Reproduced page 124 of Pioneers & Painters, edited by Alan Marshall (1971) Source: Mr. E.C. Pelling, Kangaroo GroundThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.4 x 5 inch colour reversal film (1) Black and white print 15 x 23 cm Condition: May not be true to colour of original work. Scanned from a 4 x 5 inch colour transparency which was taken c.1970 (approx. 50 years old) and which has undergone significant colour degradation towards the red spectrum. Allowances made for colour cast correction in scan with best guess for white balance. Significant light flare is reflected off glossy surface of original work at camera lens at lower left and right sides causing quality issues. artist, pioneers and painters, sepp, shire of eltham pioneers photograph collection, david armfield

Reproduced page 125 of Pioneers & Painters, edited by Alan Marshall (1971) Source: Mr. Don Vidler, Reynolds Rd., Wattle GlenThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.4 x 5 inch colour reversal film (1) Black and white print 21 x 16 cm Condition: May not be true to colour of original work. Scanned from a 4 x 5 inch colour transparency which was taken c.1970 (approx. 50 years old) and which has undergone significant colour degradation towards the red spectrum. Allowances made for colour cast correction in scan with best guess for white balance. Significant light flare is reflected off glossy surface of original work at camera lens at lower left and right sides causing quality issues. artist, pioneers and painters, sepp, shire of eltham pioneers photograph collection, don vidler

Reproduced page 132 of Pioneers & Painters, edited by Alan Marshall (1971) Source: National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.4 x 5 inch colour reversal film (1) Black and white print 16 x 21.5 cm Condition: May not be true to colour of original work. Scanned from a 4 x 5 inch colour transparency which was taken c.1970 (approx. 50 years old) and which has undergone significant colour degradation towards the red spectrum. Allowances made for colour cast correction in scan with best guess for white balance. Significant light flare is reflected off glossy surface of original work at camera lens at lower left and right sides causing quality issues. artist, pioneers and painters, sepp, shire of eltham pioneers photograph collection, jo sweatman

This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.4 x 5 inch colour reversal film (1) Black and white print 15.5 x 21.5 cm Condition: May not be true to colour of original work. Scanned from a 4 x 5 inch colour transparency which was taken c.1970 (approx. 50 years old) and which has undergone significant colour degradation towards the red spectrum. Allowances made for colour cast correction in scan with best guess for white balance. In some cases, significant light flare is reflected off glossy surface of original work at camera lens causing quality issues. artist, pioneers and painters, sepp, shire of eltham pioneers photograph collection,a.e. newbury, albert ernest newbury

Forty-five paged booklet ''Has a pioneer church a future?'' - A history of the Forest Street Uniting Church buildings, by L D Faulkner. Not dated but probably 1993 (see Ministers, p. 37). A detailed history comprising as per the Table of Contents; Introduction; Wesleyan Beginnings; First Permanent Buildings; Second Permanent Chapel; Vestries & Church Extensions 1877/78; Sunday School Additions; The 1900's; Conclusions; References; Bibliography; Appendices; Additional Papers i. Ministers, ii Trustees, iii Organists & Choir Leaders, Site Plan. Illustrated with (generally poor quality) B&W photographs.L D Faulknerchurch, history, uniting church forest street, l. d. faulkner. wesleyan church. jimmy jeffrey. golden gully, white hills, eaglehawk gully, long gully. thomas raston. edward stone parker. w.h. vahland. fincham pipe organ. j. watson.

Long Gully is a suburb of Bendigo, 3 km north-west of the city's centre. The Long Gully Creek signifies the physical location of the suburb, and the Long Gully reefs ran southwards from Eaglehawk. It was particularly rich, realising yields as high as five ounces of gold to the ton.Four black and white photos of a painter's studio in Creeth Street, Long Gully, Bendigo. The photos were of very low quality and have been restored as much as possible. The photos are of: 8679a Three women in long dresses and two men sitting around a table having tea in front of a mantle-piece. Several paintings are on the wall above. 8679b Four female artists (or students) painting pictures. They are supervised by a man and a woman. Various pieces of art are on the wall and floor around them. A painter's pallet is open on the floor in the foreground. 8679c Three women and one man are viewing pictures in the studio. 8679d Paintings on display in the studio history, bendigo, creeth street long gully, artist studio

