Borough of Queenscliffe Bathing Boxes had to be registered to a particular rateable property. Bathing Box No. 24 belonged to a property in Simpson Street, Point Lonsdale The Bathing Boxes at Point Lonsdale were loaded onto trolleys and taken back to the property during winter so they were not destroyed by the wild weather. Eventually they became garden sheds in the back yards of residencies.Bathing Box No. 24 is one of a very few still remaining due to recent home extensions.Weatherboard with Galvanised Iron Roof with Wooden Slatted Air Vent.

interviews from Peter Cosgrove, Prime Minister John Howard, Chief of the Army, former SAS commanding officers and serving soldiers and officers.covers selection and training and recent deployments of Australia's SASsoft cover non-fiction book covering the SAS from East Timor to Iraq.

The work entitled Ballarat Botanical Garden Conservation Analysis and Policy was prepared for the City of Ballarat.The pages selected give some perspective on the policy and planning of the Ballarat Botanical Gardens in the recent past.14 pages printed on both sides with black and white pictures and one map. Pages are not numbered consecutively; a selection has been made from the work cited in the name and title."Joan" is printed in blue biro in the top lefthand corner of the title page. [Presumably Joan Garner, President of the FBBG].ballarat botanical garden, conservation analysis and policy, city of ballarat, allom lovell & associates pty ltd., conservation architects, john patrick pty.ltd., landscape architects, friends of ballarat botanical gardens, john garner, doctor john garner, john garner collection, gardens, ballarat

Both photographs are of historical interest in Ballarat.The Fernery photograph is of particular interest especially since the Fernery in the Ballarat Botanical Gardens was rebuilt. The Eureka Stockade gives perspective on the changes that have taken place in more recent years.2 sepia photographs. The Fernery, Ballarat Botanical Gardens and Eureka Stockade, Ballarat. The titles are printed at the bottom of each photograph. The Eureka Stockade has a fold mark down the centre of it.The Fernery photograph is part of "The Rose Series" P1807 which is written in the bottom lefthand corner and on the back is written at the top of the card, righthand side, "A Real Photograph produced in Australia". On the lefthand side is written, "published by the Rose Stereograph, Armadale, Victoria". With the Eureka Stockade photo, "Valentine Series No.1560 is written in the bottom lefthand corner. On the back, righthand side is written, "Valentine Publishing Company Co., Melbourne and Sydney".john garner, doctor, john garner collection, ballarat botanical gardens, friends of ballarat botanical gardens, the fernery, eureka stockade, ballarat, gardens

A navy blue hardcover book with a grey dust jacket covered in library style plastic sleeving.The title: A History of the Isle of man is printed in black lettering at the top of the front cover with the author, R.H. Kinvig, M.A. underneath. A black outline of an ancient vessel is illustrated too. On the spine is written the title, author and 7s 6p. Throughout the book there are black and white photographs and illustrations. On the back cover is a circle with three legs wearing trousers and boots with the words: ICERIS STABIT QUOCUNIQUE around the edges of the legs inside the circle. Pp. 180 non-fictionThe author, Professor of Geography at the University of Birmingham R.H. Kinvid, M.A. published this new edition of the history of The Isle of Man in 1950, six years after the first edition, to include fresh discoveries that have been made, particularly in the archaeological field, and of the important political developments that have taken place in recent years. Some changes have also been made in the maps and other illustrations.history, isle of man, ancient history

Dark green paperback Victorian Historical Magazine with the title printed in black lettering with further details including the Contents, Publisher details, price ONE SHILLING and Printer noted. Stapled on the left side. It has a few photos of Samuel Thomas Gill's pencil drawings throughout as well as an article about him. He was renowned as an artist of the goldfields. p.144non-fictionThe Victorian Historical magazine was first published in 1911 This is issue Vol III March 1914, No.3. The Contents lists: Extracts from the diary of The Rev. William Waterfield, first congregational minister at Port Phillip, 1838 - 1843, Recent publications, Index to periodical literature, Samuel Thomas Gill, the artist of the goldfields and notes and queries - Murray pioneers - Lillydale - Jacka Jacka.history magazine, victorian history, magazines, s.t. gill

A badly damaged black miniature leatherette softcover book, Methodist free Church Hymns with School Hymns. On the front cover printed in gold lettering is the title. The spine is blank. At the back there is an Index of First Lines. The pages have gilt edges. 312p. Following the first section are the School Hymns. On the front end papers there is a name handwritten in blue ink - D.H Gaudion Wandin Yallock May 24th 1896. There are pencil written arithmetic addition notes all over the end papers front and back. The back cover is broken away from the spine.non-fictionA miniature Methodist Free Church Hymns with School Hymns book. It is a new and enlarged edition of the hymn book which was used by the Uniting Methodist Free Churches since 1860. This was necessary because 'in recent years after the first publication, many hymns have been published, whose fervour and poetic power have won the approval and acceptance of nearly all sections of the Christian Church. Other reasons were, the imperfect classification of the hymns in the book hitherto in use, and the fact that a considerable number of them had become obsolete, owing to their want of adaptation for public worship'.religious books, hymn books, prayer books

