One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers of the Quinn Estate in Montmorency, Stage 1, Private Street Scheme during construction, September 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of15) Mount - Kodak Kodachrome CardProcessed 15 Sep1980housing estate, infrastructure, montmorency, quinn estate, roads, private street scheme, reichelt avenue

One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers of the Quinn Estate in Montmorency, Stage 1, Private Street Scheme during construction, September 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of15) Mount - Kodak Kodachrome CardProcessed 15 Sep1980housing estate, infrastructure, montmorency, quinn estate, roads, private street scheme, reichelt avenue

One of a series of images of roads and infrastructure taken by Eltham Shire Council Planning and Engineering officers of the Quinn Estate in Montmorency, Stage 1, Private Street Scheme during construction, September 1982. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35 mm colour positive transparency (1 of15) Mount - Kodak Kodachrome CardProcessed 15 Sep1980housing estate, infrastructure, montmorency, quinn estate, roads, private street scheme, reichelt avenue

Booknon-fictionFollowing an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.art history, criticism, gender, contemporary, feminism, joan mitchell, judy chicago, faith ringgold, louise bourgeois, adrian piper, eva hesse, performance

Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong

Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania

Used in Mobile Intensive Care Ambulances (MICA) 1, 2 and 3 during the 1970s and 1980s. These units were effective and reliable. Paramedics were happy, however, when they were replaced by the Lifepak 5 as the new unit was much lighter and smaller. Source Ian Donaldson AHSV assistant curator. This particular item was donated to Ambulance Service Melbourne by the Collier Charitable Fund. Cream and brown plastic medical equipment with carry handle.PHYSIO-CONTROL PRESENTED TO AMBULANCE SERVICE - MELBOURNE BY COLLIER CHARITABLE FUND collier charitable fund, paramedic, mica

presented to staff to mark the official opening of the Doncaster headquarters. Given to Laurence Spelling. Laurie Spelling joined the ambulance service in the early 1970s and completed various training courses at the Ambulance Officer's Training Centre. He was employed by the Peninsula Ambulance Service and later qualified as a paramedic and was MICA coordinator. In the period 1999-2003 he was area manager for Rural Ambulance Victoria.Bronze circular medallion in plastic case. presented to staff to mark the official opening of the Doncaster headquartersdoncaster, laurie spelling, laurence pearce spelling

Givaway promotionl item used for Ambulance Week in 1996. Given to Laurence Spelling. Laurie Spelling joined the ambulance service in the early 1970s and completed various training courses at the Ambulance Officer's Training Centre. He was employed by the Peninsula Ambulance Service and later qualified as a paramedic and was MICA coordinator. In the period 1999-2003 he was area manager for Rural Ambulance Victoria.White plastic puzzle with movable parts. Features caricature of ambulance office in slouch hat. presented to staff to mark the official opening of the Doncaster headquartersambulance week, membership, laurie spelling, laurence pearce spelling

Photograph shows Ballarat 21 descending the Lydiard St Hill at the Seymour St intersection, about the enter the loop. On the left can be seen a Forest City signal, and on the right part of the North Star Hotel, The tram has the destination of Sebastopol. In the background is a milk bar advertising The Sun, Herald and Peter's Ice-cream. Photographer unknown. Late 1960's or early 1970s.Yields information about tram 21 and tram services in Lydiard St North.Black and white print on paper.tramways, ballarat, lydiard st nth, seymour st, tram 21, north star hotel

Produced to celebrate a person being a member of the Transport Health Fund for 50 years. The fund started as the Tramways Benefit Society (a Friendly Society) in 1888 and was renamed during 1980s first as the Transport Friendly Society and then Transport Health. It was absorbed by HCF on 1/11/2021. Badge provided to Fred Turner, Inspecting Foreman (Rolling Stock) of the MMTB during the 1970s and 1980s.Tells part of the story of the Transport Industry health benefits funds.Badge - Metal - die stamped with Transport Health logo - enamel paint - green, gold and white with a lapel pin clip on the rear.tramways, tfs, friendly society, transport health, badges, benefit society, medical

