Showing 1936 items
matching decorations
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Flagstaff Hill Maritime Museum and Village
Furniture - Cot, Late 19th to early 20th century
Iron beds made from metal or wrought iron have been around since the late 18th century when they were hand made by craftsmen and artisans. The iron castings were always hand poured and originated from sand cast molds, more ornate beds are associated with the Victorian period. Later in the Edwardian era cast iron beds and cots had much less decoration and were quite plain .An relatively early domestic piece of furniture used as a babies cot giving a snapshot into domestic life around the end of the 19th century and beginning of the 20th. The item is not associated with a significant event, person or place and would have been common place in most homes of the time made by many different manufactures.Cot, metal, with chrome knobs and removable sides. Has wheelsNoneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cot, metal cot, iron bed -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'Bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1988 Port Melbourne Festival: Float construction at Station Street carport, 88 Ingles Street: Jan Fly and ?celebrations fetes and exhibitions, public action campaigns, town planning - proposals shelved - bayside, jan fly, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float construction at Station Street carport, 88 Ingles Street: ?, Gary Ways (L), Amelia Finch (C), Anne Callaghan(R)celebrations fetes and exhibitions, public action campaigns, anne callaghan, gary, amelia finch, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'Bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float construction at 88 Ingles Stcelebrations fetes and exhibitions, public action campaigns, town planning - proposals shelved - bayside, anne callaghan, gary way, friends of the park, sandridge city development co pty ltd, scdc, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - Gary Way (L), Michaela Sammit, Marilyn and Gemma Tulloch.celebrations fetes and exhibitions, public action campaigns, gemma tulloch, marilyn tulloch, jan fly, michaela sammit, gary, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - Gary Way (L) , Marilyn Tulloch, Jan Fly (R) and others.celebrations fetes and exhibitions, public action campaigns, gemma tulloch, marilyn tulloch, jan fly, michaela sammit, gary, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - star of the float, Nellie Thackruhcelebrations fetes and exhibitions, public action campaigns, nellie thackruh, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - Jan Fly, Andrea Ellis and Marilyn Tullochcelebrations fetes and exhibitions, public action campaigns, jan fly, andrea ellis, marilyn tulloch, friends of the park, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Preparations for the procession forming by the Raglan Street flats - Nellie Thackruh and Maree Menzelcelebrations fetes and exhibitions, public action campaigns, andrea ellis, friends of the park, nellie thackruh, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float in Bay Street, Robert Frost BBQing, Nellie Thackruh the starcelebrations fetes and exhibitions, public action campaigns, friends of the park, robert frost, nellie thackruh, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float in Bay Street, Robert Frost BBQingpublic action campaigns, celebrations fetes and exhibitions, friends of the park, robert frost, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1988
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1988 Port Melbourne Festival: Nellie Thackruh and Robert Frost with his BBQ on float, on Graham Street overpasscelebrations fetes and exhibitions, public action campaigns, friends of the park, nellie thackruh, robert frost, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Banner and children that preceded the float, at Murphy's Reserve. Jemma Tulloch and Rose Callaghan left foregroundcelebrations fetes and exhibitions, public action campaigns, friends of the park, gemma tulloch, rose callaghan, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float has reached Murphy's Reserve. Nellie Thackruh, Robert Frost, Sheila Callaghan, Jemma Tulloch and Kay Frostcelebrations fetes and exhibitions, public action campaigns, friends of the park, gemma tulloch, rose callaghan, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Float has reached Murphy's Reserve. Nellie Thackruh, the starcelebrations fetes and exhibitions, public action campaigns, friends of the park, nellie thackruh, port melbourne festival -
Port Melbourne Historical & Preservation Society
Photograph - Friends of the Park float, Port Melbourne Festival, Pat Grainger, Feb 1989
