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University of Melbourne, Burnley Campus Archives
Work on paper (item) - Student Work, Caitlin Taylor, Luminous Landscape Design Documentation Plan, 5th November 2018
Submitted as an assignment for HORT90035, a subject at Burnley Horticultural College coordinated by Andrew Laidlaw. -
Mt Dandenong & District Historical Society Inc.
Photograph, 'Pretty Corner' FiveWays c1911
Oval photo, landscape view. Mountjoy on hill. Side view of the Post Office with residence showing the fence and a sign. Two children on Ridge Road and two girls outside the Methodist Church, which is not in view.post office, pretty corner, mountjoy, ridge road, fiveways -
Surrey Hills Historical Society Collection
Photograph, Opening of St Theodore's Church, Wattle Park, 1953
The church was opened in 1947. Andrew Ward wrote a history of it in 1987. Title: " St Theodore's Anglican Church Wattle Park - A History of a Small Parish: 1947-1987." (Not in our collection) Norman Carter took many photos of Surrey Hills and Mont Albert from the 1920s; many were associated with events and activities of the Church of England.Black and white photo of a large group of people gathered around the exterior of a simple, light coloured timber building with a porch with a side door and 3 sash hung windows. The surrounding ground is crudely landscaped.On back in ink: "Opening / St Theodores Wattle Park / prob. 1953"st theodore's church, churches, anglican churches, wattle park, norman carter -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - WWI LH resting, November 1917
The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse.Comparatively rare collection of photographs of 8th Light Horse (AIF) on operations in Egypt and Sinai 1916-1918.Black and White photograph of column of horsemen, dismounted, in desert landscape. Two figures reclining at left foreground. Part of a collection of photographs of 8th Light Horse (AIF) on operations in Egypt and Sinai 1916-1918."Resting in Wadi Ghuzzie outside Beershaba (slopes of Tel el Saba top right)"beersheba, light horse, wwi, world war one, egypt, wadi ghuzie -
Orbost & District Historical Society
black and white photograph, Howard D. Bulmer, 1936?
Marlo was once a very busy port. Goods needed by the early settlers were carted by sea-going vessels to Marlo. At the Marlo wharf goods were unloaded from the large vessels onto barges and towed by paddle steamers to Orbost. (information - In Times Gone By - Deborah Hall)The Marlo Hotel, perched on the hill overlooking the estuaries and the entrance is a significant building in Marlo. Established in 1886, it has been operating for over 120 yearsA black / white photograph of the Marlo landscape. In the background is the Marlo Hotel. Appears to have been taken from Corringle looking out over ocean and Snowy River. The Marlo Hotel can be seen on the right.Thon front - "Marlo from Sand Hummock"; "Bulmer copyright"marlo-landscape marlo-hotel-township -
Churchill Island Heritage Farm
Photograph - Photograph of a landscape
Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940.Sepia photograph white narrow white border of a landscape at Churchill Island with a paddock, fences, and some trees surrounding the water. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans -
Diamond Valley Vietnam Veterans Sub-Branch
Photograph - Long Tan, c2002
