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Orbost & District Historical Society
black and white photographs, Gilbert, Penuel (Mrs Frank Richardson), first half 20th century -1930s?
These photographs were taken from Warren's property at Newmerella. They were taken looking to the north-west.These photographs form an interesting panoramic landscape of the Snowy River flats in Orbost. The method of photographing two scenes and placing them side-by-side was used if a specialist panoramic camera was unavailable.Two black / white photographs which are designed to fir together to make a panorama. They are of river flats with maize crops and houses in the background. The photographs have been taken from a high point.on back - "From Warrens to N.W."newmerella snowy-river-flats maize-crops photography -
Orbost & District Historical Society
black and white photograph, January 1934
From The Argus (Melbourne) on January 10 1934 "Damage estimated at £500,000 has been caused by the floods in the Orbost district. No loss of life occurred, largely owing to the heroic efforts of rescue parties. Many families spent Monday night on the roofs of houses or in trees, surrounded by deep, rushing flood waters." This 1934 flood was devastating, destroying a section of the 1922 Orbost bridge - the centre span was washed away -. wrecking fences, bridges and roads, dumping silt and debris on the rich river flats and drowning cattle. This is a pictorial record of the 1934 flood, a significant event in the history of Orbost.A black / white photograph of floodwaters. In the middle of the water can be see debris including a large spoked wheel. In the background are houses and fences.on back - "near Hilyer's garage at foot of hill Main Street Caravan Park on right" on front at bottom left - "1934"orbost-flood-1934 flood-orbost -
Orbost & District Historical Society
black and white photograph, Warren, Mrs H, early 20th century
This is a photograph of Jack Warren, Bon Trewin, Enid Eaton, Linda Warren, Ivan Trewin and Jim Trewin. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker.A black / white photograph of si small children sitting in a pumpkin on water. There is a Union Jack at one end and an Australian flag at the other,. On the side is "HMAS ORBOST"pumpkins-orbost warren-helena-photographer trewin-bon trewin-ivan trewin-jim warren-jack warren-linda eaton-enid -
Orbost & District Historical Society
black and white photograph, Warren, Mrs H, late 19th century - early 20th century
The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker, A black / white photograph of a young boy in a carved out pumpkin in water. It has two flags.warren-helena-photographer pumpkins-orbost -
Orbost & District Historical Society
black and white photograph, Warren. Mrs H, first half 20th century
Many farmers on the flats at Orbost used to grow a lot of maize and harvest the maize by putting the pigs in to eat the maize.. Maize and pumpkins fed in conjunction were largely used for fattening pigs. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This item is a pictorial record of farming in Orbost in the early 20th century. It is also associated with Helena Warren. a well-known photographer born in Orbost.a black / white photographagriculture farming-orbost pumpkins maize pigs warren-helena -
Orbost & District Historical Society
black and white photograph, Warren, Mrs H, first half 20th century
These children are the Rice family. In 1925 Walter Rice built a general store in Marlo and in 1930 built the "Ozone Picture Theatre" also in Marlo.This item is associated with a popular activity of the Orbost community in the first half of the 20th century. Pumpkins have been been part of the district's agricultural history since settlement. It is associated with Walter Rice a prominent citizen of Marlo in the early 20th century.A black / white photograph of a group of six children sitting in a pumpkin in water. there is a flag on each side and "HMAS VICTOR" on the side of the pumpkin.pumkins-orbost warren-helena rice-walter -
Orbost & District Historical Society
black and white photograph, Warren, Mrs H, first half 20th century
This photograph shows Cora Lynn, Enid Eaton, Jim Trewin, Jean Trewin and Ivan Trewin. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images.This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker. This item is associated with a popular activity of the Orbost community in the first half of the 20th century. Pumpkins have been been part of the district's agricultural history since settlement.A black / white photograph of three children and two babies in a carved out pumpkin. There is a flag at each endpumpkin warren-helena trewin lynn eaton -
Orbost & District Historical Society
picture, Lavell, Mrs Fred, early 20th century