This float was created by members of Friends of the Park, a group formed in 1987 against government proposals to turn the railway and reservation into a grand boulevard to service the proposed Sandridge City 'bayside' development. Members worked for months to make the decorations, added to a trailer. During the festival procession sausages were BBQ'd on the trailer and handed out to the crowd. On arrival at Murphy's Reserve all floats were put out of sight, and few saw the results of their efforts.One of 16 colour photos of Friends of the Park float for the February 1989 Port Melbourne Festival: Nellie Thackruh, Jan Fly and Andrea Ellis in background, finishing preparations in Raglan Streetcelebrations fetes and exhibitions, public action campaigns, jan fly, andrea ellis, nellie thackruh, friends of the park, port melbourne festival -
Kew Historical Society Inc
Textile - Circular shot silk throw or shawl, Nineteenth Century
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rust coloured oval, pure silk throw or shawl. The fabric is very fine and decorative rather than functional. There are no joins in the fabric as it is made of one piece. Its cultural provenance is unclear.table cloths, table covers, shawls, throws -
Kew Historical Society Inc
Clothing - Manila de Manton, 1900-1930
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Large black silk fringed shawl (aka piano shawl) that incorporates large areas of pink embroidery. table cloths, table covers, manton de manilas - piano shawls -
Kew Historical Society Inc
Clothing - Black Silk Embroidered & Fringed Shawl, c.1910
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.Fitted black silk cape or shawl, joined at the neck, and incorporating embroidery of the same colour. The item includes extensive, double-row fringing. On examination of the piece, it would appear that it was constructed from a Manila de Manton (piano shawl). It has been provisionally dated to either the late-Victorian or Edwardian periods.fashion and textiles collection - kew historical society, shawls -
Kew Historical Society Inc
Decorative object - George V Jubilee 1910-1935
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity.White crocheted doily that commemorates the twenty-fifth jubilee year of the reign of George V (1910-35)1910 - 1935 / GEORGE V / JUBILEEdoilies - patriotic, commemorative souvenirs, ephemera, george v -
Kew Historical Society Inc
Textile - Fragment of Net and Tulle Fabric, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Length of heavily embroidered tulle with a border detail on three edges and one cut side. The pattern is of flowers and leaves. Machine chain stitch onto net. The floral centres are hand madelace, embroidery, tulle -
Kew Historical Society Inc
Clothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Net jabot with 3 machine made filet inserts. Edged with machine made tape lacelace, women's clothing, jabots -
Kew Historical Society Inc
Clothing - Lace Jabot, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Coffee coloured smaller and larger frills to wear at the neck. Chemical lace daisies sith the net cut away with a punch. The machine was set precisely to repeat the design with lock stitch and then satin stitch around the edgeslace, women's clothing, jabots -
Kew Historical Society Inc
Clothing - Linen Waist Band and Lace Drops, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Curved white cotton band with pin tucked rectangular inset front and back. It curves downward to enable the two bobbin lace panels to hang downwards. Has four crotched buttons. The stiches used are plait stitch, cloth stitch, and mesh stitch.lace, women's clothing -
Kew Historical Society Inc
Clothing - Lace and Net Sleeve Cuffs, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cotton voile sleeves edged with broderie anglais. In poor condition, may have been removed from another garment. Probably hand worked, it is an example of cut worklace, women's clothing, sleeve cuffs, engageantes -
Kew Historical Society Inc
Clothing - Lace Collar, 1950s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. White lace gathered onto tape which can then be sewn onto a garmentlace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Lace Bow, 1920s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream net bow edged with lace, gathered at the centrelace, women's clothing -
Kew Historical Society Inc
Clothing - Lace Collar, 1910s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Lace collar attached to the neckline of a garment. It is narrow over the back , widens at the shoulders and tapers down in a triangular shape to a point on either side at the front. lace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Lace Collar, 1880s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Cream lace collarlace, women's clothing, collars -
Kew Historical Society Inc
Clothing - Silk and Lace Scarf, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Rectangular silk panel edged with lace at either end.lace, women's clothing