Beige satin scroll with names of donors printed upon it rests inside a brown wooden box. To view the scroll, turn the handles up or down. List of names represents people who donated to an appeal (date unknown). Box was designed to be mounted on a wall.Wooden box with satin scroll of printed namesRoyal Blind Societyroyal blind society of nsw, fundraising

Round Wedgwood plate commemorating the birth of Prince William in 1982"Royal Birth 1982"commemorative plates

R.A.N Tallyband, black with gold embroideryRoyal Australian Navy

Metal badgeRoyal Australian Engineeers

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of Villa Alba rear slate roof, chimney & chimney potsvilla alba museum, conservation photographs, victorian architecture, slate roofs

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing corner of slate roof with downpipes.villa alba museum, conservation photographs, victorian architecture, etched glass, slate roofs, victorian downpipes

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing profile of bay window and tower.villa alba museum, conservation photographs, victorian architecture, cement render, quoins, bay windows, towers

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Two typed pages headed 'Royal Tour Preview Bendigo Item - Introduction in text'. Corrections to the text written in pencil. The second page is headed 'Royal Tour Progress Report Bendigo ... as a business centre. Speaker: Councillor Norman J. Oliver. The Royal Tour was in 1954.bendigo, council, speech notes, norman joseph oliver , councillor norman oliver. mayor of bendigo. royal tour 1954.

Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Wodonga, High Street West Businesses including Gas company, ESANDA, State Bank of Victoria, Toyworld, Medicare, Black Orchid Gift and Hostess Store, and the Royal Bank. The State Bank of Victoria was taken over by the Commonwealth Bank in 1990. The Medicare service was removed from Wodonga in 2015 and amalgamated with the Albury Service Centre. The Royal Bank (National Mutual Royal Bank) later merged with ANZ. wodonga businesses, high st wodonga, state bank, medicare wodonga, royal bank

Distributed to nurses during campaigning for improved wages and working conditions in the 1980s, possibly during the historic 1986 Victorian 50-day nurses strike. 'Charge Nurse' refers to a Nurse Manager, and is less commonly used in Australia presently (it is still widely used in North America). The badge's message aims to inform the public that highly experienced and skilled nurses are leaving the profession due to inadequate wages and poor working conditions. The Royal Australian Nursing Federation (RANF) became the Australian Nursing Federation in 1989, suggesting that this button is from the late 1980s. Similar to the badges worn in this photo [https://stories.anmfvic.asn.au/86strike/media/2560-1440-landscape-sec2-contentb-hr_logwf7a.jpg] from 1986 (see individual on the far right).Circular white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'I used to be a Charge Nurse' and 'R.A.N.F. [Royal Australian Nursing Federation] Vic. [Victorian] Branch'.nursing, nurses, industrial action, strike action, unionism, trade unions, badges, buttons, pins, campaigning, 1986 victorian nurses strike, labour history, royal australian nursing federation, victoria, australia

The Clarendon Old Collegians Association existed from very early times in the school history and was a singificant controbutor to school socail capacity and infrastructure. The OC's regularly donated funds and purchases to special projects. Sections of the society met in different geographic areas, such as Melbourne or the Wimmera. Three circular enamel brooches featuring outer circle in royal blue with lettering enclosing features of school crest - open book in white with gold border, royal blue lamp with gold flame at base of book and gold star at top of bookLettering around border: CLARENDON OLD COLLEGIANSclarendon-presbyterian-ladies-college, clarendon-old-collegians

Sash was worn at all meetings except where the program made it in impractical.MGC008.1 and MGC008.2 - Harmony Ray royal blue cotton sashes with 1cm white border and one white bar worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section

Sash was worn at all meetings except where the program made it in impractical.MGC007.1 and MGC007.2 Companion Ray royal blue cotton sashes with 1cm white border and three white bars worn in the centre and rosette of royal blue, white and gold. It was worn over the right shoulder and joined at the left side below the waist. methodist girls' comradship rays section

