These are copies of original posters reproduced on Photograph paper.Set of photos of women's service posters WW2. .1) WAAAF Recruiting poster coloured photo .2) AWAS recruiting poser photo for AA defence in colour .3) Recruiting poster for AIF showing mother and child. .4) Recruiting poster photo for womens land army .5) Recruiting poster photo women to join red cross. 2 shillings membership in colour. .6) Recruiting poster for women to be a victory job. in colour. .7) Welcome back poster photo displaying woman with red cross badge in colour. posters, photographs, recruiting

Part of the Bennetts Collection. See Catalogue No.9726P for details of service for 'Alva Marie Bennetts'.1. Sepia toned photograph featuring buildings and open grassland. White border on photograph. 2. Black and white photograph of two women in uniform leaning on a fence. Building and water tank in background. White border on photograph. 3. Black and white photograph of a group of five women and one man, all in uniform. Group is standing in front of a weatherboard building. Photograph has white border. 4. Black and white photograph of three women in uniform standing in front of a truck. Four women in uniform sitting in the back of the truck. Photograph has white border.1. Handwritten in black ink on back: '112 (Bris) Mil. Hosp, Greenslopes, AAMWS Quarters in foreground; note the fence we jump! 2. Handwritten in black ink on back: 'Gwen & J. Caloundra '46' 3. Handwritten in black ink on back: 'From left to right:- E. Dougherty, M.Porter, G.Robertson, Yours truly (Alva Bennetts), Marj Maher (At back) Capt. Adams. 4. Handwritten on back in black ink: 'In front of truck:- Capt. Betts, O.C. AAMWS, Lieut Wheller 2IC AAMWS.bennetts collection, alva bennetts, photograph, aamws

The family is said to be that of the Langley, standing at the back of "Morningside".Photo shows two women, three men, three girls, two boys and a baby held by one of the women (in the centre). A four horse team hitched to a wagon loaded with sacks stands behind the people and a longish house stands at the back."Langley 'Morningside" - Halls Gap" is written on the back with blue pen.accommodation, morningside, people, langley

This postcard seems to have been written by Grace Cameron to Annie (Cameron) Gilbert. There is mention of a harvest festival.The Cameron and Gilbert families are early settlers of the Orbost area. This photograph is a pictorial record of dress in the late 19th and early 20th century. It depicts the the high standards of dress at informal occasionsA photograph / postcard which shows a group of men and women in a large forest clearing. The women are dressed in white(?) dresses with ribbon bows at the neck. The men are in suits. Most are wearing hats. In the back right corner are two horse - drawn carriages.on the back is a hand -written lettercameron-annie celebrations-outdoor

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A sepia photograph showing a group of women and two children seated on the grass with picnic baskets open. Two wicker prams are behind the group. The three women named are Mrs W. Wright, Mrs C. Cane and Mrs W.G. WrightFront face of photograph written in white - "Snaps.", Auch.1R.R.10, R34; in pen - 0, X and a crossed 0. On the back - Printed - New Zealand Post Card; Hand written - Mrs W.Wright (Marked with a X) snapped during a 6 months holiday in New Zealand 1910. Mrs C. Cane marked with a 0, Mrs W.G. Wright (jn) marked with a crossed 0frank wright, mrs w wright, cane, pram, picnic, new zealand

Paper page folded three times into a pamphlet. Matte effect paper used. Colour photo on front page of two women standing behind the shilling wall. Asking for nominations or donation to the shilling wall project to honour Victorian women.pamphlet, fundraising event, charitable organisation

This photograph is believed to have been taken in the 1890s at the Crosier property at Happy Valley (the Crosiers lived along the road leading to the Happy Valley School. Crosier descendants still live on this site). People in the photo are thought to be, L-R: Nell Crosier, Mary Crosier (née Hogan), Maggie Crombie (née Crosier), Jack Crombie. Mary Crosier was the second wife of Henry Crosier (1825-1901), a miner and farmer at Happy Valley. They had eight children. Their oldest daughter Maggie Crosier (1865-1932) married John Charles (Jack) Crombie in 1893. The Crombies farmed at Durham Lead.Black and white copy of original photograph showing a small weatherboard house with climbing plants along the verandah. Standing in front of the house are two women, with an older lady sitting between them, and a gentleman standing on the right, next to one of the women.crosier family home, miss crosier, mrs crosier, jack crombie, maggie crombie (nee crosier), happy valley

