A Chicago Sports Equipment Co. 'Pickwick' tennis racquet, with 'Indestructo' plastic shoulder reinforcements and collar, and a fine-grooved octagonal handle. Model name across throat on obverse; manufacturer's name and trademark across throat on reverse. Materials: Wood, Lacquer, Metal, Glue, Gut, Leather, String, Cloth, Ink, Plastictennis

A wooden racquet, with a slotted, fishtail handle. Inscription along neck and stem of obverse: VENUS. Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Metaltennis

A wooden, slotted handle racquet. Inscription along neck of obverse: UNIVERSITY. Inscription across neck of reverse: HARRY C. LEE & CO/NEW YORK. Inscriptions featuring manufacturing and patent details situated along the sides of the stem. Materials: Wood, Glue, Lacquer, Ink, String, Gut, Leather, Paint, Metaltennis

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Shrimp and fish were often preserved by drying them and stringing them together with straw. The age-old technique is also used for other foods, including fish, peppers, and giant white radishes known as daikon. The shrimp here are likely to be from Kagoshima, the southernmost prefecture of Kyushu. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

A wooden racquet featuring the decal inscription, along the throat on the obverse: WHIZ. Throat on reverse features red, gold and black decal of company logo, with the inscription 'CHAMPIONSHIP' across a ribbon situated in front of a tennis trophy, within a quartered shield. Materials: Wood, Gut, String, Leather, Metal, Ink, Glue, Lacquertennis

A wooden racquet featuring the decal inscription, along the throat on the obverse: WHIZ. Throat on reverse features red, gold and black decal of company logo, with the inscription 'CHAMPIONSHIP' across a ribbon situated in front of a tennis trophy, within a quartered shield. Materials: Wood, Gut, String, Leather, Metal, Ink, Glue, Lacquertennis

A wooden racquet with a convex throat, red whipping, and grooved handle. Inscription across the throat and along the stem of the obverse: DOUBLE/MAIN/5/G.G.B.&CO.LONDON. Butt cover features inscription:WHEN NOT IN USE/KEEP IN PRESS. The initials SB are scratched into the throat on obverse. Materials: Wood, Gut, Metal, Glue, Lacquer, Stringtennis

A wooden racquet featuring a decal image on both sides of the throat, of a gold shield featuring the Olympic symbol in the centre. Inscription from head to stem, on both sides: OLYMPIC/FIBRE/WELDED/THROAT/SLAZENGER. Materials: Wood, Nylon, Metal, Glue, Lacquer, Leather, Ink, Ribbon, Adhesive tape, Paint, Stringtennis

A wooden, open throat racquet. with orange and red whipping, and perforated leather handle grip. Decal inscription across base of head, on obverse: ELEANOR TENNANT. Decal inscription across base of head on reverse: WILSON. Materials: Wood, Gut, Metal, Ink, Lacquer, Glue, String, Leather, Adhesive tape, Painttennis

A wooden tennis racquet with plastic ribbon whipping around shoulders and shaft, and a short, fine grooved handle. Decal on throat is Cortland Tennis Racquets logo within red triangle device crowned by gold wing device. Materials: Wood, Gut, Plastic, Leather, Cloth, Ink, String, Glue, Lacquer, Metaltennis

A Dura-Fiber XT tennis racquet, featuring black frame with open throat, handle grip wrapped in leather and plastic butt cap printed with manufacturer's logo. Vinyl strings with clips at string intersections in sweet spot area. Materials: Wood, Metal, Fibre, Leather, Adhesive tape, Vinyl, Plastic, Inktennis

A wooden racquet, with purple plastic shoulder reinforcements, green and white whipping, and fine-grooved handle. Inscription along throat on obverse: CHAMPION. Inscription across throat on reverse: DAVEGA/SPORTS/DIVISION OF ATLAS STORES CORP. OF AMERICA. Materials: Wood, Gut, String, Plastic, Ink, Cloth, Glue, Lacquer, Metaltennis

A collection of nine identical Spalding 'Viscount' tennis racquets, with: original gut netting, and black support strings; black with gold, perforated leather handle grips; and ribbon whipping around shoulders and shafts. Materials: Wood, Gut, Adhesive tape, Leather, String, Paint, Ink, Ribbon, Vinyl, Lacquer, Glue, Metaltennis

A vellum battledore or paddle, wood framed with lacquered wood handle. Leather with scalloped edging around head and tan leather collar tacked around throat. Paper Sotheby's labelled attached to handle stating: (Lot) '246' and '18 July 2001'. Materials: Wood, Metal, Lacquer, Leather, Paper, Vellum, Stringtennis