Demonstrates uniform cap manufacture. Appears to be unworn.SEC Motorman/Drivers/Conductors cap - green cloth exterior, grey cotton interior lining, brown leather internal hat band, black cotton hat band on exterior with a plastic band at the front half of the cap terminating in two small SEC metal buttons on either side, black plastic peak. Sewn on the inside is a label "Commonwealth Government Clothing Factories Melbourne" and stamped "6 1/2". On the right hand side of the inside of the brown band, stamped in gold is the Australian Coat of Arms and the words "A quality product / made in Australia / by the Dept. of Supply". Appears never to have been used.tramways, trams, ballarat, uniforms, cap

A Wright & Ditson 'Davis Cup' model tennis racquet. Striped plastic reinforcements around shoulders and around base of throat. On obverse, model name and logo featuring a trophy, initials 'WD' and words 'FIBRE-SEALED' printed across throat. On reverse, the same logo and the manufacturer's name are printed across throat . Printed on obverse of shaft is name of manufacturer and words: 'CHAMPION QUALITY'. Printed on reverse of shaft is manufacturer's trademark. Handle spiral-wrapped with perforated leather hand grip. Butt cloth with manufacturer's initials printed on it. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, String, Plastic, Painttennis

A Wright & Ditson 'All American' model composite wood racquet with open throat and octagonal handle. Spiral-wrapped perforated grip tape sealed at ends with plastic tape. Striped plastic reinforcement at top of grip. Striped plastic reinforcements and white paint around shoulders. Green painted section on shaft with gold writing on obverse: WRIGHT & DITSON/CHAMPIONSHIP QUALITY and on reverse is manufacturer's name and icon. Manufacturer's name and racquet model also printed in cursive script across base of head on both sides of racquet. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, String, Nylon, Plastic, Painttennis

A Wright & Ditson 'Davis Cup' fibre-sealed tennis racquet with striped plastic reinforcements around shoulders; and handle wrapped with leather grip. Has 'WD' printed on butt. Model name, words 'FIBRE-SEALED', intials 'WD' and a trophy logo feature across throat on obverse. Manufacturer name, words 'FIBRE-SEALED', intials 'WD' and a trophy logo feature across throat on reverse. On obverse of shaft is printed:WRIGHT & DITSON/CHAMPIONSHIP QUALITY. Manufacturer's 'man on tennis ball' trademark/logo features on reverse of shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, String, Leather, Plastic, Nylon, Fibreglasstennis

'When stockings were first made, black or white were the only colours available. White was usually for Sundays. Lisle was the only type made for many years. Later colours became available'. A brown piece of thick cardboard with five different coloured stocking mending threads wound around branded product cards: white, cream, tan, brown and black. There is a typed explanation piece of paper, see the inscription below. Brands are - 1. The "Creschene" mending Four Strand, Specially made for Lisle, Silk and Art Silk Hose (white thread). 2. Two Steeples Hosiery (black thread). 3. Two samples of Myrene Hose Mending Fashion Shades Superior Quality ( three tan colours). 4. Astor Product Made in Australia, Every Home Super Mercerised Hose Mending. Typed on a piece of white paper, pasted on the card is: 'When stockings were first made, black or white were the only colours available. White was usually for Sundays. Lisle was the only type made for many years. Later colours became available'. As an extra explanation not related to stockings is typed: Pantees for women were not made until the 1800's. A type called "splits" were then made, and improved by Mrs Amelia Bloomer, to the type we know today.'sewing, sewing equipment, stockings, mending

