This infant protectors was donated to the Kew Historical Society by officers of the City of Kew. It was presumably held by the City for protection against gas attacks.Rare piece of WW1 equipment designed to protect infants on the home front.A respirator designed by the US Army O.C.D to be used to protect a baby in case of a gas attack. The respirator comprises a green pliofilm bag with a draw-string to secure the bag after a baby was placed in it. A hose and hand-action pump provides air for the baby. The respirator includes a detailed description of how it is to be used and stored. infant respirator, gas mask, world war two

Stem pessaries were instruments used for rectifying uterine displacement, either ante or retroversion. The pessary consisted of a stem and bulb or ball. The stem was introduced into the vagina, and the bulb rested against the cervix/uteri. An external wire frame could be attached to the bulb. The wire frame would be positioned to press on the pubis, thus keeping the pessary in position in utero. Although this pessary has been recorded as Peaslee's it is very similar in appearance to Thomas's galvanic stem pessaries. Stem pessaries were used in rectifying uterine displacement, either acute or retroversion. A pink tag was attached by string to one of the stems inscribed "Peaslee's/ Uterine/ Stem " "...?TID" on other side.Two Peaslee's intrauterine stem pessaries. Copper single stem pessaries with rounded top, stamped with the number seven on the top.intrauterine device, pessary

This booklet was given to subscribers to the Warrnambool Standard newspaper as an almanac for the year 1926. Warrnambool Standard Almanacs were produced from 1875 to 1930. They contain much local information on Warrnambool and district about the businesses, government officials, banks, churches, schools, harbour management, societies and organizations etc. The Warrnambool Standard newspaper was established in 1872 and continues to this day. This booklet is of high significance as it contains much valuable information about Warrnambool and district for the year 1926. It is a very important research tool for those studying and writing the history of Warrnambool and district. This is a booklet of 112 pages. Some of the advertisements at the front and the back are missing. The cover is also missing and has been replaced by a piece of white cardboard affixed with string. The cover has handwritten black printing. The booklet has a fold-out sheet of a map of Warrnambool, several photographs in blue and brown tonings and other illustrations. warrnambool standard newspaper, history of warrnambool, standard almanac 1926

Peter Ball collection, refer Cat No 4704Rain coat camouflaged colours green & black, buttons on front, around base has a cord pull string, large green sewn in label with makers instructions & space for name, rank, has internal pocket to fold the raincoat into for easy carrying as per photo, two green nylon straps for attaching to equipment.On the label, “M Class 8416 - 66 - 021 - 5442” On label in texta, “3796117 BALL PC”camouflage, rain coats, clothing

The card relates to George Frederick Pierce DCM. Refer cat No 1891P for his AIF service, award and death.Four page folding card, B & W, front cover has a peak hat, crossed rifles over a wreath, inside a short poem headed “He hath fought the good fight”. Next page is a brief sympathy note, under is hand written in ink. A black string holds the pages together.Front cover has, “AIF in Remembrance”, inside in ink from “Pte & Mrs J ........... & family, 12 ...........St Bendigo”.sympathy, military, cards

Items in the collection re Patrick Joseph Morgan, pre WW1 service, No 3415 AIF, KIA. Refer Cat No 1848P for his service history..1) Metal uniform button base with possible shrapnel damage. Loop on rear still has string attached. .2) Metal uniform button base with possible shrapnel damage. Plain brass loop on rear in centre. .3) British penny with dent, possibly from a bullet or shrapnel. Most markings are destroyed..1) “Made in Birmingham" .2) “Made in London"uniforms-army, numismatics-coins

The wallet belonged to Clarence W Curnow VX100151 2nd AIF. Refer Cat No’s 1444, 1445.2..1) Wallet, leather, black , folds in 3 with brass clip to close front. .2) Leather covered note book attached to 1453.1 by black string through centre of the notebook. Various addresses military dates etc throughout. .3)-.5) 3 Newspaper cuttings in wallet re agriculture sheep etc. personal effects - money containers, notebooks, documents - newspapers, wallet, curnow

