From Heritage Victoria: The Women's Christian Temperance Union (WCTU) was an international first-wave feminist organisation. The Melbourne branch was formed in 1887 and became the biggest and most influential women's organisation in Victoria. The WCTU introduced large numbers of Victorian women to political activity. The Union linked temperance and women's suffrage to achieve a variety of social reforms to improve women’s lives. Possible belonged to Florence Dellar of Henty Street, PortlandBanner for the Women's Christian Temperance Union. Navy cotton backing. Pale blue cotton front. Hand painted. White cord on edges. White fringe on bottom. Person holding flag and cross in centre. Paint - blue, white, black, gold. Wooden slat on top - nailed. String hanger with white tassels.Front: WCTU. For God, For Home, For Native Land. Portland League of Hope. Tremble King of Alcohol, We Shall Grow Up.wctu, womens christian temperance union, feminism, feminist

A Cortland American Driver tennis racquet, with string whipping on shoulders, and leather handle grip with quatrefoil perforations. Base of head on reverse features Courtland logo, and on obverse, the model name. Throat features decal of Courtland trademark, featuring stylised image of male playing tennis within a red triangle device. Shaft on obverse features a newer trademark with similar figural motif, but with a tennis ball in background instead of a triangle. Shaft on reverse features head illustration and signature reproduction of Joe Whalen. Cortland "Radio-Frequency/Resin Bonded" and "Smoke-Tone" decals feature on crown and shaft. 'C' trademark features on butt cover. Materials: Wood, Nylon, Plastic, Leather, Cloth, Ink, String, Glue, Lacquer, Metal, Painttennis

This police baton or truncheon is typical of the ones used by police in Australia perhaps late in the 19th century or early in the 20th century. No information has yet been found as to the identity of the owner or the significance of the letters, ‘A P 1304’. There are several possibilities as the collection of the old Warrnambool Museum which operated from the 1870s to the 1960s included several police batons. The owner of this baton is not known but is retained pending further research.This is a wooden police baton. The rounded body is tapered towards the top and it has an incised ridge near the top and a knob on the top to form a handle. The ridge at the top may be for holding a string or rope to carry the baton on the wrist. The wood has been varnished but it is now much worn and discoloured. The letters have been etched into the surface.‘A P 1304’ history of warrnambool, police in warrnambool, police baton, police baton ap 1304

This bottle was used in the Tawonga District General Hospital which was built in the 1950's specifically for the increase in population due to the Kiewa Hydro Scheme.Clear glass bottle with glass stopper that has string around it and the bottle so remaining attached when taken out. The fitted part of the stopper is opaque as is that part of the neck into which it fits. The neck is short. Base is embossed. Used for anaesthetic possibly ether. It may have had a special cork with dripper on it to drop on the mask.Base: 'L 75 / M / Common Seal'anaesthetic bottle, medical, hospital

This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen

1 x extension strap marked M.W.85 Ltd 1942 found in bottom of pack This is part of Anderson uniforn collection including pants, jacket, shirt, tie, side cap, and small pack.A large pack, model 1908 made of woven cotton webbing, with 2 inner closing flaps with grommets for closing with string. The outer flap has two web straps with brass ends secures by two grommets. Two removable shoulder straps (not matching) two fixed brass C clips for securing extention straps.156725, LAC Anderson, T.A.J. RAAF Terence Aloysius Josephraaf, ww11, patern, 1908, large, pack

