This large pastel drawing was created by Dr W.R. Angus in 1925, the year after he graduated as a doctor in South Australia. In 1926 Dr Angus was appointed as Medical Assistant to Dr Thomas Francis Ryan, in Nhill, Victoria, where he extended his experiences in radiology and pharmacy. Eventually, in 1939, he and his wife Gladys moved to Warrnambool, Victoria, with their children. The drawing is part of the W.R. Angus Collection, which includes another of the doctor’s pastel drawings and a box of used pastels. The picture was framed by W.H. Rogers & Co. of North Terrace, Adelaide. The business also framed maps and plans. This pastel drawing is locally significant for being the work of Warrnambool doctor, W.R. Angus. It is part of the W.R. Angus Collection, which is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being a historical example of medicine, administration, household equipment and clothing from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. The collection includes Army objects, which are examples of items issued to Doctors and Surgeons in the Medical Services of the Australian Army in World War 2. It also includes household items used by Dr Angus and his family from the 1920s in various locations including Warrnambool, together creating an understanding of the furnishing of an early to mid-20th century home.Pastel drawing behind glass in a rectangular wooden frame with an unusual oval wooden matt. The subject is a scene with a pink-tinted sky reflected in a river running between the foot of two hills with trees. The picture was created and signed by W R Angus in 1925. The back is covered in brown paper and has a mounting wire. Inscriptions are on the picture and the back. A remnant of the framer’s label is attached. The picture is part of the W.R. Angus Collection. Signature and date; “W.R.A. / 1925” Printed on label remnant; “—Rogers & Co. / - ORIA STREET / - way Station, North Terrace / “THE CORRECT FRAMERS” / -lise in Map and Plan Mounting / PHONE 5437”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, drawing, pastel drawing, pastel drawing by w.r. angus 1925, rogers & co., w.h. rogers & co., correct framers, w.r. angus collection

Items of correspondence (to Miss M Bush). A. Invitation to Miss M Bush to marriage of Beverley Edith Lansell to Robert Graeme Orr on 10/11/1937. Postmarked 18/10/37; b. from Office of The Secretary for Railways (NSW) to M. Bush re enquiry about Reso train. Letter, receipts and two photographs of Reso train leaving Running Creek No 2 tunnel (North Coast Line).person, individual, bush collection - personal, bush collection, collection, wedding invitation, photograph, photo, correspondence, reso train, transportation, trains, railway line

Embroidered by hand. Top edged in gathered, coffee coloured lace, 4.5 cm wide. An opening at the base is also edged in the same patterned lace.Four metal press-studs close the shoulders and neck of the cover. Padded and lined with art-silk featuring butterflies and floral designs in dark - grey and white. The initials M.B. are satin stitched on the back, while fine running stitches outline a pattern on the front, emphasising the padded effect.Hand stitched, the initials M.B. give the only indication of ownership.manchester, trimmings, pink satin hot water bottle cover

Document: Gold Mining Lease Crown Land No 11272 Bendigo, entered in the register book Vol 331 Fol 36450, embossed seals of Central Napoleon Gold Mining Co N.L & King George VI, Map: No 11272 Mining District of Bendigo, Parish of Sandhurst, County of Bendigo, shows the minerunning between Harvey & Inglis Streets and crossing Empire and Sparrowhawk Roads and running a good distance beyond Sparrowhawk Rd.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon

