1. Watson's Hotel, cnr. Pitt Street and Main Road Eltham c. 1902. 2. Main Road Hurstbridge. 3. Railway workers celebrate the first steam train to Hurstbridge 1912Three black & white postcardswatson's hotel, eltham, hurstbridge, hurstbridge train line, eltham district historical society

Anzac Day Services conducted by the Montmorency-Eltham RSL Sub-Branch included a Dawn Service in Eltham and a March in Montmorency. Both are included in this booklet.16 p. booklet, black & white print and photographs, col. cover; separate sections for both Montmorency and Eltham services, reversed orientation.anzac day, montmorency-eltham rsl

Stories of involvement of people of Banuyle, Nillumbik and Whittlesea area in World War Iiv, 228 pages : illustrations, portraits ; 26 cmISBN 9780994609304world war i, banyule, nillumbik, whittlesea

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of BiographyAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 17. / FERN TERRACE, ON THE RIVER WATT, NEAR MOUNT MUNDAY. / Of the various Rivers which exist in the Colony of Victoria, the River Watt (though a small one, and to some / extent unimportant) may be said to contain the most charming as well as the greatest variety of romantic scenery. / The scene of the present issue is perhaps the most unique of its character to be found in any of the Colonies. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography - victoria

The psychiatric hospitals at Mont Park, Larundel and Plenty closed in the late 1970s and this book gives a brief history of the group of hospitals. The area has since been redeveloped into a residential area, although some of the original buildings remain.This book gives an outline of life within the hospital precinct.64 pages, illus. (some col.). Cover includes sepia photo 'Pond at Farm Worker's Block circa 1927'.mont park hospital, larundel hospital, plenty hospital, iliya bircanin, alex short, nemps, north eastern metropolitan psychiatric services

Depicts at left, Petersen's bakery, a store shed, Simpson's storekeepers and Simpson's Hotel. Hollands blacksmith shop & wheelwrights on right opposite bakery. Murray Comrie Collection. Three copies of a monochrome photograph, image depicts buildings in the eastern approach to the Loddon River bridge at Newbridge This is a fairly dark copy of an older original. Copy probably made by Murray Comrie in the 1960s.newbridge, loddon river, bridge, shops, stores, businesses, hotels, simpsons, petersens, bakery

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton which dates from the 1850s. There are several works of art and photographs depicting Clifton Banks which date from the 19th and early 20th centuries. This oil painting is believed to be the work of Emma McGeorge, the wife of Canon Samuel McGeorge, the Vicar of Christ Church, Warrnambool form 1899 to 1905. It is surmised that Emma McGeorge was encouraged by the artist Mary Norman to take up painting as a pastime or to continue with her art interests. Emma McGeorge may have been a pupil of Samuel Pearce Fuller and Mary Norman. She was successful as an exhibitor and entrant in art exhibitions in Warrnambool in the early 1900s. She died in Warrnambool in 1933. This is a highly significant art work as it has artistic merit and is one of the depictions of Clifton Banks on the Hopkins River and so has historical value. It is an example of the high standard of art work that was being produced, especially by women, in the late 19th and early 20th centuries in Warrnambool. It was bought at an auction sale in Camperdown by Les O’Callaghan in 1997. This is an oil painting, probably by Emma McGeorge, on art board of Clifton Banks on the Hopkins River. It has a gilt wooden frame with multi-tiered highly-ornamented outer frames in a gold colouring. The lower frame is discoloured (perhaps by smoke from a fire place) and there is a small piece of wood missing on the lower frame. All the gilding is slightly discoloured. The back has been sealed with pasted paper and there are old tacks and old wire for hanging the picture. There is a label on the back from W. Hickford, the Warrnambool picture framer and handwritten information on the artist and the artwork by Les O’Callaghan.Front: ‘E.Mc.G.’ Back: ‘W. J. Hickford, Picture Dealer, Framer and Gilder, Liebig Street, Warrnambool, Mounting and Repairing, Old Frames Re-gilt, Oakley Printer’ ‘603’ clifton banks, emma mcgeorge, warrnambool, hopkins river estuary

Colour photograph of the Duck Race on teh Moyne River held on New Year's Day at Port Fairy. landscape, port fairy, beach, waterscape, moyne river, moyneyana, new years day, duck race

Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows a farm building at Plenty.Digital copy of black and white photograph.dorris mclaughlin, john mclaughlin, plenty

A large group of people at a function at Lower Plenty Hall. The Hall has now been demolished to make way for a car park. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, lower plenty hall

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.This is a black and white photograph of a man standing beside a river along side a boat which is tied to the wharf, the boat is called Reitz. Behind the man is a three spanned arched bridge. The man is Frank Wright.frank wright

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lees road, lower plenty, para road, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lees road, lower plenty, para road, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Digital composite of two black and white photographsalma street, lees road, lower plenty, para road, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, para road, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, para road, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, para road, houses, streets, lees road

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets

Packaged in "Filmpro King Size prints Definitely Better EST. 1918" envelope. Pencil notes: 36 shots $2.87 Eltham Shire J. McD and 19/7/67. Alma Street and Kett Street Lower Plenty c.July 1967.Black and white photographalma street, lower plenty, houses, streets