A commemoration ceremony at the Long Tan Cross, Vietnam with Australian soldiers reflecting on the battle and the cost therein; supported by two pipers. Includes the Heading for the text: The Pipers Lament to the dead of Long Tan by 6RAR/NZ Battalion. Photograph AWM Bel 69/556VN.The Long Tan Cross is a memorial which was erected by the 6th Battalion, Royal Australian Regiment on 18 August 1969 to mark the site of the Battle of Long Tan, which was fought three years earlier during the Vietnam War. While the cross was removed following the Communist victory in 1975 and used to commemorate a priest, it was recovered by the Đồng Nai Province Museum in 1984 and placed on display. A replica cross was also erected on the battlefield during the 1980s, and is frequently visited by Australian Vietnam War veterans. The original Long Tan Cross was gifted to Australia in 2017 and placed on permanent display at the Australian War Memorial in Canberra.Photograph in landscape format of Pipers Lament, with Guards, at Long Tan Cross, Vietnam, respecting the soldiers who died in the Battle of Long Tan, 1966; includes short text describing Battle of Long Tan.Text describing in brief the background of the Battle of Long Tan.vietnam, vietnam war, battle of long tan, diamond valley vietnam veterans sub branch -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority ArchivesFront: 60% - bottom right, blue biro Back: Border ruled around edge in pencil 19 (in circle) 28 cms wide x 20 1/2, bottom border, pencilport of portland archives -
Bendigo Military Museum
Photograph - PHOTOGRAPH, BCOF, 2018
Photo taken in 2018 when reunion held for BCOF (British Commonwealth Occupation Forces) 1945-52. Shows surviving servicemen in attendance. Items in the collection of Richard William McGILVERY, RAAF. Ref Cat. No 7287P for his service details, photos and awards.Large laminated landscape photo of members of BCOF. Picture of 9 Ex- servicemen in civilian clothes, wearing their service ribbons and standing in front of cenotaph at Corowa. Picture laminated in hard plastic on both sides.bcof, reunion, richard william mcgilvery -
Glen Eira Historical Society
Album - Album page, Ripponlea, 192 Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards -
Melbourne Tram Museum
Document - Report, Melbourne & Metropolitan Tramways Board (MMTB), "CBD Employment Densities", Jul. 1974
Report - Foolscap landscape format, red comb binding - approx. 40 pages with notes, diagrams and maps - titled "CBD Employment Densities", dated July 1974. Has one loose sheet with notes.In top right hand corner "Lees" in penciltrams, tramways, mmtb, tramways, city of melbourne, surveys -
Stawell Historical Society Inc
Photograph, St. Matthew’s Presbyterian Church
St. Matthew’s Church showing footpath and fence. The church is located in Scallon Street Stawell. St. Matthew's church was erected in 1868. The Spire was completed in March 1869 and the Church was dedicated on 11th April 1869. Now the United Church. Large photo of St. Matthew's Church taken from a post card in Album 13. p.28. The photo similar to 121.4 but shows the road, footpath and gate way in the picket fence with trees in the landscape.POST CARD The "Merle Studio" Main Street Stawell. stawell religion -
Bendigo Historical Society Inc.
Slide - RALPH BIRRELL COLLECTION: EIG SCHOOL, c1966
EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1966, 1972. Bendigo Institute of Technology, Engineering School, Applied Science. View of building with round theatre behind it. Landscaping yet to be done.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1966, 1977. bendigo institute of technology, engineering school, applied science. building round theatre behind landscaping no done -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: MINING LANDSCAPE - NEW CHUM GULLY, BENDIGO, 1860-70's
Black and white copy of landscape showing many poppet heads, mining activity in New Chum Gully, Bendigo. Fortuna Villa visible on ridge line, rear of photo. Horse and covered cart in foreground.unknownperson, individual, basil miller -
Bendigo Historical Society Inc.
Document - FIRST PRIZE CERTIFICATE, 1974
Certificate and entry tickets: Certificate awarded to F. T. Kennedy for entry in Photography, for 'landscape or marine' Certificate is pale green, with darker green border. Certificate belongs to item 1175 a. Photo by F.T. Kennedy.document, certificate, f.t. kennedy -
Bendigo Historical Society Inc.
