Showing 12097 items matching "wooden"
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Flagstaff Hill Maritime Museum and Village
Equipment - Rudder Pintles and Gudgeons, Alexander Hall and Son, ca. 1855
This set of pairs of pintles and gudgeons was recovered from the wreck of the sailing ship Schomberg and was part of its rudder steering system. A reconstruction that includes four pairs is currently on display at Flagstaff Hill. The rudder installation of the Schomberg was almost seven metres tall. A pintle and gudgeon pair is a mechanical fitting that works like a pair of door hinges. One of the uses for this type of fitting is for ships’ rudders. On a ship, one or several gudgeons would be attached to the vertical rudder stempost on the rear of the ship’s hull. On the ship's rudder, an equal number of pintles would be fitted onto it. The rudder assembly would then fit down into the gudgeons on the ship and would be connected to its steering mechanism, allowing it to be moved from side to side and steer the vessel. The SCHOMBERG- The three-masted clipper ship Schomberg was built in 1855 by Alexander Hall and Co in Aberdeen, Scotland, for James Baines' famous Black Ball line. It measured 288 feet (88 meters) in length, with a beam of 45 feet (14 meters), a depth of 29.5 feet (8.99 meters) and 2,284 tons. The mainmast was 210 feet (64 meters) high and the ship carried 3.3 acres of sail. The wooden vessel was constructed with three skins; one planked fore and aft, and two diagonally planked. All skins were fastened together with screw-threaded trunnels (wooden rails). The Schomberg was one of only three clippers wrecked in Victorian waters that operated the England-to-Australia run. It was built to outrun Donald MacKay’s two American-built ships, the Empress of the Sea and the Lightning. It was hoped that Schomberg would make Liverpool to Melbourne voyage in sixty days, setting a record for the voyage. The Schomberg sailed from Liverpool on 6 October 1855 on her maiden voyage, under the command of Captain James Forbes. Her general cargo for Australia included jewellery, spirits, machinery, and 2,000 tons of iron rails and equipment for building the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn, and17,000 letters and 31,800 newspapers. She also carried a cow for fresh milk, pens for fowls and pigs, plus 90,000 gallons of water for washing and drinking on board. There were approximately 473 passengers, including migrants for Australia, and a crew of 105. Light winds encountered at the equator dashed the expectations of a record-breaking voyage. On Christmas day the ship sighted Moonlight Head in southwest Victoria and even though there was a deadly combination of wind, currents and unmarked sand spits, the vessel continued on. Then the next day, December 26th 1855, the huge ship gently ran aground on a spit that juts into Newfield Bay, east of Curdies Inlet and the present town of Peterborough. Fortunately, the coastal trader, SS Queen, was nearby and managed to save all passengers and crew. In 1975 Flagstaff Hill’s former Director Peter Ronald and the team of divers recovered many objects and artefacts from the wreck of the Schomberg such as the ship’s fittings, equipment and personal effects including a diamond hidden for years in a communion set. This set of pintles and gudgeons is an example of steering equipment used on ships over 150 years ago, equipment that is still in use in today's shipping industry as well as many other everyday hardware applications.. The equipment is significant for its association with the ill-fated vessel Schomberg, which was wrecked in the local water in 1855 on its maiden voyage. The ship was built for speed and luxury, to sail on journeys with passengers, including migrants, travelling from Liverpool to Melbourne.Pintles and gudgeons, six pairs, plus one single pintle, from the wreck of the SCHOMBERG. Cast iron horse-shoe-shaped fittings with tapered ends. each with metal bars between the long sides. One piece of each pair has a round hollow cylinder and the other has a round solid shank. The single pintle has a tall shank with a pintle hook through it. Some pieces have remnants of grey paint.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, schomberg, shipwreck, pintles, gudgeons, ship's rudder, ship's steering, clipper ship, james bain, black ball line, alexander hall and co., capt. james bully forbes, rudder pintles and gudgeons, rudder steering, pintles and braces, immigrant ship, maiden voyage, peterborough, 1855, marine technology -
The Beechworth Burke Museum
Animal specimen - Common Starling, Trustees of the Australian Museum, 1860-1861
