One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the wreck of the "Tyro" on Ventnor Beach.local history, photography, photographs, wrecks, wreck of the "tyro", shipping, wreck, the tyro, john jenner, bryant west

Part of collection donated to the Museum by Mr. Bernard Grayden. 1975View of beach, Cowes (east of Jetty)local history, documents, postcards, beach, cowes, phillip island, sepia postcard, mr cox's hut, scenery views, bernard grayden

Colour photograph of the beach at Apollo Bay.apollo bay, beach, coast

Colour photographs of the beach at Cape Bridgewater.cape bridgewater, beach

Colour photograph of the pier at Rosbud beach. rosebud, rosebud pier, beach

Colour photograph of the pier at Rosebud Beach.rosebud, rosebud pier, beach

Colour photograph of the coastline at Rosebud Beach.rosebud, rosebud pier, beach

Colour photograph of the beach at Rosebud, Victoria.rosebud, beach

Harper factory buildings on Beach and Rouse Streets (colour photo). April 1977 View shows that demolition works have commenced. Roughly painted sign on gates saying "this site under security guard"built environment, built environment - commercial, harper's, demolition

Harper factory buildings on Beach and Rouse Streets (colour photo). c 1980s Internal view of some of the buildings awaiting redevelopment. Bare shell with supporting steel beams in place. Man inspecting interiorbuilt environment, built environment - commercial, harper's, redevelopment

Lasercopy from the original black and white photograph of the Graham Street level crossing taken from the station, looking towards the beach with the gates 'open' for a city-bound two-car 'Tait' train; 1960stransport - railways, doug smallpage (?)

This building at 21 Brougham Street, Eltham, known previously as The Light Factory, now Second Home restaurant, was designed by Alistair Knox and is one of the few commercial buildings he designed. It was a combined residential (rear) and factory (front) development. The Light Factory Gallery; OnlyMelbourne "The Light Factory Gallery was built in 1973 and is a classic example of his design. Exposed soaring six metre Oregon beams, handmade bricks, clerestory windows flood the building with natural daylight giving treetop views of the eucalypts that he designed the building around." The Light Factory Gallery. (2024, March 31). Retrieved from https://www.onlymelbourne.com.au/the-light-factory-galleryjim connor collection, brougham steet, eltham, alistair knox design, industries, restaurants, second home, the light factory gallery

The white disc at the front of the train is folded in half covering trhe white circle indicating this is the front of the train. When the full white disc is visible, this signifies the end of the train. See similar image taken just moments prior - https://www.victorianrailways.net/motive%20power/e/e.html "V.R. Cavalcade" Centenary 1854-1954 Exhibition (11-25 Sep 1954) presented a model railway occupying about 1,400 square feet in the Lower Town Hall featuring a number of model railway working scale models. The exhibition also included a display of rolling stock, track, electrical and other railway equipment held at Spencer Street Railway Station.Digital TIFF file Scan of Kopdak 620 black and white negative transparencygeorge coop collection, display, spencer street railway station, v.r. cavalcade, victorian railways centenary 1854-1954 exhibition, e-1101, e-class electric locomotive

The Myer store, at the south west corner of Armstrong and Sturt Streets, with the 'new' cantilevered verandah (and evidently still some building renovations happening). This building has had many tenants and occupiers, but has always been a department store, originally constructed 1869-71 for R.J. Mitchell. The architect was noted Ballarat architect H.R.Caselli. A replica of the 1901 verandah was built in the late 1980s. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. sturt street, myer store, christmas lights, christmas decorations, verandahs, ballarat, olympic games

Set of two views from an illustrated publication on Ballarat. 1 - Illustration - "Sturt Street Ballarat to-day" looking east from the City Fire station along Sturt St with an ESCo tram eastbound. The destination sign is mounted on the dash panel indicating c1905/1906. In the view are Ballarat's Buildings, Mount Warrenheip, J Taylor Redhouse Bakery, and on the bottom edge a sign for Marshall's. 2 - Illustration - Post Office Ballarat, to-day - with an ESCo tram turning from Sturt St into Lydiard St North, with the Post Office in the view along with many pedestrians and some horse drawn vehicles. See also item 6245 for a postcard of the same view.Yields information about Ballarat and city views in 1905/1906.Illustration cut from a magazine or publication - set of two - back to backThe second image has "1912" in pencil along the bottom edge.ballarat, illustrations, sturt st, esco, post office, lydiard st nth

Main St. looking East towards Big Hill from Coffee Palace Verandah over Present War Memorial area. 1878 Businesses from left Walters and Son Factory, General Furnishing Mart, Stawell Town Hall, J. & A. Price Wine Spirits & Provision Merchants, Stawell Post Office. On right south side of Main Street, two-storey wooden Bull & Mouth Hotel, Whiteside Taylors, Carters Boot shop, Lecky Draper, C. Mulcahy Post Office Hotel, G.J. Hewlett Baker & Confectionery, Iron Monger, Victoria House Bond Draper, Town Hall Hotel, J. Richards Fancy Repository. Victorian Views. C. Herbert, Photo. Stawell 1878stawell business streetscape