The Schweizer SGS 2-12 or TG-3A as officially certificated is a glider that was designed in 1941-1942 and produced in United States of America from 1942 for training of military glider pilots. It is understood that over 100 TG-As were supplied to the USA military and at the end of the war many were sold off as surplus. Fred Hoinville imported the Museum’s TG-3A into Australia in August 1950. It is understood that it had been built in 1948 and given construction number G15. On arrival in Australia it was assembled at Bankstown aerodrome and delivered by aero-tow behind a DH Tiger Moth to Camden where Hoinville’s club, the Hinkler Soaring Club, was based. Hoinville’s TG-3A performed well at the Hinkler club in 1950-1951. Several altitude records (including a solo flight to 8000 feet by Grace Roberts – a national women’s record) were set and many soaring flight made over Camden. However, it was badly damaged in a crash landing on 15 April 1951. The glider was repaired after the crash at Camden. It is likely that modifications were made to the cockpit canopy at this time. There were three configuration tried at various times: the original dual cockpit canopy as was standard for TG3As; an unusual dual bubble canopy set up; and a single canopy over the forward seating position (in effect converting the glider to a single seater). When the glider was flown by Hoinville at the 1958 Australian Gliding Championships at Benalla, Victoria in January 1959 (refer The Age Newspaper, January 10, 1959 p.21) it had a single canopy. Records show that the glider was entered on the Australian register as VH-GDI on 6 May 1957. And the Logbook commencing in 1959 shows that ownership passed to the Port Augusta Gliding Club in South Australia on 16 August 1959. Inspections were carried out at that club and airworthiness certificates renewed in 1965. The logbook record indicates that VH-GDI had 1191 flights with an aggregate time in the air of 197 hours at the Wilmington Road Airstrip used by the Port Augusta Club. The glider was transferred to the Cooma Gliding Club, New South Wales. Flying at Cooma began in November 1966 and continued until August 1969: the glider was in the air a further 108 hours from 1067 flights. The last recorded technical inspection of the glider was conducted on 28 September 1968. The glider then passed on to Bill Riley on 20 March 1980 who stored the glider until March 2004 when it was collected by the Australian Gliding Museum. It is not clear whether the current poor state of the airframe is due to accident damage or the conditions under which it has been stored over many years or a combination of factors. Although in poor condition, this exhibit is the sole example of a TG3A ex-US military aircraft in Australia. Further the connection with the story of well-known power and glider pilot Fred Hoinville adds to its historical significance. Tubular metal framed fuselage (without covering and fittings), wooden rudder (no covering) and in damaged condition, wooden fuselage component (formers for fuselage top), Parts of control mechanism, Wooden stringers, Wooden wings without fabric covering and in damaged condition, Ailerons, Tailplane /Elevator without fabric covering, Perspex bubble canopies.australian gliding, glider, sailplane, schweizer, tg 3a, hoinville, roberts, hinkler soaring club, port augusta gliding club, cooma gliding club, riley

Document: McColl, Rankin & Stanistreet Collection: Central Deborah Gold Mine NL - bank statements of Central Deborah Gold Mining Co. NL with ANZ Bank. Brown paper wrapper tied up with brown string contains bank statements. Handwritten summary prepared by Chris Bradley ( 2009 ) inserted in front of archive.organization, business, central deborah gold mine, mccoll, rankin & stanistreet collection: central deborah gold mine nl. bank statements, accounts

A wooden racquet with a convex throat, and grooved octagonal handle. Butt cap seems to be tarred cloth. Decal inscription across crown of head,and throat of obverse: BELLEMERE/PENNANT. Company logo is a pennant, in front of crossed racquets, and supported by two balls. Materials: Wood, Gut, Glue, Lacquer, Ink, Metal, Cloth, Stringtennis

A Dayton tennis racquet, with a steel head, and small, open throat, and, wooden shaft and deep-grooved handle. Racquet strings made from piano wire. Wooden section repainted red, with a synthetic handle grip wrapped around the lower handle. Materials: Wood, Metal, Glue, Lacquer, String, Paint, Synthetic materialtennis

Yields information about the stringing of the overhead for various temperatures and span - would have been used in the field.Duplicate copy - Memo from Electrical Engineer to General Superintendent, dated 26/3/1939, giving "Electric Railway" stringing tables for 3/0 grooved wire on 40 and 80 for spans, against given temperatures. Has initials ET/MB/LH in bottom left hand corner. Copy to Electrical Superintendent.trams, tramways, overhead, trolley wire

Object. Round Art Deco Chocolate Box. Pink Roses & Garden Leaves Around Sides & 1920s Girl In Centre of Top. Girl has bobbed hair, yellow sleeveless & backless dress with long string of pearls cascading down her back. She also has a pearl bracelet above her elbow.MacRobertson's Box Factory.domestic equipment, containers, chocolate box

An oval, wooden racquet with a laminated concave throat. Decal of company trademark features on throat of obverse. Within a football device is the inscription: TRADE MARK/SCHMELZER'S/KANSAS CITY/SPORTING GOODS. Stamped inscription along right side of stem: THE/SCHMELZER COMPANY. Materials: Wood, Gut, Metal, Ink, Glue, Lacquer, Stringtennis

