Showing 1566 items
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Bendigo Military Museum
Headwear - SLOUCH HAT, Fayrefield, 1965
Part of the Leo Reoch Cohn Collection. See Catalogue No. 5527.2 for his service record.Australian Army khaki felt slouch hat with a light khaki cotton seven-pleat fabric puggaree. Four holes in the side of the crown for ventilation. Brass clip and hook on the left-hand side of the hat for pinning up the left brim. Brown leather sweat band and chin strap.Stamped on sweat band in white: 'MADE BY "FEYREFIELD" MELBOURNE, 7, 1965'.army headwear, slouch hat, leo reoch cohn -
Shepparton RSL Sub Branch
Uniform, Skirt, C. 1943
This skirt belonged to Dorothy May Mortlock (VF518245) who was part of the Australian Womens Army Service (AWAS). Dorothy Mortlock was born in Swan Hill and enlisted with the 3rd AUST AWS REC DEPOT.Khaki-coloured skirt constructed of six panels in A-style shape. Skirt hemmed by hand on interior. Skirt fastened via four hook and eye on the left hand side and two fabric strips which pass through two buckles on the back waistband. Two angled pockets on front.world war ii, second world war, wwii, women, australian women's army service -
Shepparton RSL Sub Branch
Slouch Hat, 1972
Possible used by Cadets because of the several names inside the hatPossible use by CadetsKharki Slouch hat, no rising sun cap badge or hook to brim, 7 fold Pungaree with 2x small Australia buttons on right hand side, chin strap missing and replaced with leather bootlace, several names written on inside One of the names is Sgt J. Kelly. 351414Size 6 3/4. Made by Fayrefield. Melbourne. Circa. 970s -
Cheese World Museum
Food Safe
Wooden cabinet with wire mesh inserts on sides and doors. Swivel door with latch at the top and three shelves. Polished pine body with rough sawn timber back. A raised surround on three sides of the top. Evidence of a latch hook on left hand door and keyhole on right hand door. uebergang, allansford, food safe, food storage -
Cheese World Museum
Smoker, bee
Used by local apiarist J Laidlaw until the 1980s.Bee smoker consisting of a metal cylinder with a hook, attached bellows, and a hinged lid enclosed in a wire cage. The lid has a spout for puffing the smoke into the hive, and a covered air vent. Fuel is placed in the cylinder and ignited. A triangular wedge-shaped bellow with wooden sides and a leather insert is attached.laidlaw, apiaries, apiarists, beehives, hive smokers, allansford -
Bendigo Historical Society Inc.
Tool - CAST IRON DETACHING HOOK FOR MINING CAGE CABLE
Detaching Hook used in a gold mine. Used to detach the cage from the cable if the winder doesn't stop winding as the cage is being brought up Previously labelled #146 from mechanics Institute Eaglehawk. Consists of three large steel leaves bolted together. 35cm x 20cmcottage, miners -
Bendigo Historical Society Inc.
Accessory - LARNA MALONE COLLECTION: LADIES COMPANION
Ladies companion, red velvet covered box with brass fittings, red silk lined lid, containing 7 tools, some made of bone, for various uses including button hooks. Red leather covered wooden base with small feet and secured with a small brass catch on front.costume accessories, female, ladies companion, see peter cuffley's book chandeliers & billy tea. -
Bendigo Military Museum
Badge - BADGE, RETURNED FROM ACTIVE SERVICE
Badge issued to Servicemen and women who returned from active duty overseas in recognition of their service. It is not clear who this WW1 Returned from Active Service badge belonged to at this point.Gold coloured round badge. Rising Sun emblem in centre with AIF below. Crown on top of circle. Around edge of outer edge "Issued by Dept of Defence" and "Returned from Active Service" from bottom. On back is small clip attached to two small metal hooks/rings.Inscribed "199561" on back. Also "Stokes & Sons".returned service badge, ww2 -
Flagstaff Hill Maritime Museum and Village
Domestic object - Tatting Shuttle, Aero Needles Group Ltd, Mid to late 20th century
Tatting is a form of knotted lace making using thread and a small shuttle. Twisted threads are tied around or through small, pointed shuttles that can be made of bone, mother of pearl, tortoise shell, steel or plastic. This produces a stable, strong lace using simple knots of two half hitches to make rings and chains embellished with picots.The origins of tatting are not clear but early versions of decorative knotting were used by the Egyptians on their ceremonial dress. Tatting also has elements of fishermen's net making techniques and the decorative knotting that was practiced by aristocratic women from the 15th century.Tatting, as we know it today, emerged in the first half of the 19th century. The new availability of mercerised thread from 1835 encouraged a burgeoning of lace crafts of all sorts. It was known in Italy as "occhi" and in France as "la frivolite". Tatting looks fragile but is both strong