Showing 17582 items
matching no 8
-
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Library, 25/08/1998
Coloured photo. Portland Library; group of All Saint's students in corner of library, 2 teachers, lady on chair addressing groupFront: '98 8 25'portland library, council services, primary school, community event -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Library, Portland Victoria, 28/08/1998
Coloured photo. Portland Library; several All Saints children and teacher at bookshelvesFront: '98 8 28' -
Glenelg Shire Council Cultural Collection
Print - Print - Portland Baths, 1983-1984
CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint which features the 1985 Calendar in the bottom two-thirds of the work. The top third of the work presents a multi-coloured image of the interior of the Portland Sea BathsFront: (no inscriptions) Back: 8 -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Scuba Divers, n.d
Port of Portland Authority ArchivesBack: '8' - blue textaport of portland archives -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, 22-08-2009
A colour photograph of the temporary premises of the Marysville Old Style Lolly Shop in Marysville in Victoria.A colour photograph of the temporary premises of the Marysville Old Style Lolly Shop in Marysville in Victoria. This photograph was taken after the 2009 Black Saturday bushfires which destroyed the building, along with most of the buildings in Marysville. This popular shop in Marysville was originally opened in the old Barton house by Frank and Val Pryor in 1995. The then owner, Julia Harris, reopened the lolly shop in an old shipping container until the premises was rebuilt. It is a popular shop in Marysville to this day.22/8/09 Marysvillemarysville, victoria, uncle fred & aunty val's old style lolly shop, marysville lolly shop, frank pryor, val pryor, 2009 black saturday bushfires, photograph -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, 22-08-2009
A colour photograph of the temporary premises of the Marysville Old Style Lolly Shop in Marysville in Victoria.A colour photograph of the temporary premises of the Marysville Old Style Lolly Shop in Marysville in Victoria. This photograph was taken after the 2009 Black Saturday bushfires which destroyed the building, along with most of the buildings in Marysville. This popular shop in Marysville was originally opened in the old Barton house by Frank and Val Pryor in 1995. The then owner, Julia Harris, reopened the lolly shop in an old shipping container until the premises was rebuilt. It is a popular shop in Marysville to this day.22/8/09 Marysvillemarysville, victoria, uncle fred & aunty val's old style lolly shop, marysville lolly shop, frank pryor, val pryor, 2009 black saturday bushfires, photograph -
Beaufort Historical Society
Book - Ledger, Pound Cash Book, 10 August 1910
Shire of Ripon ledger used to record payments for animals released or purchased from the pound. It records fees and/or prices along with people's names. Foolscap half bound tan calf bound ledger. Marbled end papers. Label Arnold & Jackson glued to inside front cover.B10084 10/8/10cash balance accounts book, pound, ledgers, handwriting, family history beaufort, shire of ripon -
Clunes Museum
Photograph, D.S. MOORE ST. EAST ARARAT, 1914
C0PY OF PHOTO OF ST. PAULS CHURCH. CLUNES.ST. PAUL'S CHURCH. 8.local history, document, postcard, churches - st.pauls anglican -
Bendigo Historical Society Inc.
Map - CAMPBELL COLLECTION: BENDIGO AND DISTRICT MAPS, 21-8-1972
Map. Shire of Strathfieldsaye, Locality Plan. Scale I inch=1 mile. Shire of Huntly, Shire of McIvor, City of Bendigo, Shire of Marong, Shire of Maldon, Shire of Metcalfe. Lake Eppalock. Mileage markers on some roads. Melbourne to Bendigo Railway Line, Big Hill Tunnel, Mt.Herbert 1596.Axedale Township, Strathfieldsaye Township.M.Higgs 21-8-1972map, bendigo, locality plan -
Bendigo Historical Society Inc.