Common Starlings are a noisy bird that typically inhabit urban and rural areas, especially those with short grass for easy foraging, though can occasionally be found in open forests or along costal areas. They are native to a wide area of Eurasia and the North of Africa, though have been introduced to North America, some nations in South America, Fiji, South Africa, Australia, and New Zealand. They live in large flocks that fly together in strong unison, and have a range of loud calls. Male Common Starlings usually have brown eyes, in contrast to the light coloured eyes of the taxidermy mount. Otherwise, the specimen bears a reasonable resemblance to a typical Common Starlings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Starling is covered in black feathers that each have a metallic orange edge. This gives the appearance of small dots across its head and neck, larger dots along its underbelly and back, and lines along the outer feathers of the wings. Its beak is yellow and its eyes are a light blue with a black pupil. The bird is stretched tall with its head turned towards the left and slightly tilted right. The specimen stands on a brown, wooden perch with a circular bar, curved stand, and circular base. The left leg has a metal tag and a swing-tag tied around it and the right leg has two swing-tags tied around it, one of which is torn.Metal Tag: 4256 Swing-Tag 1: Sturnus vulga[illegible]is / male, adult / 25 January 1861 / near Leiden / Swing-Tag 2: Tris grey-brown / Feet black - brown / Bill brown / 4256 / Swing-Tag 3 (torn): ng / e Page 58taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, starling, european starling, common starling, european bird -
The Beechworth Burke Museum
Animal specimen - Pacific Black Duck, Trustees of the Australian Museum, 1860-1880
The Pacific Black Duck is also known as the Grey Duck in New Zealand. Despite these names, the plumage of the bird is brown in colour with the occasional cream and small amount of black. This species of Duck is located in all of Australia with the exception of the most arid zones. They can also be found throughout the Pacific region. The Pacific Black Duck resides in a range of different habitats that have some sort of water. These birds feed on aquatic plants, crustaceans, molluscs and aquatic insects. To catch their food, these birds plunge their heads and necks under the water with their rear raising above the top of the water. This technique is termed "dabbing". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Despite its name, the Black Duck is largely brown in colouring. It has a mixture of light brown and cream plumage on the neck, face and stomach. The wings and rear of the duck are a darker brown. Each brown feather is bordered with a cream colour which separates the feathers from each other. The top of the head is also dark brown and there is a darker stripe of black colour horizontally on either side of the eye. The specimen has two brown and black glass eyes and a black bill. The legs and webbed feet are a dark brown and black colour. Tied around the left leg is a paper identification tag. The number 134 is inscribed on the left side of the wooden platform on which the bird is standing. This specimen is stocky.3a. / Australian Wild Duck / See Catalogue, Page 38. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, duck, pacific black duck, grey duck, australian duck -
Warrnambool and District Historical Society Inc.
Wall Telephone, Early 20th century
Magneto wall telephones such as this one were commonly in use in Australia around the end of the 19th century and the beginning of the 20th century. The wall telephone, powered by dry cells, was an invention of the late 1870s. In the first half of the 20th century many old wall telephones were restored and put back in use by the Australian P.M.G. when there was a shortage of telephones in the 1930s Depression and during World War Two. This item, a reminder of the days of early technology, has no known local provenance but is retained for display and research purposes.This telephone piece is contained within a brown wooden box with a back board that has curved edges and extends over the edges of the box. On the back there are three metal screws for attaching the box to a wall or door. The front section of the box has curved edges with an inset panel around the edges. There is a metal turning handle on one side of the box and on the other side there is a metal clip holding a hearing piece attached to the box by a cord. On the front of the box is a speaking piece attached to the box by a metal piece. Attached to the front of the box are two semi-circular ringing pieces now situated some centimetres out from the box. The box was originally varnished but the edges are now rubbed and there are some splotches of paint. vintage wall telephones, history of warrnambool, magneto wall telephones -
Marysville & District Historical Society
Book - Paperback book, Donnelly's Creek-From rush to ruin of a Gippsland Mountain Goldfield, 1990