1920s voyage on the "White Star" from England to Australia.Historically a voyage from England to Australia in 1920s took a fair few weeks depending on how many refueling stops had to be made. Self Entertainment was a must.Boxed Jig-saw puzzle depicting the Cunard White Star passenger ship. approx 200 wooden pieces inside box Box is white colored cardboard. Top of box has a short 6mm wide cotton string to fasten the lid to the main box frame. The fastening mechanism on the bottom of box is not present.Picture of a Cunard ship on front lid together with the Cunard flags. The white star line. Under side - "box register design No 784900" front lid has penned in blue ink "Wilson" One side has two labels affixed on. One "a cruising liner" and one "Containing approx 200 pieces"cunard entertainment, games toy puzzle ships entertainment

Malone Collection. Greeting card. Small white card held together with green string. Bunch of ivy leaves at the top. Groups of three arallel lines above the ivy. Below the ivy is some blue and Friendship printed in red. Below Friendship is a leaf shaped frame with a small coloured scene with some trees.person, greeting cards, malone collection, malone collection, greetingi card

TROVE : The Age (Melbourne, Vic. : 1854 - 1954) Thursday 22 August 1918 p 6 Article 'Doctors and Lodges. Malvern Medical Association. The friendly societies of Malvern have formed a medical association in connection with the Malvern and District U.F.S. Dispensary. This has been registered as the Malvern and District U.F.S. Medical Association and Dispensary. Practically all the societies have joined it. The committee has appointed as medical officer Dr. J Weir, who is now carrying on the work of the institution. Another doctor is to be appointed shortly to assist him. The committee lately purchased a property in Valetta-street, formerly used by the Church of Christ. Structural alterations have been made, and the business will be transferred from High-street to the new building early in September'. TROVE : The Prahran Telegraph (Vic. : 1889 - 1930) Friday 23 January 1925 p 6 Article 'Malvern Dispensary. ANNUAL REPORT AND BALANCE SHEET. The 16th report and balance sheet for the year ending December 31st last of the Malvern and District U.F.S. Medical Association and Dispensary signed by the president (Mr.Chas. A. W. Smith) has been issued. It is the first annual report since the erection of the new hall and dispensary in Valetta street, and discloses a satisfactory state of affairs. Mr. Smith, who is now a past president of the Dispensary, has been commended on. all sides for the active interest He at all times took in the work of the dispensary, and he has every reason to feel pleased and gratified that the erection of the new building was put in hand and completed during his tenure of office. The enterprise is a credit to the district, and shows that, those associated with friendly societies work in Malvern are imbued with a true progressive spirit. The dispensary is assured of a successful and useful future.........................................'. TROVE : Digitised newspaper articles.- The Dispensary Hall in Valetta Street, Malvern was used as a meeting place and dance hall after 1925.Hexagonal clear amber glass bottle, 1/4 full of yellow / brown liquid with cork stopper secured by string. White paper label with red printed text and hand writing. Bottle has 3 plain sides, 2 sides with 'x' stipple pattern either side of a panel with embossed text.Embossed on side of bottle 'NOT TO BE TAKEN', '8'. Embossed on base of bottle '8', followed by an AGM monogram, over one indistinct character and '422M'. On the white paper label printed in red 'POISON' NOT TO BE TAKEN', followed by hand written script in blue ink 'Use on pad as directed. Mr. Williams' , then printed in red, double red lines followed by MALVERN & DISTRICT U.F.S., M.A. & DISPENSARY, VALETTA STREET, MALVERN.poison, friendly societies, amber glass, pharmacist, dispensary, topical medications.

