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Whitehorse Historical Society Inc.
Domestic object - Spoon, c1900
Silver plated jam spoon - flower decoration with Apostle on end of handledomestic items, cutlery -
Whitehorse Historical Society Inc.
Functional object - Dolly
Bought at auction for the collection by donorGalvanised cone on the end of 25cm stick for stirring clothes during launderingdomestic items, laundering -
Whitehorse Historical Society Inc.
Tool - Wheelwright's Spanner, c1920
Hand forged steel, used for tightening grease cap to end of axle.rural industry, farm machinery, trades, wheelwrighting -
Rutherglen Historical Society
Board
Relates to 25.2 & 25.3Side of wooden box, nails in end. Manufactured of pine wood, unfinished"To be Kept / Vestas / Perfectly Dry / H.Q. Blue"vestas matches, advertising -
South Gippsland Shire Council
Table, Low, 1999
Redgum low table with bookmatched ends. Features a slatted shelf underneath. -
Glenelg Shire Council Cultural Collection
Clothing - Stole, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Black fringed stole. Silk Georgette. Large fringe at both ends. -
Glenelg Shire Council Cultural Collection
Slide - Slide - Construction Portland/Cashmore Airport, c. 1980
Coloured slide. Front end loader being loaded on to a semi-trailer. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Fawthrop Lagoon, n.d
Port of Portland Authority Archivesport of portland archives, fawthrop lagoon -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Fawthrop Lagoon, n.d
Port of Portland Authority Archivesport of portland archives, fawthrop lagoon -
National Vietnam Veterans Museum (NVVM)
Film - Film, DVD, Vietnam revisited: Vietnam three decades on (by unknown)
Documents the life of Vietnamese people three decades after the war endedvietnam - history -
Whitehorse Historical Society Inc.
Pattern Marker
Black handle with wheel at one end to mark material from patternshandcrafts, equipment -
Port Fairy Historical Society Museum and Archives
Tool - axe head
aboriginal stone axe head found on Jack Bourke's property (Albert Road) January 1972Stone axe head. Hole at one end and groove made for twinelocal history, ethnographic material, hunting, fishing, gathering, stone, aboriginal -
Whitehorse Historical Society Inc.
Furniture - Bed - small
Small iron bed suitable for child. Iron lattice at both endsfurniture, domestic-nursery -
Montmorency/Eltham RSL Sub Branch
Equipment - Mess Tin, 1939
The mess box ( 0089.2 ) is one of two issued with the partnering box referenced at 0089.1Aluminium Mess Tin with metal movable handle attached to one end.Inscribed to aluminium plate affixing handle to box “ C & B 1939 “ with arrow pointing upwards. -
Whitehorse Historical Society Inc.
Furniture - Bed Double
Bed was restored by George Cox - former committee member.Wooden double bed. Four ends are rounded and on castors. Mahogany in colour.furniture, domestic -
Tatura Irrigation & Wartime Camps Museum
Cradle, January 1940
Creator Walter Kiessling was interned in September 1939, leaving his pregnant wife, Rosa, alone in Melbourne. After visiting Walter in Dhurringile Interment Camp and then Camp 1, wife Rosa then appealed to Camp 1 Commandant Major Schrader for permission to have Walter visit her and the baby in hospital under guard escort. Soon after, permission was given to take the baby to Camp 1 for a christening with a Lutheran Pastor. While inside Camp 1, Walter and his internee friend Rudolf Schultz crafted the cradle for the baby.Wooden cradle with painted floral decorations and heart shaped holes in the ends.INTERNMENT CAMP TATURA AUSTRALIA JANUARY, 1940kiessling, cradle, woodwork, internment camp woodwork, major schrader, walter kiessling, rudolf schultz -
Trafalgar Holden Museum
Functional object - Leather belt
Belt worn either around the waist or across body, to carry ammunition pouchesas manufactured by Holden and Frost Brown leather strap with holes each end, brass buckle midwaymilitary, belt, ammunition -
Flagstaff Hill Maritime Museum and Village
Fender
Rope fender with chain each end & 2 chains around centreflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Vision Australia
Functional object - Object, Enschenbach, Stand magnifier
A stand magnifier or loupe is a small magnification device used to see small details more closely. Unlike a magnifying glass the loupe doesn't have a handle but stands on the page to enlarge text or images. The lens is cylindrical and protected by casing. They are often used by jewellers and are held close to the eye. Clear plastic tube with magnifier at one end and attached to a red cordassistive devices, ecshenbach -
Clunes Museum
Award - AWARD RIBBON
ROYAL BLUE FELT RIBBON, GOLD WRITING, GOLD FRINGE ON ENDSCLUNES & DISTRICT AGRICULTURAL SOCIETY 1975 MOST VALUABLE FLEECEclunes show, 1975, most valuable fleece -