, Alice Colquhoun, Dorothy Roberts, Irene Onley, Ethel Kilby, Polly P, Ann Geoff, Jean Huggins, Rose Smiington, Morkum, Dot Davies, Nan Fraser, Chloris P, Dorothy Cumming, Joy Higtgins, Lillian Hunt, Christine Barton, Dinah Mongta, Charmain LeMaitre, Frances Pilgrim, Myrtle Fitzclarence, Sylvan Sims, Edith Jones, Frances Pilgrim, Myrtle Fitzclarence, Sylvan Sims, Edith Jones, two unnamed. 04864.1 10 x 15 cmColour photograph of five women Ella Cole, Nen Fraser, Nell Ross, Dorothy Lindsay, Muriel Gregory members of Uniting Church Lakes Entrance. Also another colour photograph of twenty four women at a Uniting Church functionpeople

A Royal Humane Society of Australasia silver medal for bravery was awarded to Mrs Isadore Susannah Smith who, although blind, went to the aid of her husband, Arthur who was also blind, when he fell against a gas fire on July 2nd, 1967. Mrs Smith suffered second degree burns to her hands and wrists when she removed his burning pieces of clothing. On the front shows a woman in Ancient Greek clothing standing at left placing wreath on head of young man kneeling at right below Southern Cross; around edge is ' Virtute Paratum' and on the back is at centre within olive wreath 'Awarded to Isadore Smith 2.7.67'around edge is , Royal humane society of Australasia Instd. A.D. 1874. 1 silver coloured medallion and ribbon bar with ivory, brown and yellow striped ribbon. Women in ancient Greek clothing with 'Virtute Paratum' on front. Back is inscribed with 'Isadore Smith 2.6.67' inside a wreath.medals, isadore smith

This nightgown was made by Vasiliki Raftopoulos around 1900 for her daughter Toula's trousseau. Born in Ithaca, Toula's family migrated to Romania when she was only a baby. In 1914, Toula emigrated to Australia with her husband Constantine Mavrokefalos, where their daughter Olga Black was born in 1930. Olga is a longtime Brighton resident. BHS holds a collection of garments and textiles made by the women of Olga's family, spanning four generations. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Women's white cotton nightgown, long with three quarter sleeves. Cotton lace on front and sleeves. Front fastening buttons. Pintucked with eyelets around neck.nightgown, toula black, toula mavrokefalos, vasiliki raftopoulos, olga black, 1900s, trousseau

Photograph of four unknown women in a formal pose having a garden party. Two of the women are seated and one is posed on the ground, the seated lady on the right of the photo has an opened book on her knee The three seated women are dressed in long frilly formal dresses, and the lady standing also wears a hat. They are seated in a fernery, there is a trellis visible in the background and a portion of a weatherboard wall on the left hand side.person, group, garden party, garden party

Artwork. Norman Penrose collection: brown art folder with darker brown spine. Contains notes on Painting Schools and art. Also pronunciation of artists names. Also contains cuttings from magazines & papers relating to women's and men's fashions. Also some cuttings of armchairs. Some drawings of women and notes and illustrations of proportions of the head for fashion drawing. Some of the cuttings are pages from the Australian Women's Weekly.drawing, pencil, norman penrose collection, australian women's weekly, painting schools, women's and men's fashions.

Sepia image mounted on board. Image shows large group of men, women and children, seated outside undressed log building. Man are wearing three piece suits, hats. Women dressed in long dresses, hats. Appears to be a social group.person, group, social group, bendigo, sandhurst, social, group

Colour photo. Country Women's Association Luncheon. Three women not looking at the camera. Left in green is Glenys Sharma (General Manager), middle, in hounds-tooth jack and right in red jumper are both unidentified. All wearing unreadable name tags. official events, service clubs, charitable organisations

Gertrude Perry was born in California Gully in 1917. Her singing skills were recognized at an early age. She later sang with local choirs and sang on radio. She was involved with the Bendigo Operatic Society for many years. Gertrude began her working life in sales. After studying book keeping she worked at the Bendigo Ordnance Factory during WW2 and then worked for local solicitors and accountants. Gertrude was involved with many community and sporting organizations.Light brown membership card from the Young Women's Christian Association (No. 72) issued to Gertrude Perry for Financial Year ending 1997. Rear of card notes: YWCA Women making a difference Bendigo Inc., No 72. Gertrude Perry Collection.ywca, young women's christian association

