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Vision Australia
Award - Object, Lega Pty Ltd, Vision Australia Foundation Tilly Aston Award: 25 Year Award, 2000-2002
To honour 25 years of service provided, a silver coloured medallion inset to a wooden column was awarded to individuals. On the front is a cameo of a woman (Tilly Aston) wearing a pendant and an old-fashioned ruffled blouse. Around the outside is written 'Vision Australia Foundation Tilly Aston Award' and below this '25 Year Award'.1 maroon wooden stand with silver tone inlaid medallion, with illustrations25 Years Awardvision australia foundation, awards -
Warrnambool and District Historical Society Inc.
Domestic object - Glass cup, 1960s
Glass ware for domestic use as crockery was popular in Australia in the 1960s. In our local area, the Warrnambool district, glass cups such as this one were provided at supper time at local dances for the dancers to have a cup of tea. The over heating of the handle was a draw back to the use of glass cups and so they went out of fashion. This item has social significance.This is a moulded glass cup with vertical ridges on the body and a curved handle.glass cups, vintage domestic item, supper items at 1960s local dances. -
National Wool Museum
Textile - Blanket, Laconia Woollen Mills, 1930s
Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket with mint stripes Made Expressly for Mark Foy's Ltd/Sydney/The Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australiablanket, blanket fever, wool, laconia mills -
National Wool Museum
Textile - Blanket, 1930s
Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with mint stripesThe Walmer Blanket/Guaranteed All Pure Wool and Odorless/Made in Australiawool, blanket, blanket fever -
Kew Historical Society Inc
Clothing - Two Piece Grey Silk Dress, Peter Robinson, 1890s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This outfit was donated by Netta Fuller.Two piece grey silk outfit comprising a tailored bodice and a very full skirt. The bodice has puffed leg-of-mutton sleeves and is heavily encrusted with large grey artificial pearls and steel beads of the period. The skirt is cut to allow for a long train at the back. Grey pearls and steel beads are similarly used on the right side of the front of the skirt. Metallic braid may have been added at a later date. The outfit has been much altered over time. There is evidence of shattered silk in parts of the garment. Printed on a strap at the waist is the label of Peter Robinson, Oxford Street/Regent Street.Peter Robinson. Oxford Street/Regents Streetwomen's clothing, women's fashion -- 1890s, peter robinson, international fashion, fashion -- united kingdom, fashion design, fashion -- 1890s -
Kew Historical Society Inc
Clothing - Purple Velvet Coat, Elegance, 1950s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This coat was donated by Rona Jenkins.Purple velvet three quarter length coatLabel: "Elegance Reg."coats, elegance -- melbourne, fashion and design, women's clothing -
Hume City Civic Collection
Clothing - stays
The stays were used as stiffening and for support in foundation wear and bodices in women's dresses (and waist bands).7 stays encassed in cotton with blue herringbone stitching used to fasten off each end. The stays are bundled together with white cotton thread.corsetry, foundation garments, fashion, clothing and dress, haberdashery, costume accessories, george evans collection -
National Wool Museum
Book, Cloth Sample
One of four tarpaper covered sample books. These samples were made up at mills (often R S & S) to Alexander Lau designs, they did not necessarily go into production..LADIES' MATERIALtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample
One of four tarpaper covered sample books. These samples were made up at mills (often R S & S) to Alexander Lau designs and specifications, they did not necessarily go into production..LADIES' MATERIALtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample
One of five tarpaper covered sample books. These samples were made up at mills (often R S & S) to Alexander Lau designs and specifications, they did not necessarily go into production..LADIES' MATERIALtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample
One of five tarpaper covered sample books. These samples were made up at mills (often R S & S) to Alexander Lau designs and specifications, they did not necessarily go into production..LADIES' MATERIALtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Printing block
Swiss block, used for handprinting on fabricFrom.../Alexander Lau Pty Ltd./ "NICHOLAS BUILDING"/....textile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Sample, Textile, "Alexana"
"Alexana"/ 90%wool 10% mohair/ exclusive fabric/ by ALEXANDER LAUtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample, Pure Wool Skirtings
Cloth made by Redpath's millPURE WOOL SKIRTINGS/ BY ALEXANDER LAU QUALITY/ 100% PURE WOOL/ WIDTH CMStextile design fashion textile industry - history, alexander lau pty ltd w.r. redpath and sons, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample
Cloth made by Redpath's millQUALITY/ 100% PURE WOOL/ WIDTH CMStextile design fashion textile industry - history, alexander lau pty ltd w.r. redpath and sons, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Report, Australian Wool Corporation survey for market potential of wool minority blends
"Australian Wool Corporation survey for market potential of wool minority blends " - WD Scott & Co Pty Ltd : a survey of Australian garment manufacturers and retailers.textile industry fashion textile fibres textile fibres - synthetic, cloth - woollen, cloth - worsted, textile industry, fashion, textile fibres, textile fibres - synthetic -
National Wool Museum
Clothing - Cuff links
Pair of gold plated rectangular cuff links inset with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.Pair of gold plated rectangular cuff links inset with wool mark logo.wool marketing, australian wool corporation, gunn, sir william, cuff links, clothing, fashion -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
dior, exhibition, national gallery of victoria, ngv international, fashion, designer, hats -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, flounce -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, beige -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
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Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
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Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, cream -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, cream -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, shoes -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, hats -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, hats -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, shoes -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, shoes -
Ballarat Heritage Services
digital photographs, Lisa Gervasoni, Dior Exhibition NGV International
exhibition, national gallery of victoria, ngv international, fashion, designer, dresses, orange