Recycled paper shopping bags and wrappings on cardboard construction

Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell

half moon bay, elizabeth presa, child, boat, water, poem, bayside city council, public art, scultpure

Alnis Ansons (1928-2015) was introduced to architect Kevin Knight in the lead-up to the opening of the Brighton Municipal Offices in 1961. The architect, on seeing some relief work in the artist’s home, asked Ansons if he would attempt an ambitious 70 square metre work within the council building which would wrap around the lift shaft of the three storey building. The tight deadlines and budgetary constraints imposed on the project impacted on the artist’s process but, in adapting to these limitations, Ansons developed a bold and original technique for producing commercial ceramic works. The mural, which symbolises the people of Brighton at work, worship and play, is constructed from hundreds of individual ceramic casts that have been treated with an engobe, similar to an underglaze, to produce a myriad of colours. The pieces were then fired only once, and grouted with copper grouting from top to bottom, creating a three-dimensional effect on the central column in the council chambers. Ansons was assisted during the installation by his future wife, Ralda, who was tasked with holding the pieces in position as they dried, to prevent them from sliding or shifting.Alnis Ansons, Brighton Council Chambers Mural 1961, ceramic. 750 x 595 cm. Bayside City Council Art and Heritage Collection. Commissioned c. 1960Circular ceramic relief mural around lift well in Brighton Council Chambers. The work begins on the ground floor of the Brighton Library, through to the mezzanine level up to the Chambers. mural, public art, alnis ansons, brighton council chambers, brighton library, ceramic, kevin knight, bayside chambers, bayside city council

Alan Marshall (1902-1984) was an Australian writer, storyteller, social documenter and author of 'I Can Jump Puddles'. He lived for many years in Sandringham. This work was commissioned by Sandringham Council and unveiled in May 1985 at the opening of the new Sandringham library.George Luke, Alan Marshall 1985, bronze. Bayside City Council Art and Heritage Collection. Commissioned 1985Cast bronze head of Alan Marshall. The head is mounted on a cement pedestal with a bronze plaque with inscription at the front. Located at Sandringham Library, Corner Waltham Street and Chalmers Avenue, Sandringham.alan marshall, george luke, scultpure, portrait, bust, sandringham, library, writer, social documenter, australian author

The British Army 14th/20th King's Hussars was affiliated with 20th Australian Light Horse Regiment [date ?] . This affiliation carried over to 8th/13th Victorian Mounted Rifles in 1948 and is now maintained in the affiliation of the Queens Royal Hussars and 4th/19th Prince of Wales's Light Horse following various amalgamations and linkings.Rare example of a gift between British and Australian regiments.Metal figurine on a turned wooded base depicting an hussar. Wraparound inscribed plaque on base."Presented to 8th/13th Victoria (sic) Mounted Rifles by all ranks 14th/20th King's Hussars on the occasion of the presentation of our new Guidon / 12 June 1982"20th light horse, 8th/13th victorian mounted rifles, queens royal hussars, 14th/20th king's hussars

While its provenance is unclear, it is probable that this framed plaster relief was once hung in the Kew Town Hall. While the artist has not yet been identified, it is assumed that the work may be mass-produced from an original copy.Gilded and framed plaster-relief of King George V.Artist initials "J S D" lower rightgeorge v, plaster relief, royal portraits

Modern ArtUnknown. Glengala Walk. n.d, sandstone, Brimbank City Council, Brimbank.carved sandstone plinthsglengala walk, monument, glengala, sunshine west, sandstone

Painted steel

Bronze

Oil on canvas

Concrete and reinforced steel

Painted steel

Marble and alabaster

hand crocheted synthetic film, Japanese bamboo tape, plastic thread over high density foam, synthetic polymer emulsion, cotton rag paper, wire, hidden talismans

) fox: hand crocheted cotton, lamb�s wool synthetic yarns and reflective tape over high density foam, papier mache, wire, mirrored acrylic, cotton fabric and synthetic fabrics, synthetic polymer emulsion and glass beads; 2 5) various fibres; 6) base: enamel gloss paint on fibreglass

Painted bronze

Acquired as winner of the Gippsland Woodcraft Exhibition - Rex Castles Acquisitive Award, 1990Southern Sassafrassgippsland, artwork, permanent collection

Acquired as winner of the Gippsland Woodcraft Exhibition - Rex Castles Acquisitive Award, 1990Blackwoodgippsland, artwork, permanent collection

Purchased, 1999Soft maplegippsland, artwork, permanent collection