and durable. An article in a column named "Wives and Daughters" published in the Star newspaper in May 1910 describes the durability of tatting lace - "there is edging and insertion still in existence that have outworn two sets of pillow slips." In the 19th century and well into the 20th century, tatting was used like crochet and knitted lace for decorative edgings, collars, doylies, tray cloths etc. At first, different tatting patterns were passed along by word of mouth from person to person, however in time, patterns regularly appeared in newspapers and magazines well into the 1950's. A shuttle is a small tool that looks like a small boat "sailing" in and out of the thread. Tatting is called "schiffchenarbeit" in German, which means "the work of a little boat". There are two popular types of shuttles. The first has closed ends and a removable bobbin where the thread is wound around - often made from metal or plastic (as is item 8535.1). The second type has a post in the center where the thread is wound (e.g. item 8535.2). The ends of this bobbin are open but snug. Because it is constructed in two pieces, it can be made from materials like bone, ivory or mother of pearl. Shuttles hold a larger amount of thread (as compared with needles) which means fewer ends to weave in. Fishermen in the past are thought to have used large shuttles to weave cord into certain knots whilst making their fishing nets. Their methods were copied by weavers, who innovated by using threads and smaller shuttles to make lace. One type of tatting shuttle produced by "Aero" from the 1930's to the late 1960's was an anodized grey coated aluminium shuttle with a sharp pick at one end. In the 1970's it was superseded by the grey plastic "Aero" which has a removeable bobbin which you can put on the end of the shuttle to make thread winding easier and an embedded crochet hook for joining picots. The "Aero" company developed in Redditch, England - a town renowned as a centre for manufacturing needles. Firms run by Henry Milward and Abel Morrall were based in Redditch and by the 18th century Redditch was manufacturing one million sewing needles per year. Abel Morrall Ltd launched the "Aero" brand in 1936 and greatly expanded the firm's product line to include tatting shuttles and knitting needles. The classic plastic "Aero" tatting shuttle was manufactured in England from the early 1970's until the 1990's. These items are significant as examples of easily accessible handiwork tools that enabled women in the 1930s -1960s to be able to decorate and personalize their household linen and clothing.Shuttle no. 8535.1 is a beige, boat shaped plastic shuttle with enclosed ends, small round central indentations on both sides and an enclosed black removeable bobbin. The shuttle has a grooved point at one end to hold a bobbin and a small metal crochet hook at the other end. Shuttle no. 8535.2 is a beige, boat shaped metal shuttle with pointed ends that are open but snug, small round central indentations and two smaller circular markings (on both sides) and two internal posts with cream thread wound around.Shuttle no. 8535.1 - "AERO" / "ENGLAND" Shuttle no. 8535.2 - "AERO' / "ENGLAND" "39c" (written in ball point pen)flagstaff hill maritime museum and village, flagstaff hill, warrnambool, shipwreck coast, great ocean road, tatting shuttle, aero company, handwork, handwork tool, craft, handcraft, needlework, tatting -
Warrnambool and District Historical Society Inc.
Medal, Medal (George VI Coronation), 1937
This medal has been issued to commemorate the Coronation of King George VI of England in 1937. It was issued by a department store in Warrnambool, that of Cramond and Dickson. This business was established by John Glass Cramond and James Dickson in Timor Street, Warrnambool in 1855. It moved to Liebig Street at the corner of Timor Street and sold mens and ladies wear. It had its own tailors and milliners and the building was a landmark one in Warrnambool for over 100 years. It closed in 1973. In 1937 the business of Cramond and Dickson was 82 years old. This medal is of great interest as it shows the level of fervor for British Royalty and all things British that was prevalent in Warrnambool in the 1930s. The Cramond and Dickson business was one of the most important ones in Warrnambool’s history as it operated for over 100 years. This is a silver-coloured medal commemorating the Coronation of King George VI of England. One side has the heads of King George and Queen Elizabeth surrounded by wording and the other side has the name of the Warrnambool store issuing the medal. The medal is tarnished. A piece of green string is attached to the hook at the top of the medal. ‘King George VI Queen Elizabeth Coronation 1937’ ‘Cramond & Dickson Warrnambool 1855-1937’ ‘P.J.King’ cramond and dickson, king george vi coronation, history of warrnambool -
Warrnambool and District Historical Society Inc.
