 28 gives travel information and rear cover advertises electricity usage. Contained originally within Reg Item 5623 at the front of this note book. For items see btm5623 loose items list.pdf. See Reg Item 3352 for the January 1939 version. 2nd copy added 9/1/2020, received from Nina Netherway 4/1/2021Copy 1 - On pages 2 and 3, numbers have been marked against each route within a circle using ink "0" to "6".timetables, ballarat, fares

Paraffin lamp with clear glass oil reservoir and stand. Oil reservoir is spherical in shape and has a bird pattern embossed while stand has a fluted base with decorative rivets and turns. On top of oil reservoir is a brass wick holder. It seems to be missing the chimney."An Qing China" is imprinted on interior of base along with an "A" in a circle. Chinese characters/letters are also imprinted on base interior and can be translated to the same as the English.lighting, kerosene & oil, light, lamp, paraffin, oil, birds, glass.

This item was donated to Wodonga Historical Society by the artist, Betty L. Barberis. Betty Barberis nee Barton was one of 12 children born to Roderick Barton and Myrtle Ann Hore of Gundowring in the Kiewa Valley. She was born in 1927 and attended Upper Gundowring Primary School. Betty was encouraged to enter a project for the "Young Farmers" by illustrating a book. She won first prize for Victoria and the book was exhibited at the Royal Melbourne Show. This resulted in Betty attaining a Manual Art Teacher's Studentship which she completed at Wangaratta Technical School. Here she learned many new skills ranging from garment design to ceramics. She also attended Melbourne Teachers College. Betty created many decorative banners, the first being for the Australian section of the World Scout Jamboree in 1948. Over her long career she was to create many other banners and commissioned work for significant organisations and institutions . Betty’s great body of work included landscapes, millinery, ceramics, and a bronze sculpture of her husband Vern Barberis who was a fellow schoolteacher and represented Australia as a weightlifter, winning a bronze medal at the Helsinki Olympics in 1952. She also illustrated several books and had exhibitions in many galleries including in Albury. Betty passed away at The Grange, Wodonga on 26 November 2013. The 1981 Rotary International Pacific Region Conference was held in the Royal Exhibition Building, Melbourne, between 26 and 29 November 1981. More than 5,000 Rotarians from around the Pacific attended the conference in Melbourne to discuss 'The Future of the Pacific Region'. Speakers included the Honourable Malcolm Fraser, Rotary International President Stan McCaffrey, President Elect Horoji Mukasa, Ranald McDonald, representing the media, Sir Ian McLennan, representing industry, Japanese former Ambassador Nobuhiko Ushiba and Philippines Deputy Consul General Mrs Minerva Falcon, both representing diplomatic services, as well as other Rotarians. A limited number of plaques were produced from quality imported porcelain.This item represents a major event held in Melbourne for Rotary International and is also the work of a prominent artist from the Wodonga district.2 ceramic plaques designed by Betty Barberis for the emblem of the 198T Rotary International Pacific Region Conference held in Melbourne in 1981. The plaque bears the Rotary emblem, slogan and other text as well as an image of a kangaroo and lyre bird.In top banner: "SERVICE - ABOVE - SELF" In central circle: "ROTARY INTERNATIONAL" around 1981 In lower banners: "PACIFIC REGIONAL CONFERENCE / MELBOURNE AUSTRALIA".betty barberis, rotary international, 1981 rotary international pacific region conference

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Driver George Lynch and Fireman David Brown at the controls of Locomotive R707. This parallel run took place between Wodonga and Wangaratta on 24 November 1973 with 3820 on the standard gauge and R707 double-headed with R761 on broad gauge. This occasion marked the Centenary of the opening of the North Eastern railway from Melbourne to Wodonga. Locomotive 3820 was a NSW Railways locomotive and is now a key exhibit at the Trainworks Museum, Thirlmere, NSW In circle on front of the locomotive on left "NORTH EAST CENTENARY/ WODONGA/ 1873-1973" On front of locomotive on left "R797. On front of locomotive on right "3820"railways wodonga, fred rochow, wodonga centenary locomotive, locomotive r707, locomotive 3820, north east line centenary