A history of the Donnelly's Creek gold mine in VictoriaPaperback. Front cover has a drawing depicting two horses carrying packs followed by a man mounted on a horse. There is also two men on foot following with packs and walking poles. They are walking along a forest track that has some tree stumps alongside it.The back cover has two colour photographs. The top one is of an old wooden building with what appears to be an attached lean to. Both of the buildings have stone chimneys. There is a group of people sitting and standing outside the main building. The bottom photograph appears to be the ruins of a building and a fence. There are three people viewing the ruins.The captions accompanying the photographs are: History revisited - O'Sullivans Old Toombon Hotel Recreated and Remnants of a Bygone Mining Era.Stamp of the Marysville & District Historical Society Inc / P O Box 22 / Marysville 3779gold, gold miner, gold mining, gold field, gippsland, victoria, australia, history, fulton's creek, seaton, walhalla, aberfeldy, jericho, wood's point -
Frankston RSL Sub Branch
Compass, Plane Table, J. W. Handley, 1943
A plane table compass, sometimes referred to as a trough compass, used by surveyors and artillery crew to accurately establish magnetic north. The compass is precision machined of brass material with a long needle to ensure accuracy. The compass scale is marked with a centre zero (for magnetic north) and graduations indicating plus and minus five degrees. The compass is housed in a protective wooden case with a sliding lid. The lid has a brass slide which locks the compass needle during periods when the compass is not in use. This compass is the type used by an artillery unit of the Australian Military Forces during World War 2. This compass was manufactured by J. W. Handley P/L of Melbourne in 1943. Refer 00330 and 00330.2The side of the compass body is stamped: "J.W.H." with the letter "V" under a line, "SERIAL No 1082", MARK.II-D^D-1943". The case is stamped with the serial number "1082".artillery, trough compass, plane table compass, compass, world war 2, ww2 -
J. Ward Museum Complex
Functional object - Vaginal Insufflator for Silver Picrate, 1940's
The medical instrument is used for the treatment of Trichomonas Vaginitis. Insufflation has been a medical practice since the early nineteenth century, the earliest mention of it appearing in 1823. There are descriptions of its therapeutic and diagnostic purposes in connection with almost every cavity of the body. Despite being used widely across many Victorian health institutions, insufflation has not been regarded as a dangerous procedure.The object is significant because it is representative of medical treatments used to cure sexually transmitted diseases in Aradale Mental Hospital in the 1940's. Black leatherette covered wooden box with a metal latch on the front and 2 hinges at the rear. "Wyeth Vaginal insufflator for silver picrate" printed on inside of lid. Blue, painted wood, custom made interior. Contains: Four canisters of Silver Pictrate [Sealed] One canister of Silver Pictrate [attached to Insufflator] One canister of Silver Pictrate [Open but covered with a plastic top] One Vaginal Insufflator (Holmspray) Each bottle has a white paper label with blue banners at the top and bottom and blue text which reads in part reads "5 GMS Wyeth's compound silver picrate 1% powder" A receipt of sale dated 18 February 1944 is included in the box. Manufactured by John Wyeth & Bros Inc, Sydney, Australiamedical history, silver pictrate, trichomonas vaginitis, ararat mental hospital -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 12 contact prints of rephotographed photographs - Various Portland land marks, c. 1970
Sheet of 12 contact prints of rephotographed photographs. Identifying numbers 5725 a, b, c, d, e, f, g, h, i, j, k, l (a) Bentinck Street from sea (b) James Robertson store (c) Bentinck Street south from All Saints (d) Fawthrop Lagoon (e) Henty Beach Cliffs (f) Bridge over Salt Creek (g) Res. Dr. C. Grier, Julia Street (h) Group of men sitting/standing outside wooden building (i) Henty Woolstores, Julia Street (j) S.S 'Dawn' tied up to railway pier (k) All Saints Catholic Church (l) Cliffs at Henty Streetfrom the front: (b) James Robertson store (c) Bentinck Street, Portland - Nicholls (e) Cliffs above Henty Street (f) Bridge over Portland drain (i) Henty Woolstore and Observer buildings, Julia Street -
Flagstaff Hill Maritime Museum and Village
Painting - Oil painting, W. Langley-Taylor, Cape Schank [Schanck], Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings -
Bendigo Historical Society Inc.
Slide - MAGIC LANTERN COLLECTION: MAGIC LANTERN SLIDES
Wooden box with sliding lid - (bottom of box has a War Cry newspaper clipping dated 9.9.1893). Containing assorted glass antique Circa 1870's - 1900s (produced by Ernst Plank ?). Magic Lantern slides, 1 x red bordered slide - showing initials E.P.- Ernst Plank ? 7 inches x 2 inches -pictures include nursery rhyme / 8 x green bordered slides with ships / 7 x blue bordered slides 7 inches x 2 inches pictures include nursery rhymes / 1 x slide - pink border -6 x 1 1/2 inches (x ref 7535.2)photography, projectors - still -
Bendigo Historical Society Inc.