Photo shows the horse drawn MMTB cable drum carrying wagon at the TMSV Museum at Bylands, mid 1970s. Has the MMTB identification, address and mass details painted on the vehicle. Behind the wagon is a Furphy water cart. Used to carry and distribute cable including overhead. Photo of the vehicle can be seen on page 68 of the book Destination City 3rd Edition.Yields information about the MMTB cable drum carrying wagon at Bylands.Photograph - MMTB horse drawn cable drum wagon at the TMSV Bylands Museum On rear in ink. TMSV – Horse drawn cable drum wagon at Bylands (Also Furphy water tank), Keith Kings photo. tramways, tmsv, bylands, horse drawn vehicles, overhead, cable drum

Neil Wishart, born 1828 in Scotland, established a blacksmith's business at this site in Linton around 1858. Part of the original forge building can be seen on the left of the photograph. The extension to the original building which is the main focus of this photograph was added at an unknown later date. This building was still being operated as a forge by the Wishart family in the 1970s. This photograph was taken by Gary Hunt in 2014.One of three colour photographs printed on a single sheet of photographic paper. The photograph shows an unpainted weatherboard building with several small-paned windows and a double door which appears to have been built from wooden planks. The building has a somewhat rusted corrugated iron roof.wishart's forge, linton forge

Bacchus Marsh State School No. 28. The number of pupils in 1883 was 172. The school has undergone a number of name changes over the years. It began as the Bacchus Marsh National School in 1850 and at the time this photo was taken it was known as Bacchus Marsh State School. Since the 1970s it has been known as Bacchus Marsh Primary. It is officially recognised as the oldest government school in Victoria.This image is important as an early depiction of the first state school in Victoria, and is one of the two earliest images of this school. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. Photograph of a six-gabled school building with a large assembly of pupils and teachers in an outdoor setting. There are four adults, probably the teaching staff.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, schools, bacchus marsh state school. no. 28.

In the 1880s Mrs Sarah Ann WAITE ran a store in Nott Street a few doors up from Rouse Street. This item was passed on to Nancy U'REN with a small number of items relating to the Turnbull family with an early 1970s note from Suzanne GORDON, great-granddaughter of Barbara Annie TURNBULL nee GOULD, wishing Nancy good luck with her work on Sandridge.Sepia photograph showing several people standing outside Waite General Dealer and Miscellaneous Store."B Turnbull", "Port Melb", "Sandridge" and "60 years" hand-written in pencil on reverse.built environment - commercial, nott street, sarah ann waite, nancy u'ren nee morris

The first four photographs were most likely taken in the 1960 and the fifth in the 1970s at the Army Survey Regiment, Fortuna, Bendigo. As there are no annotations with the photos, the exact dates, locations and names of personnel are unknown. SGT Bob Scaddan appears in the fifth photo taken in the 1970s Photos .1P and .2P. could have been taken in Lithographic Squadron’s retouching room and Photos .3P, .4P and .5P. were probably taken in Cartographic Squadron’s Correcting Section, located in the Attic. Retouching mainly entailed the application of liquid opaque (Plumtree), commonly known as “duff” to cover blemishes such as scratches and spots on film negatives before photographic exposure. Retouching technicians also used specialised techniques such as “needling” to repair faults on the emulsion of map reproduction material. The technician in photo .4P is needling a hydrographic feature on a drainage negative, with a zoom transfer scope projecting a scaled projected aerial photograph as a positional reference. This is a set of five photographs of technicians retouching reproduction material at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1960s. unidentified personnel in Lithographic Squadron. .2) - Photo, black & white, c1960s. unidentified personnel in Lithographic Squadron. .3) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic. .4) - Photo, black & white, c1960s. unidentified personnel in Cartographic Squadron Attic. .5) - Photo, black & white, c1970s. SGT Bob Scaddan in Cartographic Squadron..1P to .3P, .5P - annotated “Retouching”royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, carto

