Soldiers of the 2/24th Battalion C Company.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1990 and one of the first, if not the first, to receive this type of honour.Reproduced black and white photograph of large group of unknown soldiers in four rows, standing and sitting on the ground in front of open structure with corrugated roof. Partial C Company2/24th battalion, wangaratta

Photocopy of a black and white photograph of the Great Southern Mine. Mine structure is at the centre of the photo, a fenced paddock on the right, and a large mullock heap in the background.Written on back of copy in pencil "Great Southern Mine heap" and in pen "Great Southern Mine".great southern, gold mining, mining industry

This item is part of a collection of seven black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging showing a water channel surrounded by farmland. A wooden structure is shown above the water channel.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen

This was the home of 3 generations of the Coop family: 1. Josephine and George Frank Coop (noted in Box Hill Rate Books for 1947-1954). 2. George Burton Coop (1906-1960) and his family. He was Assistant Chief Architect of Victoria in the Public Works Department (P.W.D.) George Burton Coop was born in c1906 in Williamstown, the son of Josephine Vistarini and George Frank Coop. He married Winifred Alice Trewartha in 1936 and they are listed in the electoral rolls at 688 Whitehorse Road in 1937. George died 3/4/1960, aged 54 years at Mont Albert. 3. George Burton and Alice Coop had 2 children: George Lister Coop - born St Georges Hospital, 8/10/1937 Alison - born c1945. The donor George Lister Coop informed that he initially attended Chatham State School because his first home was the Spanish Mission style flats at 346 Whitehorse Road, opposite Brenbeal Street, Balwyn. When his grandparents died, the family moved to 688 Whitehorse Road and he then attended Mont Albert Central School. The California bungalow style of housing was the dominant style of housing built in the interwar period through the northern parts of Surrey Hills and Mont Albert as formerly semi-rural land was subdivided for new housing. It was relatively inexpensive and affordable. In Australia the Californian bungalow drew upon elements that were popular across the United States from around 1910 to 1939. In Australia the style became popular from 1913. In Melbourne both timber and red brick were used as the main building material. Typically they are one or one and a half story houses and feature sloping roofs and eaves with unenclosed rafters and often a feature a dormer window (or an attic vent designed to look like one) over the main portion of the house. Decorative elements include wood shingles, part stucco rendered exteriors, brick, stone, rendered or a combination of these treatments to exterior chimneys and front porches supported by heavy timber, brick or stucco columns.A sepia photo taken at an angle from the street corner of the property. It is of a Californian bungalow with a driveway that extends through a carport, attached and roofed as part of the house, to the rear of the property. The veranda is accessed from under this covered area. The veranda and carport are supported by brick pillars and the veranda balustrades between are plain with an occasional wider feature panel. The front door is in shadow. There are rolled up striped canvas blinds on the veranda and at least 2 cane chairs. The main structure of the house is weatherboard with a terracotta tiled roof. There is a flower bed across the front of the house with an elevated brick flower box under the main window. There are no chimneys visible.californian bungalow, whitehorse road, george frank coop, (miss) josephine vistarini, (mrs) josephine coop, george burton coop, (miss) winifred trewartha, (mrs) winifred coop, george lister coop, alison coop

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Property is included the City of Glen Eira's Amendment C190glen as HO177 Ida Villa. As of 18/03/2021, Amendment C190 is noted as "Approval Under Consideration" by the Minister of Planning.Page 147 of Photograph Album with one landscape photograph of a Victorian brick house on Neerim Road.Handwritten: Neerim Road [top left] / 234 [under photo] / 147 [bottom left]trevor hart, neerim road, arched windows, verandah, porch, decorative brackets, bull nosed verandah, cast iron columns, ross land sales, ross, carnegie, victorian style, cast iron work, polychrome bricks, brick houses, tessellated tiled deck, ida villa