Clothing. Pink cotton full slip petticoat with shoe string shoulder straps. Straight edge along top (unshaped) trimmed with 2.5 cm coffee coloured lace. At centre front are three V shaped lace inserts (13 cm deep). Item trimmed with 2.5 cm coffee coloured lace.costume, female underwear, pink cotton full slip petticoat

A Chicago Sports Equipment Co. 'Pickwick' tennis racquet, with 'Indestructo' plastic shoulder reinforcements and collar, and a fine-grooved octagonal handle. Model name across throat on obverse; manufacturer's name and trademark across throat on reverse. Materials: Wood, Lacquer, Metal, Glue, Gut, Leather, String, Cloth, Ink, Plastictennis

A wooden racquet, with a slotted, fishtail handle. Inscription along neck and stem of obverse: VENUS. Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Metaltennis

A wooden, slotted handle racquet. Inscription along neck of obverse: UNIVERSITY. Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Paint, Metaltennis

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Shrimp and fish were often preserved by drying them and stringing them together with straw. The age-old technique is also used for other foods, including fish, peppers, and giant white radishes known as daikon. The shrimp here are likely to be from Kagoshima, the southernmost prefecture of Kyushu. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

A wooden racquet featuring the decal inscription, along the throat on the obverse: WHIZ. Throat on reverse features red, gold and black decal of company logo, with the inscription 'CHAMPIONSHIP' across a ribbon situated in front of a tennis trophy, within a quartered shield. Materials: Wood, Gut, String, Leather, Metal, Ink, Glue, Lacquertennis

A wooden racquet featuring the decal inscription, along the throat on the obverse: WHIZ. Throat on reverse features red, gold and black decal of company logo, with the inscription 'CHAMPIONSHIP' across a ribbon situated in front of a tennis trophy, within a quartered shield. Materials: Wood, Gut, String, Leather, Metal, Ink, Glue, Lacquertennis

A wooden racquet with a convex throat, red whipping, and grooved handle. Inscription across the throat and along the stem of the obverse: DOUBLE/MAIN/5/G.G.B.&CO.LONDON. Butt cover features inscription:WHEN NOT IN USE/KEEP IN PRESS. The initials SB are scratched into the throat on obverse. Materials: Wood, Gut, Metal, Glue, Lacquer, Stringtennis

A wooden racquet featuring a decal image on both sides of the throat, of a gold shield featuring the Olympic symbol in the centre. Inscription from head to stem, on both sides: OLYMPIC/FIBRE/WELDED/THROAT/SLAZENGER. Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Adhesive tape, Paint, Stringtennis

A wooden, open throat racquet. with orange and red whipping, and perforated leather handle grip. Decal inscription across base of head, on obverse: ELEANOR TENNANT. Decal inscription across base of head on reverse: WILSON. Materials: Wood, Gut, Metal, Ink, Lacquer, Glue, String, Leather, Adhesive tape, Painttennis

A wooden tennis racquet with plastic ribbon whipping around shoulders and shaft, and a short, fine grooved handle. Decal on throat is Cortland Tennis Racquets logo within red triangle device crowned by gold wing device. Materials: Wood, Gut, Plastic, Leather, Cloth, Ink, String, Glue, Lacquer, Metaltennis

A Dura-Fiber XT tennis racquet, featuring black frame with open throat, handle grip wrapped in leather and plastic butt cap printed with manufacturer's logo. Vinyl strings with clips at string intersections in sweet spot area. Materials: Wood, Metal, Fibre, Leather, Adhesive tape, Vinyl, Plastic, Inktennis

A wooden racquet, with purple plastic shoulder reinforcements, green and white whipping, and fine-grooved handle. Inscription along throat on obverse: CHAMPION. Inscription across throat on reverse: DAVEGA/SPORTS/DIVISION OF ATLAS STORES CORP. OF AMERICA. Materials: Wood, Gut, String, Plastic, Ink, Cloth, Glue, Lacquer, Metaltennis

A collection of nine identical Spalding 'Viscount' tennis racquets, with: original gut netting, and black support strings; black with gold, perforated leather handle grips; and ribbon whipping around shoulders and shafts. Materials: Wood, Gut, Adhesive tape, Leather, String, Paint, Ink, Ribbon, Vinyl, Lacquer, Glue, Metaltennis