Garry Hocking's last game 26 Aug 2001, Geelong v Brisbane Garry ‘Buddha’ Hocking Born: 08/10/1968 From: Cobram Height: 182cm Weight: 84kg Natural kicking foot: Right Guernsey numbers: 51 (1987) & 32 (1988-2001) First senior match: Round 3, 1987 v Melbourne at Kardinia Park As one of football’s genuine tough and skilful performers, he gave the Cats magnificent service. Undoubtedly, he became one of the code’s all-time greats. His ability to make perfect position, fix eyes on the ball at all costs, seize the ball in packs, mark with vice-like fingers and dispose by hand and foot on either side of his body to bring team-mates into the play made him a nightmare opponent. He delighted in applying gorilla-like tackles and bone-shattering bumps to open up opportunities for his allies. During the last few seasons of his career a severely damaged knee saw him ignore agonizing pain to continue to contribute. He just loved footy! Total Brownlow Medal votes: 133 Captain: 21 matches (1994-95; 1999) Third in Brownlow Medal count: 1991, 1994 Club Best & Fairest: 1991, 1993, 1994, 1996 Runner-up in club B&F count: 1990, 1998 Sixth in club B&F count: 1989, 2000 Seventh in club B&F count: 1997 Ninth in club B&F count: 1995 Tenth in club B&F count: 1992 All Australian selection: 1991, 1993, 1994, 1996 GFC Team of the Century selection (ruck-rover) GFC Hall of Fame inductee (2002) GFC Hall of Fame Legend GFC Life Membership (1995) Black frame with gold trimming, black card background with a perspex covering. To the right is a red Sherrin football signed by Gary Hocking. To the left is a colour photograph of Gary Hocking running during a football match pointing his finger in the air. Under the photograph is a gold plaque with the heading in black text "GARRY 'BUDDHA' HOCKING #32". Under the heading are statistics relating to Hocking's football career. On the back is white string for hanging. garry hocking, buddha hocking

Black and white photo showing Greg Boothroyd, son of the photographer, looking at the camera as he stands on a low hill above the carpark. Behind him is a man in a peaked cap who is looking at him. Another man in a suit is watching proceedings. He has paper or similar tucked under his left arm. Another boy is running behind Greg. A large group of people is walking down a path to the left.

Photo of No. 42 waiting to turn from Lydiard St. North to Sturt St. on 21/8/1971, while running the ARHS/TMSV special trams. Has National Mutual, Town Hall and Craigs Hotel in the background. Tram is showing "Special" and is fitted with SEC roof advertisement "Everything's is under control in my all electric kitchen". Kodak cardboard mount slide, taken by Peter Moses 21 August 1971.On the rear of the slide in black ink "Ballarat / ARHS special from Lydiard St into Sturt St." and "P. Moses" in the bottom right hand corner.tramways, trams, arhs, lydiard st north, sturt st.

Set of five colour photographs of a BTPS organised, "Teddy Bear's Picnic". Date unknown, thought to be c1992. Photographer unknown. .1 - inside tram - family group, with child holding tickets out. .2 - another group .3 - at St Aidans Drive, with 27 .4 - At the depot, after running in with 27, Richard Gilbert, Phillip Bertram , a big bear and Peter Walker. .5 - Group getting on the tram at a tram stop.btps, teddy bear picnic, tram 27

Digital image from a black and white print of tram 42 running a "Special" climbing the Sturt St hill up to Lydiard St, shows the steep hill. In the background is Cooks Private Hotel, Ballarat Travel Centre, Commonwealth Bank, National Mutual Building and Alan Bros. Photo by Marc Dahlstrom c1971. 5056.1 - physical print of the same image, with the Marc Dahlstrom stamp on the rear - added 8-5-2016.On rear is the Marc Dahlstrom stamp.trams, tramways, sturt st, lydiard st, tram 42

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The fabric of the shawl is square with a black border around the outside edge. Along the inside of the border is an Australian floral design that is inspired by the artist Margaret Preston and appears in tones of red, white, green, yellow and black. The centre of the shawl is primarily cream in colour with stripes of green running across it, these lines are organic in their shaping. In the very centre of the shawl, intersecting the lines, is a motif of Australia in black created by a cross hatching of curving lines.Label- Tee - Dee1992 barcelona olympics, sport, athletes, fashion, design, uniform

Black and white photograph - Swanston St, looking north from Flinders St c1900. Shows two cable car sets running, one bound for Prahran, a number of horse drawn vehicles, telephone / telegraph lines, bicycles and building advertising "Ayers Henry & Co.", various importers American Manufacturers and "The American System" - pain dentistry. Produced by the TMSV as a photo from their Archives - No. 1 - see rear image.trams, tramways, swanston st, cable trams, flinders st, tmsv