Photo shows an unidentified lady standing on the Orbost / Brodribb Road.A black / white photograph of a women in a long dress standing on a bush road surrounded by dense scrub.on back - " Track near Orbost / Brodribb Road, May 1897"orbost-brodribb-road

Sepia photograph of four women and one girl in bathers, sitting on rocks ear Cowes pier.On the rocks.photographs, cowes beach, social life and customs, cowes pier phillip island

There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Women's long white nightgown with longs sleeves, front opening, round collar and lace trim.warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, shipwreck-coast, night gown, night wear, giles collection, henry giles, tower hill, cooramook, mailor’s flat, wangoom, vera & aurelin giles

Nancy Oakley and Kathleen Trace were both members of the Harbour Lights Guild in Williamstown.This is a rare photograph taken inside the Williamstown club located in Nelson Place.Black and white photograph depicting two young women standing on each side of an older man.Inscription handwritten in black ink in capital letters by Nancy Oakley: 1956-57 / Canteen Williamstown Mission / L-R / Nancy Oakley (Dingle) / Mr Craven / Kathleen tracenancy oakley, mission to seamen, nancy dingle, williamstown, canteen, kathleen trace, mr craven, hlg, harbour lights guild

The picture was possibly taken during the opening of the court.The 20s was the golden age of tennis around the world and its popularity was growing in Australia as well. It is unclear why it was decided to build a tennis court at the Mission but Reverend Weller, freshly arrived from the UK, probably saw the opportunity to entertain the benefactors and attract a younger generation to visit the Mission. And it was surely popular with the young ladies of the Harbour Light Guild. See pictures 0518 and 0521.Young unidentified tennis players (men and women) posing behind the net of the Mission to Seamen court.tennis court, sports, lhlg, seamen, officers, siddeley street, weller album, cadets, 1926

Photo shows 3 women with bunches of thryptomene. Two vintage cars can be seen in the background.people, klauss

Black and white photograph of a group of bowling ladies at a bowling green. There are 46 women in three rows.

Possibly Hunt family From collection of Emma Nightingale (nee Thompson)Two women and gentleman seated within garden setting. Sepia photograph mounted on white cardNonethompson collection, hunt family, nightingale

The Welfare Club is celebrating 20 years of service to the Orbost Secondary College (High School).Names of people associated with the Welfare Club for Orbost Secondary College Two b/w photos showing a group of people, mostly women, celebrating with a birthday cake.Celebrations to mark two decades of service by the Welfare Club. Date 1968. 2684.1 left to right: Mrs Jack (Lu) Trewin - Welfare Club President - Mrs Phil (Ethel) McLaughlan, one of the original members - had the honour of cutting the birthday cake. Also in attendance was Mrs Arthur Reynolds. 2684.2 Mrs Lu Trewin reading a letter of appreciation written by headmaster (Mr R Bruce Osborne) and Headmistress (Miss Mary Gilbert) to mark two decades of service by the Welfare Club. Mrs Phil McLaughlan and Mrs Arthur Reynolds both original members, are seated at the table.orbost, orbost secondary college (high school), welfare club

The Ballarat School of Mines Hockey team played in the Ballarat Hockey Association competition. Mounted black and white photo of the 11 women dressed in the Ballarat School of Mines Sport uniform. Verso " Ballarat Hockey Association SMB 1931 Back Row: Effie George, Jean Maude, Edith Curnow, Glad Dunstan, Al Duggan, Mary Fogarty Front Row: Mavis Whitehead, Olga Dulfer, Kath Windsor, Alice Bosher, Olga Lyons"effie george, jean maude, edith curnow, glad dunstan, al duggan, mary fogarty, mavis whitehead, olga dulfer, kath windsor, alice bosher, olga lyons, hockey, ballarat school of mines, ballarat hockey association

A pair of women's short boots, black & white lace-up style. Brand T. Jerome.Stamped into leather "T. Jerome'flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, short boots, ladies boots, ladies footwear, ladies clothing accessories, ladies fashion, women's footwear, women's boots