This postcard appears to have been produced so various judges and stewards could reply directly to the Royal Agricultural Society of Victoria to accept their positions at the 1915 Show. The 1915 did not go ahead, as the Showgrounds was offered to the Department of Defence for use in response to the First World War. Although staff operations would move to the Melbourne Showgrounds during the Show, for some time, outside of Showtime, the Royal Agricultural Society of Victoria's offices were in the CBD on Collins Street. Staff operations became permanently housed at the Showgrounds in 1957.[obverse] WAITING for the JUDGE / MELB "ROYAL" SHOW / [reverse] PSOT CARD. / MELBOURNE ROYAL SHWO SERIES. / [table] 1913 Show (compared to) Highest / Previously / Entries ... 9,827 8,536 (1912) / Attendance .. 184,637 167, 390 " / Profit on Show .. £7,432 £6,502 " / Prize Money Awarded £4,586 £3,934 " / [end of table] Date,............1915. / I hereby accept the appointment / of Judge (judge has been struck and replaced with Milk Steward in handwriting) in Section............, in / compliance with the request of your council. / Signed.................... / Full postal address................. / RENWICK, PRIDE, NUTTALL. PRINT, MELBOURNE. / This space for Name and Address / To the Secretary, / The Royal Agricultural Society / of Victoria, / EQUITABLE BUILDING, / MELBOURNE. /horses, horses in action, royal agricultural society of victoria, rasv, melbourne royal show, royal melbourne show, sidesaddle, side saddle, side saddle riding, main arena, 1913 royal melbourne show, 1912 royal melbourne show

Tickets were produced to enable first-class travel from Middle Brighton Railways station to Sandringham and then by Electric Tramway from Sandringham Railway Station to the corner of Bluff Road and Royal Ave. The ticket colours indicated to station staff, Inspectors, and conductors the nature of the ticket and its availability These tickets were purchased by the donor in 1970 long after the tramway had closed and travel classes were abolished on the suburban railways. They were available for use on the replacement bus service. Yields information about the type of ticket that was issued to enable rail/tram travel on the Victorian Railways and their tramways.Set of two Edmondson style card or pasteboard Victorian Railways return tickets for travel between Middle Brighton and Bluff Road and Royal Ave. Both date stamped 15 June 1970. .1 - Adult - 1st class - No. 1365 .2 - Child - 1st class - No. 00143Both date stamped on rear "!5 June 1970"tramways, trams, tickets, victorian railways, sandringham, black rock tramway, bluff road

Peace Time (1971) Navy CommodoreBlack Wool. Royal Australian Navy. Commodore Mess Jacket. Gold Lace Rank to both Lower Sleeves. Gold Buttons (8). Gold Thread Australia to both shoulders. Two Fob Pockets to Front. Black cotton lining. Pocket to left hand inside Australia to both shoulders. Inside left of jacket J.N.Crosthwaite. (John Nevil) C.G.C.F. Which is Commonwealth Clothing Factory. R.A.N. Which is. Royal Australian navy. Made in australia. Gold Circular Rosette 4.5cm dia. Width of Gold Laceing. 4.5cm. Two Jacket buttons Link with metal link. Black cotton lining in side. Lable to Collar C.G.C.F.uniform, royal australian navy, commodore

Medallion was produced by the Royal Australian Mint and given to members who served with Australian Forces or her Allies between 1939 - 1945. This was on the 60th Anniversary of the end of WW2. Given to Tony Cork who was in the Merchant Navy, England 1939-45.1. Gold coloured coin medallion produced by Royal Mint. On one side of the coin is the Commonwealth Coat of Arms with the reverse side symbolising the Navy, Army and AirForce through the depiction of sea, land and air over a stylized map of Australia. 2. Contained in a hard cardboard black box inscribed with gold writing and Commonwealth emblem and medal lays in a felt recess within the box. 1. One side inscribed "World War 2", "60 years""1945 - 2005". and stylized map of Australia. Other side inscribed around Rim "World War 2"and "Service to Australia" with Commonwealth of Australia emblem in centre. 2. Box on top has Commonwealth Emblem and "Australian Govt", "Dept of Veteran Affairs". Inside "60th Ann of WW2".medal, 60th anniversary ww2