Sprit duplicated onto white paper, handwritten, table or timetable for a charter tram tour. Issued by The Met for a Footscray College of TAFE, special tram, 21-7-1983. Crew nominated as Carolyn Dean and Lindsay Rickard. Tram - 613 running out of Hawthorn depot, picking up in Footscray. Would have been arranged by Bill Kingsley. Timetable on two sheets of white paper, printed on one side only.trams, tramways, special trams, charters, tours, tram 613

Agfa colour blue white plastic mount, photo by Keith Caldwell of SW6 947, in Swanston St, about to cross Collins St, running a route 64 to the city. In the side a W2 southbound. IN the photo is the building that was later demolished for the City Square. A white van is completing a hook turn. Street decorations for the Moomba festival. Queen Victoria Building on the south east corner of Collins and Swanston. 10/3/1966In ink "10 iii 66"trams, tramways, collins st, sw6 class, swanston st, route 64, moomba, hook turn, tram 947

Form - titled "Work Record for Senior Drivers or Conductors" completed by E. Benson on Saturday April 10, 1926, numeral 1114, giving details of shift work, for table 40, cars 121 and 135 working from South Melbourne line. Has space for Office Use, time and remarks. Has not been completed. Has extensive areas for special or altered running, travelling time, student crews, time lost bytrams, tramways, crews, south melbourne, rosters, table cards, forms

Victorian Railways St Kilda Station to Elwood Depot timetable, printed on card that could be folded, providing details of tram times leaving St Kilda Station for Dickens and Vautier Streets or Elwood Depot and return. Advises which trams does not connect with trains. Gives running times and Section Details. Dated 15/7/1957. VR Printed 2484-57 on manila colour card. 8 Copies held..trams, tramways, vr, victorian railways, st kilda, elwood depot, timetables, melbourne

Possibly run in conjunction with the Eltham Community Festival or the Hurstbridge Wattle Festival; the steam train would conduct trips between Eltham and Hurstbridge Railway stations. As there is no turning table at Hurstbridge, the locomotive would simply shunt from one end of the carriages to the other to reverse direction, hence the locomotive is running in reverse as it approaches Eltham Station.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyd-639, eltham festival, george coop collection, hurstbridge wattle festival, steam engine, vintage train excursion

Possibly run in conjunction with the Eltham Community Festival or the Hurstbridge Wattle Festival; the steam train would conduct trips between Eltham and Hurstbridge Railway stations. As there is no turning table at Hurstbridge, the locomotive would simply shunt from one end of the carriages to the other to reverse direction, hence the locomotive is running in reverse as it approaches Eltham Station.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyd-639, eltham festival, george coop collection, hurstbridge wattle festival, steam engine, vintage train excursion

Possibly run in conjunction with the Eltham Community Festival or the Hurstbridge Wattle Festival; the steam train would conduct trips between Eltham and Hurstbridge Railway stations. As there is no turning table at Hurstbridge, the locomotive would simply shunt from one end of the carriages to the other to reverse direction, hence the locomotive is running in reverse as it approaches Eltham Station.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyd-639, eltham festival, george coop collection, hurstbridge wattle festival, steam engine, vintage train excursion

Possibly run in conjunction with the Eltham Community Festival or the Hurstbridge Wattle Festival; the steam train would conduct trips between Eltham and Hurstbridge Railway stations. As there is no turning table at Hurstbridge, the locomotive would simply shunt from one end of the carriages to the other to reverse direction, hence the locomotive is running in reverse as it approaches Eltham Station.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyd-639, eltham festival, george coop collection, hurstbridge wattle festival, steam engine, vintage train excursion