This VHS was produced by the State Electricity Commission of Victoria, to show the pristine state of the Kiewa River and Valley post the completion of the Kiewa Hydro Electricity Scheme (Circa 1950s), The late 1970s on wards was the beginning of deeper social scrutineering by pro environmental groups such as the Australian Wilderness Society (1976) and the Greens (political Party), before, during and after the construction phases of any man made structures in forest/bush areas which may or could damage or adversely affect the natural flora and fauna of sites. This promotional VHS, which was produced in the 1990s, was to project that unlike the Tasmanian State Electricity Commission (Franklin Dam issue), the Victorian State Electricity Commission acted in a way to protect the environment to the maximum level possible. With the passage of time since, and the issue of the global push to minimise carbon pollution, and as an alternative to coal fired power stations, the use of hydro electricity can now be seen as a highly efficient alternative to "coal powered" electricity. This VHS is a snap shot in time (1990) when the Kiewa Valley was still relatively under populated and holiday houses owned by city bound workers was still relatively insignificant. As more and more holiday makers retire to a small but friendly region(Kiewa Valley and Mount Beauty) the increase in visitor numbers will affect the local rural bush scene more and more. The changes that will occur (in time) can be measured against the scenes presented in this video. The additional resources provided by the State Electricity Commission of Victoria of "alpine bush" fire control and management, together with an ongoing educational scheme for school children in learning about what constitutes the Alpine country's unique environment, are a very important offshoot, benefitting to both the communities within the Kiewa Valley and regional Victoria.This VHS tape is stored within its own plastic cover which has a front side covered by a coloured photograph(both front and back cover) of the Kiewa River, just to the north east of the Mount Beauty township. The VHS tape is nestled within a formed inner structure which not only prevents the tape from moving to and fro but also unnecessary intrusion of foreign particles.Front cover "KIEWA" on the spine top circle with lines projecting out and below this "SEC". Middle of spine "KIEWA" and bottom of spine "VHS"secv, kiewa valley, dale-bromley, cy-duff, chris- harding, michael-glucz, forestation education, wilderness photography, nature film.

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style

Ticket to Ride: Jolly Greens was the nickname given to the US helicopters that rescued downed aircrew. the reverse side of this card reads: redeemable only by Alan Reed from "Down Under".' Jolly Greens ' card / tickets to ride used in rescue operations for downed American airmen through out the Vietnam War.GOOD FOR ONE FREE RIDE. Redeemable only by Alan Reed from 'Down Under' DON"T ACCEPT SUBSTITUTES INSIST ON THE ORIGINAL. Jolly Greens. DET 1 40th ARRS.jolly green ticket, alan reed

Life Savers were invented in America in 1912 and produced under an agreement in Australia from 1921. The name refers to the fact that the hole in the middle will prevent choking if the sweet is swallowed whole.Life Savers showbag, no content: paper bag with string cord handle, printed in colour; one side showing a roll of Butter Scotch Life Savers and two Scottish children dancing under it; the other, a roll of Pep-O-Mint Life Savers, set against an Arctic background[obverse] 3 PACKETS FOR 1-' EVERYWHERE / BUTTER SCOTCH / LIFE SAVERS / THE CANDY WITH THE HOLE / Also obtainable / in following flavours: / Crystomint - Stick-O-Pep - Orange - Lemon - Lime" [reverse] Cooling Pep-O-Mint Life Savers, the candy mint with the hole / Also obtainable in following flavours: Spear-O-Mint - Assorted floral - Vi-O-Let - Musk - Clove - Thirst - An-O-Sed / 3 packets for 1'- everywhere / [bottom] Wilmers & Gladwin Pty Ltdconfectionery, lifesavers, showbag, commercial

Black and white photograph of a demonstration of a dental procedure on a patient who has received anaesthsia. Dr Geoffrey Kaye, wearing a white gown, is holding a dental suction hose and metal medical tray under the patient's mouth, who is leaning over the tray. An anaesthetist is holding an inhaler over the patient's nose. The background of the photo has been covered with black ink so that only Dr Kaye, the patient, and anaesthetist are visible.•Printed text in black ink on paper label glued under photo: Management of Vomiting. •Handwritten with blue ink on reverse: Photo. 8. / (Frame 29).anaesthesia, anaesthetist, geoffrey kaye, dental procedure, patient