Photograph - T C WATTS & SON COLLECTION: CNR HARGREAVES & CHAPEL STREETS, 1927
BHS CollectionBlack and white photograph mounted on rectangular grey board. House, C.G.I. roof, finials to decorated gable ends, 3 brick chimneys w/decorated white capitals. Verandah has gable over front entrance, bowed corner window under verandah posts w/case iron lace above. Roughcast archway surrounds window under R.H. gable, two arched windows. R.H. rear of house. Wooden Fence pickets w/figured tops, capitals to gate posts, decorative front gate, hedge is clipped in harmony with fence tops. Cnr Hargreaves & Chapel Streets. Written on envelope: TC. Watts & Son, Cr Hargreaves and Chapel St. £1600.F.A. Jeffree, Photo, Bendigoplace, building, residential, chapel street, hargreaves street -
Bendigo Historical Society Inc.
Photograph - VIEW POINT HOTEL: BENDIGO
Black and white photo: View Point Hotel, Charing Cross, Bendigo. 2 storey rendered building with parapet. 4 rectangular windows at top. 3 large windows and doorway at bottom. Portion of single storey building at left with corrugated roof verandah. At right, single storey building without verandah. At front, slab lined drain, wooden trough at front with horse. 2 males standing in doorway. Inside building at bar, 1 male, 1 female behind bar. Lamp at front centre. In image: M. Langridge's/View Point Hotel/ Imperial Fire Insurance co./Office/Gilles & Co/Stock and Share brokers. ' Williams' on back in pencil '15'.batchelderbuildings, hotel, view point hotel -
Bendigo Historical Society Inc.
Photograph - PHOTOGRAPH: BENDIGO TEMPERANCE FIRE BRIGADE, 1880's ?
Photograph: sepia toned photograph, wooden frame, light tan mat, of 13 men 7 standing, 6 seated. Two young boys to either side of group. Men are dressed in dark uniforms, and small military style cap, some with temperance written across the top. At rear - fire reel. Written on bottom of photo: Chuck, gold medallist, Vice-Regal Photographer, Ballarat, London. On rear of frame in pencil ' Bendigo Temperance Fire Brigade. Jim Larson ( or Lawson ) h .? In C in white cap. Label on backstates: ' Large assortment of pictures always on hand. C. Botta, picture framer and .mirror manufacturer, Mitchell Street, Bendigo, Walnut and Bg Mantelpieces made ..the premises.'organization, club/society, bendigo temperance fire brigade, bendigo, temperance fire brigade, chuck -
Bendigo Historical Society Inc.
Postcard - BASIL WATSON COLLECTION: POSTCARD ADDRESSED TO J.G. WATSON, ELSTERNWICK
postcard: On front: biplane with floats being put into water, wooden ramp from wharf. No. 851 on tail of plane. Men standing along wharf observing. On rear of card addressed to : Mr. J.G. Watson, St. Kilda Street, Elsternwick, Victoria. On LH side ' Nov 19th, 225 HP Sustcam ? ' My dear Dad, I am going up to A. Adam's probably this week and will have the metric spanners sent out. I came across a good pipe bender today cannot test the piping am enquiring about it will let you know the results. I can get you several useful articles over here if you want them. Fas?'aviation, civilian, j.g. watson postcard, basil watson collection, j.g. watson -
Australian Gliding Museum
Machine - Glider – Sailplane, 29/071956
The Slingsby T31 is a two seat training glider that came available in 1951. It is, in effect, a two seat version of the single seat Kirby Tutor. The T31 was marketed by Slingsby Sailplanes both as complete aircraft and kits of parts for assembly. The Australian Gliding Museum’s example (currently registered as VH-GDB) is one of five of this type to grace Australian skies. Three including GDB were assembled in Australia from kits supplied by Slingsby’s in England, the other two were delivered as completed airframes. To date only four remain of which two are airworthy. This aircraft began flying in at Caversham in Western Australia (the then home of the Gliding Club of Western Australia) in July 1956. It was badly damaged in a crash in June 1958. The wreckage was sent to Schneiders in Adelaide for repair. However, the Club decided against having the repairs done, opting instead to buy a new ES52 Kookaburra. After a couple of years, the wreck was purchased by a member of the Waikerie Gliding Club whereupon the glider was rebuilt with some modifications, including a more rounded and better streamlined fuselage nose. It returned to the air in October 1961 at Clare in South Australia. The ownership of VH-GDB passed through a number of clubs, including at Dubbo in New South Wales, Wimmera in Victoria and Pioneer Valley at Mackay in Queensland. Eventually, it came into the hands