Document - JOSEPH MARTIN BRADY: DOCUMENTATION, 2004
Joseph Martin Brady documentation - two pages - life history - written by Geoff Russell 2004. With 5 item bibliography. Also - page on Brady from internet (but bad copy - printed on portrait, not landscape)Geoff Russellperson, individual, joseph martin brady, sir john coode, melbourne harbour trust, bendigo water works, brisbane board of water works, victorias north eastern railway. queensland first engineer of harbours & rivers. joseph brady. -
Bendigo Military Museum
Photograph - PHOTOGRAPH - FRAMED WW1, Wayne Eels, C.2008/2009
The Grinton Collection. War damaged town or city. Refer Cat No, 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a landscape of damaged and shattered buildings and rubble with a road and a vehicle in the foreground. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "H. War Damage".framed accessories, camera on the somme, 38th bn, grinton, ww1, war damage -
Kew Historical Society Inc
Photograph, J F C Farquhar, Railway Bridge Over the Yarra, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Completed in November 1890, the railway viaduct (now the Chandler Highway Bridge) linked Kew and Fairfield. The viaduct is significant as the most substantial extant engineering remnant of the Outer Circle Railway Line. Opened in March 1891, the viaduct crossed the Yarra River in a single span, atop three supporting brick pillars. Following the closure of the railway line in 1927, and the construction of the Chandler Highway in 1930, the bridge was used for vehicular traffic. In 1891 when this panoramic photograph was taken, the grounds of what was then the Kew Lunatic Asylum extended down to the River and eastward beyond the viaduct. The landscape surrounding the Asylum was planted with traditional exotic trees such as Oaks, Pines and Cedars, and landmark trees from northern Australia such as the Hoop Pine. Remnant indigenous trees such as the River Red Gum, Yellow Box and Lightwood were scattered around the site, including beside the Yarra River.Railway Bridge Over the Yarrakew illustrated, kew where we live, photographic books, henry kellett, railway viaduct - - kew (vic) -
Kew Historical Society Inc
Book, Henry de Castres Kellett BT, Kew Where We Live : Kew Illustrated, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.A unique Illustrated book, comprising a series of twelve plates of panoramic and landscape photographs of Kew, commissioned from the Melbourne (and Kew) photographer JFC Farquhar, by the Kew stationer Henry Kellett. The book was published in 1891, so it is presumed that the photographs provided by Farquhar were taken in 1891 or in the previous year. Photographs from the cloth bound book were offered by Kellett for sale separately; hence a number are in public collections. The book is in very poor condition, the leaves having separated from the spine. The cover is suffering from red rot while the mounts of each book plate are dirty and frequently suffering from foxing. The actual silver albumen plates variably suffer from foxing and iridescence caused by the deterioration resulting from the photographic process. Each part of the book can be viewed in this record in sequential format.KEW WHERE WE LIVE / KEW ILLUSTRATED / THE ACCOMPANYING ILLUSTRATIONS ARE PHOTOGRAPHIC VIEWS OF KEW AND ITS SURROUNDINGS, EXECUTED BY THE "ARGENTIC BROMIDE PROCESS", WHICH ENSURES ABSOLUTE PERMANENCY OF THE PHOTOGRAPH. IN A FEW YEARS HENCE WHEN MOST OF THE OLD LANDMARKS WILL HAVE DISAPPEARED THESE VIEWS WILL BE A VALUABLE MEMENTO OF KEW AS IT WAS IN 1891. ANY OF THESE ILLUSTRATIONS GAN BE OBTAINED FROM MR. H. KELLETT, HIGH STREET, KEW, IN SINGLE COPIES, IN THE SAME SIZE AS THOSE HEREIN AT 2s PER COPY. THEY MAY ALSO BE OBTAINED IN THE FOLLOWING SIZES FOR FRAMING:- / ACTUAL SIZE OF PHOTOGRAPH 15 INCHES X 12 INCHES @ 8. 6d EACH / 22 INCHES X 16 INCHES @ 15s EACH / PRIVATE RESIDENCES AND ESTATES / SPECIAL ARRANGEMENTS CAN BE MADE FOR TAKING VIEWS OF PRIVATE RESIDENCES - INTERIOR AND EXTERIOR - AND FOR GROUPS, &C., IN ANY SIZE UP TO 40 INCHES BY 30 INCHES BY THE "ARGENTIC BROMIDE" PROCESS UPON APPLICATION TO / MR H. KELLETT / HIGH STREET, KEW.kew illustrated, kew where we live, photographic books, henry kellett, jfc farquhar - photographer -