Container - PHARMACY COLLECTION: BROWN GLASS JAR OF DERMATEX OINTMENT, 1950's
Object. Smallish brown glass jar with white enamelled metal lid. Bluish green label for Dermatex ointment from R.D. Tyndall, Pharmaceutical Chemist, 78-80 High Street, Kangaroo Flat, with partial contents.I550 G 8 Mmedicine, first aid, dermatex ointment -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Colour photograph of two officers of ' A ' Squadron 8/13 Victorian Mounted Rifles on parade at Buna Barracks Albury, 1986. Squadron Second-in-Command, Captain Peter Martin, is handing over the parade to Squadron Commander Major Ian Docking -
Ballarat RSL Sub-Branch Inc.
Diary
This object relates to Walter Alfred CROMPTON. He was born on 18/01/1907 in Ballarat, VIC. Walter Alfred served in the RAAF (55568) enlisting on, 09/05/1942 in Ballarat, VIC before being discharged from duties with the AIR FORCE HQ (DPS) as a RAAF Non-Commissioned Corporal (CPL) on 18/10/1946. Walter Alfred CROMPTON was not a prisoner of war. His next of kin is Myra CROMPTON.Start date =4/8/1944; Finish date = 8/7/1945. With reference to the dates of the end of both theatres of war.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat -
Federation University Historical Collection
Document - Document - Syllabus, Education Department, Victoria, Technical School. Syllabuses for various subjects
The Education Department, Victoria, Syllabuses for Technical Schools. They include Mechanics (Applied) and Mechanics Applied to Mining (Syllabus No. 6), Mechanics and Heat (Syllabus No. 10), Municipal Engineering and Hydraulics (Syllabus No. 26), Engineering Drawing and Design (Syllabus No. 28), Electrical Engineering for Post Office Mechanics, Letter-Press Printing, Geology and Mining Geology (Syllabus No. 3), Electrical Wiring, Geology and Mining Geology (1914), Trade Teachers' Courses, Full Trade Courses,8 sheets of A4 folded to make A5 document .1: Three syllabuses pinned together .2 to .8: Single syllabus.1: Note at top written in pencil - 18/3/12 and Office Copy .2: Note at top right corner - Office Copy 7/6/13education department, victoria, syllabuses, technical schools, mechanics, mechanics applied to mining, mechanics and heat, municipal engineering, hydraulics, engineering drawing and design, electrical engineering, post office mechanics, letter-press printing, geology, mining geology, electric wiring, trade teachers, full trade -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Uniform - VSR OR scarlet doublet, c 1898-1912
Scarlet wool doublet with yellow stand collar and cuffs and Inverness skirts. Lower edge of collar, left front of doublet, cuffs and Inverness skirts all edged with white piping. Cuffs and skirts are decorated with three rows of doubled, twisted white wool braid; each row completed with a large whitemetal coloured metal "King Edward VII Australian Commonwealth" button of the period 1901-1911. Shoulder straps are scarlet wool with MISSING whitemetal 'VSR' title, a MISSING whitemetal 'letter' title, a small ERVII Australian Commonwealth button on left shoulder, and a small silver coloured metal Victorian Military Forces button on the right shoulder. Seven large buttons at front of tunic (one missing), and two at back waist. Two large brass belt hooks at side waist of doublet. Lower front skirt flaps have welt pockets lined with linen. Body of tunic lined with a white wool mixture, lightly padded around the underarms. Lower skirt flaps lined with a medium weight cream wool twill and upper smaller flaps lined with a finer cream wool twill. Sleeves lined with cream cotton twill and printed in black ink on the centre back lining is '5/8 38'. Collar lined with red wool and neck fastened with a single brass hook and eye over a black patent leather tab.Printed in black ink on the centre back lining is '5/8 38' -
Eltham District Historical Society Inc
Photograph (Item) - Negative, Andrew Peel, Eltham Community Photographic Survey Entry, 1988
Andrew Peel 1988 Entrant No. 28 Ref: Series 34, Items 11, 60-63 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 35, andrew peel, bootmaker's shop, film - kodak gb 200 5096, main road, scan - 35mm negative -
Flagstaff Hill Maritime Museum and Village
Plate, before 1878