This and another photograph (Catalogue 3393) was taken at a gathering of Officers and NCOs of the 2nd Armoured Brigade (RAAC) to meet Prince Philip at Government House, Melbourne during the Royal Visit 1954. The two photographs were framed and hung on the wall of the Headquarter Building at Buna Barracks Albury till 1991 when they were relocated to the Regimental Collection.Rare record of an historic gathering during the Royal Visit to Victoria in1954.Framed black and white photograph of large gathering of soldiers in uniform standing on steps of Government House, Melbourne. The group is the officers of the 2nd Armoured Brigade, Royal Australian Armoured Corps (RAAC). Lieutenant Colonel Tom Fogarty, Commanding Officer 8/13 Victorian Mounted Rifles, is standing on HRH Prince Philip Duke of Edinburgh's right. Signed at lower centre of photograph "Philip 1954"2nd armoured brigade, prince philip duke of edinburgh, fogarty tom lieutenant colonel, martin arch warrent officer class 1, royal visit 1954

Queen Victoria was born at Kensington Palace, London, on 24 May 1819. She was the only daughter of Edward, Duke of Kent, the fourth son of George III. Her father died shortly after her birth and she became heir to the throne because the three uncles who were ahead of her in the succession - George IV, Frederick Duke of York, and William IV - had no legitimate children who survived. Warmhearted and lively, Victoria had a gift for drawing and painting; educated by a governess at home, she was a natural diarist and kept a regular journal throughout her life. On William IV's death in 1837, she became Queen at the age of 18. Queen Victoria is associated with Britain's great age of industrial expansion, economic progress and, especially, empire. At her death, it was said, Britain had a worldwide empire on which the sun never set. In the early part of her reign, she was influenced by two men: her first Prime Minister, Lord Melbourne, and then her husband, Prince Albert, whom she married in 1840. Both men taught her much about how to be a ruler in a 'constitutional monarchy, in which the monarch had very few powers but could use much influence. Albert took an active interest in the arts, science, trade and industry; the project for which he is best remembered was the Great Exhibition of 1851, the profits from which helped to establish the South Kensington museums complex in London. Her marriage to Prince Albert produced nine children between 1840 and 1857. Most of her children married into other Royal families in Europe. Edward VII (born 1841), married Alexandra, daughter of Christian IX of Denmark. Alfred, Duke of Edinburgh and of Saxe-Coburg and Gotha (born 1844) married Marie of Russia. Arthur, Duke of Connaught (born 1850) married Louise Margaret of Prussia. Leopold, Duke of Albany (born 1853) married Helen of Waldeck-Pyrmont. Victoria, Princess Royal (born 1840) married Friedrich III, German Emperor. Alice (born 1843) married Ludwig IV, Grand Duke of Hesse and by Rhine. Helena (born 1846) married Christian of Schleswig-Holstein. Louise (born 1848) married John Campbell, 9th Duke of Argyll. Beatrice (born 1857) married Henry of Battenberg. Victoria bought Osborne House (later presented to the nation by Edward VII) on the Isle of Wight as a family home in 1845, and Albert bought Balmoral in 1852. Victoria was deeply attached to her husband and she sank into depression after he died, aged 42, in 1861. She had lost a devoted husband and her principal trusted adviser in affairs of state. For the rest of her reign she wore black. Until the late 1860s she rarely appeared in public; although she never neglected her official Correspondence, and continued to give audiences to her ministers and official visitors, she was reluctant to resume a full public life. She was persuaded to open Parliament in person in 1866 and 1867, but she was widely criticised for living in seclusion and quite a strong republican movement developed. Seven attempts were made on Victoria's life, between 1840 and 1882 - her courageous attitude towards these attacks greatly strengthened her popularity. With time, the private urgings of her family and the flattering attention of Benjamin Disraeli, Prime Minister in 1868 and from 1874 to 1880, the Queen gradually resumed her public duties. In foreign policy, the Queen's influence during the middle years of her reign was generally used to support peace and reconciliation. In 1864, Victoria pressed her ministers not to intervene in the Prussia-Denmark war, and her letter to the German Emperor (whose son had married her daughter) in 1875 helped to avert a second Franco-German war. On the Eastern Question in the 1870s - the issue of Britain's policy towards the declining Turkish Empire in Europe - Victoria (unlike Gladstone) believed that Britain, while pressing for necessary reforms, ought to uphold Turkish hegemony as a bulwark of stability against Russia, and maintain bi-partisanship at a time when Britain could be involved in war. Victoria's popularity grew with the increasing imperial sentiment from the 1870s onwards. After the Indian Mutiny of 1857, the government of India was transferred from the East India Company to the Crown, with