This item is an example of a handcrafted item and reflects the needlework skills of women in the earl 20th century. Crochet work was an affordable way to personalise and add aesthetic value to homes, and examples of embroidered and crocheted pieces could be found in most Australian homes, A crocheted picture of bushland in East Gippsland. It is in white wool and framed in an ornate gold frame.handcraft crochet picture -
Orbost & District Historical Society
cushion cover, Eaton, Julia (Mrs) nee Thomas, first half 20th century
Handmade by Julia Eaton ( nee Thomas), daughter of George and Granny Thomas, respected Aboriginal couple of Newmerella.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Square shaped calico cushion cover. It is hand-embroidered with ribbon embroidered leaves and flowers. The edging is flounced. Flowers are pink with yellow stamens and green stems. handcraft needlework thomas-julia -
Orbost & District Historical Society
table cloth, Eaton, Julia (Mrs) nee Thomas, first half 20th century
Julia Eaton was the daughter of George Thomas who lived with his family at Newmerella on Grand View Road until the 1950's. The family was a very well-respected local Aboriginal family.This item is an example of a common domestic item hand made by an Orbost local. It reflects the needlework skills of women in the early to middle 20th century. White/cream coloured soft thread macrame cloth with tassels around the edge.cloth tablewear domestic linen -
Orbost & District Historical Society
Embroidery, Anderson, Dot (Mrs)
Donor, Mary Gilbert lived in Orbost 1905-1989 and was teacher/headmistress at Orbost High School 1927-1968. A local historian, she collected stories from local families, compiling the book "Personalities & Stories of the Early Orbost District"This item is of aesthetic significance and is an example of the skill and craftmanship of women in early times.A colourful embroidery of flowers, in bloom and bud. Leaves are variegated.Worked on a blue background and framed in a gold-coloured wooden frame. Frame has tiny raised leaves along sides. -
Orbost & District Historical Society
Sampler, Ford, Mrs, late 1890's
This is a Victorian mourning sampler.This handwork is an example of the needlework skills of women in early settler families.Sampler of needlework with "sweet rest in heaven" . Simple geometric design and flowers. Gold and green carved ornate frame with nails.handcraft needlework hobbies -
Orbost & District Historical Society
cap, Reynolds, Mrs Clarrie, 1920's
A boudoir cap was popularly worn in the nineteenth and early twentieth centuries In its original form, the boudoir cap was worn over undressed hair, It was designed to be worn in the privacy of the boudoir with negligees or nightwear.[andwas often made from lightweightfabrics such as muslin or net and trimmed with silk ribbon and lace. In the 1910s and 1920s, it was used to protect short hairstyles whilst sleeping.This item is an example of a piece of clothing no longer in fashion.Hand crocheted boudoir cap. Light blue thread crochet on top. Fine piece of fabric around centre. Blue and pink border. wire inserted into cap at sides.cap costume-female boudoir-cap handcrafts crochet sleepwear -
Orbost & District Historical Society
cloth, Gilbert, Penuel (Mrs Frank Richardson), 1914
Pen Richardson (nee Gilbert) was sewing this set when her headmaster came to tell the class (4th August 1914) that they were at war with Germany. She was in 3rd grade and her teacher was Leila Perry.This item is an example of the needlework taught in primary schools in the early 20th century.White linen cloth with "Brush & Comb" embroidered onto the front in white thread.cloth manchester table-linen hancrafts needlework orbost-state-school -
Orbost & District Historical Society
pillow shams, Eaton, Julia (Mrs) nee Thomas, first half 20th century
Julia Thomas was daughter of George and Granny Thomas much respected Aboriginal couple of Newmerella. George was a stockman for Jas Stirling. Julia married Henry Eaton, road construction at Gilbert's Gulch.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Two white knitted pillow shams with pink knitted through front. Lace edging.pillow-shams bedding manchester handcrafts knitting lacemaking -
Orbost & District Historical Society
doily, late 19th -early 20th century
This doily was handmade by Penuel Cameron (nee Hossack). The Hossack family farmed land on the Marlo Road. Like the Camerons they were staunch Presbyterians. Robert Cameron was one of earliest settlers on Orbost flats and ran the paddlesteamer "Cheviot". He served many years on shire council and built the first Presbyterian. church in Orbost.This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Hand tatted medium sized doily. Small round linen piece in centre and large tatted border.doily handcrafts needlework linen lace cameron-robert -
Warrnambool and District Historical Society Inc.
