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Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
... the cards, which were miniature works of art and served as little ...These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections -
Whitehorse Historical Society Inc.
Booklet - City of Whitehorse Art Collection, 2003
... A history of the art collection of the City of Whitehorse... Mitcham melbourne A history of the art collection of the City ...A history of the art collection of the City of Whitehorse 2003A history of the art collection of the City of Whitehorse 2003A4, 40p booklet and catalogue included in colour of the City of Whitehorse Art Collectioncity of whitehorse, art, art galleries -
Rutherglen Historical Society
Pamphlet, 1981 (Exact)
This pamphlet describes the book, with a mail order section.Pamphlet, foolscap, folded in three, printed both sides, advertising a book "The History of Rutherglen and East Kilbride" by David Ure, A.M. 1793, with drawing of Seal of Rutherglen on front. Part of a set of information on Rutherglen, Scotland.glasgow, rutherglen scotland -
Dandenong/Cranbourne RSL Sub Branch
Decorative object - Trench Art, 1940's trench art
WWII historyCylindrical containers (trench art) silver in colour with gold clover leaves on the sides made by William CurtisNil -
Dandenong/Cranbourne RSL Sub Branch
Brass ashtray, G.E. Section, 106 Field Workshop, 1970
Linked to Cfn R.R. Clarke. Vietnam War History.Ashtray made of brass with a medium size shell cartridge in the middle and 2 smaller size bullet shells attached to the cartridge. The brim of the astray lifts off the main body. (Trench art).Presented to Cfn R.R. Clarke from G.E. Section, 106 Fd Wksp, Nui Dat. South Vietnam 13-8-70 is inscribed on the side. -
Ballarat Heritage Services
Ceramic, Platters by Bern Emmerichs
Bern EMMERICHS (1961 - ) Bern Emmerichs is a trained painter who has adopted clay surface as her canvas. She completed a Diploma of Fine Art at Phillip Institute of Technology, Melbourne in 1982. She became interested in clay as a medium while renovating her house and now paints on tiles, vessels and platters, as well as working in mosaic. A founding member of 'Whitehall Enterprises', a group of about six artists who together rented an old factory in Whitehall Street, Footscray from 1987 to 1990. In 2000-2002, Bern spent two-years travelling, working and exhibiting in Europe, based for most of the time in Kamp-Lintfort, Germany. Recently she has been exploring imagery related to Australian colonial history. Her works are signed with a painted 'Bern Emmerichs'. Two platters decorated by Bern Emmerichsbern emmerichs -
Unions Ballarat
Camp Street, Ballarat from Eureka to Federation : a guide to its history and buildings, 2001
A guide to the history of Camp Street Ballarat and its historical buildings. Camp Street has been the location of Unions Ballarat since 1887 - a chapter of the book is dedicated to Trades Hall - and was the home of the former labour newspaper, the Evening Echo. Camp Street was the site of the government camp at the time of the Eureka Stockade. Camp Street is now recognised as an Arts and Education precinct within the city of Ballarat. Headings: Gold fever The CAMPSTREET Project Titanic Bandstand Old Ballarat Free Library Complex "Point to the sky" "Perseus" Former government offices and court house Old Ballarat Court House Alfred Deakin Place Old Police Station (Ballarat Fine Art Gallery) Ballarat Fine Art Gallery Millennium Extension Bluestone Warehouse (Pratt's Warehouse) Old YMCA building Wilson House Ballarat Office Systems Ballarat Trades Hall The ANA Building Freemason's Hall Former Ballarat Trustees and Executors Agency Co. Ltd. Restaurant Former Evening Echo Building Ballarat Savings Bank (now The Ballarat Business Centre) Significant to the history of architecture and social life within the city of Ballarat. Direct relevance to Unions Ballarat building.Book; 48 pages. Cover: blue background; colour photos and maps pertinent to Ballarat; white lettering; title and compiler's name. btlc, ballarat trades hall, ballarat trades and labour council, evening echo, ballarat savings bank, ballarat business centre, freemason's hall - ballarat, ana building - ballarat, ballarat - camp street, wilson house - ballarat, ballarat office systems, ymca building, pratt's warehouse - ballarat, ballarat fine art gallery, old police station - ballarat, alfred deakin place, old courthouse - ballarat, perseus, point to the sky, old ballarat free library complex, titanic bandstand, campstreet project, gold mining - ballarat, architecture - history - ballarat -
Unions Ballarat
The Right Hon W.E. Gladstone (Don Woodward Collection), Reid, Stuart J, 1923