Government issue desk. Manufactured (perhaps 1970s)It has second level contributory significance as a furnishing that has remained at the lightstation to demonstrate its more recent working operations.Wooden desk with metal frame. Dark grey vinyl top, three drawers on left-hand sde with metal handles. Second drawer has filing inserts.Right-hand front leg on black sticker. "C. of A. / D.O.T. 147110"

Index, bib, plates, ill. p.108.non-fictionA story of Irish migration to Australia from the beginning of settlement to the recent present.irish - immigration, irish - australian culture

Spiral boundnon-fictionA history of Baranduda in Northeast Victoria. Baranduda is a rural area and, since the 1970s, a rural and residential locality formed under the authority of the Albury Wodonga Development Corporation. It is near the junction of Yackandandah Road and the Kiewa Valley Highway, 10 km south-east of Wodonga. This publication traces the history of the area from its earliest know indigenous inhabitants, through the days of the earlier establishment of pastoral runs to more recent developments.baranduda, pioneers victoria, huon family, wodonga pioneers

Ill, p.372.non-fictionRuskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin used the book to argue that art should devote itself to the accurate documentation of natureaesthetics, painting

The name of Phan-Boi-Chau may not be readily recognized by many people ouside Vietnan, but within his own country he is one of the most widely known and respected figures in recent history.revolutionaries - vietnam - biography, phan-boi-chau, autobiography

Sunil Gupta is a British/Canadian citizen, (b. New Delhi 1953) MA (RCA) PhD (Westminster) who lives in London and has been involved with independent photography as a critical practice for many years focusing on race, migration and queer issues. A retrospective was shown at The Photographers’ Gallery, London (2020/21) and The Image Center, Toronto. He is a Professorial Fellow at UCA, Farnham. His latest book is “We Were Here: Sexuality, Photography, and Cultural Difference, Selected Writings by Sunil Gupta”, Aperture New York 2022. His work is in many private and public collections including; the Tokyo Museum of Photography, Philadelphia Museum of Art, Royal Ontario Museum, Tate, Metropolitan Museum of Art and the Museum of Modern Art. His work is represented by Hales Gallery (New York, London), Materià Gallery (Rome), Stephen Bulger Gallery (Toronto) and Vadehra Art Gallery (New Delhi).Part of Queer PHOTO (Midsumm x PHOTO 2024) photography, british photography, queer photography, race, migration, portrait

ill, p.64.non-fictionA pictorial view of recent Victorian rail operations in the late 1980s & 1990s.railroads - victoria - pictorial works, railroad operations - victoria - history

index, ill, p.217.non-fictionINTRODUCTION Until well into the twentieth century, driver, fireman and guard — with a locomotive — set out on something resembling a safari. Tucker boxes crammed with food, a change of clothing, a roll of blankets, and armed with a sheaf of time-tables, they worked trains hither and thither not to return home for almost a week. But the passing of time, plus union pressure, brought an end to the need for "waltzing Matilda". Not only blankets but sheets, pillow slips, then later mosquito nets, along with other aids to civilized living, were provided by the Department in living quarters away from home. Few wives took kindly to the chore of selecting and preparing food and packing tucker boxes. Railwaymen seeking board and lodgings in a new depot could receive a set-back by being told "no tucker boxes packed". Until pooling of locomotives in depots became the order, a driver and fireman had "their own engine", and great was the competition between engine crews to display the best groomed horse. Much time might be spent outside rostered working hours cleaning their engine with kerosene and polishing with tallow and bath brick. So spotless and sparkling were some that a proud engineman would say a clean white handkerchief could be rubbed even over a hidden part. While miners talked of what made their day, farmers discussed crops and harvests, seamen their ships, and trainers and jockeys their horses, wherever steam men gathered, discussion soon turned to locomotives and the trains they hauled. Like jockeys with their mounts, iron horses with excellent traits were praised while those with annoying peculiarities were criticized and remedies suggested. Methods of firing to get best results from slow steaming locos were debated. Driver warned driver of weaknesses found in locomotives on recent "trips", spoke of developing defects calling for close attention — this one is "knocking Badly on one side", that one "priming badly (give her a good blow down before leaving the shed)", another with a "big end inclined to run hot", one with "a lot of slop in the boxes", one "getting down on the springs", or the sloth that was slow pulling on steep climbs to the chagrin of a driver striving to run on time. Things of no small concern when handling a locomotive on a train for a shift of maybe eight hours straight, or ten, even twelve, and on occasions longer. Foreknowledge of the particular loco allotted his train on the next job could fill the preceding hours for a driver or fireman with pleasant contentment, or with nagging trepidation and disgust…… railroads -- queensland -- history, railroads -- australia -- queensland -- history.