Set of three colour images of BTM tram 18 running in at the end of an operating day. The first image shows the driver at the rear of the tramcar and the next two of the tram crossing Wendouree Parade into the depot. This location was rebuilt during November and December 2014 and the road moved to the west for bicycle safety. Photo by Peter Knife 19/4/2014.Yields information about Ballarat Tramway Museum operations in Wendouree Parade and tram 18Set of three Digital images of colour slides.tramways, tramcars, btm, wendouree parade., depot junction, tram 18

Colour prints showing two of the service cars running route 82 on the day of the closure of the Footscray local routes 10-2-1962: 1 - W5 750 (Moonee Ponds, route 82) at the Footscray terminus in Leeds St. 2 - VR 52 (Moonee Ponds, route 82) turning from Ballarat Road into Gordon St.Yields information about route 82 service cars on the day of the closure of the Footscray local routes. Set of two Colour print on Kodak Royal paper.trams, tramways, ballarat road, leeds st, footscray, w5 class, vr class, tram 52, tram 750

The poem "Fuzzy Wuzzy Angels" was written by H. (Bert) Beros and published in the Courier Mail (Brisbane) on 31 October 1942.This poem gained popularity and was widely read and then published privately by Beros running to several editions. The bookmark produced in 1943 is an example of how revered and popular in the Australian public mind the New Guinea natives became. This bookmark is significant in its association with the popular legend of the loyalty and self sacrifice of the New Guinea natives popularly termed Fuzzy Wuzzy. with the added sobriquet of Angels, in their support of the Australians in New Guinea in World War II without which Australia may not have been able to halt the Japanese advance.Painted figure of New Guinea native on felt marker with caption and date 1943Fuzzy Wuzzy of New Guinea 1943 colour printed on brown feltnew guinea, aif, fuzzy wuzzy, bookmark, kokoda track, world war ii, australia

William Wilson Jamieson came to Warrnambool around 1857 after running a Ironmongers business in Hawthorne died . He opened his store in Liebig St which he operated until his death in 1882. He was quite active in the community serving on the town council for a number of years and also the Oddfellows Lodge and the Mechanics Institute. He came to Warrnambool in 1857, after running an Ironmonger's business in Hawthorn and having worked for the hardware company McEwan & Co. in Melbourne. He bought a weatherboard building that had previously been a 'bowling saloon' in Liebig Street and opened a business that Gardner describes as a general store and Turnbull describes as a drapery store. He was a member of the town council from 1862 to 1874 and from 1877 to 1880 and also served as mayor for two terms. He was also active in community organisations including the Mechanics institute and the Oddfellows This token is of great importance. It is significant for three reasons: 1. It is an example of an 1850s Australian token, demonstrating an early business practice in our history. 2. It is an example of a Warrnambool token produced by an important Warrnambool business (only two firms in Warrnambool produced tokens)A round copper token. The token was issued by: W.W. Jamieson & Co.. Liebeg St. Warrnambool, Storekeepers 1862 which is in raised lettering on the obverse of the token. The reverse features a blindfolded woman with the scales of Justice in her raised right hand. She is standing beside the seashore with a sailing ship in the background AUSTRALIA is stampedabove the figure anf the date 1862 is stamped below.W.W. JAMIESON & CO STOREKEEPERS LIEBEG STREET WARRNAMBOOL. AUSTRALIA1862jamieson token, warrnambool, william wilson jamieson, warrnambool ironmonger

This quilt came to the Running Stitch Group from a visitor at the 'SIO Great Exhibition of Victoria' held at the Museum of Victoria in 1985. This exhibition of historical ephemera about our state included many of the quilts collected by the group. After seeing the value of these utilitarian quilts, many visitors decided to donate their family quilts to the Running Stitch Group. Meg McNab was one such person who identified her step-grandmother as the maker and said the quilt was used in her fathers' family. It eventually came back into her family through her own mother who came to stay in later years. For the journey, the quilt had been used as packing material. Owing to its size, this quilt may have been made for a child. The stained pattern on the back has occurred as a result of rust marks from a wire wove mattress base.This is the front of the quilt. The rod pocket has been applied to the verso. This is the back of the quilt. the rod pocket has been applied to this side.quilting history, running stitch group, running stitch collection, mcnab, meg, quilting - history