The Beechworth Burke Museum
Functional object - Silver Vesta Case, David & Lionel Spiers, 1885
Vesta cases, also known as match safes, are small boxes that are used to carry matches and keep them safe from the elements. In the early 1800's, it was common to carry matches, since some type of portable fire was needed to light lanterns and stoves. The matches of that day were crude compared to today's standards, and were known to light when making contact with each other, and sometimes even spontaneously. In order to alleviate this potentially hazardous situation, it made good sense to utilize a Vesta case or match safe. One of the more interesting features of the vesta case or match safes is that they almost always include some type of rough or ribbed surface, usually on the bottom of the case that is used for striking the matches. This vesta case is a portable pocket vesta. These cases take their name from the virgin Roman goddess of fire, home, hearth and family. Usually Vesta was depicted as the fire in her temple. Only Vestals (her priestesses) were allowed into her temple. Her association with fire made her name the natural choice for British companies that manufactured matches. The hallmarking of sterling silver is based on a combination of marks that makes possible the identification of origin and age. The town mark identifies the Assay Office where the item was verified. The town mark on this piece is an anchor, so it is from Birmingham, England. The lion passant certifies the silver quality, as at least 925. The maker's mark, identifying the silversmith presenting the piece to the assay office is D&LS for David and Lionel Spiers. The date letter identifies the year the piece was verified, this item was verified in 1885. Lionel Spiers was a significant figure in the Jewellery Quarter and in 1906 was chairman of the Jewellers and Silversmiths Association. The item also has NHILL 1928 engraved on the front, this is likely a recent addition to the piece. Nhill is a town in Victoria so it could be that the previous owner lived here or it was gifted in commemoration. The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.Silver vesta case with ribbed strike plate at the end and an etched design. D&LS/ lion symbol/ anchor symbol/ l/ Sovereign head/ [hallmarks] CHH/ NHILL 1928/ [obverse inscription] A01198/burke museum, silver, vesta, fire, silversmiths -
Bendigo Historical Society Inc.
Book - REPORT OF THE MINING SURVEYORS AND REGISTRARS 30TH. JUNE 1877, 1877
Report of the mining surveyors and registrars, quarter ended 30th June 1877.gold mining, miners' safety cage, registrars and surveyors report, gold, gold mining, registrars, surveyors -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s - set of 2, Keith Kings, 14/07/1951 12:00:00 AM
Black and White prints contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Set of two photographs of Bendigo 22 decorated for the Centenary of the discovery of Gold Celebrations inside the depot on 14-7-1951 by Keith Kings. .1 - a side view of the tram in side the depot. .2 - an end view of the tram On the rear in blue ink .1 - "SEC Bendigo No. 22 decorated for "Gold" celebrations 1951, side view / 14.7.51" .2 - "SEC Bendigo No. 22 decorated for "Gold" celebrations 1951, end view / 14.7.51". Both have the K. S. Kings copyright stamp in the top right hand corner, and the numbers E(w)(vi) and E(w)(v) written in respectively.trams, tramways, bendigo, gold, gold centenary, gold tram, depot, tram 22 -
Federation University Historical Collection
Book, 'Manual of Orchestration' by Hamilton Clarke, 1888
Percy Code was the elder son of Edward Thomas Code, one of Australia's foremost bandmasters of the early 1900s.Red hard covered book, 100 pages, with gold lettering title on coverEdwd. Code Elsternwick 1891 (left hand side front end paper) 15 27 9 14 33 (right hand front end paper), Some pencil markings inside near textmusic, wright, curwen, orchestration, code, edward code, 1891 -
Bendigo Military Museum
Book - BOOK - JAPANESE PRISON CAMPS WW2, Rohan D. RIVETT, "Behind Bamboo", 1947 (First published May 1946
"BEHIND BAMBOO" "An Inside Story of the Japanese Prison Camps" Author - ROHAN D. RIVETT "War Correspondent Prisoner of War, on the Burma-Siam Railway"Hard cover book. Cover - cardboard, light orange buckram with red and white print on front and spine. 400 pages - cut, plain, off white paper, illustrated - black and white and colour illustrations. Front end papers - owner's name, owner's stamp, book seller's label. Price notation.Front end papers - Owner's name - handwritten, black pen, "O.PELL / 7 VIOLET ST/ BGO" "M. PELL/ ORBOST" Owner's stamp - black ink "BENDIGO DISTRICT RSL SUB BRANCH INC/ PO BOX 42/ LONG GULLY 3550. Book seller's label - silver on black background A.J. DIGBY/ BOOKSELLER AND STAT (?)/ BAIRNSDALE" price notation - grey lead pencil "$10/ DMTY"books, military history, ww2, japanese prison camps -