From Heritage Victoria: The Women's Christian Temperance Union (WCTU) was an international first-wave feminist organisation. The Melbourne branch was formed in 1887 and became the biggest and most influential women's organisation in Victoria. The WCTU introduced large numbers of Victorian women to political activity. The Union linked temperance and women's suffrage to achieve a variety of social reforms to improve women’s lives. Possible belonged to Florence Dellar of Henty Street, PortlandBanner for the Women's Christian Temperance Union. Navy cotton backing. Pale blue cotton front. Hand painted. White cord on edges. White fringe on bottom. Person holding flag and cross in centre. Paint - blue, white, black, gold. Wooden slat on top - nailed. String hanger with white tassels.Front: WCTU. For God, For Home, For Native Land. Portland League of Hope. Tremble King of Alcohol, We Shall Grow Up.wctu, womens christian temperance union, feminism, feminist

The card relates to George Frederick Pierce DCM. Refer Cat No 4136P for his AIF service, award and death. Part of the collection of William (Bill) Thomason, refer Cat No 4136P.Four page folding card, B & W, front cover has a peak hat, crossed rifles over a wreath, inside a short poem headed “He hath fought the good fight”. Next page is a brief sympathy note, under is hand written in ink. A black string holds the pages together.Front cover has, “AIF in Remembrance”, inside in ink from “Pte & Mrs J ........... & family, 12 ...........St Bendigo”.sympathy, military, cards

Peter Ball collection, refer Cat No 4704Rain coat camouflaged colours green & black, buttons on front, around base has a cord pull string, large green sewn in label with makers instructions & space for name, rank, has internal pocket to fold the raincoat into for easy carrying as per photo, two green nylon straps for attaching to equipment.On the label, “M Class 8416 - 66 - 021 - 5442” On label in texta, “3796117 BALL PC”camouflage, rain coats, clothing

A Cortland American Driver tennis racquet, with string whipping on shoulders, and leather handle grip with quatrefoil perforations. Base of head on reverse features Courtland logo, and on obverse, the model name. Throat features decal of Courtland trademark, featuring stylised image of male playing tennis within a red triangle device. Shaft on obverse features a newer trademark with similar figural motif, but with a tennis ball in background instead of a triangle. Shaft on reverse features head illustration and signature reproduction of Joe Whalen. Cortland "Radio-Frequency/Resin Bonded" and "Smoke-Tone" decals feature on crown and shaft. 'C' trademark features on butt cover. Materials: Wood, Nylon, Plastic, Leather, Cloth, Ink, String, Glue, Lacquer, Metal, Painttennis

This police baton or truncheon is typical of the ones used by police in Australia perhaps late in the 19th century or early in the 20th century. No information has yet been found as to the identity of the owner or the significance of the letters, ‘A P 1304’. There are several possibilities as the collection of the old Warrnambool Museum which operated from the 1870s to the 1960s included several police batons. The owner of this baton is not known but is retained pending further research.This is a wooden police baton. The rounded body is tapered towards the top and it has an incised ridge near the top and a knob on the top to form a handle. The ridge at the top may be for holding a string or rope to carry the baton on the wrist. The wood has been varnished but it is now much worn and discoloured. The letters have been etched into the surface.‘A P 1304’ history of warrnambool, police in warrnambool, police baton, police baton ap 1304

This bottle was used in the Tawonga District General Hospital which was built in the 1950's specifically for the increase in population due to the Kiewa Hydro Scheme.Clear glass bottle with glass stopper that has string around it and the bottle so remaining attached when taken out. The fitted part of the stopper is opaque as is that part of the neck into which it fits. The neck is short. Base is embossed. Used for anaesthetic possibly ether. It may have had a special cork with dripper on it to drop on the mask.Base: 'L 75 / M / Common Seal'anaesthetic bottle, medical, hospital

This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen

1 x extension strap marked M.W.85 Ltd 1942 found in bottom of pack This is part of Anderson uniforn collection including pants, jacket, shirt, tie, side cap, and small pack.A large pack, model 1908 made of woven cotton webbing, with 2 inner closing flaps with grommets for closing with string. The outer flap has two web straps with brass ends secures by two grommets. Two removable shoulder straps (not matching) two fixed brass C clips for securing extention straps.156725, LAC Anderson, T.A.J. RAAF Terence Aloysius Josephraaf, ww11, patern, 1908, large, pack