The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan

This notebook was produced for the business of Cramond and Stark of Toowoomba. John Cramond and James Dickson established a drapery, clothing and general store in Warrnambool in 1855 and this business was a dominant one in Warrnambool until its closure in 1973. A relative of John Cramond opened the drapery store of Cramond and Stark in Toowoomba, Queensland later in the 19th century and this was also a large and long-running business.This notebook is of some interest as it is connected to a business in Queensland which had its origins in Warrnambool as one of the founding partners of this business came from Warrnambool (Cramond). It is also of interest as an example of the rather elaborate advertising ploys used in the early 20th century times – the metal notebook would have been rather expensive to produce and would probably have been given away to regular customers. This is a notebook with a pad of white paper and a cardboard backing attached to a metal container. There are a silver-coloured metal back and a metal front with a hinged lid and a 1911 calendar on the back of the lid. The inscription on the front is set in an embossed edging with a circular pattern in the middle of the lid. Front of lid: ‘Notes, Cramond & Stark for Drapery Hosiery & Gloves, Clothing, Mercery & Hats, Ruthven Street, Toowoomba’cramond & dickson, cramond & stark, warrnambool

The Warrnambool Family History Group was established in 1980. It has been running Warrnambool cemetery tours for a great number of years with the late Marie Boyce being a prominent organizer of these tours. The tours are usually held in January and on Anzac Day and over recent years have concentrated on a theme to provide information on a certain group of people (eg Mayors, war heroes). These sheets are a good example of the graves visited during the Warrnambool Cemetery tours and the information given on these people. These are two yellow A4 sheets typed back and front with information on people buries in the Warrnambool Cemetery and a sketch map of the Warrnambool Cemetery. The typed material has been annotated with handwritten notes (blue biro) by a participant on one of the walking tours.Front page: ‘Cemetery Walk, Notes for Walks Held During January 2000. Warrnambool Family History Group (Australian Institute of Genealogical Studies Inc) Reg. No. A0027436X, P.O. Box 607, Warrnambool 3260 (sic)’warrnambool family history group, warrnambool cemetery tours

Doris Vivienne (Dossie) (Clegg) Mooney attended CPLC 1928 - 1932; daughter of Gladys Irene McCleave. A keen athlete Dossie competed in a variety of events at the annual Sports Day competitions. This cup was awarded for her overall championship for the junior grades in 1932. Dossie left CPLC in 1935. She was a member of the Running and Basketball teams in her final year. Small silver cup with double handles and brown melamine standEngraved on face of cup: C.P.L.C. / Sports / Junior Champion 1932 / D. CLEGGd clegg, clarendon-presbyterian-ladies-college, d-mooney, junior-sports-champion

A letter is a book in which letters or copies of letters are kept especially to provide a running account of a business or enterprise. This one was probably used by H. James & Co. with some letters written by Alan Richardson. Henry James (1860-1932) was an agent and auctioneer. Record secretary of the Snowy River Shipping company. Shire councillor. Foundation member of Butter Factory. This iotem is an example of very early book-keeping in Orbost and is probably associated with Henry James who was a prominent Orbost identity very much involved in the local community.A correspondence book with a blue suede fabric cover and brown binding. It has a red label on the spine. the end papers are marbled. It contains handwritten copies of correspondence.on spine - Letter Bookbook-keeping correspondence-book h.james-&-co richardson-alan

The Methodist Home Missions was the department running the work of smaller churches and charitable institutions such as babies' homes, the Epworth Hospital, chaplaincies to hospitals and prisons, aged care homes, alcohol rehabilitation, local missions to depressed areas and the like. A minister was appointed each year by Conference, on deputation, to travel around Victoria to explain and encourage local congregations to support the work of the missions.Methodist Home Missions cardboard envelope with a blue map of Australia and blue and red text. The is a curved slot at the top of the envelope for inserting coins and squares on the back to mark off weekly giving. methodist home missions, methodist inland mission