of Bill Riley of Tocumwal in New South Wales who held it in storage for many years. Riley donated the aircraft to the Museum. It has been restored to airworthiness and is flown at vintage glider rallies and on Museum open days. This exhibit is an excellent example of a Slingsby T31 Tandem Tutor, a type of glider that was used by a number of clubs in the 1950s and 1960s for dual training of pilots to the solo capability.The Slingsby T31b Tandem Tutor is an open cockpit, tandem, two-seater glider with high, pylon mounted two piece wing supported by double, wire braced, steel tube struts. The glider is fitted with a main wheel, rubber-block sprung, wooden nose skid and steel leaf sprung, brass shod tailskid. The basic controls of aileron, rudder and elevator are not supplemented with pitch trim. Wing lift spoilers and both aerotow and winch releases are fitted. The instrument panels in both cockpits are fitted with an airspeed indicator, cosim variometer and altimeter. This red and silver painted wood and fabric covered aircraft is in excellent condition having been restored to full airworthy status by the Australian Gliding Museum. SLINGSBY – T31b (nose – both sides) DB Australian Gliding Museum (rudder – both sides) It has been given Serial Number GFA/HB/12 and is registered as VH-GDBaustralian gliding, glider, sailplane, slingsby, tandem tutor, t31, gliding club of western australia, waikerie gliding club, wimmera soaring club, pioneer valley soaring club -
Bendigo Historical Society Inc.
Accessory - RANDALL COLLECTION: FAVALORO'S ADVERTISING FAN - CARDBOARD
Object. Cardboard advertising fan from Favaloro's. Oval shaped fan with wooden dowel (25.5 cm x1.2 cm) stapled to lower section as a handle. Front has a printed head and shoulders picture of a brunette woman wearing a pink picture hat adorned with a blue rose, a yellow rose, and a wide black ribbon. She is wearing a pink and white collared chiffon dress. A bunch of pansies is at the bottom of the fan. Name printed on picture "BARTEAU''. Printed on the Reverse " FAVALORO'S THE SPECIALISTS BENDIGO. Confectioners, Pastrycooks and Caterers. For Weddings, At Hame. Dinners etc. Luncheons, Afternoon Teas, Soda Fountain Drinks, Ices, etc. Phone 267,201,536''. The Varley Specialist Co, Melb and Syd (Manufactures).ephemera, mementoes, advertising fan -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: W E BROWN CARPENTER, BUILDER, IRONMONGER
Photograph. Harry Biggs Collection. 2 photos. (1 mounted on card) of W. E. Brown's business. On the left is a brick building with W. E. Brown Carpenter & Builder. Below this are two windows with two people in each looking out. Below this residence is the shop with the sign above the door W. E. Brown Ironmonger Brush wear & Paper Hangings. Standing in front of this are 4 men & a little boy. Beside this building is a gate & lane way, then a wooden shed with the sign W. E Browns Timber & Iron Yard. Above that sign is a further sign - W. E. Brown Builder Timber Merchant. In front of this is a horse & cart with some timber in it & a worker beside the horse.place, building, commercial, harry biggs collection, w. e. brown -
Wangaratta Historical Society
Wooden Fruit Bowl, Red Gum Bowl
This wood is made from Red River Gum tree wood, these trees live for between 500 to 1,000 years of age. The wood in this bowl has been carbon dated in the USA to be 4,500 years old.This bowl is significant because of the age of the wood it is made from. 000016 Wooden Fruit Bowl The timber this fruit bowl was made from was a red gum tree taken from the Ovens river at Tarrawingee (12 km from Wangaratta)where it had been submerged for years. It was made on a lathe by Ken Hill. The bowl warped and cracked shortly after being turned. A piece of the wood was taken to the USA by a visitor where it was carbon dated to be 4500 years old Measurements: Diameter: 22cm Height: 6cm Colour: Dark red brown Photographed beside a piece of natural red gum Tarrawingee is 12 Km North East of Wangaratta on the Great Alpine Road Significance: 4500 year old red gum wood is rare in this area. red river gum wooden bowl wangaratta historical society -
Uniting Church Archives - Synod of Victoria
Travelling Communion Set