The Schweizer SGS 2-12 or TG-3A as officially certificated is a glider that was designed in 1941-1942 and produced in United States of America from 1942 for training of military glider pilots. It is understood that over 100 TG-As were supplied to the USA military and at the end of the war many were sold off as surplus. Fred Hoinville imported the Museum’s TG-3A into Australia in August 1950. It is understood that it had been built in 1948 and given construction number G15. On arrival in Australia it was assembled at Bankstown aerodrome and delivered by aero-tow behind a DH Tiger Moth to Camden where Hoinville’s club, the Hinkler Soaring Club, was based. Hoinville’s TG-3A performed well at the Hinkler club in 1950-1951. Several altitude records (including a solo flight to 8000 feet by Grace Roberts – a national women’s record) were set and many soaring flight made over Camden. However, it was badly damaged in a crash landing on 15 April 1951. The glider was repaired after the crash at Camden. It is likely that modifications were made to the cockpit canopy at this time. There were three configuration tried at various times: the original dual cockpit canopy as was standard for TG3As; an unusual dual bubble canopy set up; and a single canopy over the forward seating position (in effect converting the glider to a single seater). When the glider was flown by Hoinville at the 1958 Australian Gliding Championships at Benalla, Victoria in January 1959 (refer The Age Newspaper, January 10, 1959 p.21) it had a single canopy. Records show that the glider was entered on the Australian register as VH-GDI on 6 May 1957. And the Logbook commencing in 1959 shows that ownership passed to the Port Augusta Gliding Club in South Australia on 16 August 1959. Inspections were carried out at that club and airworthiness certificates renewed in 1965. The logbook record indicates that VH-GDI had 1191 flights with an aggregate time in the air of 197 hours at the Wilmington Road Airstrip used by the Port Augusta Club. The glider was transferred to the Cooma Gliding Club, New South Wales. Flying at Cooma began in November 1966 and continued until August 1969: the glider was in the air a further 108 hours from 1067 flights. The last recorded technical inspection of the glider was conducted on 28 September 1968. The glider then passed on to Bill Riley on 20 March 1980 who stored the glider until March 2004 when it was collected by the Australian Gliding Museum. It is not clear whether the current poor state of the airframe is due to accident damage or the conditions under which it has been stored over many years or a combination of factors. Although in poor condition, this exhibit is the sole example of a TG3A ex-US military aircraft in Australia. Further the connection with the story of well-known power and glider pilot Fred Hoinville adds to its historical significance. Tubular metal framed fuselage (without covering and fittings), wooden rudder (no covering) and in damaged condition, wooden fuselage component (formers for fuselage top), Parts of control mechanism, Wooden stringers, Wooden wings without fabric covering and in damaged condition, Ailerons, Tailplane /Elevator without fabric covering, Perspex bubble canopies.australian gliding, glider, sailplane, schweizer, tg 3a, hoinville, roberts, hinkler soaring club, port augusta gliding club, cooma gliding club, riley

Document: McColl, Rankin & Stanistreet Collection: Central Deborah Gold Mine NL - bank statements of Central Deborah Gold Mining Co. NL with ANZ Bank. Brown paper wrapper tied up with brown string contains bank statements. Handwritten summary prepared by Chris Bradley ( 2009 ) inserted in front of archive.organization, business, central deborah gold mine, mccoll, rankin & stanistreet collection: central deborah gold mine nl. bank statements, accounts

A wooden racquet with a convex throat, and grooved octagonal handle. Butt cap seems to be tarred cloth. Decal inscription across crown of head,and throat of obverse: BELLEMERE/PENNANT. Company logo is a pennant, in front of crossed racquets, and supported by two balls. Materials: Wood, Gut, Glue, Lacquer, Ink, Metal, Cloth, Stringtennis

A Dayton tennis racquet, with a steel head, and small, open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Wooden section repainted red, with a synthetic handle grip wrapped around the lower handle. Materials: Wood, Metal, Glue, Lacquer, String, Paint, Synthetic materialtennis

Yields information about the stringing of the overhead for various temperatures and span - would have been used in the field.Duplicate copy - Memo from Electrical Engineer to General Superintendent, dated 26/3/1939, giving "Electric Railway" stringing tables for 3/0 grooved wire on 40 and 80 for spans, against given temperatures. Has initials ET/MB/LH in bottom left hand corner. Copy to Electrical Superintendent.trams, tramways, overhead, trolley wire

Object. Round Art Deco Chocolate Box. Pink Roses & Garden Leaves Around Sides & 1920s Girl In Centre of Top. Girl has bobbed hair, yellow sleeveless & backless dress with long string of pearls cascading down her back. She also has a pearl bracelet above her elbow.MacRobertson's Box Factory.domestic equipment, containers, chocolate box

An oval, wooden racquet with a laminated concave throat. Decal of company trademark features on throat of obverse. Within a football device is the inscription: TRADE MARK/SCHMELZER'S/KANSAS CITY/SPORTING GOODS. Stamped inscription along right side of stem: THE/SCHMELZER COMPANY. Materials: Wood, Gut, Metal, Ink, Glue, Lacquer, Stringtennis

A Wilson Famous Player Series, Alice Marble Finalist tennis racquet. Base of head features Wilson logo. Shaft features decal head and neck illustration of Marble. Butt cover features 'W' trademark. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Paint, Ribbontennis