This earthenware dinner plate fragment is very similar to others recovered from the wreck of the LOCH ARD. It is uncertain whether the plates were personal belongings or part of the cargo. The Asiatic Pheasant pattern is a transfer design and was the most popular design of the 19th century Victorian era. It is still being produced today. The design was produced as high quality, decorative dinnerware by the potters in the Staffordshire, England, area from the late 1830’s, but no-one is sure exactly who the original designer was. The industrial age made production of this design more affordable to the ordinary person who purchased and proudly displayed settings in their homes. The high demand for production resulted in loss of quality in both potting and design, particularly between 1860-1914 when the design reached its height of popularity, and the results were often a poor match for the earlier pieces’ quality and detail. Some engravers would make copies of the Asiatic Pheasant design (and other designs) onto copper plates and sell them to more than one pottery producer (the Copyright Act of 1842 was intended to control this very thing). Consequently the list of Makers’ Marks associated with the Asiatic Pheasant is well over 100. A single pottery factory could have several owners, all with their own Marks. These factors all make the dating of pieces difficult. Also, after 1891, pieces produced for the export were required to be stamped with “ENGLAND”, but pieces produced for the domestic market in England did not need this stamp, so early pieces and pieces produced for the domestic marked would all be without the “ENGLAND” stamp, confusing the matter. Over time the body shape of the pieces changed, the feathered, curved and fluted edges giving way to the simpler, cheaper oblong shapes. The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. [References: Flagstaff Hill Maritime Village information sheets and documents, http://www.asiaticpheasants.co.uk/index.html ]Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Fragment of earthenware dinner plate recovered from the wreck of the Loch Ard. White glazed porcelain with blue Asiatic Pheasant design; this piece shows a pheasant. Sticker underneath has blue pen handwriting "L/58". Asiatic Pheasant Cartouche has Maker’s name (hard to decipher). Stamped underneath "0 1 2 8 1 (or 9)" Sticker underneath has blue pen handwriting "L/58". Asiatic Pheasant Cartouche has Maker’s name (hard to decipher). Stamped underneath "0 1 2 8 1 (or 9)" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, dinner plate, asiatic pheasant, loch ard, plate -
Glenelg Shire Council Cultural Collection
Artwork, other - Posters, AUDIO-VISUAL CENTRE ED. DEPT. VIC, MIGRATION TO AUSTRALIA DURING THE 19TH CENTURY, n.d
Reproduction from 'The Graphic', October 9, 1880. 'Arrival of Emigrants at Sydney: An Address by the Emigration Agent - Clearing the Ship' (8) Set of 8 posters with immigration theme for use in Victorian schools. Classroom Picture No. 94 (1) to (8) -
Yarrawonga and Mulwala Pioneer Museum
Baby weighing scales, Seca
Cream painted stand with a moving sprung table top attached. On top of the table sits a woven cane basket with a wooden base. The top edge of the basket is is plaited cane and painted gold. The other cane is painted white. It is lined with a piece of white towelling on which the baby would lie. Attached on the side of the base is a notched metal bar which has a sliding metal weight so the bar will balance. It is marked with 2, 4, 6, 8 etc up to 30 lb and a smaller upper bar measures ounces. There is a framed pamphlet hanging above the scales with instructions for using the scales.Ounce measures 0, 4, 8, 12, 1 (pound) Made in Germany 24767. Triangle shape with the word Seca inside -
Kiewa Valley Historical Society
Pot Boiler, circa early 1900s