Uniform - Child's school dress, 1954
This child's dress was the" uniform" of Caramut State School No.1728 made especially made by the parents in 1954 and worn by the children to line the route taken by Queen Elizabeth on the Royal visit to Hamilton, Victoria. Children from other schools in the district also attended.This dress is of historical interest as a Western district memento of the Royal visit in 1954.This is a blue cotton dress with white collar and cuffs and white buttons, press studs and two pockets with white edging. It has short sleeves and a slightly gathered skirt and loops at the back to hold a belt or sash. It is home made royal visit 1954, caramut state school -
Nillumbik Historical Society Incorporated
Book - Hardcover book, Mrs Henry Clarke, A Lad of Devon
Deep red board cover with an etching of a boy and his dog in black and green on the cover and blank back - 128 pagesfiction -
University of Melbourne, Burnley Campus Archives
Book, Mrs. H.B. Richenda Parham, Fiji Native Plants, 1943
Olive Mellor (nee Holttum) graduated 1911 and was staff between 1914-1920, which she donated her collection of books to the Library.olive mellor (nee holttum), staff, female students -
Surrey Hills Historical Society Collection
Newsletter, Mrs Mary Way, The Boomerang newsletter, March 1956
This was part of a series. Inside on the front page is recorded that this was Vol 2, No 2. The newsletter is a mix of accounts of the activities of the group and more general hints and items of interest. A newsletter in the form of a booklet. The cover is printed on faded light green paper and the other pages in cream. They are secured with one staple. It has been duplicated using the gestetner method. The front cover has a masthead with an inverted boomerang and indicates it is published monthly for the First Surrey Hills Scout Group. Cover illustration is of 2 boys in uniform reading the newsletter.Nilfirst surrey hills scout group, newsletters, rex thompson, graeme ellis, scouts, mr french, miss d stone, mrs d graham, mrs mary way, frei kosterlitz, allan downes, gregor buist, bob o'shea, russ downes, mr holt, jim russel, james (jim) giles, roger thornton, peter ellis, graham rixon, johny crout, ray ellis, r burrows, george lees, arthur greaves, l watson, robert cooper, peter witton, j ellis, ray miles, gordon hoole, neville holt, graeme plaw, geoff young, peter cook,, m young, g grace, m holt, a brounell, r reid, ian pringle, nev burrows, pernil brayshaw, john smith, jimmy chenall, bernie brayshaw, john smith, bobby poynter, morris russell, tony talbot, graeme warden, russell downes,graham chalmers, geoff lowe, ian pringle -
Tatura Irrigation & Wartime Camps Museum
CD, Mrs Irmhild Beinssen, An Account of life in Internment Camp 2 During WW2
An account of life in internment camp 3 during WW2 by Irmhild BeinssenGold and black disc with palm trees printed on gold text. Yellow and clear plastic case.irmhild beinssen, internment camp 3 internees -
Tatura Irrigation & Wartime Camps Museum
Document, Biography of Heinrich Walter Fuchs MD, 1991
Biography of Heinrich Walter Fuchs MD, an internee in Persia and Camp 3 Australia. Written by his daughter. Presented to the Society by his daughter.Plastic folder with red back.heinrich fuchs, internment camps, camp 3, persia, medical personnel -
Tatura Irrigation & Wartime Camps Museum
Folder, Mrs Irmhild Beinssen, An Account of Life in Internment Camp 3 Tatura during WW2, 1994
Recollections written in 1994 relating to experiences of German family residing in Sydney in 1940/ internment of Ekke Beinssen/internment of his wife Irmhild and 3 children in Camp 3. English translation by Gerhard Meinke.green plastic folder containing clear plastic envelopes and black spineekke beinssen, irmhild beinssen, camp 3 internees, gerhard meinke -
National Wool Museum
Textile - Quilt, Mrs Mary Joyce Abbott, 1972
