The Bendigo Choral Society, Season 1927 Third Concert, 37th Grand Concert Town Hall, Bendigo, Wednesday, November 23rd, 1927 . Mr. W. C. Frazier A. R. C. O. Conductor. Artists: Miss Victoria M. Anderson, Miss Gwen Prockter, Pianiste: Miss Eileen Hains A. T. C. L. Programme - Three pence. Cambridge Press Bendigo.event, entertainment, music, the bendigo choral society 37th grand concert, mr w c frazier, miss victoria m anderson, miss gwen prockter, miss eileen hains, cambridge press

Central Garden Gully G. M. Co. N.L. to Miss G. Alice Jones. Pink paper dated Mar 29, 30, 7 to June 8,10 and 19 June 1933. Re A. O. Morgan, re , Ceresa & Brown and Rules. Account for transfer of claims. Details of account, total £3.4.0. R578 Delivered 19/6/33 written in top left corner.miss g. alice jones collection - account, central garden gully g. m. co n. l., a o morgan, mr leed, j s trevean, alex ceresa, c h brown, mr stanistreet

Document: hard cover journal, faded dark green cover with brown corners and spine. 193 pages filled out - LH page: Parish, town lands, suburban lands, country lands, total lands surveyed, date of survey RH page: date of sale, by auction, by selection, price per acre, total amount, name of purchaser. On spine ' 01, index book O'.Lands Officelands office, bendigo, sandhurst, crown lands sold, rural land.

Postcard - silver finish known as "Collotype"- view of looking north from Finders St along Swanston St with a number of cable trams and horse drawn trams in the view. In the view are Young and Jackson, St Paul's Cathedral and Stainer & Co. Card titled "Swanston St Melbourne" Postcard has a divided back with space for stamp, address and correspondence. In the top centre is a start with an "O" in the centre.trams, tramways, cable trams, swanston st, flinders st

Negative of cable grip car shunting at the Northcote terminus High Street, possibly 22/3/1940, by Wal Jack. Shows the grip car on the terminal track returning for the trailer - . In the background is a F. Turner Chemist, a fishmonger and a milk bar advertising Goodall's ice blocks, Pep-o-mints life savers and Sennett's Icecream. Could be photograph at the same time as Reg Item 5051.trams, tramways, cable trams, northcote, high st, shunting, grip tram

This paper lantern was used by Australian athletes in the ‘Lantern Dance’, the last program of the closing ceremony, the lantern is called “Ch’ong sa ch’orong” and is traditionally used during weddings and festivals.When closed the lantern appears as a large, red spiral bound book with detailed inscriptions describing the way to correctly use the lantern in the ceremony. This description appears in several languages as well as a drawn depiction. When opened latticed crepe paper forms a cylinder. The two thirds of the paper is dyed dyed blue and the last third is dyed red. A small battery pack is used to light the lantern.GAMES OF THE XXIVTH OLYMPIAD SEOUL 1988 o The last program of the Closing Ceremony is called “Lantern Dance”. When all the performers enter the stadium holding lanterns, turn the paper board inside out and press the ends so that they snap shut. This will then allow the lanterns to light up. Hold the lantern by the handle at the centre and gently rock it above your head as shown in the picture. o Listen to the announcements via the ear-phones and follow the signals from the guides for further instructions. o* This lantern is called “Ch’ong sa ch’orong” and was traditionally used during weddings and festivals. This inscription is repeated several times in various languages on the cover of the lantern.1988 seoul olympic games, closing ceremony, lantern dance

The book was published in the UK. This book was purchased with the help of Mrs E. C. Baker, c/o John Pook and Co, 68 Fenchurch St, London EC3 - from The Needlewoman Shop, Specialists in Needlework, 146 Regent Street London W.1. Then posted to Mrs G R (Joan) Horridge at ICI in Hong Kong. Book was owned and used by Joan Francis Horridge.Paper booklet bound with two rusted metal staples on spine. Cover is in colour and depicts a woman knitting. Prominent colours are black, green, blue and cream. Inside covers contains pages which are smaller than the covers. Pages contain printed black text detailing various knitting patterns and knitting information. Back cover has a ruler graphic for measuring.knitting, pattern, joan francis horridge, the needlewoman shop, london, honk kong, g r (joan) horridge, mrs e. c. baker, penelope

Application by Mr and Mrs R O Goldsmith of Elwood for the position of Manager of the Legacy Club Hostel. It lists his war service with 1st A.I.F. 24th Battalion. And later work as an architect and instructor of wood work. Mrs J Goldsmith was a trained nurse and served with Queen Alexandra's Military Nursing Service in WWI. The note in red ink shows the application was unsuitable, with no reason noted.A record of written correspondence regarding job applications for roles at Holmbush in 1943.White notepaper, lined, black ink handwriting, two hole punched."Seen by Doug Unsuitable" in red ink and underlined.holmbush, residences, staff