Richard Bate built ‘Avondale’ at 176 Union Road in 1883 as a display home for subdividers of the Windsor Park Estate auction in that year. Richard built many homes in the locality – probably including No.101 Guildford Road, almost identical to his home. Richard also built the Box Hill Shire Hall in the 1880s (replaced in 1934 by the Box Hill Town Hall). Richard junior and family retained this house until the 1950s. Occupied in 2000 by Julie Ellis. In May 2000 Richard's grandson Jack Bate and great-grandsons Alan and Geoff (all of whom are builders) visited 7 Norris Street and lent this photo for copying. Demolished after subsequent sale. A black and white photograph of a Federation/Edwardian style timber house with detailed lacework around the veranda. There is a man standing on the right side of the photo. He is wearing a hat and is sporting a long white beard.norris street, surrey hills, house names, avondale, camelford, windsor park estate, box hill shire hall, builders, federation style, edwardian style, richard bate

BDM records: Birth: Harrison Walter Spare Buchanan b 1900, Surrey Hills, son of Amelia Jane Spare and William Tennant Buchanan; died 1977 at Box Hill. Electoral roll records: 1924: Harrison Walter Spare Buchanan (clerk), Amelia Jane Buchanan (HD) and William Tennant Buchanan are listed at 22 Albion Street, known as ‘Brenston’. This and No 24 ‘Thulecroft’ were built in 1907/08 by brothers-in-law Harrison Rotherham & William Buchanan. They used a process new to Melbourne at the time – making concrete bricks for which they used sand from Middlesex Road. Harrison Buchanan, son of William, is the small boy in the photo. Black and white photo of a brick house under construction. The walls are complete and also the roof trusses and chimneys but there is no tiling. A group of 6 men and a boy pose in front of the house, on scaffolding and on the roof.SH732 in pencil on the rear.brenston, thulecroft, house names, (mr) harrison rotherham, (mr) william tennant buchanan, (mr) harrison walter spare buchannan, (mr) amelia jane spare, kathleen martha mcfarland, kathleen martha harrison

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

A newspaper article promoting Legacy Week in The Age on 7 September 1960. The caption of the photo says 'Executive Officers of Legacy, Mrs Judith Saxon, Mrs Edith Upton and Mr Ivan Layton, were busy yesterday preparing badges and tins for the street appeal which will be held on Friday as part of Legacy week.' Behind them is a poster with the slogan 'Help Legacy' with an image of a Legacy Boy that was printed as a brochure in 1960 with the slogan 'The Legacy Boy, worthy son of a worthy father.' The article was cut from the newspaper and pasted into a scrap book of press clippings. For many years Legacy kept scrap books of press clippings that related to their work and publicity.A record of publicity photos taken in 1960 for promoting Legacy during Legacy week and an early example of the type of collection tins used in the 1960s.Newspaper article of three people with collection tins for Legacy week in 1960 pasted to brown page of a scrap book .legacy week, fundraising, ivan layton

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Walter Withers once lived at the corner of Bolton and Brougham Streets, Eltham. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p105 Walter Withers, one of Australia’s most famous artists, once lived in Southernwood, the weatherboard house at the corner of Bolton and Brougham Streets, Eltham. Withers, one of the first prominent artists to live in Eltham, was known for his lyrical paintings of the Australian bush and is associated with the Heidelberg School of artists. Withers was born in 1854 at Handsworth, Warwickshire, England, the grandson of an artist. He studied art at the Royal Academy of Arts, London. But in 1882 his father, opposing an artistic career for Withers, ordered him to go to Australia. However, after working as a jackaroo on several country properties for 18 months, Withers resumed painting in Melbourne, where he enrolled in evening art classes at the Melbourne National Gallery school of painting under G F Folingsby. Employed as a draughtsman by William Inglis & Co, then by Ferguson & Mitchell, lithographic printers, Withers produced portraits in black-and-white for several periodicals. His work was exhibited in the Old Academy, Melbourne. At this time he met and became life-long friends with artists Frederick McCubbin, Tom Roberts and Louis Abrahams. In 1887 Withers went to England and married Fanny Finn. They lived in Paris for awhile, where Withers studied at the Academie Julian. After his return to Melbourne in 1889, Withers lived at the artist camp at Eaglemont, then moved close to the Charterisville mansion, where he established a studio and sub-let cottages to other artists. Around 1892 Withers opened a Collins Street studio, had his first exhibition, and started giving painting classes. One of his pupils was Norman Lindsay, also to become a prominent artist. Withers had long been attracted to Eltham, but had to wait until 1903 to live there, after the railway line was extended to Eltham in 1902. He could then commute to the painting classes he gave in Melbourne. Withers lived on the two and a half acres (1.0ha) Bolton Street property with his wife and five children. They were joined for a short time by prominent painter Sir Hans Heyson who took lessons from Withers. Withers added a studio to the Queen Anne/Edwardian style seven-bedroom home, which had been built in 1891. Each bedroom included a fireplace and most rooms had 12 foot high (3.6m) ceilings. The house retains several fine leadlight windows. Withers painted his largest canvas The Return from the Harvest in 1905, at his Eltham studio. He is represented in national, state and regional galleries, and in many private collections in Australia and abroad. In 1904-05 Withers was president of the Victorian Artists’ Society. Withers at times stayed during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham. Withers lived in Eltham until his death in 1914, aged 60 years. He had been plagued by rheumatism and in later life by heart and lung disease. It is said he died of a stroke peacefully in a rocking chair in front of the lounge-room fire. He is buried at St Helena in the St Katherine’s Anglican Church cemetery. In 1983, the auction of the house sparked fears that it would be pulled down, or substantially altered. Fortunately the new owners decided to retain the house. Some security was given to the house’s future when it was later included in the Heritage Overlay to the Nillumbik Planning Scheme. The property is also important because it is one of only a few left in the district, which were once owned by noted artists. These include three in Warrandyte: one formerly owned by Penleigh Boyd, another by Frank Crozier, and the other by Danila Vassilieff; and two in Eltham: Percy Leason’s in Lavender Park Road and Justus Jörgensen’s Montsalvat. A small park at the corner of Bible and Arthur Streets, Eltham is named in Walter Withers’ honour.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, bolton steet, brougham steet, eltham, southernwood, walter withers house