the position of Governor-General upgraded to Viceroy, and in 1877 Victoria became Empress of India under the Royal Titles Act passed by Disraeli's government. During Victoria's long reign, direct political power moved away from the sovereign. A series of Acts broadened the social and economic base of the electorate. These acts included the Second Reform Act of 1867; the introduction of the secret ballot in 1872, which made it impossible to pressurise voters by bribery or intimidation; and the Representation of the Peoples Act of 1884 - all householders and lodgers in accommodation worth at least £10 a year, and occupiers of land worth £10 a year, were entitled to vote. Despite this decline in the Sovereign's power, Victoria showed that a monarch who had a high level of prestige and who was prepared to master the details of political life could exert an important influence. This was demonstrated by her mediation between the Commons and the Lords, during the acrimonious passing of the Irish Church Disestablishment Act of 1869 and the 1884 Reform Act. It was during Victoria's reign that the modern idea of the constitutional monarch, whose role was to remain above political parties, began to evolve. But Victoria herself was not always non-partisan and she took the opportunity to give her opinions, sometimes very forcefully, in private. After the Second Reform Act of 1867, and the growth of the two-party (Liberal and Conservative) system, the Queen's room for manoeuvre decreased. Her freedom to choose which individual should occupy the premiership was increasingly restricted. In 1880, she tried, unsuccessfully, to stop William Gladstone - whom she disliked as much as she admired Disraeli and whose policies she distrusted - from becoming Prime Minister. She much preferred the Marquess of Hartington, another statesman from the Liberal party which had just won the general election. She did not get her way. She was a very strong supporter of the Empire, which brought her closer both to Disraeli and to the Marquess of Salisbury, her last Prime Minister. Although conservative in some respects - like many at the time she opposed giving women the vote - on social issues, she tended to favour measures to improve the lot of the poor, such as the Royal Commission on housing. She also supported many charities involved in education, hospitals and other areas. Victoria and her family travelled and were seen on an unprecedented scale, thanks to transport improvements and other technical changes such as the spread of newspapers and the invention of photography. Victoria was the first reigning monarch to use trains - she made her first train journey in 1842. In her later years, she became the symbol of the British Empire. Both the Golden (1887) and the Diamond (1897) Jubilees, held to celebrate the 50th and 60th anniversaries of the Queen's accession, were marked with great displays and public ceremonies. On both occasions, Colonial Conferences attended by the Prime Ministers of the self-governing colonies were held. Despite her advanced age, Victoria continued her duties to the end - including an official visit to Dublin in 1900. The Boer War in South Africa overshadowed the end of her reign. As in the Crimean War nearly half a century earlier, Victoria reviewed her troops and visited hospitals; she remained undaunted by British reverses during the campaign: 'We are not interested in the possibilities of defeat; they do not exist.' Victoria died at Osborne House on the Isle of Wight, on 22 January 1901 after a reign which lasted almost 64 years, then the longest in British history. Her son, Edward VII succeeded her. She was buried at Windsor beside Prince Albert, in the Frogmore Royal Mausoleum, which she had built for their final resting place. Above the Mausoleum door are inscribed Victoria's words: "Farewell best beloved, here, at last, I shall rest with thee, with thee in Christ I shall rise again." Source: https://www.royal.uk/queen-victoria This picture captures Queen Victoria in her later years. It may well have been painted to commemorate her Golden Anniversary in 1887, or her Diamond Anniversary in 1897.Picture, print, reproduction of a drawing or photograph of Queen Victoria. She is wearing a dark-coloured dress, white headdress and a diamond necklace and earrings. On her left shoulder is the Royal Order of Victoria and Albert, awarded to female members of the British Royal Family and female courtiers. There are four grades or classes of this Royal Order as well as the Sovereign's Badge, which is exclusive to her. Also across her left shoulder, is a blue riband representing the Order of the Garter. The picture is in a medium-coloured timber frame with a white string across the width at the rear. The label says it was framed by Hoy Art, Warrnambool. The signature of the Queen is on the picture but is not obvious since the picture has been re-framed."HOY ART / PICTURE FRAMING / 48 Kepler St, Warrnambool 3280 / Phone (055) 62 8022" Signature (hidden by new framing) "Victoria H.R.S."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, picture of queen victoria, queen victoria, the royal order of victoria and albert, the order of the garter, hoy art