Rev Stuart Rea was at Central Mission, Lygon Street, Carlton from 1938-1942.G073.1 Small brown leather suitcase-style case with two lock catches and a handle. The case has a stained wood insert containing G073.2 - G073.9 eight glass communion glasses. The case is lined with navy blue grosgrain fabric and has a small leather label in the lid. Secured in the lid with leather straps is a round silver box, G073.10, with an etched lid, G073.11. G073.12 Silver cylindrical flask with an etched design on the front with G073.13 silver screw top, cork lined, lid. G073.14 Circular white lace mat in a separate section of the box. G073.15 Stained and varnished wooden stand to hold 12 glasses. G073.1 has a name stamped between the handles and a dedication inside."REV STUART G. REA" "THE GIFT OF LYGON STREET METHODIST CHURCH"lygon street methodist church, rev stuart g rea -
Ambulance Victoria Museum
Chart, medical, blood circulation and heart, J. Teck
Rectangular medical chart made from printed and coated paper laid on white fabric (?cotton) and showing the upper part of the human body, with skeleton, organs and blood circulation. The chart is attached to two wooden batons with small metal tacks. The top baton is moulded while the lower baton is circular in cross-section. Both batons are stained black. There are two screwed metal eyelets attached to the upper baton used for hanging the chart. A short length of red cotton tape is attached to the mid point of the upper baton with a metal tack and is used for securing the chart when it is rolled up. There is the remnant of a printed paper label adhered on the reverse side of the chart at the top edge, but unable to read the writing.The artists name (J. Teck) is printed at the bottom LHS of the chart . The logo of the St John's Ambulance Association is printed on the RHS of the lower edge of the chart, along with the words 'St JOHN'S GATE, LONDON, E.C.1'medical chart, blood circulation -
Tennis Australia
Racquet, Circa 1905
Wooden, slotted handle racquet with a 14 1/2 inch head. Handwritten inscription across side of racquet head on obverse: LOUIS A. RENFROW. Surname also written across outside of head. Inscription across neck of obverse: HARRY C. LEE & CO/NEW YORK. Company logo 'LEE' on neck of reverse, and stamped on leather butt cap. Butt cap has a red and gold sticker adhered over it, advertising a St.Louis sproting company which originally strung racquet. Manufacturing and patent information along the sides of the handle, with the numbers '500', 'FS78' and '14 1/2' punched in. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquertennis -
Bendigo Historical Society Inc.
Award - School Sport Shields
Golden Square High School in the city of Bendigo, was established in temporary accommodation at Camp Hill Primary School in central Bendigo in 1960. With the completion of the new school's buildings, it moved to Golden Square in 1962, providing for Forms 1 to 6, now known as years 7 to 12. In 1978 it became a 7–10 school and was one of the original feeder schools to Bendigo Senior High School. In 1986, a Hearing Impaired Unit was established and in 1990 it underwent a name change to become Golden Square Secondary College. The Golden Square Secondary College campus closed on 28 November 2008. It merged with Kangaroo Flat and Flora Hill secondary colleges as part of the implementation of the Bendigo Education Plan. Its buildings were demolished. (Wikipedia https://en.wikipedia.org/wiki/Golden_Square_Secondary_College)Two wooden shields awarded to Golden Square Secondary College at the Melbourne School Bands Festival. Dark wood in the shape of a shield. a. Gold Shield awarded to the Junior Concert Band in 2001. TATMUSE AWARD for Outstanding Performance. Presented by Mr Richard Floyd. Sponsors represented by logos - Music Junction, Billy Hyde, RATMUSE (Music Publishers). Education Trust Vic. b. Yamaha Gold Award won by Golden Square Secondary College Intermediate Concert band 2003 at the Melbourne School Bands Festival. Presented to Symphonic Winds by Mr. K Waterworth. Award sponsored by Yamaha Music Australia, Billy Hyde Music. Blue border around a gold coloured shield.a. Sticker on the back of the Shield. "WINNING EDGE PRESENTATIONS Wholesale Trophy Framing and Giftware level 9 230 Collins Street Melbourne phone 9654 4911 Fax 9650 7106"gssc, sports top, music awards -
Kew Historical Society Inc
Photograph - Victorian Double-fronted Brock Villa, Cotham Road, c. 1919