Mary Joyce Abbott made the quilt in 1972 in Bendigo. The quilt was constructed on Mary’s old Singer sewing machine with knee-action drive. Mary gifted the quilt to her daughter Sandra who used it on her bed for about a decade then retired it when she purchased her first doona. Mary was an excellent seamstress and a very early winner of Melbourne Show quilt prize with two single log cabin style quilts. In the mid-1980s Sandra roughly stitched Mary’s name and the date onto the back of the quilt.The quilt is constructed out of crazy quilt blocks, machine sewn, and made from factory offcuts of velveteen in a kaleidoscope of colours. The top end has squared edges and the bottom end has rounded edges.Mary Abbott \ 1972 (sewn into back of quilt)quilts, textiles, bed, sewing -
Stawell Historical Society Inc
Work on paper - Realia, Scrapbook - Back to School, 1994
Created for Back to Reunion (previous Cat No. 147.5 in Photographs)Ruby (nee Willy) Back to School scrapbook. Photocopied newspaper items of Stawell and District School Page 21education, school reunion -
Stawell Historical Society Inc
Photograph - Government Office, Mrs Annette Newton ( employee of CES), CES Office in Church Street, 1987
Demolished now CES Office was 38 Church Street. Drawing froAMED by Glover and Black Art. Shop 6 P.O. Arcade Stawell 3380 PH 58 3746Pencil on white Paper of WeatehrboardHouse used as CES Office. Balck framed WoodCES Employment Sharon Jenkins'87employment, govenment -
National Wool Museum
Textile - Quilt, Judith Oke et al, Isolation Quilt, 2020-2021
In 2020 during the period of lockdown due to COVID the National Wool Museum asked their volunteers to make and donate blocks made from a variety of materials found in their homes, for an ISO quilt. The NWM reached out to the patchwork and quilter community to find a local quilter to sew the donated blocks together. The quilt is sewn together and quilted by Judith Oke, 2020-2021. Judith is a local patchwork and quilter and a member of Geelong Patchwork & Quilters Guild. Through the process she was inspired by the tradition of wagga quilts, where bits and pieces are stitched together, sometimes lined with whatever the sewer found available, such as clothing and sacking, to provide warmth. In construction of the finished quilt the challenge was combining 10 inch blocks made from a variety of materials, with uneven sizing. The aim was to combine these very different blocks into a harmonious whole. To this end a light and dark pattern was planned, with the blocks to be sewn onto a blanket. The choice to layer the blocks over each other, rather than sew an even seam was aimed at emphasizing the make do nature of these ISO blocks. Due to the weight of the blanket a decision was made to sew the blocks onto a base before the whole was stitched onto the blanket. The blanket was sourced from NWM donations. The rich, red of the blanket provides a bright, warm background for the colourful squares. Some of the light weight blocks were backed with iron-on interfacing to strengthen them for sewing. The edges of two of the woven squares were blanket stitched with knitting wool. The 10 inch donated blocks/squares were machine sewn to a cotton sheet base, with liberal use of blanket stitching, as the blanket was too heavy to sew the blocks directly onto the blanket. The base with squares was then machine sewn onto the red blanket backing.Various multi coloured and designed patchwork squares sewn onto a red woollen blanket. isolation, covid, quilt, wool -
National Wool Museum
Clothing - Jacket, Mrs Jean Inglis, 1988
This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori -
Ballarat RSL Sub-Branch Inc.
Embroidery - Framed Arch of Victory Ballarat
With Compliments of the Council of the Shire of Ballaratcraft, ballarat rsl, ballarat -
Ringwood and District Historical Society
Book, Carl Samuel Aumann - The Family History 1853-1993, 1993
Hard cover book by Eric Uebergang. This book pays tribute to the Aumann pioneers in Australia and records details of their lives and those of their descendants to the year 1993, following a meeting of descendants in East Doncaster in 1992 and a family reunion in 1993 at the Lutheran Church in Doncaster, Victoria."Dedicated to the Memory of Carl Samuel Aumann, who with his family, made the arduous journey to Australia, to an unknown land. Known to the early German families of Doncaster as "Father" Aumann. Their hard work made the foundation for a prosperous country." Front cover: Bismark Street (Victoria Street), Doncaster. Lutheran Church and the home of Carl Aumann alongside the church.