Federation University Historical Collection
Object - Tool, King & Peach, Hull Wooden Plane
Used at School of Mines Ballarat Antique wooden plane made by King & Peach, Hull United KindomOwners names J. Tinkler, L. Woodward and T. Williams embossed on one end.antique plane, king & peach, hull, ballarat school of mines, j. tinkler, l. woodward, t. williams -
Flagstaff Hill Maritime Museum and Village
Tool - Plane, 1819-1901
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden objects. Traditionally, moulding planes were blocks of wear-resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other workers to pull the plane ahead of the master who guided it. Company History: The Holtzapffel dynasty of tool and lathe makers was founded in Long Acre, London by a Strasbourg-born turner, Jean-Jacques Holtzapffel, in 1794. The firm specialized in lathes for ornamental turning but also made a name for its high-quality edge and boring tools. Moving to London from Alsace in 1792, Jean-Jacques worked initially in the workshop of the scientific-instrument maker Jesse Ramsden, Anglicizing his name to John Jacob Holtzapffel. In 1794 he set up a tool-making partnership in Long Acre with Francis Rousset and they began trading under the name of John Holtzapffel. From 1804 he was in partnership with the Mannheim-born Johann Georg Deyerlein until the latter died in 1826, trading under the name Holtzapffel & Deyerlein. Holtzapffel sold his first lathe in June 1795, for £25-4s-10d, an enormous price at the time. All of Holtzapffel's lathes were numbered and by the time he died in 1835, about 1,600 had been sold. The business was located at 64 Charing Cross, London from 1819 until 1901 when the site was required "for building purposes". The firm then moved to 13 and 14 New Bond Street and was in premises in the Haymarket from 1907 to 1930. John's son, Charles Holtzapffel (1806–1847) joined the firm in 1827, at around which time the firm became known as Holtzapffel & Co. Charles continued to run the business after his father's death. He wrote a 2,750-page treatise entitled Turning and Mechanical Manipulation, published in 1843 which came to be regarded as the bible of ornamental turning. The final two volumes were completed and published after his death by his son, John Jacob Holtzapffel (1836–1897). When Charles Holtzapffel died in 1847 his wife Amelia ran the business until 1853. John Jacob II, the son of Charles and Amelia, was head of the firm from 1867 until 1896. A nephew of John Jacob II, George William Budd (1857–1924) became head of the firm in 1896. His son John George Holtzapffel Budd (1888–1968) later ran the business. By the early twentieth century, ornamental turning was going out of fashion, and the firm sold its last lathe in 1928. A vintage tool made by a well-known firm made for firms and individuals that worked in wood. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture or other items this had to be accomplished by hand using one of these types of planes. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Moulding Plane Holtzaffel 64 Charing & Owner J Heath 9/16" marked opposite endflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, plane, j heath -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Moulding Plane, 1832-1864 made in London
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about J Budd is that he was a tool maker and retailer that operated a business in London between 1832 to 1864. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool made by a known maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the early to mid 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane J Budd London maker & No 6, opposite end Stamped J Heath (owner)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, j budd -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Moulding Plane, 1832-1864 made in London
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about J Budd is that he was a tool maker and retailer that operated a business in London between 1832 to 1864. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool made by a known maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the early to mid 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item. Moulding Plane J Budd London & No 8 opposite end also Stamped J Heath (owner)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, j budd -
Flagstaff Hill Maritime Museum and Village
Book, Fishes of Australia and Their Technology
Fishes of Australia and Their Technology Author: T C Roughley, Economic Zoologist Publisher: Government Printer Sydney N S W Date: 1916 Pastedown end page has sticker from Warrnambool Mechanics Institute and Free Librarywarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, fishes of australia and their technology, t c roughley