Ruyton Girls' School was founded in 1878 and celebrated it's centenary in 1978. The souvenir tea spoon was part of a range of celebration merchandise offered to the school community.Souvenir teaspoon with a decorative circular medallion at the end of the handle. The medallion features the Ruyton Girls' School 'Old English' R crest in gold and blue enamel. The tea spoon is presented in a clear plastic rectangular presentation case lined with blue card. The case has a circular gold sticky label with text; "Ruyton Remembers 1878-1978".Tea spoon: 'R'; 1978 Case lining: Stokes Sticker: Ruyton Remembers 1878-1978 ruyton girls' school, kew, centenary, old ruytonians' association, 1970s, 1978, spoon, souvenir, private school, selbourne road

St. Marys Catholic Church is now known as Our Lady of Mt. Carmel in Macedon Street, Sunbury. From information written on the back of the photograph it was believed to be the Presbyterian Church Bulla. This being the case, it was relocated because of the construction of the International Airport. Sir Henry Winneke probably re-opened the Bulla Church on 24 November 1975.A black and white photograph of a blustone church behind a picket fence known as St. Marys Catholic Church Sunbury but has been incorrectly labelled as St. Marys Catholic Church Bulla.top LH corner on piece of paper pasted and type written : St. Marys Church Bullast mary's catholic church, our lady of mt carmel church, churches, sunbury, bulla, macedon street, winneke, henry (sir), 1970s, george evans collection

dior, exhibition, national gallery of victoria, ngv international, fashion, designer, gowns, dress, 1970s, 1980s

This dress belonged to Brighton local Paula Folks, who wore it to her niece's wedding at St John's, Toorak in 1970. It also bears a second connection to Brighton through the label, Elegance, a Flinders Lane fashion house co-owned by Rudy Brill and Brighton resident Robert Salter. Paula was a longtime manager and owner of Pearl's Boutique, a well-known local fashion boutique established by Elsebe Wilhelmine Wills and Pearl Murray in 1965. The two friends had grown up together in Horsham, and decided to go into business together after reading in Fashionweek that women in their thirties, forties, fifties and older had trouble finding young-looking styles. Setting out to fill this gap in the market, they established a store at 240 St Kilda Street, near the Brighton Yacht Club, with Elsebe handled the buying while Pearl fronted the shop. They moved to 40 Church Street, Brighton in 1967. Paula joined the business as a manager in 1968, became a partner in 1971 and took over from the original owners in 1988. When she closed the boutique in 2005, she donated a number of garments to Brighton Historical Society. Reflecting fondly on her 38 years at Pearls, she told The Age, "I have enjoyed all my days here because people are special to me. I love fashion. It's been a pleasure to dress people, to make them look good and feel pleased with themselves."Cream terylene chiffon dress with all-over daisy appliqués. High band collar with v-shaped scoop at back. Sheer long sleeves with gathered cuffs.Label: "miss Elegance / TERYLENE".pearl's boutique, pearl's of brighton, paula folks, 1970s, flinders lane, melbourne designers, robert salter, rudy brill, miss elegance, elegance

Lake Pertobe in Warrnambool is a former swamp area which was transformed into a recreational area and children’s playground in the 1970s. The reserve is a popular spot for bird watching with over 80 species found in the vicinity. The brochure on Lake Pertobe’s birds had been produced by BirdLife Warrnambool, part of BirdLife Australia, an independent, not-for profit organisation aiming to protect our birdlife and disseminate information on Australian birds. This is an important little brochure as it contains information for locals and tourists about the birdlife in Lake Pertobe, one of the best-known and best-loved spots in WarrnamboolThis is an A3 sheet of paper printed on both sides and folded three times to form a brochure. It contains colour photographs of birds, two maps and information about BirdLife Warrnambool and BirdLife Australia and the logo of Birdlife Warrnambool.Front Cover: ‘Birds of Lake Pertobe, Warrnambool, BirdLife Warrnambool, Birds are in our nature’ lake pertobe, birdlife warrnambool, warrnambool

One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads

One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads

One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads, gordon grove

One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads

One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads, gordon grove

One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads

One of a series of images of road infrastructure focussed on Adam Crescent in Montmorency taken by Eltham Shire Council Planning and Engineering officers. They provide perspective of the changes in housing styles and road development that began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions. All images have been identified with GPS though house numbers have changed35 mm colour positive transparency (1 of 21) Mount - Kodak Kodachrome CardProcessed Feb 1981adam crescent, infrastructure, montmorency, roads