The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending o the importance of the photographic atelier.Real estate photographs of a classic double-fronted late Victorian brick villa. It central location in Cotham Road, Kew enabled the selling agent to note its proximity to the tram. With seven rooms, all ‘modern conveniences’, and land of 66×167, the house was to be sold for £1100. The villa has a number of interesting features including a pattern within the slate roof as well as the use of polychrome brickwork under the eaves and on the façade. The intricacy of the cast iron lace is emphasised by the line of projecting wooden blocks above it. The picket gate is painted a different colour to the pickets of the fence. The house has a name (illegible) that is attached to the inset cast iron lace of the central projecting gable in the veranda. Stamped on mount: "Kew. Central. Close tram. / Comfortable Brick Villa. / Containing 7 rooms / Modern conveniences: / Land 66 x 167. Sold 1100 pounds:"houses - kew, victorian villas, real estate photographs, cotham road - kew -
Tennis Australia
Racquet, Circa 1928
A concave, wooden racquet, with glazed cloth-taped shoulders, fine plastic string whipping, and a medium-depth grooved handle. Inscription across the crown: SLAZENGERS'. Sticker or decal indicating model has been removed from throat on obverse. Inscription across throat on reverse advertises Swiss retailer, Och Freres, with a list of its retail centres. Below is inscription: 13799/PATENT/STRINGING. Inscription stamped along right side of handle: SLAZENGER LTD. Inscription along left side: LAURENCE POUNTNEY HILL/LONDON. E.C.4./MADE IN ENGLAND. Butt cover contains maintenance instructions. Materials: Wood, Nylon, String, Cloth tape, Metal, Glue, Lacquer, Leather, Plastictennis -
Tennis Australia
Racquet, Circa 1933
A Wright & Ditson 'All American' model wooden racquet with open throat and octagonal grooved handle. String whipping around shoulders, throat pieces and around base of throat. Leather end wrap. On obverse, model name appears as a decal atop throat on base of head. On both obverse and reverse the trademark, patent information and country of manufacture are printed on shaft. On reverse, Manufacturer name is printed as decal on base of head, above throat. Indistinct letters carved into handle,and into shaft. Instructions on side of throat state: BAL/FROM/THIS/POINT. On one side of shaft:WRIGHT & DITSON/MAKERS/MADE IN U.S.A. and further down:STRUNG BY. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Leather, Stringtennis -
Tennis Australia
Racquet, Circa 1928
A Wright & Ditson 'All American' model wooden racquet with open throat and octagonal grooved handle. String whipping and plastic reinforcements around shoulders and base of throat. Leather end wrap and butt cap. On obverse, model name appears as a decal atop throat on base of head. On reverse, manufacturer name is printed as decal on base of head, above throat. Instructions on side of throat state: BAL/FROM/THIS/POINT. On one side of shaft:'WRIGHT & DITSON/MAKERS/MADE IN U.S.A./LICENSED UNDER/PAT.NO.1664466' and further down:'STRUNG BY'. On other side of shaft:PATENTED/TOP FLITE CONSTRUCTION. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Leather, String, Plastictennis -
Friends of Westgarthtown
Milk Separator
Nickel plated skim milk and cream separator. Splits into six pieces; some pieces are believed to be missing. Two pieces are cylindrical and have long spouts that curve downwards at the ends. Conical shaped piece which goes in centre and has hole through the middle (This piece has removable brass screw). Long straight rod with wooden handle and small, threaded section at other end. Rounded, circular rubber band, probably used as seal. Large round pot with thin flanged rim, seated on raised base edges. Tap with fitting on one side. Round piece with three evenly spaced legs. both sides slightly domed - fits into upper separator piece.On the brass nut of the conical shaped piece is engraved "unscrew" with an arrow adjacent. "10516-C" with another arrow and oval shaped trademark with lines inside. Embossed on the external casing of the conical piece is "2".food technology, dairying, milk, cream, dairy, separator, nickel, steel. -
Mont De Lancey
Functional object - Horse hames, Unknown
Used on a farm in the late 19th or early 20th century.A pair of shaped steel horse hames which are linked together by a five links chain at the top to two rings. There are two large flat steel hooks attached to the sides with bolts, nuts and rivets and it has two metal rings at the bottom. It would have been attached to a horse collar and used to to distribute the load around a horse's neck and shoulders when pulling a wagon or plough. The collar often supports and pads a pair of curved metal or wooden pieces, called hames, to which the traces, which attach to the wagon or plough, of the harness are attached. The collar allows the horse to use its full strength when pulling. It was used in the late 19th or early 20th century.Indicipherable inscriptionhorses, horse accessories, harness, animal accessories, farm equipment, hames -