This cast iron "boiler" was produced by one of the largest foundries in England during the late 1700's and onwards. These products were "shipped to the far realms of the "British Empire". This source was one of the only ones available to the early settlers in Australia until the mid 1900's. The catch cry of those "early " times was "the best of British" which was ingrained into the early (Australian) settler's iron and cast iron purchasing mind set. It was not until after World War II did that mindset change, when both American and Asian based manufacturers' products were accepted by the Australian consumer. The city based consumer embraced the swing a lot earlier than the more "traditional" rural consumer. This cast iron 8 gallon "boiler" is very significant to the Kiewa Valley not only that large "boilers" were used to "boil" clothes clean, over an open flame source, but also because it demonstrates one of the most important "rural" mores founded by the "early" settlers in this region. That more was the very "close" tie to "Mother England" and the "establishment". The social and "family" values from the "English" way of life was ingrained until well past the day of the "Australian Federation". It was not until the friendly "American soldier" invasion during World War II that the "Empire" bondage was being eroded away. The transition from the good "rural war cry" of "Australia prospers off the sheep's back" was slipping away and the industrial monolith started its challenge. This change was the slowest in semi remote rural centres such as the Kiewa Valley. The "old English" values lingered on until the mid 1900's.This large (8 gallons) cast iron boiler is oval in shape and has a cast iron (swivel) carrying handle. The handle has a "bend" in the centre position to allow hook and straight type rods to facilitate the positioning of a "hot" boiler. This boiler would have been used over an open fire or placed on top of "coals". On the top rim and evenly spaced between the fixed handle joins is a slightly semi curved balancing/control lip.At the bottom (underneath) "CLARK & Co. PATENT", Below this a six star triangle with the letter "C" in the middle.. On the opposite end "BEST QUALITY" and underneath "8 Gall s"camp fire cooking utensils, hot plate, cast iron cooking and boiling appliance, drovers kitchen -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Black and white photograph of two servicemen at Albury Drill Hall, one in RAAF uniform and the other in 8/13 VMR uniform. Part of a collection of photographs collected during the life of the regiment and passed to the Heritage Collection when it was formalised in the early 1980s." Anzac Day Duties. John Larkin, ex F/Sgt. AG/ Alan Young." -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - Anzac Day Albury 64
The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment. 6 Collection of six black and white photographs of 8/13 Victorian Mounted Rifles in the Anzac Day parade at Albury 1964. Vehicles are Ferret and White Scout cars and Humber 1 Ton Trucks. Carrying guidon is Warrant Officer W. Woolford.military, anzac, albury, vmr, parade, vehicle, humber, white, ferret, guidon -
Glen Eira City Council History and Heritage Collection
Album - Album, photographic, "Centenary of Caulfield, 1857- 1957", c. 1957
The 100th anniversary of the proclamation and declaration of the "Caulfield Road District" was held on 15 October 1957. A variety of public events were organised to celebrate this memorable occasion between 13 October and 8 November 1957. The "Centenary of Caulfield 1857-1957" photograph album which contains annotated images of these events is considered of great historical importance as a unique record of Caulfield events, people and places during this time. The Caulfield Centenary events were held between 13 October and 8 November 1957. Key participants included the Mayor of the City of Caulfield, Councillors, officers, and a wide range of community groups. The events included: a special Centenary Council Meeting at the Town Hall on 15 October; an opening ceremony; two receptions; two religious services; a naturalisation ceremony; an evening community float parade; a children's carnival at Caulfield Racecourse; the crowning of Centenary Queen and an impressive fireworks display. Light brown leather bound photograph album with embossed in gold lettering on the front and centre of the Album. Contains a series of annotated B/W photographs taken as part of the Centenary of Caulfield celebrations which took place in the local area including the Caulfield Town Hall between 13 October and 8 November 1957. portico"Centenary of Caulfield 1857-1957 Photography by Hermes Studio Carnegie"caulfield road district, anniversary, centenary, 1957, city of caulfield -
Kew Historical Society Inc
Functional object - Pharmaceutical Collection, Apothecary Jars and Sundry Bottles, c.1886 - c.1950s