Murray Comrie Collection. Monochrome photograph depicting members of Tarnagulla Junior Football Club posed as a group in an unidentified interior, with a makeshift backdrop. An accompanying note identifies some of the subjects: Back row: 1. __________ 2. Bert Goltz 3. Clem Theobald 4. _H. Abbott 5. Bert Spencer 6. ________ 7. _______ 8. F. Shing Middle row: 1. _________ 2. W. Radnell 3. ___________ 4. Duggan 5. Whimpey 6. W. Cozens 7. L. Radnell 8. ___________ Front: 1. Joe Radnell 2. ___________ This fair quality copy was made from an older original photograph, probably in the late 1960s. tarnagulla, football, sport, clubs, people, radnell, duggan, theobald, goltz, abbott, spencer, whimpey, cozens

Murray Comrie Collection. Monochrome photograph depicting members of Tarnagulla Cricket Club posed as a group in an outdoor setting, possibly at the Recreation Reserve. An accompanying note identifies some of the subjects: Back row (in street dress): 1. __________ 2. __________ 3. Dan Duggan 4. __________ 5. Ted Toole Cricketers: Back row (standing): 1. Bill Minton 2. __________ 3. _________ 4. ___________ Middle row (kneeling): 1. _________ 2. __________ 3. _________ 4. ___________ Front row: 1. _________ 2. __________ 3. _________ 4. ___________ 5. Tom Page 6. __________ In distant background: 'Denty'. This fair quality copy was made from an older original photograph, probably in the late 1960s. tarnagulla, cricket, sport, clubs, people, duggan, toole, denty, minton, page

Made by Commonwealth of Australia (Commonwealth Acoustic laboratories) to address the problem of providing hearing aids to ex-service men with impaired hearing due to war related events. They were issued by the then Repatriation Department a cheaper alternative to imported more expensive but lower quality units. The were also used for the large number of children who had impaired hearing due to the Rubella epidemic in Australia during WWII. http://www.acoustics.asn.au/journal/2000/2000_28_3_Upfold_Piesse.pdfIssued to Henry Claude Roussac a veteran of both WWI and WWIISteel square case with a white plastic thumb wheel with volume marks on the side and two holes for the insertion of the earpiece plug, front contains a small (10mm x 5mm) microphone covered by a wire grill.There is a small retaining clip on each side to clip the unit into a shirt pocketC of A CALAID D11849calaid, hearing aid, australian acoustic laboratories, roussac, gallipoli, repatriation department, cal

Item looks to have been adapted for bench top use Sindanyo high temperature insulation boards are manufactured from cement based products, reinforced with selected fibres. They have been specifically designed to provide excellent service under demanding thermal and electrical applications. Sindanyo is a non-asbestos, non-combustible product that is easily machined. This insulation board is a popular option when a high quality, strong and rigid material is required.400/500 Volt, 5 amp, 50 Hz 3-phase balanced load. Circular scale with lead and lag markings and graduations. The 22cm diameter meter rear-mounted to black sindanyo board, supported by wood brackets on wood base. Five terminal posts on panel below meter. Wire connections at rear. No maker's name Patent Number: 162471/20 Serial Number 263475scientific instruments, power factor maker, lead and lag markings, terminal posts, power factor meter, wire connections, sindanyo board, non-combustible, insulation, electrical applications

The Royal Winton brand has always been synonymous with quality and design and has roots in Stoke-on-Trent, England that go back over one hundred years. Originally known as Grimwade Brothers it was founded by Leonard Lumsden Grimwade. Leonard had shown a natural talent for modelling pottery and it was in this field that his infant business began, in 1885. He was soon joined in the business by his older brother, Sidney Richard, another potter. The family of Daphne Sturt were early settlers in Moorabbin ShireCirca 1890 to 1900. A Grimwade's floral and black-patterned ceramic vase with detachable "frog" for holding flowers in place. The rim of the vase is trimmed with gold. On the bottom of the vase there is a Backstamp: Grimwade, Winton, Stoke-on-Trent, England. Made in England. The Grimwade's makers -mark is also present.grimwade leonard, ceramics, pottery, stoke-on-trent, early settlers, craftwork, moorabbin, brighton, ormond, sturt lesley, sturt daphne, bentleigh