A Wilson Famous Player Series, Alice Marble Finalist tennis racquet. Base of head features Wilson logo. Shaft features decal head and neck illustration of Marble. Butt cover features 'W' trademark. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, String, Paint, Ribbontennis

A Wilson Jimmy Connors Champion tennis racquet. Base of head features Wilson logo. Shaft features model name. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features X-formation perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, String, Plastictennis

A Wilson Jimmy Connors Victory tennis racquet. Base of head features Wilson logo. Shaft features model name. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features X-formation perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, String, Plastictennis

A Wilson Jimmy Connors Victory tennis racquet. Base of head features Wilson logo. Shaft features model name. Lower shaft and butt cap feature 'W' trademark. Leather handle grip features X-formation perforations. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, String, Plastictennis

A Regent Hawk New Model tennis racquet. Regent logo features across the base of the head. Model name, with a linear image of a swooping hawk feature on the throat. Inscription along shaft: TOURNAMENT FULL OVERLAY. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Ink, Paint, Leather, Adhesive tape, Plastictennis

A Regent Hawk New Model tennis racquet. Regent logo features across the base of the head. Model name, with a linear image of a swooping hawk feature on the throat. Inscription along shaft: TOURNAMENT FULL OVERLAY. Materials: Wood, Nylon, String, Glue, Lacquer, Metal, Ink, Paint, Leather, Adhesive tape, Plastictennis

A travelling case featuring curved metal panels across the base, creating compartments to house tennis balls and at least two racquets. Three cloth straps feature along the underside of the lid, probably also used to house racquets, or other equipment. Materials: Metal, Cardboard, Wood, Plastic, Cloth, Paper, Leather, Stringtennis

Commemorative limited edition (5/30) collage from 'The Kooyong Collection', featuring digital print reproduction of photograph of doubles team Brookes/ Wilding playing against Alexander/Wright at 1908 Australian Championships. Certificate of authenticity adhered to back of frame. Materials: Paper, Ink, Wood, Glass, String, Adhesive label, Cardboardtennis

Initially listed as T J Connelly's Tin shop, this premises on the corner of High and Forest Street, expanded to include all items of ironmongery. By 1878 they were advertising gas stoves for sale and installation.The item is alphabetical customer list of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page lists the customer name and order number. Note: corresponding orders are not in this book. The book does not have a date reference in it. The book has a flexible cardboard cover and the pages are bound together with string. This item is part of the Margaret Roberts Collection.There is a black mark at the bottom right-hand side of the front cover. There are some grey lead notes on the inside front cover. There are two mirrored ink marks on the back inside cover and last page.margaret roberts collection, ironmongers, forest street, bendigo businesses

Tin Hat Day was started in 1922, following WW1, as a fundraiser for the RSL. Money raised was for returned servicemen who were doing it tough following the war and during the Great Depression.Tin Hat Day Collector's Permit: Cream Oval label with blue cotton string through a hole for attaching.. In blue print * Returned Soldiers League War Service Fund (Affiliated with the A.C.F.) Tin Hat Day. Sept. 6th 1940 Collector's Permit. Thorold Fink, Chairman 1940 No. 992. Box 625military, world war 2, returned soldiers league, tin hat day. thorold fink.

Stem pessaries were instruments used for rectifying uterine displacement, either ante or retroversion. The pessary consisted of a stem and bulb or ball. The stem was introduced into the vagina, and the bulb rested against the cervix/uteri. An external wire frame could be attached to the bulb. The wire frame would be positioned to press on the pubis, thus keeping the pessary in position in utero. Although this pessary has been recorded as Peaslee's it is very similar in appearance to Thomas's galvanic stem pessaries. Stem pessaries were used in rectifying uterine displacement, either acute or retroversion. A pink tag was attached by string to one of the stems inscribed "Peaslee's/ Uterine/ Stem " "...?TID" on other side.Two Peaslee's intrauterine stem pessaries. Copper single stem pessaries with rounded top, stamped with the number seven on the top.intrauterine device, pessary