Maree Clarke is a pivotal figure in the reclamation of south-east Australian Aboriginal art and cultural practices and has a passion for reviving and sharing elements of Aboriginal culture that were lost – or lying dormant – as a consequence of colonisation. She a leader in nurturing and promoting the diversity of contemporary Koorie artists through her revival of traditional possum skin cloaks, together with contemporary designs of kangaroo teeth necklaces, river reed necklaces and string headbands adorned with kangaroo teeth and echidna quills. River Reed Necklace forms a key element of the artist’s practice regenerating cultural practices and strengthening cultural identity and knowledge. Maree Clarke has exhibited widely both nationally and internationally, and in 2021 she was the subject of a major survey exhibition Maree Clarke – Ancestral Memories at the National Gallery of Victoria. Other recent exhibitions include Tarnanthi, Art Gallery of South Australia, Adelaide (2021), The National, Museum of Contemporary Art Sydney (2021), Reversible Destiny, Tokyo Photographic Museum, Tokyo Japan (2021) and the King Wood Mallesons Contemporary Art Prize, for which she was awarded the Victorian Artist award. In 2020 she was awarded the Linewide Commission for the Metro Tunnel project and was the recipient of the Australia Council Aboriginal and Torres Strait Islander Arts Fellowship.

In recent years intense study of the Vietnam War, mainly in the United States, has tended to concentrate on the nature and causes of the American defeat.vietnamese conflict, 1961-1975 - origins, united states - foreign relations - vietnam, ho chi minh

In recent years intense study of the Vietnam War, mainly in the United States, has tended to concentrate on the nature and causes of the American defeat.vietnamese conflict, 1961-1975 - origins, united states - foreign relations - vietnam, ho chi minh

William Nichols Anderson (1873-1927) was an Australian painter, one of whose works from the 1906 series River + Rail is in the Kew Historical Society’s art collection (donated 1984). A separate archive file contains correspondence, biographical information (written by his niece), and locations in Kew where he lived. Much of the correspondence between the Society and the City of Kew relates to the painting and its location in the Mayor’s Room at the Kew Civic Offices, Charles Street, where it was on loan from the Society. Lucy M (Jean) Hornby, the artist’s niece and the donor of the painting was a resident of 5 and 20 Queens Street, Kew (Vic). Australian ImpressionismGift of Lucy Hornby, 1984Framed oil on canvas by W. Nicholls Anderson of Park Street, Kew (now Adeney Avenue) looking uphill in a southerly direction towards Cotham Road. The painting is dated to 1906. The two storey house at left was known as 'Eborensis'. The house is still extant on the corner of Adeney Avenue and Parkhill Road. On sticker on back of frame - Adeney Ave./1913/ £3.3.0/ 13th Annual/ Exhib. V.A.S [Victorian Artists Society]/1911 Aust Art Exhib/the Guidlhall/Swanston st Melb./ Adeney's Paddock/ Kew. £3.0.0.artists - kew - victoria - australia, victorian artists society, william nicholls anderson (1873-1927), adeney avenue kew, australian art exhibition 1911, victorian artists' society, w. nicholls anderson

Used for pinning onto clothing or other accessories. Advertisement of the RTBU is printed on one side.A recent item advertising the RTBU.Round metallic badge with the text "WE RUN THE NETWORK" and "RAIL TRAM TRAM & BUS UNION" printed in front in concentric red and white circles. Nestled within are the lines "RTBU" and "THE POWER OF UNION" printed in white, horizontally on a blue background.public transport, rtbu, unions

Used to hold cards (e.g., bank cards, public transit smart cards, etc.) on the back of a smartphone by sticking to it (or a case) on the palm-facing side. Advertises the RTBU on one side.A recent item advertising the RTBU.Dark blue rectangular card holder with the URL for the RTBU, its logo and slogan ("The power of Union"), and its phone number. All text is printed in white. The opposite side has 3M 300LSE tape that is covered in protective paper.public transport, rtbu, unions

Used for writing notes and memos, scheduling events, and consulting information on relevant individuals and groups associated with the RTBU. Advertises legal services partnered with the RTBU in the internal pages as well.A recent item advertising the RTBU and incluldes the names of key individuals involved in the organization in the late 2010s.Burgundy rectangular 2018 diary with the text "DIARY 2018" printed on top of a leather-textured cover with plastic lining on the inside. The RTBU logo and name are printed below, followed by its full name in all caps: "The/RAIL, TRAM & BUS/UNION." All outward-facing text is printed in white.public transport, rtbu, unions

Used for writing text with some permanence. Advertisement of the RTBU is printed on one side.A recent item advertising the RTBU.Black, cynlindrical retractable pen with the text "RTBU," the union's phone number and the website for its Victorian branch printed in white.public transport, rtbu, unions

Used for writing text with some permanence. Advertisement of the RTBU is printed on one side.A recent item advertising the RTBU.Black, cynlindrical retractable pen with the text "RTBU" and the union's phone number for its Victorian branch printed in white.public transport, rtbu, unions