Gunther Jahnke graduated in 1980. Trevor Adams graduated in 1978. Subsequently he was employed by ALCOA Australia, and by 2000 was general manager at the Portland (Vic.) plant..1) Two men, one wearing a leather jacket .2) Three men at a metallurgical apparatus .3) A handwritten note by Brian Sunter, relevant to the above photo..3) A. A group of Metallurgy students from Ballarat CAE working on equipment designed for melting metals and alloys under high vacuum conditions. (From left to right Athol Shelton, Gunther Jahnke, Trevor Adams) B. Metallurgy students operating a control panel for equipment designed to analyse crystal structure. (From left: Gunther Jahnke, Trevor Adams) alumni, brian sunter, gunther jahnke, trevor adams, athol shelton, student activity, metallurgy

Issued to S.E.C. workers on the Kiewa Hydro Scheme.Historical: Shows the development of the treatment of snakebite and first aid equipment especially as the workers were in a remote area.Black tin box with grubby white label with black writing on the lid. The box is hinged on the long side. Under the lid is stamped in black the date.Label: 'S.E.C.' / (In a black lined border) 'Portable / First Aid Kit' / (Underneath) 'Contents' /(In 2 columns): '1" x 1" Bandage /1' x 2" bandage / Cord / 2 *'Fey pins' / (next column) '4 Quixtrap Dressings / Lint / Adhesive Plaster / Castor Oil' / (Underneath both columns): 'Acriflavine Emulsion and Wit(h) Out ('Out' is crossed out) Snakebite Outfit' / 'Makers The Sanax Co. Melbourne' Under the lid: '10 Jan. 1941'state electricity commission of victoria, kiewa hydro electric scheme, first aid kit, sanax co.

The Main Street of Sassafras c1952 showing Mechanics Institute at left under snow. Note the hedge around the area that is now the Village Green. At the time of the photo the land belonged to Eva Shugg where she ran holiday flats called St Annes. Eva Shugg sold her house to Max Dower to extend his nursery in the 1970s and built a new home around the corner on Mountain Highway. At this time she donated part of her remaining land to form a Village Green. Eva Shugg lived to the age of 106 and died in 2007.Black and white photograph with serrated edge showing the Main Street of Sassafras under snow c1952. Mechanics' Institute is on LHS with cars parked outside the site of Sassafras House.On reverse written in pencil 'Main Street, Sassafras"sassafras, snow, mechanics' institute, mechanics' hall, village green, eva shugg, max dower

This petticoat dress was sewn by Mrs. van den Heuvel and her friend M/s Jos Tersteeg for Marjo van den Heuvel to wear under a white dress on the occasion of her cousin Peter Beeker's First Holy Communion.The material was obtained from one of the many parachutes that became available during the Allied offensive of 1944/45. This material was very welcome after the deprivations suffered during the 5 year German occupation. Petticoat to be worn under child's white First Communion dress, made of white parachute silk sewn in extremely tiny stitches by machine and hand. French seams are used for the sides and shoulders; the hem is handsewn. The garment is fastened at the neck with a narrow white satin ribbon.dutch, migration

Erith Lane would have been named after Eliza Erith, the wife of Thomas Hand of Mountain Grange. The house made of slabs and bark pictured (centre) is where the family lived before Mountain Grange was built. Mabel Hand, Thomas and Eliza's youngest daughter stated that she was born in the bark hut in 1881 and they moved into the new home the same year. Cherry Farm, the roof visible behind the centre building, was the home of William Hand, son of Thomas and Eliza. He lived here with hs wife, Harriet Toghill, before moving to live at Mountain Grange after 1905.Black and white photograph showing a scene under heavy snow. Two cottages and a rooftop visible. Snow laden vines forming the front fence. Taller trees visible in the background. Reverse of photograph has handwritten description by John Lundy-Clarke.Erith Lane under snow. House in passion fruit Ivory’s holiday home 1921. Building in centre was Hand’s 28’ by 22’ house of slabs and bark. The first house on top of the whole Dandenong Range built 1871. Large roof behind it was “Cherry Farm”.eliza erith, eliza hand, mabel hand, thomas hand, william hand, erith lane, kalorama, snow, mountain grange, cherry farm, harriet toghill