Boyd writes about his opinion on Le Corbusier's Chandigarh and compares the qualities between the newly built city with Canberra. While Boyd praises Le Corbusier's plan, he also comments on the contrast of the grand buildings (Secretariat, Parliament and High Court) situated among the poverty that is ever present, which ultimately affects the image of Chandigarh. This manuscript of Boyd's weekly newspaper column in 'The Australian' was published with the title 'The City of Sordid Splendor' on 28.06.1964. Original manuscript of an article published as 'The City of Sordid Splendor' in 'The Australian' 28.06.1964Typewritten, quarto, 5 pagescanberra, chandigarh, le corbusier, punjab, india, robin boyd, manuscript, ohm2022, ohm2022_16

Built between 1882 and 1884 for the banker William Greenlaw and with interior decoration by the Paterson Brothers, Villa Alba is important to the state of Victoria for architectural, historic, social and aesthetic reasons. Its cultural significance results from the unrivalled quality of the late Victorian hand-painted decoration of its interiors. The Villa Alba Museum is committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.The photograph is one of a series of views of the interior commissioned from the photographer Russell Winnell by the Board of Management of Villa Alba Museum in 2011.Decoration of painted services is original to 1884.villa alba museum, interior design - 19th century, drawing rooms - 19th century, paterson brothers - decorators - melbourne, russell winnell photography

Photos of Melbourne Junior Legatees participating in an Annual Demonstration at the Melborne Town Hall. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.A record of a Junior Legacy Demonstration.Black and white photo x13 of the 1957(?) Melbourne Junior Legatees Annual Demonstration held at the Melbourne Town Hall. Exact date not known. junior legatee, annual demonstration, costumes, ballerinas

The Manor House Rug was designed by Brinton's Carpets in 1990 exclusively for the National Wool Museum. The design is based on an earlier design from Brinton's UK Persian Rug Archive Library. This Manor House Rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Red, green, blue, black, cream floral patterned carpet sample with jute backing.axminster loom, carpet, sample, rug, wool, national wool museum, brintons

To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. In 1992 the winner of the Adult Literature Category was "Patrick White: A Life" by Louis Braille Production and its narrator James Condon.2 black and white photographs, 1 proof sheet of transparencies and 8 transparencieslouis braille audio, awards, james condon

Colour slides of an annual dinner in 1962. The slide shows a man speaking at the microphone. It is possible it was the induction of the new president who was sitting in the President's chair in other slides. In 1962 the President was JD Lobb Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of an annual dinner held for Legatees in the 1960s.Colour slide x 3 of legatees at a dinner in an Anscochrome white plastic mount.Imprinted 'Viewing Side' and 'Anscochrome' on front and 'Made in Australia' and 'Anscochrome by Verycolor' on reverse. Handwritten on one slide '1962 / Annual Meet 1962'legatee function, legatees, jd lobb

A black and white slide of eight boys at a boys camp in 1956-57. They could be on billy carts or skateboards. It is possibly at Blamey House in Kew, as other slides show camps at the residence during summer holidays. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Black and white slide photo of boys in a driveway in a cardboard mount.Handwritten on front 'Legacy boys camp 1956-57' and 'SET-2' in blue pen. Handwritten '14' in black pen Printed on front 'Made in Australia' on the reverse a navy blue outline on edge of slide.camps, blamey house

A colour slide of boys and two legatees near a green bus on Burke Road in 1956-57. It is probably at Blamey House in Kew, as other slides show camps at the residence during summer holidays. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Colour slide photo of boys near a green bus in a cardboard Kodachrome mount.Handwritten on front 'Legacy camp 1956-57'. Imprinted '1' in black ink. Printed on reverse 'Kodachrome Transparency / Processed by Kodak' with a red outline on edge of slide.camps, blamey house

A colour slides of boys returning to a camp on a green bus after a swim in 1958. It appears they are outside Blamey House in Kew. Blamey House was used for camps over summer holidays for many years. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of camps being organised for children.Colour slide photo of a group of boys near a green bus in a cardboard Kodachrome mount.Handwritten on front 'Boys return after a swim' and '1958' in blue pen. Imprinted '15' in black ink. Printed on reverse 'Kodachrome Transparency / Processed by Kodak' with a red outline on edge of slide. Handwritten on reverse is 'SET 2' and '11'.camps, pool, blamey house