The Brenda and Bob Johnston Collection is comprised of 19th and 20th century pharmaceutical records, books, apothecary jars and pharmaceutical implements. The items in the collection were used and or available for sale by chemists who occupied 167 High Street, beginning with Francis Barnard. The most important items in the collection are two dispensary books, one from the 1880s and the other from the start of the 20th century. Both were owned and compiled by Francis and his son FGA Barnard. The collection was donated to the Kew Historical Society over a number of years. The most recent donation by Brenda Johnson includes approximately 50 bottles labelled with the names of a number of pharmacists who ran the dispensary. Of these 34 held pharmaceuticals, 8 food or drink, and 5 miscellaneous.The Brenda and Bob Johnson collection represents an important continuous historical record of pharmaceutical and commercial practice in Victoria in the 19th and 20th centuries. Many of the items warrant additional research. The Kew Historical Society is seeking a suitably qualified and interested researcher to audit, describe and evaluate the collection.A collection of approximately 50 bottles labelled with the names of a number of pharmacists who ran the dispensary started by Francis Barnard in High Street, Kew. Of these 34 held pharmaceuticals, 8 food or drink, and 5 miscellaneous.Various labelschemist supplies, pharmaceutical items, dispensary books, fga barnard, brenda johnson, francis barnard, 167 high street - kew (vic), apothecary jars, medicines & health -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Certificate - The Melbourne Hospital Certificate, Mary Beatrice Josephine Maggs
Mary Beatrice Josephine Maggs (1892-1960) came to Australia in 1914 and was a governess for Mr Alfred Rutter Clarke at his mansion "Merriwa" on Orrong Road, Toorak. Mary returned to England in 1919 and furthered her studies in nursing. When she returned to Australia in 1924 she was head nurse at a number of Hospitals, Private Hospital in Loch, Tatura Bush Nursing Home, Mooroopna.Certificate of Nursing 8 July 1918The Melbourne Hospital - Melbournemaggs mary, medicine, nursing, thompson jean, hospitals, early settlers, pioneers, melbourne hospital -
Greensborough Historical Society
Photograph - Digital Image, Ray White Greensborough, 3 St Helena Road Greensborough [interiors], 2017_
Interior photographs of the house at 3 St Helena Road Greensborough (corner Diamond Creek Road), showing lounge, dining, kitchen and hallway. The house was built in 1920. These photographs are from the Ray White sales brochure 2017. The 4 bedroom property sold in December 2017 for $900,000; previous sales: April 2009, $600,000; June 1981, $36,500; June 1976, $32,500. Digital copy of 8 colour photographs.st helena road greensborough, diamond creek road greensborough -
Greensborough Historical Society
Maps, City of Heidelberg 1989, 1989_05
Map of City of Heidelberg as at 18/11/1994Blueprint, Scale 1km: 8 cmcity of heidelberg, heidelberg -
Greensborough Historical Society
Document - Submission, Anne Paul et al, Banyule Heritage Study 2020 Nominations: Buildings - Greensborough, 2020
Descriptions and photographs of seven early building of historical interest in Greensborough, nominated for the Banyule Heritage Study 2020 by Norm Colvin and Anne Paul on behalf of the Greensborough Historical Society. Buildings include: Stubley building, Genista house, Diamond Valley Community Hospital, Lobb's Cottage, Old Baptist church, railway electrical buildings, swimming pool in Plenty River at Greensborough.8 p., text and colour photographs.historic buildings, banyule heritage study 2020, greensborough -
Greensborough Historical Society
Booklet - Leaflet, Plenty Valley strategic plan, August 1989
A 1989 planning document for the Plenty Valley growth area, as much of it moved from rural to residential zoning.8 p., text and col. illustrationsplenty valley, urban development, plenty river, shire of diamond valley, whittlesea -
Federation University Historical Collection
Object, glass measuring pipettes
These items were used at the Ballarat School of Mines Chemistry Laboratroy, which was dismantled in 2016.8 x glass measuring pipettes chemistry, laboratory, scientific instruments, pippette -
Ringwood and District Historical Society
Envelope, Packet: Ringwood Borough Home Help papers
Home Help (Borough) 8 pages