WE Gladstone was a Liberal Party Prime Minister in Britain from 1868 and ending in 1894. He introduced many pivotal changes including the secret ballot, equality of opportunity, free trade, and laissez-faire economics.Political, historical and biographical interest - Victorian England.Book; 289 pages. Cover: red background; gold lettering; author's name and title.Inside: stamp "Gilbert N Cassidy, 42 Minchinbury Tce, Marion, South Australia, 5043". Inside: typewritten pasted note - "If thou art borrowed by a friend, Right welcome shall be to read, to study not to lend, but to return to me. Not that imparted knowledge doth dimish learning's store, but books I find when once they're lent, return to me no more."btlc, ballarat trades and labour council, ballarat trades hall, gladstone, we, prime ministers - united kingdom, politics and government, biography, history - united kingdom -
Unions Ballarat
Strange Birds in Paradise : A West Papuan Story, Nicolai, Jamie, 2009
Blurb from the back: While the Indonesian army continues to dominate the indigenous inhabitants of West Papua, Hill-Smith records the fate of West Papuans trying to maintain village life against a backdrop of covert military violence. In the West Papuan highlands, Hill-Smith - an Australian writer, cartoonist and comedian - hears stories of escape, oppression and exile and listens to the defiant songs of murdered musician and independence hero Arnold Ap. Together with friends Donny Roem, a recent exile, and Jacob Rumbiak, a child soldier in the West Papuan resistance movement, Hill-Smith returns to Melbourne to record outlawed folk songs with renowned Australian rock musicologist David Bridie. An extraordinary story of an imaginative, adaptable culture confronting tyranny with the joyful power of art, music and self-expression.Relevant to the history of West Papua and the Indonesian military presence and violence. Use of music to draw attention to the issues faced by West Papua.DVDFront cover: Title, rating (M), picture of winged West Papuan Man with guitar, "Winner Best Doco SBS IF award 2010". Back cover: Precis of content, website for producer company, names of contributors, directors, editors, etc.btlc, ballarat trades and labour council, ballarat trades hall, west papua, indonesia, war, songs, animations, military violence -
Bialik College
Exhibition Panel, 70th Anniversary: The Besen Family Art and Technology Centre, 2012
Panel from the exhibition held to celebrate the College's 70th anniversary in 2012. Artwork by Samantha Worth, Year 9, and Leesa Snider, Year 11, 2011. Please contact [email protected] to request access to this record.visual and performing arts, history, 2000s -
Ballarat Heritage Services
Lisa Gervasoni, Understanding Ballarat's Heritage Education Kit
A CD-ROM education package providing information on: VELS History 4 – Ballarat's heritage can tell us about key events such as Eureka, democracy, gold rushes, federation. Deakin was the member for Ballarat and was involved in the development of the Fine Art Gallery. - Ballarat’s goldfields were very multicultural in comparison to Ballarat today. Chinese made an impact on the goldfields – miners, mining techniques and in medical treatments. VELS History 5 – Eureka – what did that say about governance and justice in the 1850’s. - Working conditions and unionism .. Why would work safety and working hours be important to Ballarat. What was life like 100 years ago – what work did people do, how were domestic tasks undertaken, how was travel undertaken). culture and art – what aspects / collections tell us about life in Ballarat. (note the focus is not on medieval times but the early years of Ballarat – lessons of change and continuity still apply) VELS History – 6 – Eureka and democracy Gold rushes and development of tools and skills Trade unions and work conditions Remembrance of war Early multiculturalism Changes in technology – medical, educational, communications Technological changes made by Ballarat or Ballarat residents ballarat heritage, city of ballarat education kit -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1990
Photo appeared in Lakes Post Newspaper page 16, 12 September 1990.Black and white photograph of students Michael Donnison and Andrew Lethlean at Bruthen Primary School showing their wall art during Education Week. Bruthen Victoriaschools -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/10/2016 12:00:00 AM
Colour photograph of LERHS members Judy Davies and Rosemary Douglas with author Don Love at East Gippsland Art Gallery at opening of Our Maritime History exhibition Bairnsdale Victoriaexhibition, clubs, historical society -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper
Black and white photograph of Rachel Mullett Ricky Mullett and Mrs Corn Gilsenen Waters of Metung displaying Aboriginal artwork at Art Gallery Bairnsdale Victoriaaboriginals, arts, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper
Black and white photograph showing John Atkinson, Val Heap and Rachael Mullett at a display of Aboriginal photographs at Art Gallery Bairnsdale Victoriaaboriginals, arts, exhibition -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/06/1950 12:00:00 AM
Also a black and white photograph of the prize car Austin A 40 outside the RSL club rooms at the Mechanic Institute Hall 04738.1 11 x 14 cmBlack and white photograph of Mr Mann receiving first prize in Art Union draw in photoi are L to R J G Gray Pres, J Bayliss Sec, G Reid Treas G Graham Hon Organiser, Mr Mann, W Jennings VP, E Carstairs VP, V J Carstairs, J Bulmer, ET Harbeck taken at Lakes Entrance Victoriahouses, land settlement, waterways -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph
Black and white photograph of Val Pilgrim and Barbara Hughes at Berry Farell stall Bruthen Parish Fair Art and Craft weekendreligion -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/01/1992 12:00:00 AM
Also two other black and white photographs of Rodney Streeter taken at the Art Show January 1992 and January 1993 numbers 04070.1 and 04070.2 sizes 13.5 x 7.5 cm and 8 x 11 cmBlack and white photograph of chain saw artist Rodney Streeter at Rotary Art Show held at the Old Mechanics Hall Lakes Entrance Victoriasports -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 4/04/1991 12:00:00 AM
Black and white photograph at Woodsedge Art Centre Colour Gang Art Show Frank Powell Richard Peach ABC radio Sale Grace Jobling Pres Newayung Debbie Heystratten Stephen Smith Lawrence Licctone Lakes Entrance Victoriaarts, exhibition -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, M Fish, 1980c
Marie Fish too the photograph after asking Neil Douglas to open the Lakes Entrance art Group ExhibitionColour photograph of Neil Douglas artist painting a scene towards the entrance of Lakes Bunga Victoriabusinesses, arts, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/07/2002 12:00:00 AM
Also another colour photograph taken of glass art by Tricia Allen of Hot House Studio three clear glass figurines Nudettes on exhibition at Gary McEwan Gallery St Kilda July 2002 number 04074.1 size 10 x 15 cmColour photograph of a pair of glass vases blown by Tricia Allen of Hot House Glass Studio exhibition at Garry McEwan Gallery St Kilda titled Daria's Sisters St Kilda Victoriaarts, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/03/2001 12:00:00 AM
Utas textile exhibition was showing in the Art Space at the Information CentreColour photograph of Uta Wohl with local MP Craig Ingram outside LE Visitors Information Centre Lakes Entrance Victoriaarts, businesses -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1994
Black and white photograph of Peta Creighton Art Director and Owen Piggott at Artworks Gallery Nungurner Victoriaarts, businesses -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, M Fish, 1980
Colour photograph of Marie Fish at Art workshop exhibition at RSL Hall Lakes Entrance Victoriaarts, exhibition -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, M Fish, 1980
Colour photograph of Leah Elsum at the Art exhibition at the RSL Hall Lakes Entrance Victoriaarts, exhibition -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1980
Also a colour photograph of artwork by Meika Koning at the art exhibition held at RSL Hall Lakes Entrance 1980 number 04082.4Colour photograph of Renata Griebe at art exhibition held at the RSL Hall Lakes Entrance Victoriaarts, exhibition, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Bairnsdale Advertiser, 1988
Black and white photograph of two foundation members of art workshop Marie Fish and Maisie Byrne cutting the tenth anniversay cake at LEAWS Art Show at the Mechanics Hall Lakes Entrance Victoriaarts, exhibition, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/09/1990 12:00:00 AM
Black and white photograph of members of Art Group Margaret Walker Lois Dilks and teacher Jan Long at work painting towards Art Show Lakes Entrance Victoriaarts, people -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/09/1990 12:00:00 AM
Black and white photograph taken of members of the Art Workshop Harry and Lois Dilks Elaine Butcher Joan Waites and Allison P Lakes Entrance Victoriacraft group -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/09/1990 12:00:00 AM
Black and white photograph of members of the Art Workshop Linda Howdon obscured Raina Geisha Nancy Scott Diane Armstrong of Lakes Entrance Victoriaarts, exhibition