Longmore’s was a manufacturing chemical pharmacy of many over-the-counter preparations, including Sulphur Hair Restorer, Strengthening Tonic, Blood and Liver Pills, Asthmacur (for asthma) and Hoyle’s Miraculous Oil (for miracles unknown), He was a native of New South Wales, but his father, Mr. Joseph Longmore settled in Melbourne in the late 1850s. Mr Longmore was educated at the Melbourne Grammar School, and leaving early, he studied and qualified as a chemist. Argus “12 October 1921, Mr. Francis Longmore, chemist of Bourke Street was at his business on Saturday but he had a chill which developed into pneumonia, and he died yesterday morning. The funeral will leave from his residence Wontravell, Gower Street, Kensington. He was a widower, his wife having died a year ago and he leaves a grownup family of 2 sons and 6 daughters. Carlisle Francis Longmore and his certificate number as a pharmacist was No. 1440; he qualified as a pharmacist at his final exam in Victoria on 11 September 1905. He had three pharmacies in addition to the address on the covers, one on the corner of Flinders and King Streets, Melbourne, one at 130 Bourke Street East and one Brunswick Street, North Fitzroy. He also had another sideline in addition to his pharmaceuticals and this was White Crow Jelly Crystals made at his Food Products division in Melbourne A cardboard cylindrical container with a lift-off lid for 'Longmores Asthmapulv'.Lid ASTHMAPULV. Around Lid ASTHMAPULV /FOR / ASTHMA Relieves/ ASTHMA / HAY FEVER / BRONCHITIS / ASTHMAPULV / "This preparation contains......... labelled Poison" / Approx. Contents 3 1/2 oz. / LONGMORES / 361 Bourke Street / MELBOURNE / For Inhalation Only / DIRECTIONS ................ / Invaluable in severe cases of Asthma. ......... / (Patent Medicine) Act 1942........* pharmacy, medicines, longmore c.. francis, longmore joseph, asthma, hospitals, nursing, containers, moorabbin, bentleigh, cheltenham, melbourne

Baker and Grocer store, cnr. Main Road and York Street, Eltham, early 1900s. Sign on side of building "Baker, Grocer & Summer Drinks" This image appears to be of the baker/grocery store after it was purchased in 1902 by Mrs Sarah Burgoyne and her husband, John James Thomas Burgoyne. It is possible that Mrs Sarah Burgoyne is the lady in front of the store with her eldest daughter, Charlotte and youngest son, James. Another daughter (Frances) and the family dog are watching from the doorway. In 1902 Mrs Sarah Burgoyne purchased from Wilfred Henry Johnston, the property on the southern corner of Main Road and York Street, Eltham, which consisted of a store and bakery establishment occupied by Mr. Luther Haley whose lease had expired around the same time. Mr. Haley had not been prepared to leave as he was unable to secure at Eltham a suitable house in which to carry on his business. Wilfred Johnston applied for an eviction of Hayley, which was heard at Eltham Courthouse in August 1902. Hayley advised he was building a place near the railway station which he expected to be done in about three weeks’ time. The court gave him the three weeks to vacate. Hayley’s new premises near the station became the present shopping district’s first shop and he ran it successfully till 1917 when the family moved to Clifton Hill, and he became a publisher. Their eldest child Leslie drowned in the Diamond Creek in early 1904, aged 12.Sepia photograph mounted on cardeltham, eltham bakery, grocer, john james thomas burgoyne, main road, sarah jane burgoyne (nee benson), summer drinks, york street

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Historical Society by the Shire of Phillip IslandPhotograph of freight vessel "Vision" beached in surf at Ventnor Beach - port side - with two horses and drays and men loading bags of Chicory and Onions - three dogs. Ventnor beach was used when wharf charges were high.local history, photography, photographs, film maritime technology, cargo handling, freighter "vision" - loading chicory and onions, black & white photograph, freight vessel vision, ventnor beach, chicory and onions, horses and drays, john jenner, bryant west

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country