Artefact, Textile: Beaded mourning collar, Circa late 19th century
Black has for centuries been associated with mourning but it rose to new heights during the Victorian times with Queen Victoria wearing black from the time of her husband’s death in 1861 until her death in 1901. There were different stages of mourning from the severe plain black clothing of the first period to items of decoration or adornment such as this collar with other items such as brooches, hair and dress adornments which were used at the later stages of mourning. This second stage often went for extended periods especially for widows who often remained in mourning until or if they remarried. Other colours such as dark greys and purples were also acceptable as mourning clothes. Such was the practice in England that jet from Whitby was used extensively by the more well to do. Later on black glass was used which was cheaper.An item which relates to customs which were prevalent in the late 19th and early 20th centuryBlack beaded collar with seven lengths of beads coming from a section which joins at the back with a hook and eye. The seed beads are stitched to a dark cotton backing. The neckline is square. It also has a number of larger flatter beads across the yoke and down the centre of each of the seven lengths of beads.warrnambool, mourning collar, black beaded mourning collar, beaded mourning collar, -
Warrnambool and District Historical Society Inc.
Clothing - Black beaded cape, c. 1880
This item has np known provenance but is a beautiful example of a woman's evening cape dating from the second half of the 19th century. The original owner would have been a lady of considerable means who attended social functions requiring an item such as this.This item is retained as a fine example of 19th century woman's clothing.This is woman's cape made of black lace and patterned satin with satin rouches and black beaded rosettes around the shoulders and the front. The beading has long tassels. The cape is knee length. It has grey lining around the inside of the shoulders. At the front there are two hooks and eyes to allow the cape to be fastened.at the neck.woman's vintage clothing, lady's vintage cape -
Bendigo Military Museum
Equipment - HAVERSACK, 1941
Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Khaki canvas haversack consisting of 2 compartments covered with a flap & secured with circular metal press studs. 2 circular perforated metal air holes are on the bottom of the sack. Khaki webbing shoulder strap attached to the sack with metal hooks. A piece of cord is attached to a metal ring on one side.Printed on inside of a flap: W&G LTD 1941 Handwritten in blue on same flap: 1321055 CAREY P.L.canvas, haversack, military -
Bendigo Military Museum
Container - TRUNK, OFFICERS WW1, C.WW1
Box relates to Capt Henry SOUTHBY, 39th Batt. KIA 12.10.1917. Refer Cat No 1906 for his full service history also 1905P, 1903.2.Wooden trunk with hinged top lid, both box & lid metal lined. Carry handles each end & two strap hooks front & back. Key lock in front. Lid has a lock down clip on each side. Lid has metal strip screwed on front & sides. Painted in white on each end of box: “Lt H SOUTHBY 39TH BATT”.personal effects - travel goods, military equipment - containers, trunk, officers -
Glenelg Shire Council Cultural Collection
Functional object - Sinkers, n.d
Eight various sized handmade lead fishing sinkers a - e teardrop shaped, flat one side, curved the other f - torpedo shaped g - round h - thimble shaped Some have metal hooks for threading on fishing line, others have hole drill through them -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Mess Room, n.d
Port of Portland Authority ArchivesBack: 'Mess room' - blue biro -
Glenelg Shire Council Cultural Collection
Souvenir - Wooden Shield, n.d
Portland Highland Pipe BandWooden shield with 8 shield shaped silver plaques and one oval plaque, arranged around a central larger oval plaque. This larger plaque is decorated on the outside with a silver wreath hang top of shield is a silver banner. Inscriptions a banner,and all plaques. Two hooks with string to hang, on back.Front: Banner - 'Portland annual street march Highland gathering' Central Plaque: J.G Murrell Memorial Shield 1959 Other plaques: 1959 - Portland Highland Pipeband 1962 - Portland Ladies H.P.B 1966 - Naracoorte H.P.B 1960 - Horsham Pipeband 1963 - Blue Lake Ladies 1967 - Warrnabool and District 1961 - Naracoorte Highland Pipeband 1964 - Portland H.P.B 1968 - Portland H.P.Bportland highland band, memorial shield, 1959, music -
Federation University Historical Collection
Book - Photo album, Photographs of New Zealand Scenery, 1886, 1886 (exact)