This traditional wagga blanket was made by Mrs Eileen Pattle between 1942 and 1950. The wagga was used as everyday bedding, as Eileen and her husband had very few possessions. They boarded with a man who they called “Old Harry” in Footscray. Old Harry had recently lost his wife and looked after the young couple well. They could stay with him and use his house as their own, and all that Old Harry asked for in return was for Eileen to cook him one good meal a day. The blanket was given to Mrs Beverley (Bev) Maguire, the daughter of Eileen, when she and her husband went camping one winter. Her husband was a “mad” fisherman and on one trip on which Bev joined him, her father offered the couple his old tent, that had a wall missing, and the wagga. The wagga was much appreciated as when the couple woke in the countryside, it was freezing, and they could see snow through the missing tent wall. From then on, the tent and the wagga were theirs. The wagga saw many more camping trips until the arrival of Bev’s “lovely new lightweight and down filled sleeping bag”. The wagga was made with a “make do, waste not, want not” attitude. The wagga started as an army issued blanket. The front layer has clothing and panels of mismatched material which has been added to over time. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. Bev said she would love to unpick the quilt to see what else is hiding inside but has resisted the urge to do so. All these layers have made the blanket incredibly warm, and heavy. The wagga has been within Bev’s family since creation and comes into the National Wool Museum Collection after serving the family well. It was used to keep everyone warm when not camping over many a winter’s night. Beverley is now getting on in years and donated the Wagga to the National Wool Museum in 2021. Her family referred to the wagga as a “collection of rags”, indicating to her that they did not wish to inherit the blanket. The wagga started as an army issue blanket. It has been made by stitching the khaki army blanket onto a hessian rear. The front layer has clothing and panels of mismatched material. This includes an overcoat, two knitted garments, a panel from a skirt, and a panel from Old Harry’s Trousers. It also includes a man’s sleeveless knitted vest, and a knitted pram blanket. This is all stitched together with string, and the odd button. It is thought that other materials are hiding within the layers of this wagga, however, uncovering these layers would involve unpicking the quilt. The wagga is 1360 x 1880mm, sized to suit a double bed. It is a heavy blanket, originating from all its panels of mismatched reused clothing. The wagga is well worn but has lasted almost 80 years. It has holes that have been lovingly re-stitched.wagga, quilt, upcycle

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until October 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when these papers were printed. William Fairfax was a member of the Fairfax family that were, and still are, associated with the publication of many Australian newspapers and Henry Laurie later became well-known as a Melbourne University Philosophy Professor. These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance to historians today as some parts of these newspapers were not filmed and are not currently available on microfilm. These papers were in a Warrnambool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists.These are the original Warrnambool Examiner newspapers from 1st October 1867 to 31st March 1868. They are bound with a tattered cardboard cover, dark blue binding and string. These broadsheet papers are of two pages printed back to back and were published on Tuesdays and Fridays. They are unmarked and generally in good condition but there are some torn pages. There is one loose page. warrnambool examiner, richard osburne, william fairfax, henry laurie, warrnambool

This photograph album appears to have belonged to Agnes Ardlie. She was the daughter of Arthur and Ethel Ardlie of Warrnambool, the grand daughter of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the great granddaughter of John and Mary Ardlie, pioneer settlers in Warrnambool. Agnes Ardlie (1915-1993) and her sister Dorothy lived for some years at Aroona, 19 Princess Street, Warrnambool. This album is of interest as the photographs are of Agnes Ardlie and her extended family in the 1920s and 30s and thus provide an insight not only into the lives of a prominent Warrnambool family but also gives us a glimpse of the social aspects of the lives of the more affluent families in Warrnambool during that period and of the custom of keeping photograph albums to preserve the photographs.This is a soft cover photograph album with a light brown cover bound with white string. The front cover has an imprinted decorative pattern on the left side and there is a maker’s stamp on the back page. The album contains 22 pages, most of which have black and white photographs inserted. There are 44 photographs, some of which have been torn. ardlie family, history of warrnambool

Photograph. Cohn Bros. Collection. Black & white photo of a man operating a bottle filling machine. The bottles travel on a conveyor to the filling point. They travel past a large container with a gauge on the top. There are other various pipes and pieces behind the man. He is wearing a bag apron tied up with string. ML45/3 (written on the back).organization, business, cohn bros, cohn bros. collection, bottle filling machine, brewers, cordial & aerated water manufacturers

used by POW's at camp 13, made by Albert Jahn, an internee.Carved wooden miniature chess set (31 pieces). 2 kings, 2 queens, 4 bishops, 4 knights, 4 rooks, 15 pawns. A khaki bag with a draw string top for storage. 15 pieces made of dark coloured wood. 16 pieces made of light coloured wood. (1 piece missing)albert jahn, chess set, miniature chess set, pow games, internment camp board games