Greensborough Historical Society
Booklet, Lower Plenty River Heritage Walk Sunday 27 October 2013, 27/10/2013
This booklet was used during the Heritage Walk along the Lower Plenty River in October 2013. It outlines natural and built landscapes of interest along this trail. 24 pages, illus. (some col.), maps.lower plenty, plenty river, lower plenty river heritage walk -
National Wool Museum
Poster
Colour poster for the Woolmark Company. Long, landscape orientation illlustrating flock of sheep with text in white below: "Wool. The feeling of Australia" with Woolmark logo.sheep - australian wool marketing, sheep - australian, wool marketing -
Creswick Campus Historical Collection - University of Melbourne
Still Image, K.J. Simpfendorfer, 1963 - 1966
About 240 slides of various landscapes including tree species with handwritten index in wooden Filco box with 2 metal catches and metal handlePhotographic slidesK.J.Simpendorfer Forestry -
National Wool Museum
Poster
Colour poster for the Woolmark Company. Long, landscape orientation illlustrating flock of sheep with text in white below: "Wool. The feeling of Australia" with Woolmark logo.One of several posters donated by Woolmark.sheep - australian, woolmark company australian wool corporation -
Women's Art Register
Book, Virago Press Limited, The Art & Life of Georgia O'Keeffe, 1986
Illustrated, extensively researched overview of O'Keeffe's life and practice including images of works, photographs by her partner Stieglitz, letters and interviews.Booknon-fictionIllustrated, extensively researched overview of O'Keeffe's life and practice including images of works, photographs by her partner Stieglitz, letters and interviews.painting, abstraction, watercolour -
Flagstaff Hill Maritime Museum and Village
Pouch
Gunpowder Pouch, leather decorative with metal, spring operated release mechanism for releasing a measured amount of powder. Leather has finely worked landscape with 2 birds set in circular display on both sides of pouch. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, gun powder, musket, gunpowder -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED
Tobruk panorama. Black plastic frame, glass front, white cardboard backing, black & white photograph with cream border. Photo in 5 sections showing Tobruk township & surrounding landscape of desert & military vehicles. LHS bottom front: Donation info sticker Centre front: Tobruk sticker Blue sticker on backing: Bendigo City Framersphotograpy - photographs, frame accessories, tobruk -
Chiltern Athenaeum Trust
Painting - Oil painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern -
Victorian Aboriginal Corporation for Languages
Book, Megan Goulding et al, Moreland post-contact Aboriginal heritage study, 2006
This study aims to identify Aboriginal heritage sites and landscape associations in the Moreland municipality that date from the pre-contact period through to the early contact period when Europeans settled in and around the area, to the present day.maps, colour photographs, b&w photographs, tableswoiworung, woi wurrung, wurundjeri, waa, bunjil, werribee river, port phillip, mount baw baw, great dividing range, yarra river, eastern kulin, gunung willam balluk, william barak, john batman, william thomas, moreland history, moieties, local history, colonisation -
University of Melbourne, Burnley Campus Archives
Work on paper (item) - Student Work, Anton Bialylew, Kneebone Project Landscape Design, Uncertain, probably 2017-2018
Made as an assignment for HORT90035, a subject at Burnley Horticultural College coordinated by Andrew Laidlaw. -
Hume City Civic Collection
Photograph, early 1980s
The Headland Estate housing development began in the early 1980s. It was situated west of Sunbury and was bounded by Elizabeth Drive, Reservoir Road, Phillip Drive and Stewart's Lane.A coloured landscape photograph with rounded corners of a view of Sunbury overlooking the Headland Estate before its development. There is a rocky outcrop on the LHS of the photograph and a lightly timbered area in the middle distance. Sunbury can be seen in the distance.headland estate, mt. holden, sunbury township, george evans collection