Before Mt Tarawera erupted, the Pink and White Terraces at Lake Rotomahana in New Zealand’s North Island, were considered one of the wonders of the world. Tourists came to soak in the thermal hot pools and view the marble-like terraces. Due to a volcanic eruption of Mt Tarawera On June 10 1886, between 108-120 people were killed and several settlements were destroyed. It also destroyed the world-famous Pink and White Terraces. The terraces became a crater over 100 metres deep. Within 15 years it filled with water, forming a much larger new Lake Rotomahana. The chain of craters at Waimangu became the site of many new geothermal features, including Waimangu Geyser, the largest in the world, and New Zealand’s largest hot spring, Frying Pan Lake. The Burton brothers (photographers), Alfred Burton was born in 1834 in Leicester and died in 1914 in Dunedin. His brother Walter Burton was born in 1836 and died in 1880. Many of the Burton Brothers' works and original equipment were collected by Dunedin photographer and historian Hardwicke Knight, and are now housed in the Museum of New Zealand Te Papa Tongarewa in Wellington. This album was donated to the Ballarat School of Mines Museum by James Oddie in 1887. (See Cat. No. 458, No. 1720) Alfred Burton was born in 1834 at Leicester and died at Dunedun, New Zealand, in 1914. Walter Burton was born in 1836, and died in 1889. Large green album containing numerous B/W original photographs of New Zealand, especially volcanos. - Includes Pink and White Terraces (no longer in existance). Photos were taken before and after volcanic eruption. A recent inclusion is article on the terraces by Federation University's George Hook and Stephen Carey.Each photo has a caption.pink terrace, white terrace, new zealand, sumner, burton bros, rotokakahi wairoa, rotomahana crater, tikitapu bush, wanganui bridge, maori, canoe, volcano, mount tarawara, james oddie, ballarat school of mines museum, eruption, waterfall, bridge, sulphur pool, crater, mt tarawera, tikitapu lake, rananga house, wairoa, waikato, maori church wairoa, ganaru, taherepokiore, golden bay, paterson, dowling st dunedin, rocky hill, harison's cove, milford sound, tall ship, hydraulic mining, hale's arm, james oddie (donor), george hook, stephen carey, lake rotomahana -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Lady's black beaded dress, c1900
During the reign of Queen Victoria, whose long and conspicuous grief over the death of her husband, Prince Albert, appropriate dress for men and women for the period of mourning was strictly prescribed and rigidly adhered to. Widows were expected to wear special clothes to indicate that they were in mourning for up to four years after the death, although a widow could choose to wear such attire for the rest of her life. To change the costume earlier was considered disrespectful to the deceased and, if the widow was still young and attractive, suggestive of potential sexual promiscuity. Those subject to the rules were slowly allowed to re-introduce conventional clothing at specific time periods; such stages were known by such terms as "full mourning", "half mourning", and similar descriptions. For half mourning, muted colours such as lilac, grey and lavender could be introduced.. Special caps and bonnets, usually in black or other dark colours, went with these ensembles. There was special mourning jewellery, often made of jet. By the late 20th century, this no longer applied, and black had been widely adopted by women in cities as a fashionable colour. A lady's full length black fine wool dress with pleated bodice and skirt. A beaded detachable collar sits over the dress forming a V shape back and front and is attached by hooks and eyes on right shoulder . Centre front from neck to point is a row of small black circular sequins. clothing, dressmaking, craftwork, cheltenham, market gardeners, pioneers, early settlers, moorabbin, bentleigh -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Foetal circulation chart associated with St George's Hospital, Kew, Adam, Rouilly and Co, c1947
This chart was used in the antenatal classes and labour ward of St Georges Hospital, Kew. The original drawings for the chart by WJ Pardoe were made under the supervision of Assistant Professor CFV Smout, Department of Anatomy, Birmingham University 1945.A chart depicting foetal circulation in an infant male. The chart is made of paper with cloth backing and is supported by wooden hanging bars at top and bottom. Blue and wdhite hanging string is secured at the top with metal eye hooks. The char is secured at the top with metal tacks and there is a cotton tape to secure it when rolled. infant care -
Bendigo Historical Society Inc.
Document - NORMA STOKIE COLLECTION: INVOICE TO J.H. ABBOTT & CO FROM ULLATHORNE & CO
Invoice issued 13th. July, 1891 from Ullathorne & Co., Lonsdale Street, Melbourne to Messrs J.H Abbott & Co., Bendigo. Items on invoice: rivets, but bills, blue tingles, nails, truss and butt hooks. Donor: Norma Stokie, 52 Centre Dandenong Road, Dingley Village, 3172.bendigo, business, abbott & co -
Tatura Irrigation & Wartime Camps Museum
Loom, 1940's
Designed and constructed in Camp 1 by W. (Jack) Weber and used to make scarves by and for the internees.Handmade wooden table top loom attached to a rectangular piece of crafttwood representing a table. 13 hooks attached to each wooden endpiece. A separate box of wool goes from end to end through a series of nails which are in a zig zag pattern. 1 small stool for holding wool.tatura, handcrafts, weaving -
Clunes Museum
Clothing - CAMISOLE
LADIES CREAM CAMISOLE - EMBROIDERED BACK AND FRONT WITH MEDALLIONS IN LACE INSERTION FORMING DAINTY DESIGN. PLACKET AT LEFT HAND SIDE FOR COMFORT.NARROW PINK SATIN RIBBON THREADED AT NECK LINE.NARROW CASING AT WAIST LINE FOR ELASTIC. THERE ARE TINY WHITE PEARL BUTTONS AND ONE BLACK HOOK AND EYE AT CLOSURE.local history, costume, female underwear, costumes -
Whitehorse Historical Society Inc.
Clothing - Gown
This garment was owned by the Box Hill Historical Society who gave it to this Society after the Council amalgamation in 1994.Ladies costume. Brown taffetta, velvet, braid and cream lace. Boned fitted jacket, slim sleeves with lace and velvet cuffs. Lace jabot hook fastening. Full skirt with brown velvet panel. Fringe left side, braid right side. Material has scattered embroidered flowers.costume, female -
Friends of Westgarthtown
Skirt, women's
long cream silk skirt with cotton petticoat sewn in. Silk decorated with crocheted rosettes, tiny pleats running 3/4 way down the skirt, and 9 tiny pleats running around the circumference of the base. Petticoat same colour with ruffle around base. Clasped with hook and eye at waist.No visible markingscostume, female, skirt, silk, cream, petticoat, clothes -
Orbost & District Historical Society
scythe blade, late 19th - early 20th century
Scythes were used to manually mow wheat or grass. Scythes were used with a long sweeping movement which made them much less tiring for labourers to use than reaping hooks or sickles though they still involved great physical labour and considerable skill to perfect. Both hands were in use and the operator did not have to bend his back to reach down to the crop. On farms scythes were sharpened on a sandstone wheel mounted on an axle with a crank handle on one side. This was hand powered and used with water. Scythes were not used as often on farms after the mechanisation of harvesting. They were still used for cutting awkward shaped small plots and for opening a path for the tractors. This item is an example of a tool used by the early settlers of the Orbost district. An iron scythe blade, curved and tapered. There is no handle and the blade is rusted and pitted."ROSE"scythe tool agriculture rural -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Simpson's cranioclast used by Dr Mitchell Henry O'Sullivan
Prior to the 1900s, complicated births, particularly where there was a disproportion between the size of the woman’s pelvis and the foetus’ head, often meant the death of the baby and the mother. Instruments for removing a dead or ailing foetus from within the mother were used to attempt to save the mother’s life. The cranioclast, first invented by Dr. James Simpson in the mid-19th century and later redesigned by others, was used for fetal destruction and removal. Fundamentally a strong pair of forceps, the cranioclast was used to crush the skull, decreasing its diameter. In some cases, this would allow normal uterine contractions to expel the foetus; in others, the physicians would use an obstetrical hook to pull the body out of the mother. Doctors disagreed as to the pelvic diameter that would necessitate this drastic intervention, but generally found that 3 to 3.5 inches was the smallest size through which a living infant could pass. Equally of debate was the pelvic size through which the dead fetus could be extracted. When vaginal extraction was deemed unadvisable, Caesarian section would be performed. As caesarean section became safer and more common with the advent of anaesthetics and antiseptic techniques, the use of cranioclasts and obstetrical hooks diminished. (Museum of Health Care, Kingston) Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Hinged metal tool with bakelite handles at one end and serrated teeth at other end. The instrument is in two sections. The right or upper blade has a black bakelite handle. There are two screws on the inside of the handle, 5.5cm apart. In the centre of the blade is a screw notch in the shape of a small horseshoe. On the inner side of the blade is a depression extending most of the length. The left, or lower, blade also has a black bakelite handle. There are two screws on the inside of the handle approximately 6cm apart. Mobile metal clasps in the shape of an 'S' , with three serrations, is attached to the distal end of the handle, which enables the blades to be opened or closed. destructive instruments -
Bendigo Historical Society Inc.
Clothing - DRESS: MRS ELLEN LANSELL
Dark cream coloured dress with bodice and gathered waltz length skirt. Back opening on bodice with six hooks and eyes. Back opening on skirt with two hooks and eyes at waist. Bodice lined with ivory coloured cotton. Short puffed sleeves. Frill around bottom of skirt is edged with purple trim top and bottom. Frill around neck front and back. Decorative purple loops on sleeves and around neckline. Dress worn with a decorative overskirt, (see 11400.124), hand made. 1860's dress worn in 1920 by Ava Jane Hall, granddaughter of W.Lansell. Photo taken by Bartlett Bros in the 1920's. The gown was worn to a ball in the Bendigo Town Hall in 1920.costume, female, ball gown -
Flagstaff Hill Maritime Museum and Village
Instrument - Barometer, Early 20th century
A barometer is an instrument used for measuring atmosphere pressure thus determining weather changes.The first apparatus generally accepted as a barometer was that set up in Florence in 1644 by Evangelista Torricelli (1608–1647), a mathematician and physicist. Torricelli filled a glass tube with mercury, sealed it at one end, and inverted it with its open end in a dish of mercury. The level always fell a short way down the tube, then settled at a height of about thirty inches. He concluded correctly that the mercury column was sustained by the weight of the air pressing on the open surface of mercury, and further experiments convinced him that the space above the mercury in the tube was a vacuum. He noted that the level rose and fell with changing temperature, but he was unable to use his apparatus to measure variations in the weight of the atmosphere because he had not foreseen that temperature would affect the level of the mercury. News of this experiment circulated quickly among European scientists, who hastened to replicate the experiment. Torricelli's conclusions were not universally accepted because some disputed whether the air had weight, while both Aristotle and the Catholic Church denied the possibility of a vacuum. In France, the philosopher René Descartes (1596–1650) seems to have been the first person, probably in 1647, to attach a graduated scale to the tube so that he could record any changes attributable to the weather. At around this time Duke Ferdinand II of Tuscany organized the first short-lived meteorological network among scientists in other Italian cities, gathering observations of pressure, temperature, humidity, wind direction, and state of the sky.Theis barometer is an example of a household item from the early 20th century, used to determine the day's weather. The barometer is significant as an aid to human social, material and scientific development.Barometer, round, brass housing inset into carved wooden casing (lacquer mostly worn off). Decorative lettering for weather conditions "Stormy, Rain, Change, Fair, Very Dry". Workings are visible through opening in centre of dial. Indicator needle and another adjustable needle . Hook screwed into back of case.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, barometer, scientific instrument, weather forcasting instrument, weather gauge -
Kiewa Valley Historical Society
Self Retaining Abdominal Retractor
This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity. In a sealed sterilised bag. Large scissor like steel instrument with 2 loose identical parts. Handle end is controlled by teeth. Pivot has a screw protruding out. Instrument end is flat with a key hole at each end. Loose bits are 3 sided with a hook like attachment on 1 side. medical instrument. hospital equipment. speculum. abdominal. tawonga. mt beauty.