This pair of "adjustable" boots came from the 1950's era in which the majority of footwear was either locally manufactured or imported from England or Europe. Quality hard wearing leather was a rural necessity especially for the cattle mustering activity in the Kiewa Valley and the Bogong High Plains region. The late 1900's provided a cheaper made riding boot from Asia, however many rural based riders still prefer an Australian made boot. The better quality (stronger stitching) of Australian boots is the main considerations of "stock horse riders". In 1947 a scientific research project started to provide an impact analysis of any damage to alpine vegetation by cattle grazing in the Alpine regions incorporating the Bogong High Plains area. This monitoring is the longest running ecological study ever undertaken in Australia. From this study, compelling evidence was presented to the Victorian Government to cease cattle grazing in the Alpine regions including the Bogong High Plains. All grazing was banned by the Victorian Government in 2005. Recreational horse riding within the Bogong High Plains is still permitted.These pair of women's riding boots are very significant to the Kiewa Valley as the boots were worn by one of the descendants of a pioneer family living and operating a cattle station before the SEC Hydro Electricity Scheme opened up the semi remote rural location in the 1950's. These boots were worn during the annual six weeks (approx.) mustering of cattle in the Bogong High Plains location (Victorian Alps region). The owner of these boots was Clare Roper, part of the Roper Family who built a "lodging" hut on the "High Plains" for accommodating riders during the periods (up to six weeks) when controlling grazing cattle during the summer muster seasons. It was unusual for women in the early to mid 1900's to go up on the High Plains to join the muster, which Clare Roper often did. These boots have high historical significance and good interpretive capacity.These brown "knee high" lady riding boots, are fastened by long "boot" laces which go from the base of the "fastening" position to a boot height of 22 cm. At the top end of the boot is a leather flap which crosses the front section of the boot and is fastened to the outside leg region by two straps. These provide the wearer with an adjustable tie. The boot has a "tongue" of 22 mm long. The boot has six pairs of metal boot lace "hooks" and eight pairs of boot lace "eyelets".ladies riding boots. cattle mustering footwear. rural footwear. cattlemen. bogong high plains. roper family. horses.

The pulley was used by the Wodonga Waterworks Trust and Sewerage Authority, which were established in 1897, and had the responsibility for providing Wodonga's drinking water and managing the wastewater. In 1923 a Wodonga Waterworks Trust referendum to provide funding for new infrastructure to supply more water of better quality to Wodonga was passed. This included building the Wodonga Water Tower and it was completed in 1924. It supplied water to Wodonga until 1959, when it was drained and decommissioned after the No 1 Basin on Huon Hill was completed in 1958. In 1983 the Wodonga Waterworks Trust and the Wodonga Sewerage Authority became part of the Wodonga Council. And by 1989 a filtration plant at Huon Hill was completed, which provided filtered water of improved quality to Wodonga, in accordance with the World Health Organisation’s guidelines. In 1994 the Kiewa Murray Region Water Authority took over the Wodonga Council’s water and wastewater operations, and then in 1999 the Kiewa Murray Region Water Authority combined with the Ovens Region Water Authority and became the North East Region Water Authority or NERWA. NERWA then became known as North East Water. The pulley has local significance due to its use by the Wodonga Waterworks Trust and Sewerage Authority, and donation from the North East Region Water Authority. It also has wider historical significance as an example of the equipment used in the early management of water in Victoria and Australia.Elongated ellipse-shaped iron pulley, painted black on the flat exterior surfaces. Considerable light brown dirt on the surface and traces of a silver coloured rectangular label on the central raised section on the front. The light brown surface dirt covers nearly the entire back surface. Piece of iron wire attached to the hook at the bottom of the pulley."Backwards R 6" on the central raised section on the back surface.wodonga waterworks trust, wodonga sewerage authority, wodonga water, pulleys, north east region water authority, north east water, n.e. water, nerwa