A succession of teachers has signed their names under the lid, and the notation "Killed in Action, March 1917" has been added after the 1913 signature of Edward Jones. These were originally at State School 1589 Invermichie, which operated from 1875 to 1917 near Munro. At its closure the furniture was transferred to Munro, and teachers there signed the desk lid after that time. A tall, unpainted teacher's wooden desk with a single hinged flap as a lid. A ceramic inkwell is set into the top right-hand side. Names have been inscribed under the lid. It is accompanied by its stool (00802VSFH)Names that are legible include: R.Costello 1925 [?], 1928 Hector Connaught / Semper Fideles J.A. Cullinan, 96 BW 94 Maude Rack June '91 J.Bux Howqua Dale Barry J. Buxton 19.12.52/son of the above. Edw. H. Jones August 1913. Killed in Action March 1917 Enter Irene Hannan 1st May 1916 Exit 19 Sept 1919 Ella K. Fletcher 31.8.20 Monga [?] Duggan 1922 S.M.Kerr 7/1/27 J.A.Mullin Jan 1930-Sept 34 Robert J ...... Sept 34-Dec34 G.A.Faux Jan 5 to Aug 55 Mrs Mary M.Costello HT Sept 1955 Heather A ..... Assistant Feb 1969-Dec 1970 Emma Dronieika [?] Assistant Feb 1971 - Dec 1971 Pamela Golden (Draffin) Feb 1972-Dec 1972 AnneCargeeg Feb 1973 Scratched on lid is B.W.Butcher born 1912, killed 1959 aged 47 Vision and Realisation gives dates for the school as 1875 to 1917, so names after that time would appear to be for teachers from Munro.schools, world war 1914-1918

Rectangular postcard / coloured photo showing a soldier rescuing another.“Gallant rescue under fire”documents - postcards, military history, passchendaele barracks trust

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Framed photograph of students enrolled in Occupational Health and Safety Certificate Course, Intake 4, January 1994Coloured photograph - black frameNames and date under photoviosh, victorian institute of occupational safety and health, occupational health and safety certificate course, bob blizzard, denise clayton, jeff davis, murray hawgood, peter henderson, john holding, mark jacklyn, paul leitch, david lloyd, allen mcdowell, allan mcgreevey, ian martin, vanessa moore, diane scott, gordon vincent, robyn walton, john white, bob macauley, david mead

Stoneware is a rather broad term for pottery or other ceramics that is fired at a relatively high temperature.  A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vitrified or not, it is non-porous, it may or may not be glazed. Historically, across the world, it has been developed after earthenware and before porcelain and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthenwares are normally fired in a kiln at temperatures in the range of about 1,000°C (1,830 °F) to 1,200 °C (2,190 °F); stoneware's at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F); and porcelains at between about 1,200 °C (2,190 °F) to 1,400 °C (2,550 °F). Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 600°C, achievable in primitive pit firing, but 800 °C was more typical. Stoneware also needs certain types of clays, more specific than those able to make earthenware, but can be made from a much wider range than porcelain. A domestic item used to store food products as glazing makes the container non-porous, often used for pickling. Or larger containers for kitchen flour. Items age is difficult to determine given the same techniques for making stoneware are in use today. Stoneware containers were made by many potteries in Australia and England. They were in common domestic use before plastics were invented around 1940 to store goods so this subject item is probably from around 1900 to the 1940s. Item's significance is difficult to determine given it is not associated with a place, person, historic event, or manufacturer. Its significance lies with its use as a domestic object giving today a view into our social past.Brown Stoneware jug with short neckThe number "1" under neck flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jug, stoneware jug, salt glaze

PHOTOGRAPH KEPT IN CLUNES FOOTBALL CLUBCLUNES FOOTBALL CLUB , 1963 PREMIERS LEAGUENAMES LISTED UNDER PHOTOGRAPHphotography, football, football 1963

SEE OVERCLUNES CRICKET CLUB 1957 / 58 PREMIERS NEWLYN CRICKET ASSOCIATION .1 MOUNTED PHOTOGRAPH WITH NAMES LISTED UNDERNEATH .2 - .4 PHOTOCOPIES OF PHOTOGRAPH .5 PHOTOGRAPH OF .1 .6 SMALL PHOTOGRAPH OF .1 NAMES LISTED UNDER PHOTOGRAPHphotographs, cricket, cricket 1957/58

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

Mr Irvine was the owner of the Peterborough Hotel and long time friend of Mr Cumming.Significant as descendants of the two men still live in Peterborough. Photocopy of a photograph of James Irvine and W. B Cumming.Handwritten names under the photographw. b. cumming, james irvine