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing exterior wall including fire escape.villa alba museum, conservation photographs, victorian architecture, cement render, fire escapes

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior walls of Villa Alba with added building, later demolished, at left.villa alba museum, conservation photographs, victorian architecture, cement render

The Australian Army Provost Corps,was formed on the 3rd April 1916.It is responsible for battle traffic control, security duties, prisoner of war handling,the investigation of service offences,maintaining discipline and the running of military prisions. The red beret is a military beret worn by many Military police,para military,commando, and police forces.Red Beret with black grosgrain binding with the Royal Australian Corps of Military Police Badge at the front.29936 W02 RICH. BERET MNFRS.PTY.LTD.VICTORIA 1976 DSN 8406 66-089-5429 SIZE59.military police beret,berets,hats,lara r.s.l.

Australia in the War 1939-1945. Series 2 NAVY Volume 1Australia in the War of 1939-1945 - Royal Australian Navy 1939-1942 Maps, Photographs and IllustrationsInside front page has a handwritten letter on personal paper from George Herman Gill to Oscar Esther - June 1958. Inscription - Presented to Lara Sub Branch RSSAILA Lara, Vic by Squadron Leader O.A. Mendelssohn an old friend and admirer of the author, commander G.H. Gill OBE June 1958. Australian War Memorialnavy, ran ships overseas to june 1940, ran ships overseas june-december 1040, western desert campaign, greece, crete, the middle east, mediterranean to end of 1941, south-west pacific, abda and anzac

Australia in the War of 1939-1945 Series 2 NAVY Volume 2Official Historic Record Series Australia in the War of 1939-1945 - Royal Australian Navy 1942-1945 Maps, Photographs, Illustrationswwii, navy, coral sea, guadalcanal, south west pacific, krait, strategy for victory, submarine swansong, wrans, tarakan, soloman islands, new guinea, largest amphibious attack - balikpapan, mindsweepers, coast watchers, hmas hobart, hmas vampire, hmas nestor, hmas canberra, hmas ballarat, hmas bendigo, hmas shropshire, hmas gasgoyne, hmas nizam, hmas arunta

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Miss Heather West in Air League uniform taken in 1954 during Royal Visit.local history, photography, miss heather west, black & white photograph, air league, phillip island, john jenner, bryant west