The telegraph system of sending and receiving messages was developed in the early 1800s and improved as time went on. It sends electronic signals that represent letters and words along a wire. Those signals are then converted back to words at the other end of the wire. Morse code is a similar system. A fee is charged to send a telegraph, per letter or per word. The telegraph greatly improved communication, particularly in a large country like Australia. It was a fast way to send news and send out calls for help for people during a shipwreck. In Warrnambool, it was even used to set the correct time every day; a signal was sent from the time ball in Melbourne, and along the railway line to the Warrnambool Post Office. This 1896 telegraph tells a big story in very few words, only fourteen! The layout of the paper form includes a table with four columns and five rows, set out for writing just one word into each of the twenty spaces. The happy message is the approval to go ahead with the exchange/sale of the title from landowner Rutledge to Wilson. The Melbourne Legal firm Klingender Dickson and Kiddle sent this message on behalf of its client to the Bank of Australasia in Warrnambool. The Bank of Australasia was incorporated by the Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. This telegraph has historical significance as it was sent to the Bank of Australasia in Warrnambool. The parties involved in the message, Rutledge and Wilson, were involved in a land deal in 1896 when the district was importing and exporting goods into and out of Warrnambool Harbour via sailing ships. It is also a historical record of the nature of financial agreements between similar institutions in Warrnambool and the district. The telegraph is significant for its association with the Bank of Australasia in Warrnambool, the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia.Telegraph RECEIVED: Warrnambool Post Office, Wednesday 3rd June 1896. FROM: Klingender, Dickson, and Kiddle, solicitors, Bank Place, Melbourne FOR :the Manager, Bank of Australasia, Warrnambool, REGARDING: Rutledge to Wilson titleSTAMP: text inside circle "WARRNAMBOOL VIC", and in centre of the circle "JE 3 96" Telegraph No. "23", FROM :"Melbourne", FOR: "The Mgr, Bank of Australasia" MESSAGE (14 words): "Rutledge to Wilson title accepted by Purchaser's Solicitors settlement may be effected with auctioneers" TIME: "9:24" SIGNED: " Klingender Dickson Kiddle, Solrs, Bank Place"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, commerce, banking, bank of australasia, australia & new zealand bank, anz bank, david charters mcarthur, telegraph, 1896, rutledge, wilson, klengender, dickson, kiddle, warrnambool post office, klengender dickson and kiddle, bank place

Clothing. Beautiful cream, floral, lace - probably linen, 10 cms deep. Each of the four layers of floral lace is overlapping a 3 cm wide, permanently pleated, band of cream silk, which is edged with a narrow 5 mm band of black velvet. The linen lace has a scalloped lower edge alternating five circles .8 cm diameter and four circles 1.2 cm - this edging forms the scalloped effect. Flowing scrolls and leaves fill in between the flowers. Presumably this four frill flounce has been removed from another garment to be recycled.costume, female, four frill layered garment trim

It is unknown how this came into the collection at the Warrnambool Museum. However, during the 18th and 19th centuries it was fashionable for young men of means to undertake a 'grand tour'. During their travels they would often pick up souvenirs with these sometimes being ancient artefacts from classical Greece or Rome. It is thought that the item most probable came to the museum in this manner.From discussion with specialists at the British Museum and the University of Reading it was ascertained that the oil lamp is indeed ancient Roman and over 2000 years old. The marking on the top could be Venus although it is quite worn away so it is difficult to tell for sure.A terracotta oil lamp housed in a wooden box. On the top of the lamp are 3 circle incisions and in the centre of the circles is a depiction of a figure. There is a small finger sized handle on the side of the lamp. The handle has 2 incised lines leaving 3 raised ridges. It is squared off at the top. The top of the oil lamp has a hole in which to place a cloth wick and a spout from which the smoke would have come out. The spout is blackened from smoke. The container box is guessed to be from the time of acquisition which would be around the early 1900s and is made from a polished wood. Light in colour.In the box was a label saying, 'Venus coming out of the gate of the temple'. It also stated that the lamp may have been placed at the feet of the dead in the catacombs.oil lamp, roman, terracotta, classical, archaeology, victorian, grand tour

Ballarat Courier Publication Issue 4 as 6 monthly Visitor/Tourist Guide. Including details of events in calendar format as well as some stores relating to major events, eg. the Begonia Festival Issue 4 - July to Dec. 1998, p20 under heading of Transport and tours, suggestion to historic tram ride, followed by a 1/6 page coloured photo of tram 26. Also on same page "City Circle Heritage Tour Bus" item. See 776.1 and .2 for previous issues. See Reg Item 5465 for City Circle Bus brochure.tourism, btm, tourist guides

Australian Railway Enthusiast Magazine - June 1995, colour front cover containing an article titled "The City Circle", written by William F Scott. Features the story behind the advent of the City Circle tram service, many photos, tram track construction, the vision, launch by Ian Dobbs and Russell Nathan, V214 on the launch day (28.4.1994), map showing future extensions to the new casino, South Melbourne Depot, commissioning event, ticket. Also has an obituary on Eldon Hogan who died on 6/5/1995. See Reg Item 5422 for a newspaper item on the opening day.trams, tramways, city circle, melbourne, launch, south melbourne depot, map, tram 957, tram 728, tram 1000, tram 214, tram 842, tram 470, tram 380

This year, St Helena Secondary College, like every year, is affording students the opportunity to perform in a play. This year it is the Bertolt Brecht play The Chalk Circle, which was originally performed in 1944.News article 1 page, black text and colour imagest helena secondary college, the chalk circle

The white circular disc signifies the rear end of the train. When it is reversed in direction, the driver flips down the upper half of the disc which exposes body colour hiding the white circle.Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham railway station, red rattler, tait train