Accesssioned from Catholic church at Patchewollock in 2013 where it had been since the1950s before which it was used for Sunday Mass in the local hall. Tradition has it to have been a field altar used by Rev O' Sullivan Goidenach, MM at Gallipoli and on the Western Front 1915 - 1918. Associated correspondence in archive includes a letter of gratitude from General Birdwood to Monsignor Goidenach.A rare surviving example of a Roman Catholic Mass Travelling/ Field altar from the WWI era, used in Western Victorian venues before churches were built.Wooden cased travelling altar with altar stone, brass candle sconces, brass crucifix and storage for vestments, and Mass requirements. travelling altar, field altar, world war i, rev o'sullivan goidenach, patchewollock, birdwood.

Photograph, from a postcard titled "Junction High St Kew." shows a horse tram at Kew Junction in Church St about to turn into High St. Buildings in the view are F O Stowe Fruiter Confectioner, Alice cycle works, a tobacconist advertising Havelock tobacco sign, and Collins Kew Hotel. There are three horse-drawn carts, one with a horse eating from a chaff bag.Yields information about Kew Junction c1900.Black and white photograph with notes on the rear.Has on the rear in pencil "Horse tram in Barker Road Kew" and number "185"tramways, horse trams, kew junction, high st kew, church st

Photo taken at Taronga Park Zoo, Sydney during a trip by Victorian based Ithacans on 16th July 1946. Standing at back from left to right: N. Paizes (The Poet/ 'O Pioitis'), K. Dellaportas, Mihali Black (Mavrokefalos), Sia (Athanasia) Andrews, Anastasi?, Victoria Black (nee Raftopoulos) Kneeling in front from left to right: Hector Andrews, Peter KouvaliasBlack & White scanned photograph of 8 people, 4 men and 2 women, standing in front of a cyclone wire fence at Taronga Park Zoo, Sydney.

Oamaru NZ origin 1923 Essendon (St. John's) from July 1929 admittedSepia studio portrait of Rev S F Hunter mounted on brown card. The Rev Hunter is posed sitting holding a piece of paper with his arm resting on a table. He is dressed in his clerical clothing. The mount has been cut on the left hand side. Handwritten on the back: "Rev. S. F. Hunter MA. D." "July 1923 - 1929" "c/o Mrs S. F. Hunter Brighton St Highgate Hill Sth Brisbane"presbyterian ministers, rev s f hunter, st john's presbyterian church essendon

Dyeline print of MMTB Drawing R7489 - "Class SW6 Car Stanchion Bracket", Rev C, dated 1/7/1957. Gives pattern numbers and material.Hand date stamp on bottom right hand corner of "12 Sep 1969". Stamped "P/O 34597 return to drawing on completion of job", drawing number and summary title on outside.trams, tramways, sw class, drawings

Pilot Officer Wilkinson 400444 was seconded from the RAAF to the RAF flying missions over Germany. His gallantry earned him the Distinguished Flying Cross in March 1944 for numerous successful missions over Germany. He was Killed in Action on 30th of August 1944.Brown timber frame containing 5 metal medals, photograph of Airman, flying patch and plague on red felt backgroundBronze Plaque: Service Number 400444 P.,O. John W. Wilkinson DFC Awarded Distinguished Flying Cross March 1944 Killed in Action over Germany August 1944j h wilkinson, raaf, dfc

Ashtray fashioned from the base of an American 76mm shell fired from a tank - Vietnam War. Part of the Cooper Collection.Trench art ashtray made from the base of a 76mm shell. Central post is a remnant of a detonator fuse.Stamped on the base of the ashtray: '76mm ARMD, O,RW175, LOT 6, MF, 1969'. Stamped on Percussion cap on base: 'ERL 43 ^, BE8, 2/1 MF, ^, AG, 9QMY5.70'.cooper collection, souvenir, trench art, vietnam war.