Wodonga & District Historical Society Inc
Machine - Singer Treadle Sewing Machine, The Singer Manufacturing Company, c1890
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s.| This sewing machine belonged to Isla Ilma Margaret Ernestine neeTasker, mother of Alfred Haeusler. Singer was first established as I. M. Singer & Co. in 1851 by Isaac Merritt Singer with New York lawyer Edward C. Clark. Best known for its sewing machines, it was renamed Singer Manufacturing Company in 1865, then the Singer Company in 1963. The Singer company began to market its machines internationally in 1855 and won first prize at the Paris world's fair that year. They had offices established in both Sydney and Melbourne by the mid-1960s. The company demonstrated the first workable electric sewing machine in 1910. Singer was also a marketing innovator and a pioneer in promoting the use of instalment payment plans, making their machines more affordable for many people. This item is from the Hauseler Collection which documents social life of early settlers in the Wodonga community.Singer "Coffin top" treadle sewing machine with extension table. The machine is mainly black and silver metal but is extensively decorated with coloured decals. The decorations on this machine features a pheasant design which also helps to date the machine as it was only used from 1890 to 1915. The sewing machine is set into a wooden table with and extension leaf and 6 drawers, 3 on either side. The frame and treadle mechanism are iron with a thin leather belt to drive the mechanism. The "coffin" shaped top sits over the machine to protect it when not in use and is easily removed. The extension leaf provides a larger working surface and folds down when not in use. The Singer logo attached to the front of the machine features a needle, shuttle and thread.On metal base plate: "PATENTED /DEC 5 -1882/ MARCH 20 - 1883/ AUG - 21 1888. Model no: L6485622 Along top of machine: "The Singer Manufacturing Co." Front right: Singer Company Logohaeusler family, wodonga pioneers, sewing machines, singer sewing macnine -
Wodonga & District Historical Society Inc
Certificate - Australian Railways Union, Victorian Branch, Past Officers Certificate, Wodonga Sub-Branch, 1926
The Wodonga line and train station opened in November 1873 when the section of the line from Wangaratta was completed. The expansion of the railways to the northeast of Victoria occurred after the Victorian Government took over the railways in 1867 and the trains serviced large towns such as Seymour, Wangaratta and Wodonga, as well as smaller towns along the way. The north- east train line to Wodonga remained a significant factor in the development of Wodonga as a rural city in the 20th century. The Past Officers Certificate has local significance as it was presented to Wodonga resident, Lachlan McEachern, who was President of the Wodonga Sub-Branch of the Victorian Branch of the Australian Railways Union, and there are other items that belonged to Mr Eachern in the collection of the Wodonga Historical Society. It also has wider significance as an example of a Past Officers certificate dated to the 1920s, as other examples in the collection of Museums Victoria are later and are dated to the 1930s, 1940s and 1950s. Dark brown wooden frame with a lighter brown wood and gold inner border on a Past Officers Certificate from the Victorian Branch of the Australian Railways Union, presented to L. McEachern in 1926, in recognition of services rendered as President of the Wodonga Sub-Branch. The certificate is a colour lithograph with black and white photolithograph images and a red embossed seal. The inscription on the certificate is surrounded by two Corinthian columns and a background illustration of a signal gantry at Flinders St Station. The signatures of the State President and State Secretary are faded. At the bottom of the certificate, there are black and white images of a suburban electric passenger train, "Unity Hall" which is the building where the Australian Railway Union offices were located and a steam train."AUSTRALIAN RAILWAYS UNION" "A.R.U" "AUSTRALIAN RAILWAYS / UNION / VICTORIAN BRANCH" "Presented to / L.McEachern / In Recognition / of Services Rendered / As President / of the Wodonga Sub-Branch /Year 1926" "State President / State Secretary"australian railways union, a.r.u., a.r. u. victorian branch, wodonga sub-branch, victorian railways, v.r., past officers certificate, flinders st station, railway unions, trade unions