A vellum battledore or paddle, wood framed with lacquered wood handle. Leather with scalloped edging around head and tan leather collar tacked around throat. Paper Sotheby's labelled attached to handle stating: (Lot) '246' and '18 July 2001'. Materials: Wood, Metal, Lacquer, Leather, Paper, Vellum, Stringtennis

From Heritage Victoria: The Women's Christian Temperance Union (WCTU) was an international first-wave feminist organisation. The Melbourne branch was formed in 1887 and became the biggest and most influential women's organisation in Victoria. The WCTU introduced large numbers of Victorian women to political activity. The Union linked temperance and women's suffrage to achieve a variety of social reforms to improve women’s lives. Possible belonged to Florence Dellar of Henty Street, PortlandBanner for the Women's Christian Temperance Union. Navy cotton backing. Pale blue cotton front. Hand painted. White cord on edges. White fringe on bottom. Person holding flag and cross in centre. Paint - blue, white, black, gold. Wooden slat on top - nailed. String hanger with white tassels.Front: WCTU. For God, For Home, For Native Land. Portland League of Hope. Tremble King of Alcohol, We Shall Grow Up.wctu, womens christian temperance union, feminism, feminist

A Cortland American Driver tennis racquet, with string whipping on shoulders, and leather handle grip with quatrefoil perforations. Base of head on reverse features Courtland logo, and on obverse, the model name. Throat features decal of Courtland trademark, featuring stylised image of male playing tennis within a red triangle device. Shaft on obverse features a newer trademark with similar figural motif, but with a tennis ball in background instead of a triangle. Shaft on reverse features head illustration and signature reproduction of Joe Whalen. Cortland "Radio-Frequency/Resin Bonded" and "Smoke-Tone" decals feature on crown and shaft. 'C' trademark features on butt cover. Materials: Wood, Nylon, Plastic, Leather, Cloth, Ink, String, Glue, Lacquer, Metal, Painttennis

This traditional wagga blanket was made by Mrs Eileen Pattle between 1942 and 1950. The wagga was used as everyday bedding, as Eileen and her husband had very few possessions. They boarded with a man who they called “Old Harry” in Footscray. Old Harry had recently lost his wife and looked after the young couple well. They could stay with him and use his house as their own, and all that Old Harry asked for in return was for Eileen to cook him one good meal a day. The blanket was given to Mrs Beverley (Bev) Maguire, the daughter of Eileen, when she and her husband went camping one winter. Her husband was a “mad” fisherman and on one trip on which Bev joined him, her father offered the couple his old tent, that had a wall missing, and the wagga. The wagga was much appreciated as when the couple woke in the countryside, it was freezing, and they could see snow through the missing tent wall. From then on, the tent and the wagga were theirs. The wagga saw many more camping trips until the arrival of Bev’s “lovely new lightweight and down filled sleeping bag”. The wagga was made with a “make do, waste not, want not” attitude. The wagga started as an army issued blanket. The front layer has clothing and panels of mismatched material which has been added to over time. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. Bev said she would love to unpick the quilt to see what else is hiding inside but has resisted the urge to do so. All these layers have made the blanket incredibly warm, and heavy. The wagga has been within Bev’s family since creation and comes into the National Wool Museum Collection after serving the family well. It was used to keep everyone warm when not camping over many a winter’s night. Beverley is now getting on in years and donated the Wagga to the National Wool Museum in 2021. Her family referred to the wagga as a “collection of rags”, indicating to her that they did not wish to inherit the blanket. The wagga started as an army issue blanket. It has been made by stitching the khaki army blanket onto a hessian rear. The front layer has clothing and panels of mismatched material. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. It is thought that other materials are hiding within the layers of this wagga, however, uncovering these layers would involve unpicking the quilt. The wagga is 1360 x 1880mm, sized to suit a double bed. It is a heavy blanket, originating from all its panels of mismatched reused clothing. The wagga is well worn but has lasted almost 80 years. It has holes that have been lovingly re-stitched.wagga, quilt, upcycle