Plenty River Tea Gardens were located on east side of Main Street near St Helena Road intersection. [Ref: The Age 18/2/1929 page 3 - Greensborough - Comfortable Home. 6 rooms. large verandas. ½ acre. S O bungalow. Lovely spot. 4 minutes station. Furnished or unfurnished or will sell reasonable. River Plenty Tea Gardens. Phone Gr. 17]Two black & white photographsplenty river tea gardens, greensborough tea rooms

This is Albert Smith's modification of a Hodges pessary. Uterine and anal pessaries were in use from the early 1900s onwards. The shape and style of pessaries varied with the introduction of new O & G techniques, and the materials they were made from varied with the maker. The Hodges-Smith pessary was usually hand made and was in demand as an intra-uterine device in the 1960s. For the prevention of uterine or abdominal infection, this type of pessary was changed frequently.Small, irregular vulcanite/wire pessary, covered with red rubber. Inscribed "PATENT".pessary, intrauterine device

Racing Club Dinner, 1955. (Approx). L-R nearest table: Postmaster, J Carroll, Palmer Young, ...., ....., Merv and Dais Fletcher, Father O"Sullivan, Wal Reddie, Frank McWhimsey, Frank Sevenson, Tom Cornish. Centre Row: Neil Colliver, Jack O'Meara, Bill Pritchard, Tom Hunter, Jack O'Toole, ...., ...., ...., Mick O'Reilly, ..., Jim Young. Back Row:Jim Harford, Jerry Carlyon.

Eye Guess was originally an American television game show, on which an Australian program, screened on 'Channel O' (now Network 10) in the 1960s, was based. The television programs spawned board games in both America and Australia.The American board game was produced by Milton Bradley, and featured the American compere of the show. An Australian version, produced by John Sands Pty Ltd., featured Jimmy Hannan, the Australian host.The local television version of Eye Guess reflects the influence of American media on television and popular entertainment in Australia in the 1950s and 1960s. The production of the game also reflectss the influence of American models on Australia domestic entertainment.Eye Guess - Jimmy Hannan's New TV Game, Australia c.1996 was based on the series/game from the United States of America. The game is complete and includes instructions.board games, jimmy hannan

A shipping or travelling trunk c. 1930 belonging to Fr Patrick O'Dowd Administrator of St Patrick's Cathedral Ballarat 1948 - 1953. Fr O' Dowd, a native of Koroit was ordained by Bishop Foley at the Cathedral in 1922 and served widely throughout western Victoria. Typical of trunks used by clerics across the western districts of Victoria in the 19th and 20th centuries as due to their constant relocations, these held all their personal belongings.Paper label affixed to side of trunk is addressed: "P. O'Dowd, St Pat's Cathedral Ballarat".o'dowd, ballarat, koroit, travelling trunk.

Photograph, looks north east along High St Kew, from Kew Junction. Has a horse tram climbing the hill. There are signs for Canary tobacco, F O Stowe Fruiter Confectioner, Alice cycle works, a tobacconist Geo Neubecker, advertising Perfection, Havelock and Two Seas tobacco, and Farland Timms & Co Produce Merchants. One horse drawn cart is parked outside the Produce shop.Yields information about Kew Junction c1900.Black and white photograph with notes on the rear.Has on the rear in pencil "Kew Junction" and number "186"tramways, horse trams, kew junction, high st kew

Bendigo Advertiser '' The way we were'' from Saturday, March 13, 2004. Street Parade: Governor Sir Winston Dugan attended a carnival at Eaglehawk in 1941 in aid of patriotic organizations. This street procession float was entered by the West Methodist Sunday School. Riding up front were, from left, J. Farnell, J. Moyle, O. Dunstan, V. Young and M. Dunstan. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Book. ALEC H CHISHOLM COLLECTION. 88 page hardcover collection of the 154 sonnets of William Shakespeare with the famous Temple Notes and an introduction by Robert O. Ballou. Illustrated with B&W drawings/images of Shakespeare and Stratford. Published in 1961 by Avenel Books, New York. Printed in the U.S.A. Catalogue sticker ''2127 SHA'' on front cover. Library of Congress Catalog Card Number : 61-13903.William Shakespearebooks, collections, poetry, alec h chisholm collection, william shakespeare, robert o.ballou, sonnets, poetry

Post Office lettercard with Glenthompson P O receival hand stamp dated June 18th 1894 with 574 barred cancellation over One Penny stamp addressed to The Secretary Cohns Bros Victoria Brewing Co, 487 Collins Street, Melbourne. Reverse handwritten note from Miss H. FitzGerald 'Cherry Orchard' Glenthompson requesting that Cohns Bros send her dividend cheque.bendigo, industry, cohn bros brewery

Large banner for Bendigo Symphonic Youth Band. Fabric block letters have been individually machined onto a sky blue background to form the band's name. At the top of the banner there is an insert for a rod to enable the banner to be hung or carried in a march. Two selected letters - O and B have spotted fabric within the outlined letters so that these stand out at a distance. The banner has a black fabric backing.bendigo bands, youth bands, bendigo symphonic youth band, band banner

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This strikingly designed envelope, with white characters on a vivid red ground, is designed for congratulatory gifts of money. For example, by companies to employees when profits have been unusually good. The characters read o-iri, an expression originally used in theatres meaning 'full house'. The festive colour scheme and the boldness of the design strike a refreshing note in the hectic business world of today. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving